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I ASK good things that I detest, With speeches fair; Heed not, I pray Thee, Lord, my breast, But hear my prayer.
I ASK good things that I detest,
With speeches fair;
Heed not, I pray Thee, Lord, my breast,
But hear my prayer.
I say ill things I would not say -
Things unaware:
Regard my breast, Lord, in Thy day,
And not my prayer.
My heart is evil in Thy sight:
My good thoughts flee:
O Lord, I cannot wish aright -
Wish Thou for me.
O bend my words and acts to Thee,
However ill,
That I, whate'er I say or be,
May serve Thee still.
O let my thoughts abide in Thee
Lest I should fall:
Show me Thyself in all I see,
Thou Lord of all.
Selected by the Modern Library as one of the 100 best novels of all timeD.H. Lawrence's magnificent exploration of human sexuality in the days surrounding World War I. 'Let us hesitate no longer to announce that the sensual passions and mysteries are equally sacred with the spiritual mysteries and passions,' wrote D.H. Lawrence in Women In Love, a masterpiece that heralded the erotic consciousness of the twentieth century. Echoing elements of Lawrence's own life, Women In Love delves into the mysteries between men and women as two couples strive for love against a haunting backdrop of coalmines, factories, and a beleaguered working class.New introduction by Louis Menand.
Written in the years following World War I and set in postwar England and Italy, Aaron's Rod questions many of the accepted social and political institutions of Lawrence's generation, and raises issues as valid for our own time as they were for his. The novel's hero is an Everyman who flees the destruction in England and his failing marriage and who, like Lawrence himself, becomes absorbed in discovering and understanding the nature of the political and religious ideologies that shaped western civilization. Aaron's Rod was completed in 1921 and was censored by both Lawrence's American and English publishers. The Cambridge Edition, based on the only authoritative, surviving typescript, restores these cut passages and eliminates the errors and house-styling of previous editions.The volume contains an introduction that describes the novel's genesis, its transmission, publication history, and reception. Extensive explanatory notes and textual apparatus are also included.
There was a large, brilliant evening star in the early twilight, and underfoot the earth was half frozen. It was Christmas Eve. Also the War was over, and there was a sense of relief that was almost a new menace. A man felt the violence of the nightmare released now into the general air. Also there had been another wrangle among the men on the pit-bank that evening. Aaron Sisson was the last man on the little black railway-line climbing the hill home from work. He was late because he had attended a meeting of the men on the bank. He was secretary to the Miners Union for his colliery, and had heard a good deal of silly wrangling that left him nettled.
Ursula and Gudrun Brangwen are sisters living in The Midlands in England in the 1910s. Ursula is a teacher, Gudrun an artist. They meet two men who live nearby, school inspector Rupert Birkin and coal-mine heir Gerald Crich, and the four become friends. Ursula and Birkin become involved, and Gudrun and Gerald eventually begin a love affair. All four are deeply concerned with questions of society, politics, and the relationship between men and women. At a party at Gerald's estate, Gerald's sister Diana drowns. Gudrun becomes the teacher and mentor of Gerald's youngest sister. Soon Gerald's coal-mine-owning father dies as well, after a long illness. After the funeral, Gerald goes to Gudrun's house and spends the night with her while her parents sleep in another room. Birkin asks Ursula to marry him, and she agrees. Gerald and Gudrun's relationship, however, becomes stormy.
Lady Chatterley's Lover is a novel by D. H. Lawrence, first published in 1928. The first edition was printed in Florence, Italy; it could not be published openly in the United Kingdom until 1960. (A private edition was issued by Inky Stephensen's Mandrake Press in 1929).[1] The book soon became notorious for its story of the physical relationship between a working-class man and an aristocratic woman, its explicit descriptions of sex, and its use of (at the time) unprintable words. The story is said to have originated from events in Lawrence's own unhappy domestic life, and he took inspiration for the settings of the book from Eastwood in Nottinghamshire where he grew up. According to some critics, the fling of Lady Ottoline Morrell with "Tiger", a young stonemason who came to carve plinths for her garden statues, also influenced the story.[2] Lawrence at one time considered calling the novel Tenderness and made significant alterations to the text and story in the process of its composition. It has been published in three different versions.
“You need a bride, I need a groom. Why don’t we get married?” Both abandoned at the altar, Elyse decided to tie the knot with the disabled stranger from the venue next door. Pitying his state, she vowed to spoil him once they were married. Little did she know that he was actually a powerful tycoon. Jayden thought Elyse only married him for his money, and planned to divorce her when she was no longer of use to him. But after becoming her husband, he was faced with a new dilemma. “She keeps asking for a divorce, but I don’t want that! What should I do?”
“Do I want a taste?” his voice deeper than he had ever spoken. His eyes pinned on me like I was the only thing that fascinated him. “What do I do?” I thought to myself as he moved closer to me, I wanted to run away, to resist him but I was pinned to the wall by him. “Gosh I hate this man so much” his scent, his body, his beautiful green eyes, he was driving me crazy. I know this is wrong, he has a fiancee and all but that makes me want him even more. “Get on the bed and spread your legs” his cold voice woke me up and then I remembered I was just a maid to him. “Yes master”.
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, “Do you think you deserve it?” Then a powerful magnate gently proposed, “Marry me?”
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
Janice, the long-forgotten legitimate heiress, made her way back to her family, pouring her heart into winning their hearts. Yet, she had to relinquish her very identity, her academic credentials, and her creative works to her foster sister. In return for her sacrifices, she found no warmth, only deeper neglect. Resolute, Janice vowed to cut off all emotional bonds. Transformed, she now stood as a master of martial arts, adept in eight languages, an esteemed medical expert, and a celebrated designer. With newfound resolve, she declared, "From this day forward, no one in this family shall cross me."
Trigger warning!!! Intended for mature readers who enjoy morally complex, slow-burn, poseesive, forbidden, dark romance that pushes boundaries. ***EXCERPT*** Blood everywhere. Trembling hands. "No!" My eyes blurred. His lifeless eyes stared back at me, his blood pooling at my feet. The man I loved-dead. Killed by the one person I could never escape - my stepbrother. *** Kasmine's life was never hers to begin with. Kester, her stepbrother, controlled and monitored her every move. At first, it was all sweet and brotherly until it began to turn into an obsession. Kester was the Alpha, and his word was law. No close friends. No boyfriends. No freedom. The only consolation Kasmine had was her twenty-first birthday, which was supposed to change everything. She dreamt of finding her mate, escaping the sickening control of Kester, and finally claiming her own life. But fate had other plans for her. On the night of her birthday, not only was she disappointed that she wasn't mated to the love of her life, but she found out that her mate was none other than him - Her tormentor. Her stepbrother. She'd rather die than be mated to a man whom she had known as her big brother all her life. A man who would do just anything to make sure she was his. But when love turns to obsession, and obsession turns to blood, how far can one girl run before she realizes there is nowhere else to run to?