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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Six Little Bunkers at Cousin Tom's" by Laura Lee Hope is part of the Six Little Bunkers series. The Six Little Bunkers series is about the adventures of the Bunker Family when they had no access to technology.
It was about noon of a day in early summer that a westward-bound Atlantic liner was rapidly nearing the port of New York. Not long before, the old light-house on Montauk Point had been sighted, and the company on board the vessel were animated by the knowledge that in a few hours they would be at the end of their voyage.
The vessel now speeding along the southern coast of Long Island was the Euterpe-Thalia, from Southampton. On Wednesday morning she had left her English port, and many of her passengers were naturally anxious to be on shore in time to transact their business on the last day of the week. There were even some who expected to make their return voyage on the Melpomene-Thalia, which would leave New York on the next Monday.
The Euterpe-Thalia was one of those combination ocean vessels which had now been in use for nearly ten years, and although the present voyage was not a particularly rapid one, it had been made in a little less than three days.
As may be easily imagined, a vessel like this was a very different craft from the old steamers which used to cross the Atlantic-"ocean greyhounds" they were called-in the latter part of the nineteenth century.
It would be out of place here to give a full description of the vessels which at the period of our story, in 1947, crossed the Atlantic at an average time of three days, but an idea of their construction will suffice. Most of these vessels belonged to the class of the Euterpe-Thalia, and were, in fact, compound marine structures, the two portions being entirely distinct from each other. The great hull of each of these vessels contained nothing but its electric engines and its propelling machinery, with the necessary fuel and adjuncts.
The upper portion of the compound vessel consisted of decks and quarters for passengers and crew and holds for freight. These were all comprised within a vast upper hull, which rested upon the lower hull containing the motive power, the only point of contact being an enormous ball-and-socket joint. Thus, no matter how much the lower hull might roll and pitch and toss, the upper hull remained level and comparatively undisturbed.
Not only were comfort to passengers and security to movable freight gained by this arrangement of the compound vessel, but it was now possible to build the lower hull of much less size than had been the custom in the former days of steamships, when the hull had to be large enough to contain everything. As the more modern hull held nothing but the machinery, it was small in comparison with the superincumbent upper hull, and thus the force of the engine, once needed to propel a vast mass through the resisting medium of the ocean, was now employed upon a comparatively small hull, the great body of the vessel meeting with no resistance except that of the air.
It was not necessary that the two parts of these compound vessels should always be the same. The upper hulls belonging to one of the transatlantic lines were generally so constructed that they could be adjusted to any one of their lower or motive-power hulls. Each hull had a name of its own, and so the combination name of the entire vessel was frequently changed.
It was not three o'clock when the Euterpe-Thalia passed through the Narrows and moved slowly towards her pier on the Long Island side of the city. The quarantine officers, who had accompanied the vessel on her voyage, had dropped their report in the official tug which had met the vessel on her entrance into the harbor, and as the old custom-house annoyances had long since been abolished, most of the passengers were prepared for a speedy landing.
One of these passengers-a man about thirty-five-stood looking out over the stern of the vessel instead of gazing, as were most of his companions, towards the city which they were approaching. He looked out over the harbor, under the great bridge gently spanning the distance between the western end of Long Island and the New Jersey shore-its central pier resting where once lay the old Battery-and so he gazed over the river, and over the houses stretching far to the west, as if his eyes could catch some signs of the country far beyond. This was Roland Clewe, the hero of our story, who had been studying and experimenting for the past year in the scientific schools and workshops of Germany. It was towards his own laboratory and his own workshops, which lay out in the country far beyond the wide line of buildings and settlements which line the western bank of the Hudson, that his heart went out and his eyes vainly strove to follow.
Skilfully steered, the Thalia moved slowly between high stone piers of massive construction; but the Euterpe, or upper part of the vessel, did not pass between the piers, but over them both, and when the pier-heads projected beyond her stern the motion of the lower vessel ceased; then the great piston, which supported the socket in which the ball of the Euterpe moved, slowly began to descend into the central portion of the Thalia, and as the tide was low, it was not long before each side of the upper hull rested firmly and securely upon the stone piers. Then the socket on the lower vessel descended rapidly until it was entirely clear of the ball, and the Thalia backed out from between the piers to take its place in a dock where it would be fitted for the voyage of the next day but one, when it would move under the Melpomene, resting on its piers a short distance below, and, adjusting its socket to her ball, would lift her free from the piers and carry her across the ocean.
The pier of the Euterpe was not far from the great Long Island and New Jersey Bridge, and Roland Clewe, when he reached the broad sidewalk which ran along the river-front, walked rapidly towards the bridge. When he came to it he stepped into one of the elevators, which were placed at intervals along its sides from the waterfront to the far-distant point where it touched the land, and in company with a dozen other pedestrians speedily rose to the top of the bridge, on which moved two great platforms or floors, one always keeping on its way to the east, and the other to the west. The floor of the elevator detached itself from the rest of the structure and kept company with the movable platform until all of its passengers had stepped on to the latter, when it returned with such persons as wished to descend at that point.
As Clewe took his way along the platform, walking westward with it, as if he would thus hasten his arrival at the other end of the bridge, he noticed that great improvements had been made during his year of absence. The structures on the platforms, to which people might retire in bad weather or when they wished refreshments, were more numerous and apparently better appointed than when he had seen them last, and the long rows of benches on which passengers might sit in the open air during their transit had also increased in number. Many people walked across the bridge, taking their exercise, while some who were out for the air and the sake of the view walked in the direction opposite to that in which the platform was moving, thus lengthening the pleasant trip.
At the great elevator over the old Battery many passengers went down and many came up, but the wide platforms still moved to the east and moved to the west, never stopping or changing their rate of speed.
Roland Clewe remained on the bridge until he had reached its western end, far out on the old Jersey flats, and there he took a car of the suspended electric line, which would carry him to his home, some fifty miles in the interior. The rails of this line ran along the top of parallel timbers, some twenty feet from the ground, and below and between these rails the cars were suspended, the wheels which rested on the rails being attached near the top of the car. Thus it was impossible for the cars to run off the track; and as their bottoms or floors were ten or twelve feet from the ground, they could meet with no dangerous obstacles. In consequence of the safety of this structure, the trains were run at a very high speed.
Roland Clewe was a man who had given his life, even before he ceased to be a boy, to the investigation of physical science and its applications, and those who thought they knew him called him a great inventor; but he, who knew himself better than any one else could know him, was aware that, so far, he had not invented anything worthy the power which he felt within himself.
After the tidal wave of improvements and discoveries which had burst upon the world at the end of the nineteenth century there had been a gradual subsidence of the waters of human progress, and year by year they sank lower and lower, until, when the twentieth century was yet young, it was a common thing to say that the human race seemed to have gone backward fifty or even a hundred years.
It had become fashionable to be unprogressive. Like old furniture in the century which had gone out, old manners, customs, and ideas had now become more attractive than those which were modern and present. Philosophers said that society was retrograding, that it was becoming satisfied with less than was its due; but society answered that it was falling back upon the things of its ancestors, which were sounder and firmer, more simple and beautiful, more worthy of the true man and woman, than all that mass of harassing improvement which had swept down upon mankind in the troubled and nervous days at the end of the nineteenth century.
On the great highways, smooth and beautiful, the stage-coach had taken the place to a great degree of the railroad train; the steamship, which moved most evenly and with less of the jarring and shaking consequent upon high speed, was the favored vessel with ocean travellers. It was not considered good form to read the daily papers; and only those hurried to their business who were obliged to do so in order that their employers might attend to their affairs in the leisurely manner which was then the custom of the business world.
Fast horses had become almost unknown, and with those who still used these animals a steady walker was the favorite. Bicycles had gone out as the new century came in, it being a matter of course that they should be superseded by the new electric vehicles of every sort and fashion, on which one could work the pedals if he desired exercise, or sit quietly if his inclinations were otherwise, and only the very young or the intemperate allowed themselves rapid motion on their electric wheels. It would have been considered as vulgar at that time to speed over a smooth road as it would have been thought in the nineteenth century to run along the city sidewalk.
People thought the world moved slower; at all events, they hoped it would soon do so. Even the wiser revolutionists postponed their outbreaks. Success, they believed, was fain to smile upon effort which had been well postponed.
Men came to look upon a telegram as an insult; the telephone was preferred, because it allowed one to speak slowly if he chose. Snap-shot cameras were found only in the garrets. The fifteen minutes' sittings now in vogue threw upon the plate the color of the eyes, hair, and the flesh tones of the sitter. Ladies wore hoop skirts.
But these days of passivism at last passed by; earnest thinkers had not believed in them; they knew they were simply reactionary, and could not last; and the century was not twenty years old when the world found itself in a storm of active effort never known in its history before. Religion, politics, literature, and art were called upon to get up and shake themselves free of the drowsiness of their years of inaction.
On that great and crowded stage where the thinkers of the world were busy in creating new parts for themselves without much reference to what other people were doing in their parts, Roland Clewe was now ready to start again, with more earnestness and enthusiasm than before, to essay a character which, if acted as he wished to act it, would give him exceptional honor and fame, and to the world, perhaps, exceptional advantage.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
BY the side of a small stream, which ran through one of the most picturesque portions of the province of Burgundy, in France, there sat, on a beautiful day in early summer, two boys, who were brothers.
"I, Erika Blackwood, stand before you, Alexander Robertson, with a heavy heart. I hereby reject you as my mate. The bond we once shared has grown fragile, and my soul yearns for a different path. May you find solace in the love of another, and may we both find the happiness we seek." Alexander didn't say a word and looked at me. But he refused to accept. *********** Erika Blackwood is the next Alpha in line of the Ironclaw Pack. She hides her identity and gets mated to the Alpha of the Moonforest Pack, Alexander Robertson. Three years passed, but Alexander is still unwilling to let go of his childhood sweetheart. Erika is mistreated and eventually framed by the same childhood sweetheart. Now she leaves with that humiliation, and goes back to her pack, swearing vengeance on those who hurt her. They all waited for her to return and beg, but what happens when they realize that the famous Ironclaw Pack that was going to help in the rogue war, was ruled by a woman named, Erika Blackwood. Now her Ex mates want her back. Other Alphas want this woman.. But will she accept any of them? Or will she stay independent forever?...
PERMISSION IS TAKEN FRIM THE ORIGINAL, BE WARNED!! Do you believe in Myths? Just when she thinks it can't get any worse, it does. Lucy lost everything four years ago in a rogue attack. She's been abused, starved, rejected, and broken. As her eighteenth birthday approaches, strange things start to happen, things that only happen once every century. She finds friendship in the most unlikely place and escapes to find her true self with the help of the most dangerous Alpha. Warning: This werewolf trilogy is not intended for anyone under the age of 18 or anyone who doesn't enjoy a good spanking. It will take you on adventures around the world, make you laugh, fall in love, crush your heart and possibly leave you drooling.
Carrying a child left Adeline trapped in marriage to the ruthless and unhinged Waylon, and everyone doubted she'd survive to see the baby's first breath. Filled with dread but determined, she carefully won him over and soon became his lethal obsession. Yet on the day she planned to escape, Waylon drove their car to a cliff's edge, foot hovering over the gas. "I'm sorry, love—did you just say divorce?" His fingers skimmed her cheek, his tone a deadly whisper. "Defy me, and you pay." Later, drenched in blood and rain, he knelt before her, trembling, and pleaded, "Tell me how to keep you here."
In order to fulfill her grandfather's last wish, Stella entered into a hasty marriage with an ordinary man she had never met before. However, even after becoming husband and wife on paper, they each led separate lives, barely crossing paths. A year later, Stella returned to Seamarsh City, hoping to finally meet her mysterious husband. To her astonishment, he sent her a text message, unexpectedly pleading for a divorce without ever having met her in person. Gritting her teeth, Stella replied, "So be it. Let’s get a divorce!" Following that, Stella made a bold move and joined the Prosperity Group, where she became a public relations officer that worked directly for the company’s CEO, Matthew. The handsome and enigmatic CEO was already bound in matrimony, and was known to be unwaveringly devoted to his wife in private. Unbeknownst to Stella, her mysterious husband was actually her boss, in his alternate identity! Determined to focus on her career, Stella deliberately kept her distance from the CEO, although she couldn't help but notice his deliberate attempts to get close to her. As time went on, her elusive husband had a change of heart. He suddenly refused to proceed with the divorce. When would his alternate identity be uncovered? Amidst a tumultuous blend of deception and profound love, what destiny awaited them?
"Please trust me, I didn't do anything." "I don't believe you. I am rejecting you as my Queen and giving you the punishment of death." Alina was living outside her pack for five years. Her parents didn't try to contact her and always ignored her. Her best friend convinced her to go back to their pack and she agreed. But she had never imagined what was waiting there for her. She never thought she would meet her mate and had to face betrayal from everywhere. She had to pay for the crime which she never committed. Aaron Robertson is the king of Lycans. He is a very dominant and powerful King who not only rules Lycans but also rules other ranks of werewolves. Everyone is afraid of Lycans and he is the king of them. But who knew that he would get a mate who was just a simple Omega with no powers and strengths? He called her weak all the time but little did he know that his weak Omega would give him the biggest betrayal of his life for which he had to give her the sentence of death.
Natalie used to think she could melt Connor’s icy heart, but she was sorely mistaken. When at last she decided to leave, she discovered that she was pregnant. Even so, she chose to quietly leave his world, prompting Connor to mobilize all of his resources and expand his business to a global scale—all in a bid to find her. But there was no trace of Natalie. Connor slowly spiraled into madness, turning the city upside down and leaving chaos in his wake. Natalie finally surfaced years later, with wealth and power of her own, only to find herself entangled with Connor once again.