Walter Scott

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

It is the time of the Jacobite uprising of 1745 which sought to restore the Stuart dynasty in the person of Charles Edward Stuart, known as "Bonnie Prince Charlie". A young English dreamer and soldier, Edward Waverley, is sent to Scotland that year. He journeys north from his aristocratic family home, Waverley-Honour, in the south of England, first to the Scottish Lowlands and the home of family friend Baron Bradwardine, then into the Highlands and the heart of the rebellion and its aftermath.

The Lady of the Lake is a narrative poem tremendously influential, and serving as inspiration for the Highland Revival. It is composed of six cantos, each of which concerns the action of a single day. The poem has three main plots: the contest among three men, Roderick Dhu, James Fitz-James, and Malcolm Graeme, to win the love of Ellen Douglas; the feud and reconciliation of King James V of Scotland and James Douglas; and a war between the lowland Scots (led by James V) and the highland clans (led by Roderick Dhu of Clan Alpine).

Qventin Durward by Walter Scott

From the opening sequence, a horse ride home by the surgeon of the title, Scott takes us straight into his story which contains some Dickensian surprises and later on an exotic Empire location. Scott's childhood lameness might go some way to explaining the liberating horse riding sequences which in turn might explain his popularity in America. This is a Western set in a Scottish climate. (Goodreads)

In "The Monastery'' we find ourselves in Protestant England. So widespread has been the Reformation, that the monks are not only alarmed about their prestige, but their property as well. The country has been in a general state of unrest from the beginning of Queen Mary's reign until the year 1550; when peace is restored and the monks repair their ravaged shrines. "The Monastery of St. Mary" (Melrose Abbey) has been untroubled for several years, at the commencement of this tale. (Amazon)

The Betrothed by Walter Scott

First published in 1820, historical novel set in the 16th century, in Scotland, at the time of Mary Queen of Scots; one of Sir Walter Scott's "Tales from Benedictine Sources." According to Wikipedia: "Sir Walter Scott, 1st Baronet (1771 – 1832) was a prolific Scottish historical novelist and poet popular throughout Europe during his time. In some ways Scott was the first English-language author to have a truly international career in his lifetime, with many contemporary readers all over Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of The Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor."

Guy Mannering, Or, the Astrolog by Walter Scott

Sir Edward Mauley is "The Black Dwarf," a character based on a very real man of Scott's acquaintance. Mauley becomes involved in the quarrel of a friend -- and, when imprisoned for his actions in that quarrel, finds himself betrayed by the very man in whose cause he lost his liberty. When free, he goes to Mucklestane Moor, where his extraordinary strength, knowledge of medicine, and ready wealth lead the local people to regard him as a supernatural being -- a servant of the Devil. . . .

Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister Unnamed' in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed's exploration of love, power and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.

On a brisk autumn day, a thirteen-year-old boy stands on the shores of the gray Atlantic, near a silent amusement park and a fading ocean resort called the Alhambra. The past has driven Jack Sawyer here: his father is gone, his mother is dying, and the world no longer makes sense. But for Jack everything is about to change. For he has been chosen to make a journey back across America–and into another realm. One of the most influential and heralded works of fantasy ever written, The Talisman is an extraordinary novel of loyalty, awakening, terror, and mystery. Jack Sawyer, on a desperate quest to save his mother's life, must search for a prize across an epic landscape of innocents and monsters, of incredible dangers and even more incredible truths. The prize is essential, but the journey means even more. Let the quest begin...

The Bride of Lammermoor is a historical novel by Sir Walter Scott, set in Lammermuir Hills Scotland in the reign of Queen Anne (1702–1714). The novel tells of a tragic love affair between Lucy Ashton (Janet Dalrymple) and her family's enemy Edgar Ravenswood. Scott indicated the plot was based on an actual incident. The Bride of Lammermoor and A Legend of Montrose were published together in 1819; together they form the third series of Scott's Tales of My Landlord. The story is the basis for Donizetti's 1835 opera Lucia di Lammermoor.

The Novel or Romance of Waverley made its way to the public slowly, of course, at first, but afterwards with such accumulating popularity as to encourage the Author to a second attempt. He looked about for a name and a subject; and the manner in which the novels were composed cannot be better illustrated than by reciting the simple narrative on which Guy Mannering was originally founded; but to which, in the progress of the work, the production ceased to bear any, even the most distant resemblance. The tale was originally told me by an old servant of my father’s, an excellent old Highlander, without a fault, unless a preference to mountain dew over less potent liquors be accounted one. He believed as firmly in the story as in any part of his creed.

Set on the eve of the Protestant Reformation in Scotland, The Monastery is full of supernatural events, theological conflict, and humour. Located in the lawless Scottish Borders, the novel depicts the monastery of Kennaquhair (a thinly disguised Melrose Abbey, whose ruins are still to be seen near Scott's own home at Abbotsford) on the verge of dissolution, and the fortunes of two brothers as they respond to a new social and religious order. Highlights of the narrative include a moving encounter between two representatives of opposing sides in the Reformation controversy who had been students together in less troubled times, and the final formal procession of the Kennaquhair monks as the Reformed forces arrive. A talking-point when the work was first published, the mysterious spectral White Lady, guardian of the magical Black Book, still intrigues readers. A strong comic element is provided by Sir Piercie Shafton with his absurd linguistic mannerisms fashionable at the English court. The narrative is preceded by one of Scott's most charming and playful introductory exchanges between the fictional local antiquary Cuthbert Clutterbuck and the Author of Waverley.

The story opens dramatically with the repercussions of the murder of the Archbishop of St.Andrews by a group of "Covenanting Whigs" and spans ten years of tumult: from the defeat of John Graham of Claverhouse by the covenanters at Drumclog, and the victory of the Duke of Monmouth over the Covenanters at Bothwell Bridge, to the aftermath of the batle at Killiecrankie in 1689.

A certain degree of success, real or supposed, in the delineation of Queen Mary, naturally induced the author to attempt something similar respecting “her sister and her foe,” the celebrated Elizabeth. He will not, however, pretend to have approached the task with the same feelings; for the candid Robertson himself confesses having felt the prejudices with which a Scottishman is tempted to regard the subject; and what so liberal a historian avows, a poor romance-writer dares not disown.

It is not my purpose to inform my readers how the manuscripts of that eminent antiquary, the Rev. J. A. ROCHECLIFFE, D.D., came into my possession. There are many ways in which such things happen, and it is enough to say they were rescued from an unworthy fate, and that they were honestly come by.

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Anne Of Geierstein; Or, The Maiden Of The Mist, Volume 1; Anne Of Geierstein; Or, The Maiden Of The Mist; Simpkin, Marshall And Co Sir Walter Scott null null Printed for Cadell and Co., Edinburgh; and Simpkin and Marshall, London., 1829 France

The times have changed in nothing more (we follow as we were wont the manuscript of Peter Pattieson) than in the rapid conveyance of intelligence and communication betwixt one part of Scotland and another. It is not above twenty or thirty years, according to the evidence of many credible witnesses now alive, since a little miserable horse-cart, performing with difficulty a journey of thirty miles per diem, carried our mails from the capital of Scotland to its extremity. Nor was Scotland much more deficient in these accommodations than our rich sister had been about eighty years before. Fielding, in his Tom Jones, and Farquhar, in a little farce called the Stage-Coach, have ridiculed the slowness of these vehicles of public accommodation. According to the latter authority, the highest bribe could only induce the coachman to promise to anticipate by half-an-hour the usual time of his arrival at the Bull and Mouth.