Kuningas Richard Kolmas by William Shakespeare
Kuningas Richard Kolmas by William Shakespeare
GLOSTER.
H?vyt?n koira! Seis, kun min? k?sken!
Pois rinnoiltani pertuskasi siirr?,
Tai, kautta Paavalin, sun maahan paiskaan
Ja sinut survon, korska kerj?l?inen!
(Kantajat laskevat arkun maahan.)
ANNA.
Kah! Vapisette kaikki! Pelk??ttenk??
Ah! Teit' en moiti, kuolevia teit?:
Pirua kuolevaisen silm' ei sied?, -
Pois, sin? hirvitt?v? hornan airut!
Vallassas oli vaan tuon kuolleen ruumis,
Mut h?nen sieluaan et saa; siis, poistu!
GLOSTER.
Sulo pyhimys, noin ?l? noidu, hurskas!
ANNA.
Ruma perkel, ?l? h?iri, Herran t?hden!
T?st' onnen maasta helvetin sa teit,
Kiroilla, tuskan huudoilla sen t?ytt?in.
Jos ilo sull' on n?hd? inhat ty?si,
Niin tuoss' on teurastustes taidon n?yte. -
Oi, herrat, n?hk??s: Henrik vainaan haavat
Suuns' avaa j?yk?n uuteen veren vuotoon!
Punastu, h?pee, rujo luodenkanto,
Kun l?sn?olosi saa kylm?t, tyhj?t
Ja verett?m?t suonet verest?m??n:
Tekosi luonnoton ja petomainen
T??n perin luonnottoman tulvan nostaa. -
Jumala, joka loit t?n veren, kosta!
Maa, mantu, joka joit t?n veren, kosta!
Murhaajan p??h?n nuoles iske, taivas!
Maa, ratkee, niele h?net el?v?lt?,
Kuin veren nielit hyv?n kuninkaankin,
Tuon hornan palkkalaisen teurastaman!
GLOSTER.
Rakkauden ohjett' ette tunne, rouva:
Hyv?ll? pahaa kosta; sit? siunaa,
Ken sua kiroo.
ANNA.
Konna, sin' et tunne
Lakia Jumalan etk' ihmisten;
Pahinkin peto tuntee s??limyst?.
GLOSTER.
Mut min? en, ja siis en ole peto.
ANNA.
Oo, ihme: perkeleetkin puhuu totta!
GLOSTER.
Ihmeemp??, ett? enkelit noin raivoo. -
Jumalan ihanainen naiseksi,
Suvaitkaa luulluista mun synneist?ni
T?ss' edess?nne t?ysin puhdistaita.
ANNA.
Ruttoinen vihalainen mieheksi,
Suvaitse tietyist? sun synneist?si
Mun t?ysin kirota sua, kirottua.
GLOSTER.
Somempi kuin voi mainitakaan kieli,
Suvaitkaa hetki mulle puolustukseen.
ANNA.
Rumempi kuin voi aatellakaan mieli,
Sill' itses puolustat, ett' astut hirteen.
GLOSTER.
Mun syyhyn saattais moinen ep?toivo.
ANNA.
Mut ep?toivo tuo sua puolustaisi;
N?in koston ansaitun sa itse saisit,
Jok' ansiottomasti muita tapoit.
GLOSTER.
Mutta ent?, jos en tappanutkaan heit??
ANNA.
Niin el?isiv?t; mutta kuolleit' ovat
Ja sinun kauttas, hornan palkkalainen.
GLOSTER.
En miest?s surmannut.
ANNA.
No, siis h?n el??,
GLOSTER.
Ei, kuollut on h?n: Edward h?net tappoi.
ANNA.
Sen valehtelit omaan p??h?s, herja:
Sen verenp? sen n?ki Margareeta
Sun murhaveitsest?si h?yryv?n,
Jonk' oisit h?nen rintahansa sy?ssyt,
Jos iskua ei torjunut ois veljes.
GLOSTER.
Mua h?nen herjakielens' ?rrytti,
Mun, syytt?m?n, kun p??h?n syyn h?n syyti.
ANNA.
Sua oma verivimmas ?rrytti,
Jok' uneksi vaan aina teurastusta.
Tapoithan t?m?n kuninkaan.
GLOSTER.
Sen my?nn?n.
ANNA.
Vai my?nn?t, m?yr?? My?nt?k??n my?s Luoja,
Ett' ilkity?st?s kadotukseen joudut!
Oi, lempe? h?n oli, jalo, hurskas.
GLOSTER.
Siis omiansa taivaan kuninkaalle.
ANNA.
H?n taivaass' on, mut sinne sin' et tule.
GLOSTER.
Mua kiitt?k??n, kun autoin h?nt? sinne;
H?n sopii sinne paremmin kuin maahan.
ANNA.
Ja sin? sovit parhain helvettiin.
GLOSTER.
Viel' yhteen paikkaan, - saanko sanoa?
ANNA. Niin, vankityrm??n.
GLOSTER.
Teid?n makuusuojaan.
ANNA.
Paetkoon rauha sinun makuumailtas!
GLOSTER.
Niin tekee, kunnes makaan teid?n luona.
ANNA.
Ma toivon vaan.
GLOSTER.
Ma tied?n sen. - Mut, Anna, -
Purevaa t?t? sanasutka-kiistaa
Kalsompaan ??nitapaan vaihtaaksemme -
Syy Plantagenetien ?kkisurmaan,
Niin Henrikin kuin Edwardin, se eik?
Lie moitittavampi kuin itse teko?
ANNA.
Sin' olit syy ja kirottu my?s teko.
GLOSTER.
Sulonne t?h?n tekoon oli syyn?,
Sulonne, joka unessa mua kiusas
K?siksi k?ym??n koko mailman surmaan
Vaan hetken ilost' iharinnoillanne.
ANNA.
Jos uskoisin sua, murhamies, niin raastais
Sen sulon poskiltani pois n?? kynnet.
GLOSTER.
N?? silm?t moist' ei siet?is sulon hukkaa;
Mun n?hteni sit' ette turmeleisi;
Siit' elvyn niin kuin mailma auringosta;
Mun p?iv?ni se on, mun el?m?ni.
ANNA.
Y? p?iv?lles, ja surma el?m?llesi.
GLOSTER.
?l' itse?si kiroo, sulo luomus:
Kumpikin olet.
ANNA.
Soisin, ett? oisin,
Niin ett? sinulle ma kostaa saisin.
GLOSTER.
Olisi mit? luonnottomin teko
H?nelle kostaa, joka sua lempii.
ANNA.
Olisi oikea ja viisas teko
H?nelle kostaa, joka miehein tappoi.
GLOSTER.
Ken, armas, sulta miehen vei, sen teki
Paremman miehen hankkiakseen sulle.
ANNA.
Parempaa miest' ei hengi p??ll? maan.
GLOSTER.
On mies, ken paremmin kuin h?n sua lempii.
ANNA.
Ken se?
GLOSTER.
Plantagenet.
ANNA.
Se nimi h?ll?.
GLOSTER.
Niin sama nimi, paremman vaan lainen.
ANNA.
Miss' on h?n?
GLOSTER.
T?ss?.
(Anna sylkee h?neen.)
Miksi minuun syljet?
ANNA.
Oo, ett' ois surman myrkky? se sulle?
GLOSTER.
Noin ihanassa milloin asui myrkky?
ANNA.
Niin, vihatumpaan milloin osui myrkky?
Pois, konna! Silm?ni sa sokaiset.
GLOSTER.
Sun silm?s, armas, soaissut on minun.
ANNA.
Oo, jospa basiliskeja ne oisi
Ja kuoliaaks sun l?isiv?t!
GLOSTER.
Oi, jospa'
Niin saisin kuolla kerrassaan; nyt minut
Ne el?v?lt? surmaavat. Nuo silm?t
Kiers' itkun suolaisen mun silmist?ni,
Lapsekkain kyynelin ne soaisten,
N?? silm?t, joit' ei kostuttanut s??li.
Kun itkiv?t York is?ni ja Edward
Rutlandin parkuhuudon kuullessansa,
Kun musta Clifford h?neen miekkans' iski,
Tai uljas is?si kun lapsen lailla
Is?ni synk?n kuolintarun kertoi
Ja kymmenesti suupui nyyhkytykseen,
Ett' oli kuulijainkin silm?t m?rj?t
Kuin lehv?t sateessa; ja n?iss? kauhuiss'
Urokas silm?n' itkun hell?n hylki,
Ja mit' ei surut n?? siit' irti saaneet,
Sen sulos sai; mun soannut on itku.
En yst?v??, en vihamiest? k?rt?,
Ei mairesanaa kielenik??n tunne,
Mut nyt kun sulosi ma palkaks toivon,
Niin ylv?s syd?n k?rtt??, kieli mairii.
(Anna katsoo h?nt? halveksivasti.)
?l' ivaan moiseen huuliasi s??nn?.
Ne suuteloit' on eik? pilkkaa varten.
Jos et voi kostoltasi anteeks suoda,
Ter?v?k?rkisen saat tuossa miekan:
Se t?h?n uskolliseen poveen paina,
Vapauta sua jumaloiva sielu,
Sen kuoliniskulles nyt paljastan ma,
Rukoillen polvillani kuolemaa.
(Paljastaa rintansa; Anna tavoittaa h?nt? miekalla.)
?l' esty; Henrik kuninkaan ma tapoin,
Vaan sulosi mua siihen houkutteli.
No, joudu! Min? Edward prinssin pistin;
(Anna tavoittaa h?nt? miekalla.)
Vaan n?k?si taivainen mua kiihoitti.
(Anna antaa miekan vaipua.)
Nyt nosta miekka, taikka minut nosta!
ANNA.
No, nouse, teeskelij?! Surmaas toivon,
Mut en sen toimittaja tahdo olla.
GLOSTER.
Mun k?ske toimittaa se, ja sen t?yt?n.
ANNA.
Sen olen tehnyt.
GLOSTER.
Vihoissasi teit sen.
Se sano uudelleen, niin t?m? k?si,
Mi lemmen t?hden lemmen surmas sulta,
Nyt surmaa viel? taatummankin lemmen,
N?in syyp??ks sinut tehden kahteen surmaan.
ANNA.
Jos mieles tuntisin ma!
GLOSTER.
Se kielell?ni asuu.
ANNA.
Molemmat voivat pett??.
GLOSTER.
Ei silloin mik??n taattu.
ANNA.
No, hyv?, tuppeen miekka!
GLOSTER.
Siis rauhan mulle takaat!
ANNA.
Sen saat sa tiet?? vasta.
GLOSTER.
Siis toivoako saanen?
ANNA.
Sen kaikki saavat, toivon.
GLOSTER.
T?? sormus ota multa.
ANNA.
Ken ottaa, viel' ei anna.
(Panee sormuksen sormeensa.)
GLOSTER.
Niin kuin t?? sormus sormeasi kiert??,
Poveskin syd?n-raukkaseni kietoo!
Kumpaakin helli, kumpikin on sinun.
Ja jos suot ihastuneen orja-raukan
Sun sulok?dest?si armon pyyt??,
Niin ij?ks h?nen onnensa sa turvaat.
ANNA.
Mik' on se?
GLOSTER.
Ett? t?m?n surun toimen
J?t?tte h?lle, jolla enemm?n
On syyt? suruun, sek? Crosby-placeen
Menette oiti; Chertseyn luostariin kun
Pyhill? menoill' olen haudannut
T??n jalon kuninkaan ja hautansakin
Katuman kyynelill? kastellut,
Tapaamaan teit? rienn?n viipym?tt?.
Monesta salasyyst? rukoilen nyt:
Luvatkaa t?m?.
ANNA.
Syd?mmest?n' aivan.
Ja minua se suurest' ilahduttaa,
Ett' olette n?in katumukseen tullut. -
Tressel ja Berkley, mua seuratkaa.
GLOSTER.
Sanokaa j??hyv?iset.
ANNA.
Kannattaako?
Mut koska mairimaan mua opetitte,
Kuvailkaa, ett? tein jo j??hyv?iset.
(Lady Anna, Tressel ja Berkley menev?t.)
GLOSTER.
Edelleen ruumis viek??.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
The plays in the New Kittredge Shakespeare series retain their original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.
Falstaff llega a Windsor escaso de fondos. Para mejorar su situación financiera, decide cortejar a dos señoras bien casadas, mistress Ford y mistress Page. Escribe cartas de amor idénticas a ambas señoras, y pide a sus respectivos criados, Pistol y Nym, que las entreguen. Ellos se niegan, por lo que Falstaff les sacude. Como venganza, los criados informan a los maridos de las intenciones de Falstaff. El señor Page hace caso omiso, pero el celoso señor Ford decide averiguar por sí mismo los planes de Falstaff.
I'm a moaning mess as Antonio slams into me from behind. His hips hit me hard, and each deep thrust sends shockwaves through my body. My breasts bounce with every movement, my eyes roll back, and I moan his name without control. The pleasure he gives me is overwhelming-I can't hold it in. I feel my walls tighten around his thick length. The pressure builds fast, and then- I explode around him, my orgasm tearing through me. He groans loud and deep as he releases inside me, his hot seed spilling into me in thick pulses. Just when I think he's done, his grip shifts. He turns me over and lays me flat on the bed. His dark eyes stare into mine for a moment, filled with raw hunger. I glance down- He's still hard. Before I can react, he grabs my wrists, pins me down, and pushes himself inside me again. He fills me completely. My hips rise on instinct, meeting his rhythm. Our bodies move together, locked in a wild, uncontrollable dance. "You're fucking sweet," he groans, his voice rough and breathless. "I can't get enough of you... not after that night, Sol," he growls, slamming into me harder. The force of his words and his thrusts make my body shake. "Come for me," he commands, his voice low and full of heat. And just like that, my body trembles. Waves of pleasure crash over me. I cry out, shaking with the force of my orgasm. "Mine," he growls again, louder this time. His voice is feral, wild, like a beast claiming what belongs to him. The sound sends a shiver down my spine. *** Solene was betrayed, humiliated, and erased by Rowan Brook, the man she once called husband, Solene is left with nothing but her name and a burning hunger for revenge. She turns to the one man powerful enough to destroy the Brooks family from within: Rowan's estranged and dangerous uncle, Antonio Rodriguez. He's ruthless. A playboy who never sleeps with the same woman twice. But when Solene walks into his world, he doesn't just break the rules, he creates new ones just for her. What begins as a calculated game quickly spirals into obsession, power plays, and secrets too deadly to stay buried. Because Solene isn't just anyone's ex... she's the woman they should've never underestimated. Can she survive the price of revenge? Or will her heart become the next casualty? And when the truth comes out, will Antonio still choose her... or destroy her?
My Luna became an alpha after I rejected her : she was my Luna. I rejected her. Now she's stronger than ever and she has my son. Amelia's world shattered the day her daughter died-and her mate, Alpha Aiden of the Red Moon Pack, divorced her to reunite with his ex-girlfriend. Cast out, disgraced, and accused of poisoning her own child, Amelia was stripped of her title and driven from her pack. The next morning, her lifeless body was found at the border.They all believed she was dead.But she wasn't. Far from the ashes of betrayal, Amelia rebuilt herself-rising from rejection and ruin to become the first female Alpha of Velaris, the most powerful and respected pack in the realm. She also carried a secret Aiden never discovered:She was pregnant-with his son.Years later, fate brings them face to face once more. A deadly disease is spreading through the packs, and the only one who can stop it is the renowned doctor they thought had died. When Aiden sees the boy at her side-his eyes, his blood-he realizes the truth.He didn't just lose his Luna. He destroyed the mother of his child.And now, she's everything he's not-stronger, wiser, untouchable. Will she heal the pack that betrayed her?Will she ever let him near her heart again?Or is his punishment simply living with the consequences?
Marrying her best friend was a dream come true for Kelly, but everything truly has a limitation. Pierce is Kelly’s first love, but as his best friend, she knew well there was always another woman deep in his heart. Lexi Gilbert. The woman Pierce could never forget even if he had already been arranged to marry Kelly. *** Kelly finally realized their happy marriage of the last three years was just a beautiful dream when Pierce asked for a divorce just because Lexi returned. She could only be his best friend even if she was carrying his baby. *** Since their friendship had become a cage, Kelly chose to set him free, as well as the miserable herself. But why then, it was Pierce who became the one who refused to move on? To make matters worse, her devil stepbrother also domineeringly stepped in at the same time, asking her to be his. *** Her Prince Charming vs. Her Devil Stepbrother? How could Kelly save her heart in this battle of love and hate?
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
For five years, I believed I was living in a perfect marriage, only to discover it was all a sham! I discovered that my husband was coveting my bone marrow for his mistress! Right in front of me, he sent her flirtatious messages. To make matters worse, he even brought her into the company to steal my work! I finally understood, he never loved me. I stopped pretending, collected evidence of his infidelity, and reclaimed the research he had stolen from me. I signed the divorce papers and left without looking back. He thought I was just throwing a tantrum and would eventually return. But when we met again, I was holding the hand of a globally renowned tycoon, draped in a wedding dress and grinning with confidence. My ex-husband's eyes were red with regret. "Come back to me!" But my new groom wrapped his arm around my waist, and chuckled dismissively, "Get the hell out of here! She's mine now."
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
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