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Sylvie and Bruno is a novel for children by Lewis Carroll published in 1889. The work evolved from his short story "Bruno's Revenge," published in 1867 in Aunt Judy's Magazine. With its sequel, Sylvie and Bruno Concluded (1893), it was his final work for children. The novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland. While the latter plot is a fairytale with many nonsense elements and poems, similar to Carroll's most famous children's book Alice's Adventures in Wonderland, the story set in Victorian Britain is a social novel. The French philosopher Gilles Deleuze termed Sylvie and Bruno "a masterpiece which shows entirely new techniques compared to Alice and Through the Looking-Glass." Charles Lutwidge Dodgson better known by the pseudonym Lewis Carroll (1832 – 1898), was an English author, mathematician, logician, Anglican deacon and photographer.
-and then all the people cheered again, and one man, who was more excited than the rest, flung his hat high into the air, and shouted (as well as I could make out) "Who roar for the Sub-Warden?" Everybody roared, but whether it was for the Sub-Warden, or not, did not clearly appear: some were shouting "Bread!" and some "Taxes!", but no one seemed to know what it was they really wanted.
All this I saw from the open window of the Warden's breakfast-saloon, looking across the shoulder of the Lord Chancellor, who had sprung to his feet the moment the shouting began, almost as if he had been expecting it, and had rushed to the window which commanded the best view of the market-place.
"What can it all mean?" he kept repeating to himself, as, with his hands clasped behind him, and his gown floating in the air, he paced rapidly up and down the room. "I never heard such shouting before-and at this time of the morning, too! And with such unanimity! Doesn't it strike you as very remarkable?"
I represented, modestly, that to my ears it appeared that they were shouting for different things, but the Chancellor would not listen to my suggestion for a moment. "They all shout the same words, I assure you!" he said: then, leaning well out of the window, he whispered to a man who was standing close underneath, "Keep'em together, ca'n't you? The Warden will be here directly. Give'em the signal for the march up!" All this was evidently not meant for my ears, but I could scarcely help hearing it, considering that my chin was almost on the Chancellor's shoulder.
The 'march up' was a very curious sight:
{Image...The march-up}
a straggling procession of men, marching two and two, began from the other side of the market-place, and advanced in an irregular zig-zag fashion towards the Palace, wildly tacking from side to side, like a sailing vessel making way against an unfavourable wind so that the head of the procession was often further from us at the end of one tack than it had been at the end of the previous one.
Yet it was evident that all was being done under orders, for I noticed that all eyes were fixed on the man who stood just under the window, and to whom the Chancellor was continually whispering. This man held his hat in one hand and a little green flag in the other: whenever he waved the flag the procession advanced a little nearer, when he dipped it they sidled a little farther off, and whenever he waved his hat they all raised a hoarse cheer. "Hoo-roah!" they cried, carefully keeping time with the hat as it bobbed up and down. "Hoo-roah! Noo! Consti! Tooshun! Less! Bread! More! Taxes!"
"That'll do, that'll do!" the Chancellor whispered. "Let 'em rest a bit till I give you the word. He's not here yet!" But at this moment the great folding-doors of the saloon were flung open, and he turned with a guilty start to receive His High Excellency. However it was only Bruno, and the Chancellor gave a little gasp of relieved anxiety.
"Morning!" said the little fellow, addressing the remark, in a general sort of way, to the Chancellor and the waiters. "Doos oo know where Sylvie is? I's looking for Sylvie!"
"She's with the Warden, I believe, y'reince!" the Chancellor replied with a low bow. There was, no doubt, a certain amount of absurdity in applying this title (which, as of course you see without my telling you, was nothing but 'your Royal Highness' condensed into one syllable) to a small creature whose father was merely the Warden of Outland: still, large excuse must be made for a man who had passed several years at the Court of Fairyland, and had there acquired the almost impossible art of pronouncing five syllables as one.
But the bow was lost upon Bruno, who had run out of the room, even while the great feat of The Unpronounceable Monosyllable was being triumphantly performed.
Just then, a single voice in the distance was understood to shout "A speech from the Chancellor!" "Certainly, my friends!" the Chancellor replied with extraordinary promptitude. "You shall have a speech!" Here one of the waiters, who had been for some minutes busy making a queer-looking mixture of egg and sherry, respectfully presented it on a large silver salver. The Chancellor took it haughtily, drank it off thoughtfully, smiled benevolently on the happy waiter as he set down the empty glass, and began. To the best of my recollection this is what he said.
"Ahem! Ahem! Ahem! Fellow-sufferers, or rather suffering fellows-" ("Don't call 'em names!" muttered the man under the window. "I didn't say felons!" the Chancellor explained.) "You may be sure that I always sympa-" ("'Ear, 'ear!" shouted the crowd, so loudly as quite to drown the orator's thin squeaky voice) "-that I always sympa-" he repeated. ("Don't simper quite so much!" said the man under the window. "It makes yer look a hidiot!" And, all this time, "'Ear, 'ear!" went rumbling round the market-place, like a peal of thunder.) "That I always sympathise!" yelled the Chancellor, the first moment there was silence. "But your true friend is the Sub-Warden! Day and night he is brooding on your wrongs-I should say your rights-that is to say your wrongs-no, I mean your rights-" ("Don't talk no more!" growled the man under the window. "You're making a mess of it!") At this moment the Sub-Warden entered the saloon. He was a thin man, with a mean and crafty face, and a greenish-yellow complexion; and he crossed the room very slowly, looking suspiciously about him as if he thought there might be a savage dog hidden somewhere. "Bravo!" he cried, patting the Chancellor on the back. "You did that speech very well indeed. Why, you're a born orator, man!"
"Oh, that's nothing!" the Chancellor replied, modestly, with downcast eyes. "Most orators are born, you know."
The Sub-Warden thoughtfully rubbed his chin. "Why, so they are!" he admitted. "I never considered it in that light. Still, you did it very well. A word in your ear!"
The rest of their conversation was all in whispers: so, as I could hear no more, I thought I would go and find Bruno.
I found the little fellow standing in the passage, and being addressed by one of the men in livery, who stood before him, nearly bent double from extreme respectfulness, with his hands hanging in front of him like the fins of a fish. "His High Excellency," this respectful man was saying, "is in his Study, y'reince!" (He didn't pronounce this quite so well as the Chancellor.) Thither Bruno trotted, and I thought it well to follow him.
The Warden, a tall dignified man with a grave but very pleasant face, was seated before a writing-table, which was covered with papers, and holding on his knee one of the sweetest and loveliest little maidens it has ever been my lot to see. She looked four or five years older than Bruno, but she had the same rosy cheeks and sparkling eyes, and the same wealth of curly brown hair. Her eager smiling face was turned upwards towards her father's, and it was a pretty sight to see the mutual love with which the two faces-one in the Spring of Life, the other in its late Autumn-were gazing on each other.
"No, you've never seen him," the old man was saying: "you couldn't, you know, he's been away so long-traveling from land to land, and seeking for health, more years than you've been alive, little Sylvie!" Here Bruno climbed upon his other knee, and a good deal of kissing, on a rather complicated system, was the result.
"He only came back last night," said the Warden, when the kissing was over: "he's been traveling post-haste, for the last thousand miles or so, in order to be here on Sylvie's birthday. But he's a very early riser, and I dare say he's in the Library already. Come with me and see him. He's always kind to children. You'll be sure to like him."
"Has the Other Professor come too?" Bruno asked in an awe-struck voice.
"Yes, they arrived together. The Other Professor is-well, you won't like him quite so much, perhaps. He's a little more dreamy, you know."
"I wiss Sylvie was a little more dreamy," said Bruno.
"What do you mean, Bruno?" said Sylvie.
Bruno went on addressing his father. "She says she ca'n't, oo know. But I thinks it isn't ca'n't, it's wo'n't."
"Says she ca'n't dream!" the puzzled Warden repeated.
"She do say it," Bruno persisted. "When I says to her 'Let's stop lessons!', she says 'Oh, I ca'n't dream of letting oo stop yet!'"
"He always wants to stop lessons," Sylvie explained, "five minutes after we begin!"
"Five minutes' lessons a day!" said the Warden. "You won't learn much at that rate, little man!"
"That's just what Sylvie says," Bruno rejoined. "She says I wo'n't learn my lessons. And I tells her, over and over, I ca'n't learn 'em. And what doos oo think she says? She says 'It isn't ca'n't, it's wo'n't!'"
"Let's go and see the Professor," the Warden said, wisely avoiding further discussion. The children got down off his knees, each secured a hand, and the happy trio set off for the Library-followed by me. I had come to the conclusion by this time that none of the party (except, for a few moments, the Lord Chancellor) was in the least able to see me.
"What's the matter with him?" Sylvie asked, walking with a little extra sedateness, by way of example to Bruno at the other side, who never ceased jumping up and down.
{Image...Visiting the profesor}
"What was the matter-but I hope he's all right now-was lumbago, and rheumatism, and that kind of thing. He's been curing himself, you know: he's a very learned doctor. Why, he's actually invented three new diseases, besides a new way of breaking your collar-bone!"
"Is it a nice way?" said Bruno.
"Well, hum, not very," the Warden said, as we entered the Library. "And here is the Professor. Good morning, Professor! Hope you're quite rested after your journey!"
A jolly-looking, fat little man, in a flowery dressing-gown, with a large book under each arm, came trotting in at the other end of the room, and was going straight across without taking any notice of the children. "I'm looking for Vol. Three," he said. "Do you happen to have seen it?"
"You don't see my children, Professor!" the Warden exclaimed, taking him by the shoulders and turning him round to face them.
The Professor laughed violently: then he gazed at them through his great spectacles, for a minute or two, without speaking.
At last he addressed Bruno. "I hope you have had a good night, my child?" Bruno looked puzzled. "I's had the same night oo've had," he replied. "There's only been one night since yesterday!"
It was the Professor's turn to look puzzled now. He took off his spectacles, and rubbed them with his handkerchief. Then he gazed at them again. Then he turned to the Warden. "Are they bound?" he enquired.
"No, we aren't," said Bruno, who thought himself quite able to answer this question.
The Professor shook his head sadly. "Not even half-bound?"
"Why would we be half-bound?" said Bruno.
"We're not prisoners!"
But the Professor had forgotten all about them by this time, and was speaking to the Warden again. "You'll be glad to hear," he was saying, "that the Barometer's beginning to move-"
"Well, which way?" said the Warden-adding, to the children, "Not that I care, you know. Only he thinks it affects the weather. He's a wonderfully clever man, you know. Sometimes he says things that only the Other Professor can understand. Sometimes he says things that nobody can understand! Which way is it, Professor? Up or down?"
"Neither!" said the Professor, gently clapping his hands. "It's going sideways-if I may so express myself."
"And what kind of weather does that produce?" said the Warden. "Listen, children! Now you'll hear something worth knowing!"
"Horizontal weather," said the Professor, and made straight for the door, very nearly trampling on Bruno, who had only just time to get out of his way.
"Isn't he learned?" the Warden said, looking after him with admiring eyes. "Positively he runs over with learning!"
"But he needn't run over me!" said Bruno.
The Professor was back in a moment: he had changed his dressing-gown for a frock-coat, and had put on a pair of very strange-looking boots, the tops of which were open umbrellas. "I thought you'd like to see them," he said. "These are the boots for horizontal weather!"
{Image...Boots for horizontal weather}
"But what's the use of wearing umbrellas round one's knees?"
"In ordinary rain," the Professor admitted, "they would not be of much use. But if ever it rained horizontally, you know, they would be invaluable-simply invaluable!"
"Take the Professor to the breakfast-saloon, children," said the Warden. "And tell them not to wait for me. I had breakfast early, as I've some business to attend to." The children seized the Professor's hands, as familiarly as if they had known him for years, and hurried him away. I followed respectfully behind.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
One winter night, at half-past nine, Cold, tired, and cross, and muddy, I had come home, too late to dine, And supper, with cigars and wine, Was waiting in the study.
Allison fell in love with Ethan Iversen, the soon-to-be Alpha of the Moonlight Crown pack. She always wanted him to notice her. Meanwhile, Ethan was an arrogant Alpha who thought a weak Omega could not be his companion. Ethan's cousin, Ryan Iversen, who came back from abroad and was the actual heir of the pack, never tried to get the position nor did he show any interest in it. He was a popular playboy Alpha but when he came back to the pack, one thing captured his eyes and that was Allison.
"Please trust me, I didn't do anything." "I don't believe you. I am rejecting you as my Queen and giving you the punishment of death." Alina was living outside her pack for five years. Her parents didn't try to contact her and always ignored her. Her best friend convinced her to go back to their pack and she agreed. But she had never imagined what was waiting there for her. She never thought she would meet her mate and had to face betrayal from everywhere. She had to pay for the crime which she never committed. Aaron Robertson is the king of Lycans. He is a very dominant and powerful King who not only rules Lycans but also rules other ranks of werewolves. Everyone is afraid of Lycans and he is the king of them. But who knew that he would get a mate who was just a simple Omega with no powers and strengths? He called her weak all the time but little did he know that his weak Omega would give him the biggest betrayal of his life for which he had to give her the sentence of death.
Becky endured three years of marriage to the cold-hearted Rory. In all that time, she naively reasoned that one day, he'd gradually come to like her. But the second he forced her to kneel down and humiliate herself, she knew she had been wrong about him. This man had no feelings for her at all. So why should she still love him? When Rory gave her the choice between kneeling down and divorcing, she didn't miss a beat and chose the latter. After all, why should she waste her youth on this scumbag? Wouldn't it be nicer for her to just have fun every day with her billion-dollar family fortune?
"The bloodline is confirmed. The Universal God Token is activated. All the gods will obey..." ........................................... Everyone believed Ye Liuyun was trash, even himself. No money, no talent, and no one he could rely on. Bully, scorn and laughter, that's what he deserved. But Ye Liuyun never gave up working hard. One day things had changed. Ye Liuyun's inner power was suddenly awakened. He could cultivate a divine level spirit and became a supreme hero. Slaying demons and exterminating devils, his adventures just started... Money, beauty and power, he would grasp everything in his hands...
She thought he was the villain. He was only trying to save his soul. Rena lives in a world of sunshine, sweets, and simple dreams. Until one reckless decision drops her into a dark realm of secrets, curses and werewolves. Kidnapped, heartbroken. She doesn't know who to trust anymore especially not Logan, the arrogant, cruel Alpha who's keeping her as a hostage. Until she discovers his dark secret. He's been hearing her thoughts all along. Now the walls between them are crumbling. And when feelings grow where hatred once lived, a curse demands that blood becomes a love that demands sacrifice. But how can she give her heart to the one who might need it to die?
Three years ago, the Moore family opposed Charles Moore's choice to marry his beloved woman and selected Scarlett Riley as his bride. Charles didn't love her. In fact, he hated her. Not long after they got married, Scarlett received an offer from her dream university and jumped on it. Three years later, Charles's beloved woman fell terribly ill. In order to fulfill her last wish, he called Scarlett back and presented her with a divorce agreement. Scarlett was deeply hurt by Charles's abrupt decision, but she chose to let him go and agreed to sign the divorce papers. However, Charles seemed to delay the process deliberately, leaving Scarlett confused and frustrated. Now, Scarlett was trapped between the consequences of Charles's indecision. Would she be able to break free from him? Would Charles eventually come to his senses and face his true feelings?