Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Six Little Bunkers at Cousin Tom's" by Laura Lee Hope is part of the Six Little Bunkers series. The Six Little Bunkers series is about the adventures of the Bunker Family when they had no access to technology.
It was about noon of a day in early summer that a westward-bound Atlantic liner was rapidly nearing the port of New York. Not long before, the old light-house on Montauk Point had been sighted, and the company on board the vessel were animated by the knowledge that in a few hours they would be at the end of their voyage.
The vessel now speeding along the southern coast of Long Island was the Euterpe-Thalia, from Southampton. On Wednesday morning she had left her English port, and many of her passengers were naturally anxious to be on shore in time to transact their business on the last day of the week. There were even some who expected to make their return voyage on the Melpomene-Thalia, which would leave New York on the next Monday.
The Euterpe-Thalia was one of those combination ocean vessels which had now been in use for nearly ten years, and although the present voyage was not a particularly rapid one, it had been made in a little less than three days.
As may be easily imagined, a vessel like this was a very different craft from the old steamers which used to cross the Atlantic-"ocean greyhounds" they were called-in the latter part of the nineteenth century.
It would be out of place here to give a full description of the vessels which at the period of our story, in 1947, crossed the Atlantic at an average time of three days, but an idea of their construction will suffice. Most of these vessels belonged to the class of the Euterpe-Thalia, and were, in fact, compound marine structures, the two portions being entirely distinct from each other. The great hull of each of these vessels contained nothing but its electric engines and its propelling machinery, with the necessary fuel and adjuncts.
The upper portion of the compound vessel consisted of decks and quarters for passengers and crew and holds for freight. These were all comprised within a vast upper hull, which rested upon the lower hull containing the motive power, the only point of contact being an enormous ball-and-socket joint. Thus, no matter how much the lower hull might roll and pitch and toss, the upper hull remained level and comparatively undisturbed.
Not only were comfort to passengers and security to movable freight gained by this arrangement of the compound vessel, but it was now possible to build the lower hull of much less size than had been the custom in the former days of steamships, when the hull had to be large enough to contain everything. As the more modern hull held nothing but the machinery, it was small in comparison with the superincumbent upper hull, and thus the force of the engine, once needed to propel a vast mass through the resisting medium of the ocean, was now employed upon a comparatively small hull, the great body of the vessel meeting with no resistance except that of the air.
It was not necessary that the two parts of these compound vessels should always be the same. The upper hulls belonging to one of the transatlantic lines were generally so constructed that they could be adjusted to any one of their lower or motive-power hulls. Each hull had a name of its own, and so the combination name of the entire vessel was frequently changed.
It was not three o'clock when the Euterpe-Thalia passed through the Narrows and moved slowly towards her pier on the Long Island side of the city. The quarantine officers, who had accompanied the vessel on her voyage, had dropped their report in the official tug which had met the vessel on her entrance into the harbor, and as the old custom-house annoyances had long since been abolished, most of the passengers were prepared for a speedy landing.
One of these passengers-a man about thirty-five-stood looking out over the stern of the vessel instead of gazing, as were most of his companions, towards the city which they were approaching. He looked out over the harbor, under the great bridge gently spanning the distance between the western end of Long Island and the New Jersey shore-its central pier resting where once lay the old Battery-and so he gazed over the river, and over the houses stretching far to the west, as if his eyes could catch some signs of the country far beyond. This was Roland Clewe, the hero of our story, who had been studying and experimenting for the past year in the scientific schools and workshops of Germany. It was towards his own laboratory and his own workshops, which lay out in the country far beyond the wide line of buildings and settlements which line the western bank of the Hudson, that his heart went out and his eyes vainly strove to follow.
Skilfully steered, the Thalia moved slowly between high stone piers of massive construction; but the Euterpe, or upper part of the vessel, did not pass between the piers, but over them both, and when the pier-heads projected beyond her stern the motion of the lower vessel ceased; then the great piston, which supported the socket in which the ball of the Euterpe moved, slowly began to descend into the central portion of the Thalia, and as the tide was low, it was not long before each side of the upper hull rested firmly and securely upon the stone piers. Then the socket on the lower vessel descended rapidly until it was entirely clear of the ball, and the Thalia backed out from between the piers to take its place in a dock where it would be fitted for the voyage of the next day but one, when it would move under the Melpomene, resting on its piers a short distance below, and, adjusting its socket to her ball, would lift her free from the piers and carry her across the ocean.
The pier of the Euterpe was not far from the great Long Island and New Jersey Bridge, and Roland Clewe, when he reached the broad sidewalk which ran along the river-front, walked rapidly towards the bridge. When he came to it he stepped into one of the elevators, which were placed at intervals along its sides from the waterfront to the far-distant point where it touched the land, and in company with a dozen other pedestrians speedily rose to the top of the bridge, on which moved two great platforms or floors, one always keeping on its way to the east, and the other to the west. The floor of the elevator detached itself from the rest of the structure and kept company with the movable platform until all of its passengers had stepped on to the latter, when it returned with such persons as wished to descend at that point.
As Clewe took his way along the platform, walking westward with it, as if he would thus hasten his arrival at the other end of the bridge, he noticed that great improvements had been made during his year of absence. The structures on the platforms, to which people might retire in bad weather or when they wished refreshments, were more numerous and apparently better appointed than when he had seen them last, and the long rows of benches on which passengers might sit in the open air during their transit had also increased in number. Many people walked across the bridge, taking their exercise, while some who were out for the air and the sake of the view walked in the direction opposite to that in which the platform was moving, thus lengthening the pleasant trip.
At the great elevator over the old Battery many passengers went down and many came up, but the wide platforms still moved to the east and moved to the west, never stopping or changing their rate of speed.
Roland Clewe remained on the bridge until he had reached its western end, far out on the old Jersey flats, and there he took a car of the suspended electric line, which would carry him to his home, some fifty miles in the interior. The rails of this line ran along the top of parallel timbers, some twenty feet from the ground, and below and between these rails the cars were suspended, the wheels which rested on the rails being attached near the top of the car. Thus it was impossible for the cars to run off the track; and as their bottoms or floors were ten or twelve feet from the ground, they could meet with no dangerous obstacles. In consequence of the safety of this structure, the trains were run at a very high speed.
Roland Clewe was a man who had given his life, even before he ceased to be a boy, to the investigation of physical science and its applications, and those who thought they knew him called him a great inventor; but he, who knew himself better than any one else could know him, was aware that, so far, he had not invented anything worthy the power which he felt within himself.
After the tidal wave of improvements and discoveries which had burst upon the world at the end of the nineteenth century there had been a gradual subsidence of the waters of human progress, and year by year they sank lower and lower, until, when the twentieth century was yet young, it was a common thing to say that the human race seemed to have gone backward fifty or even a hundred years.
It had become fashionable to be unprogressive. Like old furniture in the century which had gone out, old manners, customs, and ideas had now become more attractive than those which were modern and present. Philosophers said that society was retrograding, that it was becoming satisfied with less than was its due; but society answered that it was falling back upon the things of its ancestors, which were sounder and firmer, more simple and beautiful, more worthy of the true man and woman, than all that mass of harassing improvement which had swept down upon mankind in the troubled and nervous days at the end of the nineteenth century.
On the great highways, smooth and beautiful, the stage-coach had taken the place to a great degree of the railroad train; the steamship, which moved most evenly and with less of the jarring and shaking consequent upon high speed, was the favored vessel with ocean travellers. It was not considered good form to read the daily papers; and only those hurried to their business who were obliged to do so in order that their employers might attend to their affairs in the leisurely manner which was then the custom of the business world.
Fast horses had become almost unknown, and with those who still used these animals a steady walker was the favorite. Bicycles had gone out as the new century came in, it being a matter of course that they should be superseded by the new electric vehicles of every sort and fashion, on which one could work the pedals if he desired exercise, or sit quietly if his inclinations were otherwise, and only the very young or the intemperate allowed themselves rapid motion on their electric wheels. It would have been considered as vulgar at that time to speed over a smooth road as it would have been thought in the nineteenth century to run along the city sidewalk.
People thought the world moved slower; at all events, they hoped it would soon do so. Even the wiser revolutionists postponed their outbreaks. Success, they believed, was fain to smile upon effort which had been well postponed.
Men came to look upon a telegram as an insult; the telephone was preferred, because it allowed one to speak slowly if he chose. Snap-shot cameras were found only in the garrets. The fifteen minutes' sittings now in vogue threw upon the plate the color of the eyes, hair, and the flesh tones of the sitter. Ladies wore hoop skirts.
But these days of passivism at last passed by; earnest thinkers had not believed in them; they knew they were simply reactionary, and could not last; and the century was not twenty years old when the world found itself in a storm of active effort never known in its history before. Religion, politics, literature, and art were called upon to get up and shake themselves free of the drowsiness of their years of inaction.
On that great and crowded stage where the thinkers of the world were busy in creating new parts for themselves without much reference to what other people were doing in their parts, Roland Clewe was now ready to start again, with more earnestness and enthusiasm than before, to essay a character which, if acted as he wished to act it, would give him exceptional honor and fame, and to the world, perhaps, exceptional advantage.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
Frank Richard Stockton was a popular 19th century American author who remains best known for writing a series of acclaimed children's fairy tales. His books are still read across the world today.
BY the side of a small stream, which ran through one of the most picturesque portions of the province of Burgundy, in France, there sat, on a beautiful day in early summer, two boys, who were brothers.
"Ms. Crawford, it’s time for you to divorce Mr. Larsen and come home. You're the only heiress the Master's waiting for.” ~•~ For the sake of love, Amara accepted the arranged marriage with Tobias William Larsen. She did everything to gain her husband’s heart but when his old love returned, she realized that all her effort was all for naught. Tobias demanded a divorce on the night of their wedding anniversary, even at the price of threatening her. Heartbroken, she finally dropped all her illusions about him and returned home to be the heiress. The next time she met Tobias, they were no longer couples but opponents. "Mr. Larsen, should I remind you again? We've divorced." "Amara, that's the stupidest mistake I've ever made. Please come back to me."
Sandra Hill, the long-lost real heiress of the Hill family, was shunned by her own kin. Instead of embracing her, they bestowed their affection upon an impostor. They even arranged her to marry a vegetative man in place of her so-called “sister”. Sandra sneered, refusing to put up with this humiliation, cut off ties with the Hill family immediately and ran into the flash marriage with Wesley Cooper, her unconscious billionaire husband. With her incredible medical skills, she defied the odds and revived him. Little did she expect that her husband spoiled her with all his love... A medical genius, a computer prodigy, a national treasure in painting, and a racing legend... Her husband revealed her various identities, leaving the Hill family regretful. Her father came pleading, "It's Dad's fault. Please come back." Her mother wept, "Mom will protect you from now on. Please come back." Even her five brothers knelt before he, begging for forgiveness. Yet, Sandra's smile held a hint of mockery as she vowed, “Never!”
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
Three years ago, Cecilia was left battered and alone by the man she loved most, Alston, yet she bravely completed the wedding ceremony while pregnant. Three years later, although they were married, they grew apart over time. Cecilia focused on her career, no longer foolishly believing in love. But her transformation instantly threw Alston into a panic... And what is the secret from 11 years ago that Cecilia has always been reluctant to reveal? *** "She went to a law firm, met with a lawyer..." A lawyer? Is Cecilia suing someone? Who? Is there any recent litigation against the company? Alston suddenly chuckled coldly, "Who could she sue? I'm the CEO of this company. How come such a matter doesn't come to me first?" The assistant swallowed nervously, speaking softly, "Sir, there's no litigation against the company. She met with... a divorce lawyer."
Dear readers, this book has resumed daily updates. It took Sabrina three whole years to realize that her husband, Tyrone didn't have a heart. He was the coldest and most indifferent man she had ever met. He never smiled at her, let alone treated her like his wife. To make matters worse, the return of the woman he had eyes for brought Sabrina nothing but divorce papers. Sabrina's heart broke. Hoping that there was still a chance for them to work on their marriage, she asked, "Quick question,Tyrone. Would you still divorce me if I told you that I was pregnant?" "Absolutely!" he responded. Realizing that she didn't mean shit to him, Sabrina decided to let go. She signed the divorce agreement while lying on her sickbed with a broken heart. Surprisingly, that wasn't the end for the couple. It was as if scales fell off Tyrone's eyes after she signed the divorce agreement. The once so heartless man groveled at her bedside and pleaded, "Sabrina, I made a big mistake. Please don't divorce me. I promise to change." Sabrina smiled weakly, not knowing what to do...
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.