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First published in 1856, five years after the appearance of Moby Dick, The Piazza Tales comprises six of Herman Melville's finest short stories. Included are two sea tales that encompass the essence of Melville's art: 'Benito Cereno,' an exhilarating account of mutiny and rescue aboard a disabled slave ship, which is a parable of man's struggle against the forces of evil, and 'The Encantadas,' ten allegorical sketches of the Galapagos Islands, which reveal nature to be both enchanting and horrifying. Two pieces explore themes of isolation and defeat found in Melville's great novels: 'Bartleby, the Scrivener,' a prophetically modern story of alienation and loss on nineteenth-century Wall Street, and 'The Bell-Tower,' a Faustian tale about a Renaissance architect who brings about his own violent destruction. The other two works reveal Melville's mastery of very different writing styles: 'The Lightning-Rod Man,' a satire showcasing his talent for Dickensian comedy, and 'The Piazza,' the title story of the collection, which anticipates the author's later absorption with poetry.
The Postage Stamp with the Flag. - British Posts in the Crimea - The Abolition of the Capitulations - The British Fleet in the Baltic - Abyssinian Expedition - The First Army Postal Corps - Egypt - Dongola Expedition - South Africa - The British Army Post in France, 1914 - How to Address Soldier's Letters - The Postmarks from France - The Navy's Postmarks.
The Postage Stamp follows the Flag. The same small talisman which passes our letters across the seven seas to friends the world over maintains the lines of personal communication with our soldiers and sailors in time of war. Wherever the British Tommy goes he must have his letters from home; like the lines of communication, which are the life-line of the army, postal communication is the chief support of the courage and spirit of the individual soldier. His folk at home send him new vigour with every letter that tells of the persons, places and things that are nearest and most cherished in his memory.
In these days letter-sending and letter-getting are so common-place that few give any thought to the great organisation by which thousands of millions of postal packets are posted and delivered in this country every year. And now that most of us have friends at the Front, in France, in Belgium, or on the high seas, we are perhaps inclined to take it all just as a matter of course that letters pass and repass much in the ordinary humdrum way. This is plain to the conductors of our postal services when during war time they get numerous complaints from individuals of delay or even non-delivery, or any one of a number of other minor inconveniences which must often be unavoidable in the stirring times of war.
To-day many thousands of letters and postal packets are being sent to and received from the troops of the British Expeditionary Force in France, yet it is a simple fact that but a small percentage of the civilian population in this country knows anything of the existence, far less of the workings, of the Army Postal Service as an organisation separate and distinct from the postal department of the home Government. The Army Postal Service is administered under a Director of Postal Services, who is responsible to the Commander in Chief of the Army, and whose system is established with the co-operation of the Inspector-General of Communications.
The formation of a British Army Post Office Corps is of comparatively recent date. It was first suggested by Colonel du Plat Taylor in the seventies, as a means of using the services of the Post Office Rifle Volunteers in war time, but it was not until the Egyptian campaign in 1882 that the corps was formed.
Prior to this, however, bodies of servants of the Post Office had done duty with the army in organising and maintaining postal communication with the armies in the field and with the links connecting up with the home service. During the Crimean War extensive arrangements were made by the Post Office to maintain postal communication with the forces in Turkey, the Black Sea, and the Baltic. Prior to the war, the British Government did not maintain any postal packets between Mediterranean ports save some steam vessels for the transport of the Indian mails, and some of these were taken up by the military and naval authorities. Letters for Constantinople and the Levant ordinarily went through the French and Austrian administrations and were chargeable at the then high foreign rates of postage. With the assistance of the French Government, letters were sent via Marseilles to Constantinople (or vice-versa) at first at intervals of three times a month, but afterwards six times a month, and during the latter period of the war, twice a week.
But the French mail packets went no further than Constantinople, so the British Postmaster-General sent out an experienced officer, Mr. E. J. Smith, of the London General Post Office, to Turkey as Postmaster of His Majesty's Forces; and three Assistant Postmasters, together with seven Letter Sorters. As the facilities for land transport accorded the Postmaster proved insufficient he was furnished with eighteen horses and mules for the exclusive use of his office. The Postmaster was supplied with the postage stamps of the home country, then (so far as the penny and twopence denominations were concerned) in the early and beautifully engraved design of William Wyon's "Queen's Head." This was the first use of British postage stamps on foreign territory, or indeed anywhere beyond the limits of the British Isles, and stamp collectors take a considerable interest in the English stamps which survive with the various Crimean postmarks specially supplied to the Postmaster of His Majesty's Forces in the East. Stamps used on letters from the forces may be recognised by either the Crown and Stars or Cypher and Stars or the circular dated postmarks (Figs. 1-4). A range of the early penny red stamps, from the imperforate red-brown stamp of 1841 to the Die II. large Crown perforated 14 stamp may be found, as well as the twopence blues of the same period, and the 4d. rose (1857), 6d. violet (1854), and 1s. green (1847) (see Figs. 5-10). There are possibly others not yet known to collectors.
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Figs. 1-4. Crimean Postmarks.
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Figs. 5-10. British stamps found with Crimean postmarks.
The correspondence dealt with by this small staff was considerable, averaging 45,250 letters despatched to and 43,125 received from the seat of war in each month. In one year 543,000 letters were despatched to and 517,500 received from the forces in the Crimea.
The chief officer in charge at the British post offices in Turkey and the Crimea during the war, Mr. E. J. Smith, is specially mentioned in the Postmaster-General's report for 1857 as having discharged his duties in a very creditable manner. In that year his services were offered to and accepted by the Turkish Government with a view to establishing an improved postal service in the Sultan's dominions. Since this date British post offices have been maintained (in common with post offices of other Powers) in various parts of the Turkish dominions, using British stamps with or without a special overprint. These offices were closed in October, 1914, as a result of Turkey's declaration of the "abolition of the Capitulations," just prior to Turkey's open acts of war against the allied forces of Great Britain, France, and Russia in the present war.
Ordinary British stamps used at the British post-offices in the Ottoman Empire may be distinguished by postmarks (Figs. 11-17).
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(Constantinople)
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(Smyrna) ? ? (Beyrout)
Postmarks of British Post Offices in Turkish Empire.
The first three are from Constantinople, the fourth and fifth from Smyrna, and the last two Beyrout. There are also "S" Stamboul, "B01" Alexandria, "B02" Suez, as well as ordinary date stamps of all these places.
The following are illustrations of samples of the stamps which were in use at the British post-offices in Turkey at the time of the abolition of the Capitulations. (Figs. 18, 19).
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Mardi: and A Voyage Thither, Vol. I (of 2) by Herman Melville
Herman Melville was one of the greatest writers during the American Renaissance. Melville's unique style helped produce classics in many different genres. This edition of Omoo: Adventures in the South Seas includes a table of contents.
It was supposed to be a marriage of convenience, but Carrie made the mistake of falling in love with Kristopher. When the time came that she needed him the most, her husband was in the company of another woman. Enough was enough. Carrie chose to divorce Kristopher and move on with her life. Only when she left did Kristopher realize how important she was to him. In the face of his ex-wife’s countless admirers, Kristopher offered her 20 million dollars and proposed a new deal. “Let’s get married again.”
Darya spent three years loving Micah, worshipping the ground he walked on. Until his neglect and his family's abuse finally woke her up to the ugly truth-he doesn't love her. Never did, never will. To her, he is a hero, her knight in shining armour. To him, she is an opportunist, a gold digger who schemed her way into his life. Darya accepts the harsh reality, gathers the shattered pieces of her dignity, divorces him, takes back her real name, reclaims her title as the country's youngest billionaire heiress. Their paths cross again at a party. Micah watches his ex-wife sing like an angel, tear up the dance floor, then thwart a lecher with a roundhouse kick. He realises, belatedly, that she's exactly the kind of woman he'd want to marry, if only he had taken the trouble to get to know her. Micah acts promptly to win her back, but discovers she's now surrounded by eligible bachelors: high-powered CEO, genius biochemist, award-winning singer, reformed playboy. Worse, she makes it pretty clear that she's done with him. Micah gears up for an uphill battle. He must prove to her he's still worthy of her love before she falls for someone else. And time is running out.
Kallie, a mute who had been ignored by her husband for five years since their wedding, also suffered the loss of her pregnancy due to her cruel mother-in-law. After the divorce, she learned that her ex-husband had quickly gotten engaged to the woman he truly loved. Holding her slightly rounded belly, she realized that he had never really cared for her. Determined, she left him behind, treating him as a stranger. Yet, after she left, he scoured the globe in search of her. When their paths crossed once more, Kallie had already found new happiness. For the first time, he pleaded humbly, "Please don't leave me..." But Kallie's response was firm and dismissive, cutting through any lingering ties. "Get lost!"
"Mr. Evans, please maintain some dignity. Don't forget I'm your brother's wife!" Having caught her husband and best friend together in the bed, Elena wanted nothing more than to exact revenge on the people she once called family. She refused to be a pitiful divorcee and vowed to make everyone who had once looked down on her beg for forgiveness. And to start with her newfound freedom, Elena indulges in a one-night stand with a stranger. However, what was meant to be a fleeting escape turns into a nightmare when she learns that the stranger is none other than her husband's older brother! Would Elena be free from the shackles of her marriage? Or would the mysterious stranger make her life a living hell since he seemed to have a personal vendetta against his family? [The story is 18+ and involves mature content.]
After being kicked out of her home, Harlee learned she wasn't the biological daughter of her family. Rumors had it that her impoverished biological family favored sons and planned to profit from her return. Unexpectedly, her real father was a zillionaire, catapulting her into immense wealth and making her the most cherished member of the family. While they anticipated her disgrace, Harlee secretly held design patents worth billions. Celebrated for her brilliance, she was invited to mentor in a national astronomy group, drew interest from wealthy suitors, and caught the eye of a mysterious figure, ascending to legendary status.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.