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William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke warm reception he was discouraged from poetry writing for a number of years. His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite. In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890. In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books. His design for The Works of Geoffrey Chaucer is a masterpiece. Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined. William Morris died at age 62 on 3rd October 1896 in London. Here we present The Story of Sigurd the Volsung and the Fall of the Niblungs.
It has been told that there was once a young man of free kindred and whose name was Hallblithe: he was fair, strong, and not untried in battle; he was of the House of the Raven of old time.
This man loved an exceeding fair damsel called the Hostage, who was of the House of the Rose, wherein it was right and due that the men of the Raven should wed.
She loved him no less, and no man of the kindred gainsaid their love, and they were to be wedded on Midsummer Night.
But one day of early spring, when the days were yet short and the nights long, Hallblithe sat before the porch of the house smoothing an ash stave for his spear, and he heard the sound of horse-hoofs drawing nigh, and he looked up and saw folk riding toward the house, and so presently they rode through the garth gate; and there was no man but he about the house, so he rose up and went to meet them, and he saw that they were but three in company: they had weapons with them, and their horses were of the best; but they were no fellowship for a man to be afraid of; for two of them were old and feeble, and the third was dark and sad, and drooping of aspect: it seemed as if they had ridden far and fast, for their spurs were bloody and their horses all a-sweat.
Hallblithe hailed them kindly and said: "Ye are way-worn, and maybe ye have to ride further; so light down and come into the house, and take bite and sup, and hay and corn also for your horses; and then if ye needs must ride on your way, depart when ye are rested; or else if ye may, then abide here night-long, and go your ways to-morrow, and meantime that which is ours shall be yours, and all shall be free to you."
Then spake the oldest of the elders in a high piping voice and said: "Young man, we thank thee; but though the days of the springtide are waxing, the hours of our lives are waning; nor may we abide unless thou canst truly tell us that this is the Land of the Glittering Plain: and if that be so, then delay not, lead us to thy lord, and perhaps he will make us content."
Spake he who was somewhat less stricken in years than the first: "Thanks have thou! but we need something more than meat and drink, to wit the Land of Living Men. And Oh! but the time presses."
Spake the sad and sorry carle: "We seek the Land where the days are many: so many that he who hath forgotten how to laugh, may learn the craft again, and forget the days of Sorrow."
Then they all three cried aloud and said:
"Is this the Land? Is this the Land?"
But Hallblithe wondered, and he laughed and said: "Wayfarers, look under the sun down the plain which lieth betwixt the mountains and the sea, and ye shall behold the meadows all gleaming with the spring lilies; yet do we not call this the Glittering Plain, but Cleveland by the Sea. Here men die when their hour comes, nor know I if the days of their life be long enough for the forgetting of sorrow; for I am young and not yet a yokefellow of sorrow; but this I know, that they are long enough for the doing of deeds that shall not die. And as for Lord, I know not this word, for here dwell we, the sons of the Raven, in good fellowship, with our wives that we have wedded, and our mothers who have borne us, and our sisters who serve us. Again I bid you light down off your horses, and eat and drink, and be merry; and depart when ye will, to seek what land ye will."
They scarce looked on him, but cried out together mournfully:
"This is not the Land! This is not the Land!"
No more than that they said, but turned about their horses and rode out through the garth gate, and went clattering up the road that led to the pass of the mountains. But Hallblithe hearkened wondering, till the sound of their horse-hoofs died away, and then turned back to his work: and it was then two hours after high-noon.
William Morris was a 19th century British novelist best known for helping pioneer the fantasy genre.
William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke warm reception he was discouraged from poetry writing for a number of years. His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite. In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890. In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books. His design for The Works of Geoffrey Chaucer is a masterpiece. Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined. William Morris died at age 62 on 3rd October 1896 in London. Here we present The Hollow Land.
William Morris is most famous for his textile design, but he was also a passionate and active socialist. News From Nowhere explores his socialist ideals in soft science-fiction. A man returns from a socialist meeting and falls into a sleep from which he wakes in a utopian, socialist future.
William Morris was a 19th century British novelist best known for helping pioneer the fantasy genre.
William Morris was a 19th century British novelist best known for helping pioneer the fantasy genre.
Eliza Greer was abandoned by her mother, raised in an orphanage, and sold to the Burns family at 19. Even though she marries Mason Burns, the other people in the Burns family look down on her for her poor identity and want to try every way to bully her. Unexpectedly, they all failed. Eliza's hidden identities are gradually revealed in one incident after another, which astonishes everyone.
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
Maria took her sister’s place and was engaged to Anthony, a disabled man who had lost his status as the family heir. At first, they were just a nominal couple. However, things changed when things about Maria were gradually exposed. It turned out she was a professional hacker, a mysterious composer, and the sole successor to an international jade sculpting master… The more that was revealed about her, the less Anthony could rest easy. A famous singer, an award-winning actor, an heir of a rich family—so many excellent men were chasing after his fiancee, Maria. What should Anthony do?
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
"You're a creepy bastard." His eyes smolder me and his answering grin is nothing short of beautiful. Deadly. "Yet you hunger for me. Tell me, this appetite of yours, does it always tend toward 'creepy bastards'?" **** Widower and ex-boss to the Mafia, Zefiro Della Rocca, has an unhealthy fixation on the woman nextdoor. It began as a coincidence, growing into mere curiosity, and soon, it was an itch he couldn't ignore, like a quick fix of crack for an addict. He didn't know her name, but he knew every inch of her skin, how it flushed when she climaxed, her favourite novel and that every night she contemplated suicide. He didn't want to care, despising his rapt fascination of the woman. She was in love with her abusive husband. She was married, bound by a contract to the Bratva's hitman. She was off-limits. But when Zefiro wanted something, it was with an intensity that bordered on madness. He obsessed, possessed, owned. There'd be bloodshed if he touched her, but the sight of blood always did fascinate him. * When Susanna flees from her husband, she stumbles right into the arms of her devilishly handsome neighbour with a brooding glare. He couldn't stand her, but she needed him, if she was ever going to escape her husband who now wanted her dead. Better the devil you know than the angel you don't. She should have recalled that before hopping into Zefiro's car and letting him whisk her away to Italy. Maybe then, she wouldn't have started an affair with him. He was the only man who touched her right, and the crazy man took no small pains in ensuring he would be the last.
Sequel to chasing my estranged wife; I want you back. ******** " You promised me!'' I screamed. "You promised that you wouldn't hurt me, you made the vows that you would stand beside me, Ryan, and what did you do? You broke me into smithereens. I don't want anything to do with you anymore. When I said we were done. I meant it!" Falling in love with him had come in a whirlwind, she couldn't account for how exactly it had happened but what she knew was that she didn't want to let go once she was in. For Ryan, when he made a vow, he had meant it, but nothing had told him about marriage, that it wasn't just a bed of roses, but it had thorns in it as well. When secrets piled up between them and vows broken, they had no choice but to let go of each other, but years later, he wanted her back. Like the air he breathed, he chased after her, but she was gone. Left with the remnants of his actions, he is torn between getting her back and damning all consequences or letting go of her and his children, which would it be?