A satiric masterpiece about the allure and peril of money, Our Mutual Friend revolves around the inheritance of a dust-heap where the rich throw their trash. When the body of John Harmon, the dust-heap's expected heir, is found in the Thames, fortunes change hands surprisingly, raising to new heights "Noddy" Boffin, a low-born but kindly clerk who becomes "the Golden Dustman." Charles Dickens's last complete novel, Our Mutual Friend encompasses the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With its flavorful cast of characters and numerous subplots, Our Mutual Friend is one of Dickens's most complex-and satisfying-novels.
Plashwater Weir Mill Lock looked tranquil and pretty on an evening in the summer time. A soft air stirred the leaves of the fresh green trees, and passed like a smooth shadow over the river, and like a smoother shadow over the yielding grass. The voice of the falling water, like the voices of the sea and the wind, were as an outer memory to a contemplative listener; but not particularly so to Mr Riderhood, who sat on one of the blunt wooden levers of his lock-gates, dozing.
Wine must be got into a butt by some agency before it can be drawn out; and the wine of sentiment never having been got into Mr Riderhood by any agency, nothing in nature tapped him.
As the Rogue sat, ever and again nodding himself off his balance, his recovery was always attended by an angry stare and growl, as if, in the absence of any one else, he had aggressive inclinations towards himself. In one of these starts the cry of 'Lock, ho! Lock!' prevented his relapse into a doze. Shaking himself as he got up like the surly brute he was, he gave his growl a responsive twist at the end, and turned his face down-stream to see who hailed.
It was an amateur-sculler, well up to his work though taking it easily, in so light a boat that the Rogue remarked: 'A little less on you, and you'd a'most ha' been a Wagerbut'; then went to work at his windlass handles and sluices, to let the sculler in. As the latter stood in his boat, holding on by the boat-hook to the woodwork at the lock side, waiting for the gates to open, Rogue Riderhood recognized his 'T'other governor,' Mr Eugene Wrayburn; who was, however, too indifferent or too much engaged to recognize him.
The creaking lock-gates opened slowly, and the light boat passed in as soon as there was room enough, and the creaking lock-gates closed upon it, and it floated low down in the dock between the two sets of gates, until the water should rise and the second gates should open and let it out. When Riderhood had run to his second windlass and turned it, and while he leaned against the lever of that gate to help it to swing open presently, he noticed, lying to rest under the green hedge by the towing-path astern of the Lock, a Bargeman.
The water rose and rose as the sluice poured in, dispersing the scum which had formed behind the lumbering gates, and sending the boat up, so that the sculler gradually rose like an apparition against the light from the bargeman's point of view. Riderhood observed that the bargeman rose too, leaning on his arm, and seemed to have his eyes fastened on the rising figure.
But, there was the toll to be taken, as the gates were now complaining and opening. The T'other governor tossed it ashore, twisted in a piece of paper, and as he did so, knew his man.
'Ay, ay? It's you, is it, honest friend?' said Eugene, seating himself preparatory to resuming his sculls. 'You got the place, then?'
'I got the place, and no thanks to you for it, nor yet none to Lawyer Lightwood,' gruffly answered Riderhood.
'We saved our recommendation, honest fellow,' said Eugene, 'for the next candidate-the one who will offer himself when you are transported or hanged. Don't be long about it; will you be so good?'
So imperturbable was the air with which he gravely bent to his work that Riderhood remained staring at him, without having found a retort, until he had rowed past a line of wooden objects by the weir, which showed like huge teetotums standing at rest in the water, and was almost hidden by the drooping boughs on the left bank, as he rowed away, keeping out of the opposing current. It being then too late to retort with any effect-if that could ever have been done-the honest man confined himself to cursing and growling in a grim under-tone. Having then got his gates shut, he crossed back by his plank lock-bridge to the towing-path side of the river.
If, in so doing, he took another glance at the bargeman, he did it by stealth. He cast himself on the grass by the Lock side, in an indolent way, with his back in that direction, and, having gathered a few blades, fell to chewing them. The dip of Eugene Wrayburn's sculls had become hardly audible in his ears when the bargeman passed him, putting the utmost width that he could between them, and keeping under the hedge. Then, Riderhood sat up and took a long look at his figure, and then cried: 'Hi-I-i! Lock, ho! Lock! Plashwater Weir Mill Lock!'
The bargeman stopped, and looked back.
'Plashwater Weir Mill Lock, T'otherest gov-er-nor-or-or-or!' cried Mr Riderhood, with his hands to his mouth.
The bargeman turned back. Approaching nearer and nearer, the bargeman became Bradley Headstone, in rough water-side second-hand clothing.
'Wish I may die,' said Riderhood, smiting his right leg, and laughing, as he sat on the grass, 'if you ain't ha' been a imitating me, T'otherest governor! Never thought myself so good-looking afore!'
Truly, Bradley Headstone had taken careful note of the honest man's dress in the course of that night-walk they had had together. He must have committed it to memory, and slowly got it by heart. It was exactly reproduced in the dress he now wore. And whereas, in his own schoolmaster clothes, he usually looked as if they were the clothes of some other man, he now looked, in the clothes of some other man or men, as if they were his own.
'This your Lock?' said Bradley, whose surprise had a genuine air; 'they told me, where I last inquired, it was the third I should come to. This is only the second.'
'It's my belief, governor,' returned Riderhood, with a wink and shake of his head, 'that you've dropped one in your counting. It ain't Locks as you've been giving your mind to. No, no!'
As he expressively jerked his pointing finger in the direction the boat had taken, a flush of impatience mounted into Bradley's face, and he looked anxiously up the river.
'It ain't Locks as you've been a reckoning up,' said Riderhood, when the schoolmaster's eyes came back again. 'No, no!'
'What other calculations do you suppose I have been occupied with? Mathematics?'
'I never heerd it called that. It's a long word for it. Hows'ever, p'raps you call it so,' said Riderhood, stubbornly chewing his grass.
'It. What?'
'I'll say them, instead of it, if you like,' was the coolly growled reply. 'It's safer talk too.'
'What do you mean that I should understand by them?'
'Spites, affronts, offences giv' and took, deadly aggrawations, such like,' answered Riderhood.
Do what Bradley Headstone would, he could not keep that former flush of impatience out of his face, or so master his eyes as to prevent their again looking anxiously up the river.
'Ha ha! Don't be afeerd, T'otherest,' said Riderhood. 'The T'other's got to make way agin the stream, and he takes it easy. You can soon come up with him. But wot's the good of saying that to you! you know how fur you could have outwalked him betwixt anywheres about where he lost the tide-say Richmond-and this, if you had a mind to it.'
'You think I have been following him?' said Bradley.
'I know you have,' said Riderhood.
'Well! I have, I have,' Bradley admitted. 'But,' with another anxious look up the river, 'he may land.'
'Easy you! He won't be lost if he does land,' said Riderhood. 'He must leave his boat behind him. He can't make a bundle or a parcel on it, and carry it ashore with him under his arm.'
'He was speaking to you just now,' said Bradley, kneeling on one knee on the grass beside the Lock-keeper. 'What did he say?'
'Cheek,' said Riderhood.
'What?'
'Cheek,' repeated Riderhood, with an angry oath; 'cheek is what he said. He can't say nothing but cheek. I'd ha' liked to plump down aboard of him, neck and crop, with a heavy jump, and sunk him.'
Bradley turned away his haggard face for a few moments, and then said, tearing up a tuft of grass:
'Damn him!'
'Hooroar!' cried Riderhood. 'Does you credit! Hooroar! I cry chorus to the T'otherest.'
'What turn,' said Bradley, with an effort at self-repression that forced him to wipe his face, 'did his insolence take to-day?'
'It took the turn,' answered Riderhood, with sullen ferocity, 'of hoping as I was getting ready to be hanged.'
'Let him look to that,' cried Bradley. 'Let him look to that! It will be bad for him when men he has injured, and at whom he has jeered, are thinking of getting hanged. Let him get ready for his fate, when that comes about. There was more meaning in what he said than he knew of, or he wouldn't have had brains enough to say it. Let him look to it; let him look to it! When men he has wronged, and on whom he has bestowed his insolence, are getting ready to be hanged, there is a death-bell ringing. And not for them.'
Riderhood, looking fixedly at him, gradually arose from his recumbent posture while the schoolmaster said these words with the utmost concentration of rage and hatred. So, when the words were all spoken, he too kneeled on one knee on the grass, and the two men looked at one another.
'Oh!' said Riderhood, very deliberately spitting out the grass he had been chewing. 'Then, I make out, T'otherest, as he is a-going to her?'
'He left London,' answered Bradley, 'yesterday. I have hardly a doubt, this time, that at last he is going to her.'
'You ain't sure, then?'
'I am as sure here,' said Bradley, with a clutch at the breast of his coarse shirt, 'as if it was written there;' with a blow or a stab at the sky.
'Ah! But judging from the looks on you,' retorted Riderhood, completely ridding himself of his grass, and drawing his sleeve across his mouth, 'you've made ekally sure afore, and have got disapinted. It has told upon you.'
'Listen,' said Bradley, in a low voice, bending forward to lay his hand upon the Lock-keeper's shoulder. 'These are my holidays.'
'Are they, by George!' muttered Riderhood, with his eyes on the passion-wasted face. 'Your working days must be stiff 'uns, if these is your holidays.'
'And I have never left him,' pursued Bradley, waving the interruption aside with an impatient hand, 'since they began. And I never will leave him now, till I have seen him with her.'
'And when you have seen him with her?' said Riderhood.
'-I'll come back to you.'
Riderhood stiffened the knee on which he had been resting, got up, and looked gloomily at his new friend. After a few moments they walked side by side in the direction the boat had taken, as if by tacit consent; Bradley pressing forward, and Riderhood holding back; Bradley getting out his neat prim purse into his hand (a present made him by penny subscription among his pupils); and Riderhood, unfolding his arms to smear his coat-cuff across his mouth with a thoughtful air.
'I have a pound for you,' said Bradley.
'You've two,' said Riderhood.
Bradley held a sovereign between his fingers. Slouching at his side with his eyes upon the towing-path, Riderhood held his left hand open, with a certain slight drawing action towards himself. Bradley dipped in his purse for another sovereign, and two chinked in Riderhood's hand, the drawing action of which, promptly strengthening, drew them home to his pocket.
'Now, I must follow him,' said Bradley Headstone. 'He takes this river-road-the fool!-to confuse observation, or divert attention, if not solely to baffle me. But he must have the power of making himself invisible before he can shake Me off.'
Riderhood stopped. 'If you don't get disapinted agin, T'otherest, maybe you'll put up at the Lock-house when you come back?'
'I will.'
Riderhood nodded, and the figure of the bargeman went its way along the soft turf by the side of the towing-path, keeping near the hedge and moving quickly. They had turned a point from which a long stretch of river was visible. A stranger to the scene might have been certain that here and there along the line of hedge a figure stood, watching the bargeman, and waiting for him to come up. So he himself had often believed at first, until his eyes became used to the posts, bearing the dagger that slew Wat Tyler, in the City of London shield.
Within Mr Riderhood's knowledge all daggers were as one. Even to Bradley Headstone, who could have told to the letter without book all about Wat Tyler, Lord Mayor Walworth, and the King, that it is dutiful for youth to know, there was but one subject living in the world for every sharp destructive instrument that summer evening. So, Riderhood looking after him as he went, and he with his furtive hand laid upon the dagger as he passed it, and his eyes upon the boat, were much upon a par.
The boat went on, under the arching trees, and over their tranquil shadows in the water. The bargeman skulking on the opposite bank of the stream, went on after it. Sparkles of light showed Riderhood when and where the rower dipped his blades, until, even as he stood idly watching, the sun went down and the landscape was dyed red. And then the red had the appearance of fading out of it and mounting up to Heaven, as we say that blood, guiltily shed, does.
Turning back towards his Lock (he had not gone out of view of it), the Rogue pondered as deeply as it was within the contracted power of such a fellow to do. 'Why did he copy my clothes? He could have looked like what he wanted to look like, without that.' This was the subject-matter in his thoughts; in which, too, there came lumbering up, by times, like any half floating and half sinking rubbish in the river, the question, Was it done by accident? The setting of a trap for finding out whether it was accidentally done, soon superseded, as a practical piece of cunning, the abstruser inquiry why otherwise it was done. And he devised a means.
Rogue Riderhood went into his Lock-house, and brought forth, into the now sober grey light, his chest of clothes. Sitting on the grass beside it, he turned out, one by one, the articles it contained, until he came to a conspicuous bright red neckerchief stained black here and there by wear. It arrested his attention, and he sat pausing over it, until he took off the rusty colourless wisp that he wore round his throat, and substituted the red neckerchief, leaving the long ends flowing. 'Now,' said the Rogue, 'if arter he sees me in this neckhankecher, I see him in a sim'lar neckhankecher, it won't be accident!' Elated by his device, he carried his chest in again and went to supper.
'Lock ho! Lock!' It was a light night, and a barge coming down summoned him out of a long doze. In due course he had let the barge through and was alone again, looking to the closing of his gates, when Bradley Headstone appeared before him, standing on the brink of the Lock.
'Halloa!' said Riderhood. 'Back a' ready, T'otherest?'
'He has put up for the night, at an Angler's Inn,' was the fatigued and hoarse reply. 'He goes on, up the river, at six in the morning. I have come back for a couple of hours' rest.'
'You want 'em,' said Riderhood, making towards the schoolmaster by his plank bridge.
'I don't want them,' returned Bradley, irritably, 'because I would rather not have them, but would much prefer to follow him all night. However, if he won't lead, I can't follow. I have been waiting about, until I could discover, for a certainty, at what time he starts; if I couldn't have made sure of it, I should have stayed there.-This would be a bad pit for a man to be flung into with his hands tied. These slippery smooth walls would give him no chance. And I suppose those gates would suck him down?'
'Suck him down, or swaller him up, he wouldn't get out,' said Riderhood. 'Not even, if his hands warn't tied, he wouldn't. Shut him in at both ends, and I'd give him a pint o' old ale ever to come up to me standing here.'
Bradley looked down with a ghastly relish. 'You run about the brink, and run across it, in this uncertain light, on a few inches width of rotten wood,' said he. 'I wonder you have no thought of being drowned.'
'I can't be!' said Riderhood.
'You can't be drowned?'
'No!' said Riderhood, shaking his head with an air of thorough conviction, 'it's well known. I've been brought out o' drowning, and I can't be drowned. I wouldn't have that there busted B'lowbridger aware on it, or her people might make it tell agin' the damages I mean to get. But it's well known to water-side characters like myself, that him as has been brought out o drowning, can never be drowned.'
Bradley smiled sourly at the ignorance he would have corrected in one of his pupils, and continued to look down into the water, as if the place had a gloomy fascination for him.
'You seem to like it,' said Riderhood.
He took no notice, but stood looking down, as if he had not heard the words. There was a very dark expression on his face; an expression that the Rogue found it hard to understand. It was fierce, and full of purpose; but the purpose might have been as much against himself as against another. If he had stepped back for a spring, taken a leap, and thrown himself in, it would have been no surprising sequel to the look. Perhaps his troubled soul, set upon some violence, did hover for the moment between that violence and another.
'Didn't you say,' asked Riderhood, after watching him for a while with a sidelong glance, 'as you had come back for a couple o' hours' rest?' But, even then he had to jog him with his elbow before he answered.
'Eh? Yes.'
'Hadn't you better come in and take your couple o' hours' rest?'
'Thank you. Yes.'
With the look of one just awakened, he followed Riderhood into the Lock-house, where the latter produced from a cupboard some cold salt beef and half a loaf, some gin in a bottle, and some water in a jug. The last he brought in, cool and dripping, from the river.
'There, T'otherest,' said Riderhood, stooping over him to put it on the table. 'You'd better take a bite and a sup, afore you takes your snooze.' The draggling ends of the red neckerchief caught the schoolmaster's eyes. Riderhood saw him look at it.
'Oh!' thought that worthy. 'You're a-taking notice, are you? Come! You shall have a good squint at it then.' With which reflection he sat down on the other side of the table, threw open his vest, and made a pretence of re-tying the neckerchief with much deliberation.
Bradley ate and drank. As he sat at his platter and mug, Riderhood saw him, again and yet again, steal a look at the neckerchief, as if he were correcting his slow observation and prompting his sluggish memory. 'When you're ready for your snooze,' said that honest creature, 'chuck yourself on my bed in the corner, T'otherest. It'll be broad day afore three. I'll call you early.'
'I shall require no calling,' answered Bradley. And soon afterwards, divesting himself only of his shoes and coat, laid himself down.
Riderhood, leaning back in his wooden arm-chair with his arms folded on his breast, looked at him lying with his right hand clenched in his sleep and his teeth set, until a film came over his own sight, and he slept too. He awoke to find that it was daylight, and that his visitor was already astir, and going out to the river-side to cool his head:-'Though I'm blest,' muttered Riderhood at the Lock-house door, looking after him, 'if I think there's water enough in all the Thames to do that for you!' Within five minutes he had taken his departure, and was passing on into the calm distance as he had passed yesterday. Riderhood knew when a fish leaped, by his starting and glancing round.
'Lock ho! Lock!' at intervals all day, and 'Lock ho! Lock!' thrice in the ensuing night, but no return of Bradley. The second day was sultry and oppressive. In the afternoon, a thunderstorm came up, and had but newly broken into a furious sweep of rain when he rushed in at the door, like the storm itself.
'You've seen him with her!' exclaimed Riderhood, starting up.
'I have.'
'Where?'
'At his journey's end. His boat's hauled up for three days. I heard him give the order. Then, I saw him wait for her and meet her. I saw them'-he stopped as though he were suffocating, and began again-'I saw them walking side by side, last night.'
'What did you do?'
'Nothing.'
'What are you going to do?'
He dropped into a chair, and laughed. Immediately afterwards, a great spirt of blood burst from his nose.
'How does that happen?' asked Riderhood.
'I don't know. I can't keep it back. It has happened twice-three times-four times-I don't know how many times-since last night. I taste it, smell it, see it, it chokes me, and then it breaks out like this.'
He went into the pelting rain again with his head bare, and, bending low over the river, and scooping up the water with his two hands, washed the blood away. All beyond his figure, as Riderhood looked from the door, was a vast dark curtain in solemn movement towards one quarter of the heavens. He raised his head and came back, wet from head to foot, but with the lower parts of his sleeves, where he had dipped into the river, streaming water.
'Your face is like a ghost's,' said Riderhood.
'Did you ever see a ghost?' was the sullen retort.
'I mean to say, you're quite wore out.'
'That may well be. I have had no rest since I left here. I don't remember that I have so much as sat down since I left here.'
'Lie down now, then,' said Riderhood.
'I will, if you'll give me something to quench my thirst first.'
The bottle and jug were again produced, and he mixed a weak draught, and another, and drank both in quick succession. 'You asked me something,' he said then.
'No, I didn't,' replied Riderhood.
'I tell you,' retorted Bradley, turning upon him in a wild and desperate manner, 'you asked me something, before I went out to wash my face in the river.
'Oh! Then?' said Riderhood, backing a little. 'I asked you wot you wos a-going to do.'
'How can a man in this state know?' he answered, protesting with both his tremulous hands, with an action so vigorously angry that he shook the water from his sleeves upon the floor, as if he had wrung them. 'How can I plan anything, if I haven't sleep?'
'Why, that's what I as good as said,' returned the other. 'Didn't I say lie down?'
'Well, perhaps you did.'
'Well! Anyways I says it again. Sleep where you slept last; the sounder and longer you can sleep, the better you'll know arterwards what you're up to.'
His pointing to the truckle bed in the corner, seemed gradually to bring that poor couch to Bradley's wandering remembrance. He slipped off his worn down-trodden shoes, and cast himself heavily, all wet as he was, upon the bed.
Riderhood sat down in his wooden arm-chair, and looked through the window at the lightning, and listened to the thunder. But, his thoughts were far from being absorbed by the thunder and the lightning, for again and again and again he looked very curiously at the exhausted man upon the bed. The man had turned up the collar of the rough coat he wore, to shelter himself from the storm, and had buttoned it about his neck. Unconscious of that, and of most things, he had left the coat so, both when he had laved his face in the river, and when he had cast himself upon the bed; though it would have been much easier to him if he had unloosened it.
The thunder rolled heavily, and the forked lightning seemed to make jagged rents in every part of the vast curtain without, as Riderhood sat by the window, glancing at the bed. Sometimes, he saw the man upon the bed, by a red light; sometimes, by a blue; sometimes, he scarcely saw him in the darkness of the storm; sometimes he saw nothing of him in the blinding glare of palpitating white fire. Anon, the rain would come again with a tremendous rush, and the river would seem to rise to meet it, and a blast of wind, bursting upon the door, would flutter the hair and dress of the man, as if invisible messengers were come around the bed to carry him away. From all these phases of the storm, Riderhood would turn, as if they were interruptions-rather striking interruptions possibly, but interruptions still-of his scrutiny of the sleeper.
Original
'He sleeps sound,' he said within himself; 'yet he's that up to me and that noticing of me that my getting out of my chair may wake him, when a rattling peal won't; let alone my touching of him.'
He very cautiously rose to his feet. 'T'otherest,' he said, in a low, calm voice, 'are you a lying easy? There's a chill in the air, governor. Shall I put a coat over you?'
No answer.
'That's about what it is a'ready, you see,' muttered Riderhood in a lower and a different voice; 'a coat over you, a coat over you!'
The sleeper moving an arm, he sat down again in his chair, and feigned to watch the storm from the window. It was a grand spectacle, but not so grand as to keep his eyes, for half a minute together, from stealing a look at the man upon the bed.
It was at the concealed throat of the sleeper that Riderhood so often looked so curiously, until the sleep seemed to deepen into the stupor of the dead-tired in mind and body. Then, Riderhood came from the window cautiously, and stood by the bed.
'Poor man!' he murmured in a low tone, with a crafty face, and a very watchful eye and ready foot, lest he should start up; 'this here coat of his must make him uneasy in his sleep. Shall I loosen it for him, and make him more comfortable? Ah! I think I ought to do it, poor man. I think I will.'
He touched the first button with a very cautious hand, and a step backward. But, the sleeper remaining in profound unconsciousness, he touched the other buttons with a more assured hand, and perhaps the more lightly on that account. Softly and slowly, he opened the coat and drew it back.
The draggling ends of a bright-red neckerchief were then disclosed, and he had even been at the pains of dipping parts of it in some liquid, to give it the appearance of having become stained by wear. With a much-perplexed face, Riderhood looked from it to the sleeper, and from the sleeper to it, and finally crept back to his chair, and there, with his hand to his chin, sat long in a brown study, looking at both.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Six Little Bunkers at Cousin Tom's" by Laura Lee Hope is part of the Six Little Bunkers series. The Six Little Bunkers series is about the adventures of the Bunker Family when they had no access to technology.
In the 1840s Charles Dickens wrote 5 short stories with strong social and moral messages. The Chimes: A Goblin Story of Some Bells that Rand an Old Year Out and a New Year In, is the second of these stories, whose predecessor was the famous A Christmas Carol. The Chimes focuses on Trotty, a poor elderly messenger who is filled with gloom over reports of crime and immorality in the newspapers. After losing faith in the society, Trotty follows a call to the church bell tower where he encounters Goblins that teach him, and listeners, lessons in the form of visions about the mistreatment of the lower class in society. This story of social awakening inspires listeners to treat everyone with fair kindness.
Charles Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today. Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity. By the time he died at the relatively young age of 58 from a stroke, he was already Europe's most famous writer. His obituary noted that Dickens was a "sympathiser with the poor, the suffering, and the oppressed." Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons. Many of Dickens' novels were written with the concept of social reform in mind, and Dickens' work was often praised for its realism, comic genius and unique personalities. At the same time, however, Dickens' ability as a writer was nearly unrivaled, with his ability to write in prose unquestioned and unmatched.
A Christmas Carol launched Dickens's Christmas novellas; The Haunted Man and the Ghost's Bargain brings the series to an end. Professor Redlaw is haunted by a ghost-like creature that looks astonishingly like him. The spirit relieves Redlaw of his miseries from years gone by, but there are unforeseen consequences of forgetting the past.
Dodo Collections brings you another classic from Charles Dickens, 'The Cricket on the Hearth: A Fairy Tale of Home.' Dickens gave his first formal expression to his Christmas thoughts in his series of small books, the first of which was the famous "Christmas Carol." There followed four others: "The Chimes," "The Cricket on the Hearth," "The Battle of Life," and "The Haunted Man." The five are known today as the "Christmas Books." Of them all the "Carol" is the best known and loved, and "The Cricket on the Hearth," although third in the series, is perhaps next in popularity, and is especially familiar to Americans through Joseph Jefferson's characterisation of Caleb Plummer. The title creature is a sort of barometer of life at the home of John Peerybingle and his much younger wife Dot. When things go well, the cricket on the hearth chirps; it is silent when there is sorrow. Tackleton, a jealous old man, poisons John's mind about Dot, but the cricket through its supernatural powers restores John's confidence and all ends happily. Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. A prolific 19th Century author of short stories, plays, novellas, novels, fiction and non-fiction; during his lifetime Dickens became known the world over for his remarkable characters, his mastery of prose in the telling of their lives, and his depictions of the social classes, morals and values of his times. Some considered him the spokesman for the poor, for he definitely brought much awareness to their plight, the downtrodden and the have-nots. He had his share of critics, like Virginia Woolf and Henry James, but also many admirers, even into the 21st Century.
The Uncommercial Traveller is a collection of literary sketches and reminiscences written by Charles Dickens.
Life was perfect until she met her boyfriend's big brother. There was a forbidden law in the Night Shade Pack that if the head Alpha rejected his mate, he would be stripped of his position. Sophia's life would get connected with the law. She was an Omega who was dating the head Alpha's younger brother. Bryan Morrison, the head Alpha, was not only a cold-blooded man but also a charming business tycoon. His name was enough to cause other packs to tremble. He was known as a ruthless man. What if, by some twist of destiny, Sophia's path were to intertwine with his?
Sheila had her back against the wall when her family tried to force her to marry an awful old man. In a fit of rage, she hired a gigolo to act as her husband. She thought the gigolo needed money and did this for a living. Little did she know that he was nothing like that. One day, he pulled off his mask and revealed himself to be the world's top magnate. This marked the beginning of their love. He showered her with everything she could ever want. They were happy. However, unexpected circumstances soon posed a threat to their love. Would Sheila and her husband make it through the storm? Find out!
BOOK 1- BILLIONAIRE ROMANCE BOOK. MATURE THEMES 18+ The book may contain s!xual scenes, sudden instances of possessiveness, mild violence. Sydney Morgan and Gavin Reed, high school sweethearts, had been married for over a decade. Five years of their relationship were filled with unconditional love; however, in the next six years, this changes drastically between them when Sydney takes advice from her best friend, Gavin's first love. When Sydney loses her baby, Gavin is left broken and vulnerable in the hands of his first love. She convinces him to divorce Sydney, and when he does, Sydney loses it and nearly gets hit by a car, but then the talk of the town, Gavin's rival, and CEO's son, hiding behind a facàde, comes to her rescue.
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
Ava Adler was a nerdy omega. People bullied her because they thought she was ugly and unattractive. But Ava secretly loved the bad boy, Ian Dawson. He was the future Alpha of the Mystic Shadow Pack. However, he never gave a damn about rules and laws, as he only liked to play around with girls. Ava was unaware of Ian's arrogance until her fate intertwined with his. He neglected her and hurt her deeply. What would happen when Ava turned out to be a beautiful girl who could win over any boy, and Ian looked back and regretted his decisions? What if she had a secret identity that she had yet to discover? What if the tables turned and lan begged her not to leave him?
RATED 18+ (WARNING) - EXPLICIT SCENES. "Strip for me" the beastly alpha called, his voice echoed from his dark cell, causing a shiver to go down her body. She couldn't fight the way her body reacts to him. Her nipples harden from his touch. "I can smell your wetness omega" he mutters, his hands tracing under her skirt till he feels up her wet jeweled folds, causing a hiss from her lips as his fingers push in. He whispers to he ears, a voice filled the dangerous promise "you are mine" .******. Elise Aldermen is the daughter of the Silvernight Pack's chief alpha. She has waited her whole life for her marriage ceremony, hoping it would be the best day of her life. However, she gets the shock of a lifetime when her betrothed coldly rejects her and makes her a slave after finding out her true origins, even though they were already bound. Not Not only is she claimed to be a bastard on her mating day, but she is also disowned and rejected by her pack and mate. Elise's life turns into a nightmare as she is thrown into the dungeons as the cruel alpha's slave, only to be handed off to his greatest beastly champion, who dwells in the dark cells. Elise soon discovers that the beast she is now forced to be marked and bound to is more than a monster; this beastly alpha could also be her fated mate.