Curl up with a collection of stories from the pen of one of the masters of American fiction and humor writing. This carefully curated volume of Twain's short stories represents a cross-section of some the author's finest work, including the title piece, which follows a stranger's plot to corrupt a purportedly honest community.
Three of us boys were always together, and had been so from the cradle, being fond of one another from the beginning, and this affection deepened as the years went on-Nikolaus Bauman, son of the principal judge of the local court; Seppi Wohlmeyer, son of the keeper of the principal inn, the "Golden Stag," which had a nice garden, with shade trees reaching down to the riverside, and pleasure boats for hire; and I was the third-Theodor Fischer, son of the church organist, who was also leader of the village musicians, teacher of the violin, composer, tax-collector of the commune, sexton, and in o
ther ways a useful citizen, and respected by all. We knew the hills and the woods as well as the birds knew them; for we were always roaming them when we had leisure-at least, when we were not swimming or boating or fishing, or playing on the ice or sliding down hill.
And we had the run of the castle park, and very few had that. It was because we were pets of the oldest servingman in the castle-Felix Brandt; and often we went there, nights, to hear him talk about old times and strange things, and to smoke with him (he taught us that) and to drink coffee; for he had served in the wars, and was at the siege of Vienna; and there, when the Turks were defeated and driven away, among the captured things were bags of coffee, and the Turkish prisoners explained the character of it and how to make a pleasant drink out of it, and now he always kept coffee by him, to drink himself and also to astonish the ignorant with. When it stormed he kept us all night; and while it thundered and lightened outside he told us about ghosts and horrors of every kind, and of battles and murders and mutilations, and such things, and made it pleasant and cozy inside; and he told these things from his own experience largely. He had seen many ghosts in his time, and witches and enchanters, and once he was lost in a fierce storm at midnight in the mountains, and by the glare of the lightning had seen the Wild Huntsman rage on the blast with his specter dogs chasing after him through the driving cloud-rack. Also he had seen an incubus once, and several times he had seen the great bat that sucks the blood from the necks of people while they are asleep, fanning them softly with its wings and so keeping them drowsy till they die.
He encouraged us not to fear supernatural things, such as ghosts, and said they did no harm, but only wandered about because they were lonely and distressed and wanted kindly notice and compassion; and in time we learned not to be afraid, and even went down with him in the night to the haunted chamber in the dungeons of the castle. The ghost appeared only once, and it went by very dim to the sight and floated noiseless through the air, and then disappeared; and we scarcely trembled, he had taught us so well. He said it came up sometimes in the night and woke him by passing its clammy hand over his face, but it did him no hurt; it only wanted sympathy and notice. But the strangest thing was that he had seen angels-actual angels out of heaven-and had talked with them. They had no wings, and wore clothes, and talked and looked and acted just like any natural person, and you would never know them for angels except for the wonderful things they did which a mortal could not do, and the way they suddenly disappeared while you were talking with them, which was also a thing which no mortal could do. And he said they were pleasant and cheerful, not gloomy and melancholy, like ghosts.
It was after that kind of a talk one May night that we got up next morning and had a good breakfast with him and then went down and crossed the bridge and went away up into the hills on the left to a woody hill-top which was a favorite place of ours, and there we stretched out on the grass in the shade to rest and smoke and talk over these strange things, for they were in our minds yet, and impressing us. But we couldn't smoke, because we had been heedless and left our flint and steel behind.
Soon there came a youth strolling toward us through the trees, and he sat down and began to talk in a friendly way, just as if he knew us. But we did not answer him, for he was a stranger and we were not used to strangers and were shy of them. He had new and good clothes on, and was handsome and had a winning face and a pleasant voice, and was easy and graceful and unembarrassed, not slouchy and awkward and diffident, like other boys. We wanted to be friendly with him, but didn't know how to begin. Then I thought of the pipe, and wondered if it would be taken as kindly meant if I offered it to him. But I remembered that we had no fire, so I was sorry and disappointed. But he looked up bright and pleased, and said:
"Fire? Oh, that is easy; I will furnish it."
I was so astonished I couldn't speak; for I had not said anything. He took the pipe and blew his breath on it, and the tobacco glowed red, and spirals of blue smoke rose up. We jumped up and were going to run, for that was natural; and we did run a few steps, although he was yearningly pleading for us to stay, and giving us his word that he would not do us any harm, but only wanted to be friends with us and have company. So we stopped and stood, and wanted to go back, being full of curiosity and wonder, but afraid to venture. He went on coaxing, in his soft, persuasive way; and when we saw that the pipe did not blow up and nothing happened, our confidence returned by little and little, and presently our curiosity got to be stronger than our fear, and we ventured back-but slowly, and ready to fly at any alarm.
He was bent on putting us at ease, and he had the right art; one could not remain doubtful and timorous where a person was so earnest and simple and gentle, and talked so alluringly as he did; no, he won us over, and it was not long before we were content and comfortable and chatty, and glad we had found this new friend. When the feeling of constraint was all gone we asked him how he had learned to do that strange thing, and he said he hadn't learned it at all; it came natural to him-like other things-other curious things.
"What ones?"
"Oh, a number; I don't know how many."
"Will you let us see you do them?"
"Do-please!" the others said.
"You won't run away again?"
"No-indeed we won't. Please do. Won't you?"
"Yes, with pleasure; but you mustn't forget your promise, you know."
We said we wouldn't, and he went to a puddle and came back with water in a cup which he had made out of a leaf, and blew upon it and threw it out, and it was a lump of ice the shape of the cup. We were astonished and charmed, but not afraid any more; we were very glad to be there, and asked him to go on and do some more things. And he did. He said he would give us any kind of fruit we liked, whether it was in season or not. We all spoke at once;
"Orange!"
"Apple!"
"Grapes!"
"They are in your pockets," he said, and it was true. And they were of the best, too, and we ate them and wished we had more, though none of us said so.
"You will find them where those came from," he said, "and everything else your appetites call for; and you need not name the thing you wish; as long as I am with you, you have only to wish and find."
And he said true. There was never anything so wonderful and so interesting. Bread, cakes, sweets, nuts-whatever one wanted, it was there. He ate nothing himself, but sat and chatted, and did one curious thing after another to amuse us. He made a tiny toy squirrel out of clay, and it ran up a tree and sat on a limb overhead and barked down at us. Then he made a dog that was not much larger than a mouse, and it treed the squirrel and danced about the tree, excited and barking, and was as alive as any dog could be. It frightened the squirrel from tree to tree and followed it up until both were out of sight in the forest. He made birds out of clay and set them free, and they flew away, singing.
At last I made bold to ask him to tell us who he was.
"An angel," he said, quite simply, and set another bird free and clapped his hands and made it fly away.
A kind of awe fell upon us when we heard him say that, and we were afraid again; but he said we need not be troubled, there was no occasion for us to be afraid of an angel, and he liked us, anyway. He went on chatting as simply and unaffectedly as ever; and while he talked he made a crowd of little men and women the size of your finger, and they went diligently to work and cleared and leveled off a space a couple of yards square in the grass and began to build a cunning little castle in it, the women mixing the mortar and carrying it up the scaffoldings in pails on their heads, just as our work-women have always done, and the men laying the courses of masonry-five hundred of these toy people swarming briskly about and working diligently and wiping the sweat off their faces as natural as life. In the absorbing interest of watching those five hundred little people make the castle grow step by step and course by course, and take shape and symmetry, that feeling and awe soon passed away and we were quite comfortable and at home again. We asked if we might make some people, and he said yes, and told Seppi to make some cannon for the walls, and told Nikolaus to make some halberdiers, with breastplates and greaves and helmets, and I was to make some cavalry, with horses, and in allotting these tasks he called us by our names, but did not say how he knew them. Then Seppi asked him what his own name was, and he said, tranquilly, "Satan," and held out a chip and caught a little woman on it who was falling from the scaffolding and put her back where she belonged, and said, "She is an idiot to step backward like that and not notice what she is about."
It caught us suddenly, that name did, and our work dropped out of our hands and broke to pieces-a cannon, a halberdier, and a horse. Satan laughed, and asked what was the matter. I said, "Nothing, only it seemed a strange name for an angel." He asked why.
"Because it's-it's-well, it's his name, you know."
"Yes-he is my uncle."
He said it placidly, but it took our breath for a moment and made our hearts beat. He did not seem to notice that, but mended our halberdiers and things with a touch, handing them to us finished, and said, "Don't you remember?-he was an angel himself, once."
"Yes-it's true," said Seppi; "I didn't think of that."
"Before the Fall he was blameless."
"Yes," said Nikolaus, "he was without sin."
"It is a good family-ours," said Satan; "there is not a better. He is the only member of it that has ever sinned."
I should not be able to make any one understand how exciting it all was. You know that kind of quiver that trembles around through you when you are seeing something so strange and enchanting and wonderful that it is just a fearful joy to be alive and look at it; and you know how you gaze, and your lips turn dry and your breath comes short, but you wouldn't be anywhere but there, not for the world. I was bursting to ask one question-I had it on my tongue's end and could hardly hold it back-but I was ashamed to ask it; it might be a rudeness. Satan set an ox down that he had been making, and smiled up at me and said:
"It wouldn't be a rudeness, and I should forgive it if it was. Have I seen him? Millions of times. From the time that I was a little child a thousand years old I was his second favorite among the nursery angels of our blood and lineage-to use a human phrase-yes, from that time until the Fall, eight thousand years, measured as you count time."
"Eight-thousand!"
"Yes." He turned to Seppi, and went on as if answering something that was in Seppi's mind: "Why, naturally I look like a boy, for that is what I am. With us what you call time is a spacious thing; it takes a long stretch of it to grow an angel to full age." There was a question in my mind, and he turned to me and answered it, "I am sixteen thousand years old-counting as you count." Then he turned to Nikolaus and said: "No, the Fall did not affect me nor the rest of the relationship. It was only he that I was named for who ate of the fruit of the tree and then beguiled the man and the woman with it. We others are still ignorant of sin; we are not able to commit it; we are without blemish, and shall abide in that estate always. We-" Two of the little workmen were quarreling, and in buzzing little bumblebee voices they were cursing and swearing at each other; now came blows and blood; then they locked themselves together in a life-and-death struggle. Satan reached out his hand and crushed the life out of them with his fingers, threw them away, wiped the red from his fingers on his handkerchief, and went on talking where he had left off: "We cannot do wrong; neither have we any disposition to do it, for we do not know what it is."
It seemed a strange speech, in the circumstances, but we barely noticed that, we were so shocked and grieved at the wanton murder he had committed-for murder it was, that was its true name, and it was without palliation or excuse, for the men had not wronged him in any way. It made us miserable, for we loved him, and had thought him so noble and so beautiful and gracious, and had honestly believed he was an angel; and to have him do this cruel thing-ah, it lowered him so, and we had had such pride in him. He went right on talking, just as if nothing had happened, telling about his travels, and the interesting things he had seen in the big worlds of our solar system and of other solar systems far away in the remotenesses of space, and about the customs of the immortals that inhabit them, somehow fascinating us, enchanting us, charming us in spite of the pitiful scene that was now under our eyes, for the wives of the little dead men had found the crushed and shapeless bodies and were crying over them, and sobbing and lamenting, and a priest was kneeling there with his hands crossed upon his breast, praying; and crowds and crowds of pitying friends were massed about them, reverently uncovered, with their bare heads bowed, and many with the tears running down-a scene which Satan paid no attention to until the small noise of the weeping and praying began to annoy him, then he reached out and took the heavy board seat out of our swing and brought it down and mashed all those people into the earth just as if they had been flies, and went on talking just the same. An angel, and kill a priest! An angel who did not know how to do wrong, and yet destroys in cold blood hundreds of helpless poor men and women who had never done him any harm! It made us sick to see that awful deed, and to think that none of those poor creatures was prepared except the priest, for none of them had ever heard a mass or seen a church. And we were witnesses; we had seen these murders done and it was our duty to tell, and let the law take its course.
But he went on talking right along, and worked his enchantments upon us again with that fatal music of his voice. He made us forget everything; we could only listen to him, and love him, and be his slaves, to do with us as he would. He made us drunk with the joy of being with him, and of looking into the heaven of his eyes, and of feeling the ecstasy that thrilled along our veins from the touch of his hand.
This is the second e-book in a five-volume electronic edition that includes the texts of every known letter written by Samuel L. Clemens (Mark Twain) from 1876 through 1880. The more than 700 letters published here have never before been gathered together and offered to the public in an easily accessible, organized fashion. Carefully transcribed and dated, they are presented here in a spare, unadorned manner, offering an unprecedented look at an important period in the life of this pre-eminent American author.
First published in 1873, The Gilded Age is both a biting satire and a revealing portrait of post-Civil War America--an age of corruption, of national optimism, and of crooked land speculators, ruthless bankers, and dishonest politicians voraciousiy taking advantage of that new optimism.
This volume spans the length of Mark Twains career, and contains some of his most famous shorter works, which all centre on the subject of Money. The Celebrated jumping frog of Calaveras County is the most perfect tall tale in the English language, three flawless pages about Jim Smiley and the bizarre sidelines he would investigate to win a bet, any bet, written in a miraculous mid-19th century California vernacular. If that isnt enough, Twain tops it with the best closing paragraph of any work I have ever read ever. The $1,000,000 Bank note is almost surreal, or Marxist, the story of a derelict made an unwitting guinea pig by two elderly millionaires, curious to see what would happen to an honest but poor man in the possession of such an impractible note. The frightening fetishistic power of currency structures a somewhat creepily benevolent narrative, and the opening paragraphs audaciously cram a novels worth of misfortune. I have taught this book at the college level for a few years now; it definitely sheds Twains unfortunate Americana image, and it reveals the darker genius of this beloved author. Twains greatest work, The Mysterious Stranger will enrage fundamentalist Christians, several of whom have dropped my course because of this novella. Asking people to think about what is real, what is behind existence, though, is no crime and should be inoffensive. Young people who are harmed by systematic thinking will react to this book like people being deprogrammed from a cult: they will hate it. But Twain, who was in anguish when he wrote this, had the honesty to ask difficult questions. Read The Mysterious Stranger as a guide to Twains futuristic thinking, his tribute to the mind above all other things.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Is Shakespeare Dead?: From my autobiography" is one of Mark Twain's controversial books about Twain's own questioning of the authenticity of Shakespeare's works.
Short humorous novel. According to Wikipedia: "Samuel Langhorne Clemens (November 30, 1835 - April 21, 1910), better known by the pen name Mark Twain, was a humorist, satirist, lecturer and writer from the United States of America. Twain is most noted for his novels Adventures of Huckleberry Finn, which has since been called the Great American Novel, and The Adventures of Tom Sawyer. He is also known for his quotations. During his lifetime, Twain became a friend to presidents, artists, leading industrialists and European royalty. Twain enjoyed immense public popularity, and his keen wit and incisive satire earned him praise from both critics and peers. American author William Faulkner called Twain 'the father of American literature.'"
In The Innocents Abroad, acclaimed American novelist and humorist Mark Twain documents his impressions of Europe, the Holy Land, and his fellow travellers during his "Great Pleasure Excursion" aboard the ship Quaker City in 1867.Although Mark Twain is best-known in modern times for his literary classics The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn, during his lifetime Twain was better known for his travel-writing, of which The Innocents Abroad was his best-selling.HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
Vanessa was about to get engaged when she discovered that her groom-to-be was cheating on her with her own sister. Instead of creating a scene, she went to the club and hired the most desirable gigolo she found. After a wild night of passion, she gave him a generous check. "Thanks. I may require your services in the future." The gigolo was mad at her for being heartless, but Vanessa dismissed his words as an attempt to get her attention. It was only later, when she had to seek out the renowned Mr. Fuller to help with her business, that she realized the man she had slept with was no gigolo at all.
Joelle thought she could change Adrian's heart after three years of marriage, but she realized too late that it already belonged to another woman. "Give me a baby, and I'll set you free." The day Joelle went into labor, Adrian was traveling with his mistress on his private jet. "I don't care whom you love. My debt is paid. From now on, we have nothing to do with each other." Not long after Joelle left, Adrian found himself begging on his knees. "Please come back to me."
"Ms. Crawford, it’s time for you to divorce Mr. Larsen and come home. You're the only heiress the Master's waiting for.” ~•~ For the sake of love, Amara accepted the arranged marriage with Tobias William Larsen. She did everything to gain her husband’s heart but when his old love returned, she realized that all her effort was all for naught. Tobias demanded a divorce on the night of their wedding anniversary, even at the price of threatening her. Heartbroken, she finally dropped all her illusions about him and returned home to be the heiress. The next time she met Tobias, they were no longer couples but opponents. "Mr. Larsen, should I remind you again? We've divorced." "Amara, that's the stupidest mistake I've ever made. Please come back to me."
For seven years, Claudia allowed herself to live under Eddie's shadow. She thought that devoting herself to him would eventually win his heart, but it turned out to be nothing more than wishful thinking on her part. When they finally cut ties, Claudia did not argue or ask for any compensation. Instead, she chose her peace and left without looking back. She never imagined that Eddie would suddenly appear on her wedding day, furious and wild-eyed. He glared at her groom and declared, "I was here first!"
Sophia Drake braced herself for the worst when she was forced to move across the country in the middle of her junior year. Desperate to escape her shattered home as soon as she turns eighteen, her plans are disrupted by the enigmatic and captivating Ashford twins. Sophia can't fathom the intense attraction she feels for the twins and tries to avoid them at every turn. As she's thrust into an unfamiliar world, her past demons resurface, making her question her true identity. Will Sophia flee from her past's secrets, or will she embrace her destiny and take control of her future?
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."