"A splash of chloroform . . ." The drunken man was staggering -- but he was quite alive, when the thoughtful gentleman stumbled upon him in the thick Melbourne night, and hailed a cab to take him home. By the time the cabdriver was in the proper neighborhood and was turning around to ask directions, the cabbie discovered he was driving around an unconscious man . . . slumped forward with a chemical-soaked handkerchief tied around his mouth Unconscious -- or dead New Zealand lawyer and writer Fergus Hume achieved immediate, widespread attention for his first novel, "The Mystery of a Hansom Cab," when it first appeared in 1886. This remarkable novel, when published in England, became more the talk of London than even Conan Doyle's "A Study in Scarlet," issued soon thereafter. Hume's other detective novels included "The Opal Serpent" and "The Silent House."
In its original form, "The Mystery of a Hansom Cab" has reached the sale of 375,000 copies in this country, and some few editions in the United States of America. Notwithstanding this, the present publishers have the best of reasons for believing, that there are thousands of persons whom the book has never reached. The causes of this have doubtless been many, but chief among them was the form of the publication itself. It is for this section of the public chiefly that the present edition is issued.
In placing it before my new readers, I have been asked by the publishers thoroughly to revise the work, and, at the same time, to set at rest the many conflicting reports concerning it and myself, which have been current since its initial issue. The first of these requests I have complied with, and the many typographic, and other errors, which disfigured the first edition, have, I think I can safely say, now disappeared. The second request I am about to fulfil; but, in order to do so, I must ask my readers to go back with me to the beginning of all things, so far as this special book is concerned.
The writing of the book was due more to accident than to design. I was bent on becoming a dramatist, but, being quite unknown, I found it impossible to induce the managers of the Melbourne Theatres to accept, or even to read a play. At length it occurred to me I might further my purpose by writing a novel. I should at all events secure a certain amount of local attention. Up to that time I had written only one or two short stories, and the "Cab" was not only the first book I ever published, but the first book I ever wrote; so to youth and lack of experience must be ascribed whatever was wanting in the book. I repeat that the story was written only to attract local attention, and no one was more astonished than I when it passed beyond the narrow circle for which it had originally been intended.
My mind made up on this point, I enquired of a leading Melbourne bookseller what style of book he sold most of He replied that the detective stories of Gaboriau had a large sale; and as, at this time, I had never even heard of this author, I bought all his works - eleven or thereabouts - and read them carefully. The style of these stories attracted me, and I determined to write a book of the same class; containing a mystery, a murder, and a description of low life in Melbourne. This was the origin of the "Cab." The central idea i.e. the murder in a cab - came to me while driving at a late hour to St. Kilda, a suburb of Melbourne; but it took some time and much thought to work it out to a logical conclusion. I was two months sketching out the skeleton of the novel, but even so, when I had written it, the result proved unsatisfactory, for I found I had not sufficiently well concealed the mystery upon which the whole interest of the book depended. In the first draft I made Frettlby the criminal, but on reading over the M.S. I found that his guilt was so obvious that I wrote out the story for a second time, introducing the character of Moreland as a scape-goat. Mother Guttersnipe I unearthed in the slums off Little Bourke Street; and I gave what I am afraid was perhaps too vivid a picture of her language and personality. These I have toned down in the present edition. Calton and the two lodging-house keepers were actual personages whom I knew very well, and I do not think I have exaggerated their idiosyncracies, although many have, I believe, doubted the existence of such oddities. All the scenes in the book, especially the slums, are described from personal observation; and I passed a great many nights in Little Bourke Street, gathering material.
Having completed the book, I tried to get it published, but every one to whom I offered it refused even to look at the manuscript on the ground that no Colonial could write anything worth reading. They gave no reason for this extraordinary opinion, but it was sufficient for them, and they laughed to scorn the idea that any good could come out of Nazareth - i.e., the Colonies. The story thus being boycotted on all hands, I determined to publish it myself, and accordingly an edition of, I think, some five thousand copies was brought out at my own cost. Contrary to the expectations of the publishers, and I must add to my own, the whole edition went off in three weeks, and the public demanded a second. This also sold rapidly, and after some months, proposals were made to me that the book should be brought out in London. Later on I parted with the book to several speculators, who formed themselves into what they called "The Hansom Cab Publishing Company." Taking the book to London, they published it there with great success, and it had a phenomenal sale, which brought in a large sum of money. The success was, in the first instance, due, in no small degree, to a very kind and generous criticism written by Mr. Clement Scott. I may here state that I had nothing to do with the Company, nor did I receive any money for the English sale of the book beyond what I sold it for; and, as a matter of fact, I did not arrive in England until a year after the novel was published I have heard it declared that the plot is founded on a real criminal case; but such a statement is utterly without foundation, as the story is pure fiction from beginning to end. Several people before and since my arrival in England, have assumed the authorship of the book to themselves; and one gentleman went so far as to declare that he would shoot me if I claimed to have written it. I am glad to say that up to the present he has not carried out his intention. Another individual had his cards printed, "Fergus Hume. Author of 'The Mystery of a Hansom Cab,'" and also added the price for which he was prepared to write a similar book. Many of the papers put this last piece of eccentricity down to my account.
I may state in conclusion, that I belong to New Zealand, and not to Australia, that I am a barrister, and not a retired policeman, that I am yet two decades off fifty years of age, that Fergus Hume is my real name, and not a nom-de-plume; and finally, that far from making a fortune out of the book, all I received for the English and American rights, previous to the issue of this Revised Edition by my present publishers, was the sum of fifty pounds. With this I take my leave, and I trust that the present edition may prove as successful as did the first.
Fergus Hume was a 20th century American author who had many works adapted into screenplays and movies, such as The Top Dog. Popular titles like The Silent House are still widely read today.
Fergus Hume was a 20th century American author who had many works adapted into screenplays and movies, such as The Top Dog. Popular titles like The Silent House are still widely read today.
Fergus Hume was a 20th century American author who had many works adapted into screenplays and movies, such as The Top Dog. Popular titles like The Silent House are still widely read today.
“You need a bride, I need a groom. Why don’t we get married?” Both abandoned at the altar, Elyse decided to tie the knot with the disabled stranger from the venue next door. Pitying his state, she vowed to spoil him once they were married. Little did she know that he was actually a powerful tycoon. Jayden thought Elyse only married him for his money, and planned to divorce her when she was no longer of use to him. But after becoming her husband, he was faced with a new dilemma. “She keeps asking for a divorce, but I don’t want that! What should I do?”
Their marriage was nothing but for the benefit of the two families. He could choose anyone to be his bride, but the moment he laid his eyes on her, he knew she was the one he wanted. However, their marriage didn't last for a long because of her indifference. Until the moment he signed the divorce agreement, he finally witnessed her true colors. It turned out that she also took advantage of him. Their divorce was not an end but the start of the real love game.
They don't know I'm a girl. They all look at me and see a boy. A prince. Their kind purchase humans like me for their lustful desires. And, when they stormed into our kingdom to buy my sister, I intervened to protect her. I made them take me too. The plan was to escape with my sister whenever we found a chance. How was I to know our prison would be the most fortified place in their kingdom? I was supposed to be on the sidelines. The one they had no real use for. The one they never meant to buy. But then, the most important person in their savage land-their ruthless beast king-took an interest in the "pretty little prince." How do we survive in this brutal kingdom, where everyone hates our kind and shows us no mercy? And how does someone, with a secret like mine, become a lust slave? . AUTHOR'S NOTE. This is a dark romance-dark, mature content. Highly rated 18+ Expect triggers, expect hardcore. If you're a seasoned reader of this genre, looking for something different, prepared to go in blindly not knowing what to expect at every turn, but eager to know more anyway, then dive in! . From the author of the international bestselling book: "The Alpha King's Hated Slave."
A man like Travis Sinclair wants nothing more than a woman who matches his sexual prowess and is used to getting everything he wants. A cold-hearted billionaire ,he lives by one rule - no love, no commitment. Ayanna Davies isn't looking for a relationship. She's focused on her work and the financial security it brings. As a high end escort, her client is full of filthy rich men who are willing to pay handsomely for her services. But when Travis Sinclair becomes one of her clients, she begins twice about mixing work with pleasure. Not knowing that he is an old acquaintance whom she despises.
After three secretive years of marriage, Eliana never met her enigmatic husband until she was served with divorce papers and learned of his extravagant pursuit of another. She snapped back to reality and secured a divorce. Thereafter, Eliana unveiled her various personas: an esteemed doctor, legendary secret agent, master hacker, celebrated designer, adept race car driver, and distinguished scientist. As her diverse talents became known, her ex-husband was consumed by remorse. Desperately, he pleaded, "Eliana, give me another chance! All my properties, even my life, are yours."
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.