Longman's new Cultural Editions Series, Hard Times, by Charles Dickens, edited by Jeff Nunokawa, includes Books 1-3 of Hard Times and contextual materials on the age of Dickens.
Longman's new Cultural Editions Series, Hard Times, by Charles Dickens, edited by Jeff Nunokawa, includes Books 1-3 of Hard Times and contextual materials on the age of Dickens.
Louisa awoke from a torpor, and her eyes languidly opened on her old bed at home, and her old room. It seemed, at first, as if all that had happened since the days when these objects were familiar to her were the shadows of a dream, but gradually, as the objects became more real to her sight, the events became more real to her mind.
She could scarcely move her head for pain and heaviness, her eyes were strained and sore, and she was very weak. A curious passive inattention had such possession of her, that the presence of her little sister in the room did not attract her notice for some time. Even when their eyes had met, and her sister had approached the bed, Louisa lay for minutes looking at her in silence, and suffering her timidly to hold her passive hand, before she asked:
'When was I brought to this room?'
'Last night, Louisa.'
'Who brought me here?'
'Sissy, I believe.'
'Why do you believe so?'
'Because I found her here this morning. She didn't come to my bedside to wake me, as she always does; and I went to look for her. She was not in her own room either; and I went looking for her all over the house, until I found her here taking care of you and cooling your head. Will you see father? Sissy said I was to tell him when you woke.'
'What a beaming face you have, Jane!' said Louisa, as her young sister-timidly still-bent down to kiss her.
'Have I? I am very glad you think so. I am sure it must be Sissy's doing.'
The arm Louisa had begun to twine around her neck, unbent itself. 'You can tell father if you will.' Then, staying her for a moment, she said, 'It was you who made my room so cheerful, and gave it this look of welcome?'
'Oh no, Louisa, it was done before I came. It was-'
Louisa turned upon her pillow, and heard no more. When her sister had withdrawn, she turned her head back again, and lay with her face towards the door, until it opened and her father entered.
He had a jaded anxious look upon him, and his hand, usually steady, trembled in hers. He sat down at the side of the bed, tenderly asking how she was, and dwelling on the necessity of her keeping very quiet after her agitation and exposure to the weather last night. He spoke in a subdued and troubled voice, very different from his usual dictatorial manner; and was often at a loss for words.
'My dear Louisa. My poor daughter.' He was so much at a loss at that place, that he stopped altogether. He tried again.
'My unfortunate child.' The place was so difficult to get over, that he tried again.
'It would be hopeless for me, Louisa, to endeavour to tell you how overwhelmed I have been, and still am, by what broke upon me last night. The ground on which I stand has ceased to be solid under my feet. The only support on which I leaned, and the strength of which it seemed, and still does seem, impossible to question, has given way in an instant. I am stunned by these discoveries. I have no selfish meaning in what I say; but I find the shock of what broke upon me last night, to be very heavy indeed.'
She could give him no comfort herein. She had suffered the wreck of her whole life upon the rock.
'I will not say, Louisa, that if you had by any happy chance undeceived me some time ago, it would have been better for us both; better for your peace, and better for mine. For I am sensible that it may not have been a part of my system to invite any confidence of that kind. I had proved my-my system to myself, and I have rigidly administered it; and I must bear the responsibility of its failures. I only entreat you to believe, my favourite child, that I have meant to do right.'
He said it earnestly, and to do him justice he had. In gauging fathomless deeps with his little mean excise-rod, and in staggering over the universe with his rusty stiff-legged compasses, he had meant to do great things. Within the limits of his short tether he had tumbled about, annihilating the flowers of existence with greater singleness of purpose than many of the blatant personages whose company he kept.
'I am well assured of what you say, father. I know I have been your favourite child. I know you have intended to make me happy. I have never blamed you, and I never shall.'
He took her outstretched hand, and retained it in his.
'My dear, I have remained all night at my table, pondering again and again on what has so painfully passed between us. When I consider your character; when I consider that what has been known to me for hours, has been concealed by you for years; when I consider under what immediate pressure it has been forced from you at last; I come to the conclusion that I cannot but mistrust myself.'
He might have added more than all, when he saw the face now looking at him. He did add it in effect, perhaps, as he softly moved her scattered hair from her forehead with his hand. Such little actions, slight in another man, were very noticeable in him; and his daughter received them as if they had been words of contrition.
'But,' said Mr. Gradgrind, slowly, and with hesitation, as well as with a wretched sense of happiness, 'if I see reason to mistrust myself for the past, Louisa, I should also mistrust myself for the present and the future. To speak unreservedly to you, I do. I am far from feeling convinced now, however differently I might have felt only this time yesterday, that I am fit for the trust you repose in me; that I know how to respond to the appeal you have come home to make to me; that I have the right instinct-supposing it for the moment to be some quality of that nature-how to help you, and to set you right, my child.'
She had turned upon her pillow, and lay with her face upon her arm, so that he could not see it. All her wildness and passion had subsided; but, though softened, she was not in tears. Her father was changed in nothing so much as in the respect that he would have been glad to see her in tears.
'Some persons hold,' he pursued, still hesitating, 'that there is a wisdom of the Head, and that there is a wisdom of the Heart. I have not supposed so; but, as I have said, I mistrust myself now. I have supposed the head to be all-sufficient. It may not be all-sufficient; how can I venture this morning to say it is! If that other kind of wisdom should be what I have neglected, and should be the instinct that is wanted, Louisa-'
He suggested it very doubtfully, as if he were half unwilling to admit it even now. She made him no answer, lying before him on her bed, still half-dressed, much as he had seen her lying on the floor of his room last night.
'Louisa,' and his hand rested on her hair again, 'I have been absent from here, my dear, a good deal of late; and though your sister's training has been pursued according to-the system,' he appeared to come to that word with great reluctance always, 'it has necessarily been modified by daily associations begun, in her case, at an early age. I ask you-ignorantly and humbly, my daughter-for the better, do you think?'
'Father,' she replied, without stirring, 'if any harmony has been awakened in her young breast that was mute in mine until it turned to discord, let her thank Heaven for it, and go upon her happier way, taking it as her greatest blessing that she has avoided my way.'
'O my child, my child!' he said, in a forlorn manner, 'I am an unhappy man to see you thus! What avails it to me that you do not reproach me, if I so bitterly reproach myself!' He bent his head, and spoke low to her. 'Louisa, I have a misgiving that some change may have been slowly working about me in this house, by mere love and gratitude: that what the Head had left undone and could not do, the Heart may have been doing silently. Can it be so?'
She made him no reply.
'I am not too proud to believe it, Louisa. How could I be arrogant, and you before me! Can it be so? Is it so, my dear?' He looked upon her once more, lying cast away there; and without another word went out of the room. He had not been long gone, when she heard a light tread near the door, and knew that some one stood beside her.
She did not raise her head. A dull anger that she should be seen in her distress, and that the involuntary look she had so resented should come to this fulfilment, smouldered within her like an unwholesome fire. All closely imprisoned forces rend and destroy. The air that would be healthful to the earth, the water that would enrich it, the heat that would ripen it, tear it when caged up. So in her bosom even now; the strongest qualities she possessed, long turned upon themselves, became a heap of obduracy, that rose against a friend.
It was well that soft touch came upon her neck, and that she understood herself to be supposed to have fallen asleep. The sympathetic hand did not claim her resentment. Let it lie there, let it lie.
It lay there, warming into life a crowd of gentler thoughts; and she rested. As she softened with the quiet, and the consciousness of being so watched, some tears made their way into her eyes. The face touched hers, and she knew that there were tears upon it too, and she the cause of them.
As Louisa feigned to rouse herself, and sat up, Sissy retired, so that she stood placidly near the bedside.
'I hope I have not disturbed you. I have come to ask if you would let me stay with you?'
'Why should you stay with me? My sister will miss you. You are everything to her.'
'Am I?' returned Sissy, shaking her head. 'I would be something to you, if I might.'
'What?' said Louisa, almost sternly.
'Whatever you want most, if I could be that. At all events, I would like to try to be as near it as I can. And however far off that may be, I will never tire of trying. Will you let me?'
'My father sent you to ask me.'
'No indeed,' replied Sissy. 'He told me that I might come in now, but he sent me away from the room this morning-or at least-'
She hesitated and stopped.
'At least, what?' said Louisa, with her searching eyes upon her.
'I thought it best myself that I should be sent away, for I felt very uncertain whether you would like to find me here.'
'Have I always hated you so much?'
'I hope not, for I have always loved you, and have always wished that you should know it. But you changed to me a little, shortly before you left home. Not that I wondered at it. You knew so much, and I knew so little, and it was so natural in many ways, going as you were among other friends, that I had nothing to complain of, and was not at all hurt.'
Her colour rose as she said it modestly and hurriedly. Louisa understood the loving pretence, and her heart smote her.
'May I try?' said Sissy, emboldened to raise her hand to the neck that was insensibly drooping towards her.
Louisa, taking down the hand that would have embraced her in another moment, held it in one of hers, and answered:
'First, Sissy, do you know what I am? I am so proud and so hardened, so confused and troubled, so resentful and unjust to every one and to myself, that everything is stormy, dark, and wicked to me. Does not that repel you?'
'No!'
'I am so unhappy, and all that should have made me otherwise is so laid waste, that if I had been bereft of sense to this hour, and instead of being as learned as you think me, had to begin to acquire the simplest truths, I could not want a guide to peace, contentment, honour, all the good of which I am quite devoid, more abjectly than I do. Does not that repel you?'
'No!'
In the innocence of her brave affection, and the brimming up of her old devoted spirit, the once deserted girl shone like a beautiful light upon the darkness of the other.
Louisa raised the hand that it might clasp her neck and join its fellow there. She fell upon her knees, and clinging to this stroller's child looked up at her almost with veneration.
'Forgive me, pity me, help me! Have compassion on my great need, and let me lay this head of mine upon a loving heart!'
'O lay it here!' cried Sissy. 'Lay it here, my dear.'
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Six Little Bunkers at Cousin Tom's" by Laura Lee Hope is part of the Six Little Bunkers series. The Six Little Bunkers series is about the adventures of the Bunker Family when they had no access to technology.
In the 1840s Charles Dickens wrote 5 short stories with strong social and moral messages. The Chimes: A Goblin Story of Some Bells that Rand an Old Year Out and a New Year In, is the second of these stories, whose predecessor was the famous A Christmas Carol. The Chimes focuses on Trotty, a poor elderly messenger who is filled with gloom over reports of crime and immorality in the newspapers. After losing faith in the society, Trotty follows a call to the church bell tower where he encounters Goblins that teach him, and listeners, lessons in the form of visions about the mistreatment of the lower class in society. This story of social awakening inspires listeners to treat everyone with fair kindness.
Charles Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today. Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity. By the time he died at the relatively young age of 58 from a stroke, he was already Europe's most famous writer. His obituary noted that Dickens was a "sympathiser with the poor, the suffering, and the oppressed." Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons. Many of Dickens' novels were written with the concept of social reform in mind, and Dickens' work was often praised for its realism, comic genius and unique personalities. At the same time, however, Dickens' ability as a writer was nearly unrivaled, with his ability to write in prose unquestioned and unmatched.
A Christmas Carol launched Dickens's Christmas novellas; The Haunted Man and the Ghost's Bargain brings the series to an end. Professor Redlaw is haunted by a ghost-like creature that looks astonishingly like him. The spirit relieves Redlaw of his miseries from years gone by, but there are unforeseen consequences of forgetting the past.
Dodo Collections brings you another classic from Charles Dickens, 'The Cricket on the Hearth: A Fairy Tale of Home.' Dickens gave his first formal expression to his Christmas thoughts in his series of small books, the first of which was the famous "Christmas Carol." There followed four others: "The Chimes," "The Cricket on the Hearth," "The Battle of Life," and "The Haunted Man." The five are known today as the "Christmas Books." Of them all the "Carol" is the best known and loved, and "The Cricket on the Hearth," although third in the series, is perhaps next in popularity, and is especially familiar to Americans through Joseph Jefferson's characterisation of Caleb Plummer. The title creature is a sort of barometer of life at the home of John Peerybingle and his much younger wife Dot. When things go well, the cricket on the hearth chirps; it is silent when there is sorrow. Tackleton, a jealous old man, poisons John's mind about Dot, but the cricket through its supernatural powers restores John's confidence and all ends happily. Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. A prolific 19th Century author of short stories, plays, novellas, novels, fiction and non-fiction; during his lifetime Dickens became known the world over for his remarkable characters, his mastery of prose in the telling of their lives, and his depictions of the social classes, morals and values of his times. Some considered him the spokesman for the poor, for he definitely brought much awareness to their plight, the downtrodden and the have-nots. He had his share of critics, like Virginia Woolf and Henry James, but also many admirers, even into the 21st Century.
A satiric masterpiece about the allure and peril of money, Our Mutual Friend revolves around the inheritance of a dust-heap where the rich throw their trash. When the body of John Harmon, the dust-heap’s expected heir, is found in the Thames, fortunes change hands surprisingly, raising to new heights “Noddy” Boffin, a low-born but kindly clerk who becomes “the Golden Dustman.” Charles Dickens’s last complete novel, Our Mutual Friend encompasses the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With its flavorful cast of characters and numerous subplots, Our Mutual Friend is one of Dickens’s most complex—and satisfying—novels.
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
Arabella, a state-trained prodigy, won freedom after seven brutal years. Back home, she found her aunt basking in her late parents' mansion while her twin sister scrounged for scraps. Fury ignited her genius. She gutted the aunt's business overnight and enrolled in her sister's school, crushing the bullies. When cynics sneered at her "plain background," a prestigious family claimed her and the national lab hailed her. Reporters swarmed, influencers swooned, and jealous rivals watched their fortunes crumble. Even Asher-the rumored ruthless magnate-softened, murmuring, "Fixed your mess-now be mine."
For three years, Cathryn and her husband Liam lived in a sexless marriage. She believed Liam buried himself in work for their future. But on the day her mother died, she learned the truth: he had been cheating with her stepsister since their wedding night. She dropped every hope and filed for divorce. Sneers followed-she'd crawl back, they said. Instead, they saw Liam on his knees in the rain. When a reporter asked about a reunion, she shrugged. "He has no self-respect, just clings to people who don't love him." A powerful tycoon wrapped an arm around her. "Anyone coveting my wife answers to me."
Dayna had worshiped her husband, only to watch him strip her late mother's estate and lavish devotion on another woman. After three miserable years, he discarded her, and she lay broken-until Kristopher, the man she once betrayed, dragged her from the wreckage. He now sat in a wheelchair, eyes like tempered steel. She offered a pact: she would mend his legs if he helped crush her ex. He scoffed, yet signed on. As their ruthless alliance caught fire, he uncovered her other lives-healer, hacker, pianist-and her numb heart stirred. But her groveling ex crawled back. "Dayna, you were my wife! How could you marry someone else? Come back!"
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