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Kuningas Richard Kolmas by William Shakespeare
GLOSTER.
H?vyt?n koira! Seis, kun min? k?sken!
Pois rinnoiltani pertuskasi siirr?,
Tai, kautta Paavalin, sun maahan paiskaan
Ja sinut survon, korska kerj?l?inen!
(Kantajat laskevat arkun maahan.)
ANNA.
Kah! Vapisette kaikki! Pelk??ttenk??
Ah! Teit' en moiti, kuolevia teit?:
Pirua kuolevaisen silm' ei sied?, -
Pois, sin? hirvitt?v? hornan airut!
Vallassas oli vaan tuon kuolleen ruumis,
Mut h?nen sieluaan et saa; siis, poistu!
GLOSTER.
Sulo pyhimys, noin ?l? noidu, hurskas!
ANNA.
Ruma perkel, ?l? h?iri, Herran t?hden!
T?st' onnen maasta helvetin sa teit,
Kiroilla, tuskan huudoilla sen t?ytt?in.
Jos ilo sull' on n?hd? inhat ty?si,
Niin tuoss' on teurastustes taidon n?yte. -
Oi, herrat, n?hk??s: Henrik vainaan haavat
Suuns' avaa j?yk?n uuteen veren vuotoon!
Punastu, h?pee, rujo luodenkanto,
Kun l?sn?olosi saa kylm?t, tyhj?t
Ja verett?m?t suonet verest?m??n:
Tekosi luonnoton ja petomainen
T??n perin luonnottoman tulvan nostaa. -
Jumala, joka loit t?n veren, kosta!
Maa, mantu, joka joit t?n veren, kosta!
Murhaajan p??h?n nuoles iske, taivas!
Maa, ratkee, niele h?net el?v?lt?,
Kuin veren nielit hyv?n kuninkaankin,
Tuon hornan palkkalaisen teurastaman!
GLOSTER.
Rakkauden ohjett' ette tunne, rouva:
Hyv?ll? pahaa kosta; sit? siunaa,
Ken sua kiroo.
ANNA.
Konna, sin' et tunne
Lakia Jumalan etk' ihmisten;
Pahinkin peto tuntee s??limyst?.
GLOSTER.
Mut min? en, ja siis en ole peto.
ANNA.
Oo, ihme: perkeleetkin puhuu totta!
GLOSTER.
Ihmeemp??, ett? enkelit noin raivoo. -
Jumalan ihanainen naiseksi,
Suvaitkaa luulluista mun synneist?ni
T?ss' edess?nne t?ysin puhdistaita.
ANNA.
Ruttoinen vihalainen mieheksi,
Suvaitse tietyist? sun synneist?si
Mun t?ysin kirota sua, kirottua.
GLOSTER.
Somempi kuin voi mainitakaan kieli,
Suvaitkaa hetki mulle puolustukseen.
ANNA.
Rumempi kuin voi aatellakaan mieli,
Sill' itses puolustat, ett' astut hirteen.
GLOSTER.
Mun syyhyn saattais moinen ep?toivo.
ANNA.
Mut ep?toivo tuo sua puolustaisi;
N?in koston ansaitun sa itse saisit,
Jok' ansiottomasti muita tapoit.
GLOSTER.
Mutta ent?, jos en tappanutkaan heit??
ANNA.
Niin el?isiv?t; mutta kuolleit' ovat
Ja sinun kauttas, hornan palkkalainen.
GLOSTER.
En miest?s surmannut.
ANNA.
No, siis h?n el??,
GLOSTER.
Ei, kuollut on h?n: Edward h?net tappoi.
ANNA.
Sen valehtelit omaan p??h?s, herja:
Sen verenp? sen n?ki Margareeta
Sun murhaveitsest?si h?yryv?n,
Jonk' oisit h?nen rintahansa sy?ssyt,
Jos iskua ei torjunut ois veljes.
GLOSTER.
Mua h?nen herjakielens' ?rrytti,
Mun, syytt?m?n, kun p??h?n syyn h?n syyti.
ANNA.
Sua oma verivimmas ?rrytti,
Jok' uneksi vaan aina teurastusta.
Tapoithan t?m?n kuninkaan.
GLOSTER.
Sen my?nn?n.
ANNA.
Vai my?nn?t, m?yr?? My?nt?k??n my?s Luoja,
Ett' ilkity?st?s kadotukseen joudut!
Oi, lempe? h?n oli, jalo, hurskas.
GLOSTER.
Siis omiansa taivaan kuninkaalle.
ANNA.
H?n taivaass' on, mut sinne sin' et tule.
GLOSTER.
Mua kiitt?k??n, kun autoin h?nt? sinne;
H?n sopii sinne paremmin kuin maahan.
ANNA.
Ja sin? sovit parhain helvettiin.
GLOSTER.
Viel' yhteen paikkaan, - saanko sanoa?
ANNA. Niin, vankityrm??n.
GLOSTER.
Teid?n makuusuojaan.
ANNA.
Paetkoon rauha sinun makuumailtas!
GLOSTER.
Niin tekee, kunnes makaan teid?n luona.
ANNA.
Ma toivon vaan.
GLOSTER.
Ma tied?n sen. - Mut, Anna, -
Purevaa t?t? sanasutka-kiistaa
Kalsompaan ??nitapaan vaihtaaksemme -
Syy Plantagenetien ?kkisurmaan,
Niin Henrikin kuin Edwardin, se eik?
Lie moitittavampi kuin itse teko?
ANNA.
Sin' olit syy ja kirottu my?s teko.
GLOSTER.
Sulonne t?h?n tekoon oli syyn?,
Sulonne, joka unessa mua kiusas
K?siksi k?ym??n koko mailman surmaan
Vaan hetken ilost' iharinnoillanne.
ANNA.
Jos uskoisin sua, murhamies, niin raastais
Sen sulon poskiltani pois n?? kynnet.
GLOSTER.
N?? silm?t moist' ei siet?is sulon hukkaa;
Mun n?hteni sit' ette turmeleisi;
Siit' elvyn niin kuin mailma auringosta;
Mun p?iv?ni se on, mun el?m?ni.
ANNA.
Y? p?iv?lles, ja surma el?m?llesi.
GLOSTER.
?l' itse?si kiroo, sulo luomus:
Kumpikin olet.
ANNA.
Soisin, ett? oisin,
Niin ett? sinulle ma kostaa saisin.
GLOSTER.
Olisi mit? luonnottomin teko
H?nelle kostaa, joka sua lempii.
ANNA.
Olisi oikea ja viisas teko
H?nelle kostaa, joka miehein tappoi.
GLOSTER.
Ken, armas, sulta miehen vei, sen teki
Paremman miehen hankkiakseen sulle.
ANNA.
Parempaa miest' ei hengi p??ll? maan.
GLOSTER.
On mies, ken paremmin kuin h?n sua lempii.
ANNA.
Ken se?
GLOSTER.
Plantagenet.
ANNA.
Se nimi h?ll?.
GLOSTER.
Niin sama nimi, paremman vaan lainen.
ANNA.
Miss' on h?n?
GLOSTER.
T?ss?.
(Anna sylkee h?neen.)
Miksi minuun syljet?
ANNA.
Oo, ett' ois surman myrkky? se sulle?
GLOSTER.
Noin ihanassa milloin asui myrkky?
ANNA.
Niin, vihatumpaan milloin osui myrkky?
Pois, konna! Silm?ni sa sokaiset.
GLOSTER.
Sun silm?s, armas, soaissut on minun.
ANNA.
Oo, jospa basiliskeja ne oisi
Ja kuoliaaks sun l?isiv?t!
GLOSTER.
Oi, jospa'
Niin saisin kuolla kerrassaan; nyt minut
Ne el?v?lt? surmaavat. Nuo silm?t
Kiers' itkun suolaisen mun silmist?ni,
Lapsekkain kyynelin ne soaisten,
N?? silm?t, joit' ei kostuttanut s??li.
Kun itkiv?t York is?ni ja Edward
Rutlandin parkuhuudon kuullessansa,
Kun musta Clifford h?neen miekkans' iski,
Tai uljas is?si kun lapsen lailla
Is?ni synk?n kuolintarun kertoi
Ja kymmenesti suupui nyyhkytykseen,
Ett' oli kuulijainkin silm?t m?rj?t
Kuin lehv?t sateessa; ja n?iss? kauhuiss'
Urokas silm?n' itkun hell?n hylki,
Ja mit' ei surut n?? siit' irti saaneet,
Sen sulos sai; mun soannut on itku.
En yst?v??, en vihamiest? k?rt?,
Ei mairesanaa kielenik??n tunne,
Mut nyt kun sulosi ma palkaks toivon,
Niin ylv?s syd?n k?rtt??, kieli mairii.
(Anna katsoo h?nt? halveksivasti.)
?l' ivaan moiseen huuliasi s??nn?.
Ne suuteloit' on eik? pilkkaa varten.
Jos et voi kostoltasi anteeks suoda,
Ter?v?k?rkisen saat tuossa miekan:
Se t?h?n uskolliseen poveen paina,
Vapauta sua jumaloiva sielu,
Sen kuoliniskulles nyt paljastan ma,
Rukoillen polvillani kuolemaa.
(Paljastaa rintansa; Anna tavoittaa h?nt? miekalla.)
?l' esty; Henrik kuninkaan ma tapoin,
Vaan sulosi mua siihen houkutteli.
No, joudu! Min? Edward prinssin pistin;
(Anna tavoittaa h?nt? miekalla.)
Vaan n?k?si taivainen mua kiihoitti.
(Anna antaa miekan vaipua.)
Nyt nosta miekka, taikka minut nosta!
ANNA.
No, nouse, teeskelij?! Surmaas toivon,
Mut en sen toimittaja tahdo olla.
GLOSTER.
Mun k?ske toimittaa se, ja sen t?yt?n.
ANNA.
Sen olen tehnyt.
GLOSTER.
Vihoissasi teit sen.
Se sano uudelleen, niin t?m? k?si,
Mi lemmen t?hden lemmen surmas sulta,
Nyt surmaa viel? taatummankin lemmen,
N?in syyp??ks sinut tehden kahteen surmaan.
ANNA.
Jos mieles tuntisin ma!
GLOSTER.
Se kielell?ni asuu.
ANNA.
Molemmat voivat pett??.
GLOSTER.
Ei silloin mik??n taattu.
ANNA.
No, hyv?, tuppeen miekka!
GLOSTER.
Siis rauhan mulle takaat!
ANNA.
Sen saat sa tiet?? vasta.
GLOSTER.
Siis toivoako saanen?
ANNA.
Sen kaikki saavat, toivon.
GLOSTER.
T?? sormus ota multa.
ANNA.
Ken ottaa, viel' ei anna.
(Panee sormuksen sormeensa.)
GLOSTER.
Niin kuin t?? sormus sormeasi kiert??,
Poveskin syd?n-raukkaseni kietoo!
Kumpaakin helli, kumpikin on sinun.
Ja jos suot ihastuneen orja-raukan
Sun sulok?dest?si armon pyyt??,
Niin ij?ks h?nen onnensa sa turvaat.
ANNA.
Mik' on se?
GLOSTER.
Ett? t?m?n surun toimen
J?t?tte h?lle, jolla enemm?n
On syyt? suruun, sek? Crosby-placeen
Menette oiti; Chertseyn luostariin kun
Pyhill? menoill' olen haudannut
T??n jalon kuninkaan ja hautansakin
Katuman kyynelill? kastellut,
Tapaamaan teit? rienn?n viipym?tt?.
Monesta salasyyst? rukoilen nyt:
Luvatkaa t?m?.
ANNA.
Syd?mmest?n' aivan.
Ja minua se suurest' ilahduttaa,
Ett' olette n?in katumukseen tullut. -
Tressel ja Berkley, mua seuratkaa.
GLOSTER.
Sanokaa j??hyv?iset.
ANNA.
Kannattaako?
Mut koska mairimaan mua opetitte,
Kuvailkaa, ett? tein jo j??hyv?iset.
(Lady Anna, Tressel ja Berkley menev?t.)
GLOSTER.
Edelleen ruumis viek??.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
The plays in the New Kittredge Shakespeare series retain their original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.
Falstaff llega a Windsor escaso de fondos. Para mejorar su situación financiera, decide cortejar a dos señoras bien casadas, mistress Ford y mistress Page. Escribe cartas de amor idénticas a ambas señoras, y pide a sus respectivos criados, Pistol y Nym, que las entreguen. Ellos se niegan, por lo que Falstaff les sacude. Como venganza, los criados informan a los maridos de las intenciones de Falstaff. El señor Page hace caso omiso, pero el celoso señor Ford decide averiguar por sí mismo los planes de Falstaff.
"Ahh!" She was in a moaning mess. She did not want to feel anything for this man. She hated him. His hands began to move all over her body. She gasped when he pulled down the back chain of her dress. The chain stopped at her lower waist, so when he zipped it off, her upper back and waist were exposed. "D-Don't touch m-ummm!" His fingers rolled around her bare back, and she pressed her head against the pillow. His touches were giving her goosebumps all over her body. With a deep angry voice, he whispered in her ear, "I am going to make you forget his touches, kisses, and everything. Every time you touch another man, you will only think of me." - - - Ava Adler was a nerdy omega. People bullied her because they thought she was ugly and unattractive. But Ava secretly loved the bad boy, Ian Dawson. He was the future Alpha of the Mystic Shadow Pack. However, he doesn't give a damn about rules and laws, as he only likes to play around with girls. Ava was unaware of Ian's arrogance until her fate intertwined with his. He neglected her and hurt her deeply. What would happen when Ava turned out to be a beautiful girl who could win over any boy, and Ian looked back and regretted his decisions? What if she had a secret identity that she had yet to discover? What if the tables turned and Ian begged her not to leave him?
Desperate to handle her grandmother's towering medical bills, Gianna agreed to a contract marriage with Tristan, the enigmatic man she'd once shared a one-night stand with. She assumed they'd fulfill each other's needs and dissolve the arrangement once the terms expired. Unbeknownst to Gianna, this marriage was a dream Tristan had clung to for ten relentless years. Certain she was just filling someone else's role, Gianna prepared to leave when that other woman returned. But Tristan, his eyes burning with unspoken emotion, seized her trembling hand and declared, "You’re mine. Now and always."
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
"Please trust me, I didn't do anything." "I don't believe you. I am rejecting you as my Queen and giving you the punishment of death." Alina was living outside her pack for five years. Her parents didn't try to contact her and always ignored her. Her best friend convinced her to go back to their pack and she agreed. But she had never imagined what was waiting there for her. She never thought she would meet her mate and had to face betrayal from everywhere. She had to pay for the crime which she never committed. Aaron Robertson is the king of Lycans. He is a very dominant and powerful King who not only rules Lycans but also rules other ranks of werewolves. Everyone is afraid of Lycans and he is the king of them. But who knew that he would get a mate who was just a simple Omega with no powers and strengths? He called her weak all the time but little did he know that his weak Omega would give him the biggest betrayal of his life for which he had to give her the sentence of death.