Christmas

Prince Tabnit's announcement was received by his guests in the silence of amazement. If they had been told that Miss Holland's father was secretly acting as King of England they could have been no more profoundly startled than to hear stated soberly that he had been for nearly a year the king of a cannibal island. For the cannibal phase of his experience seemed a foregone conclusion. To St. George, profoundly startled and most incredulous, the possible humour of the situation made first appeal. The picture of an American gentleman seated upon a gold throne in a leopard-skin coat, ordering "oysters and foes" for breakfast, was irresistible. "But he shaved with a shell when he chose, 'Twas the manner of Primitive Man" floated through his mind, and he brought himself up sharply. Clearly, somebody was out of his head, but it must not be he. "What?" cried Mrs. Hastings in two inelegant syllables, on the second of which her uncontrollable voice rose.

Zona Gale was born in Portage, Wisconsin on August 26, 1874. Educated at Wayland Academy in Beaver Dam, Wisconsin, and the University of Wisconsin–Madison, she received a Bachelor of Literature degree in 1895, and four years later a master's degree. After graduating she wrote for newspapers both in Milwaukee and New York for a number of years. A visit back home in 1903 proved pivotal in her writing advancement as her 'old world was full of new possibilities.' Zona had now settled on the material she needed for her writing, and returned to Portage in 1904 to concentrate full time on fiction. She published Romance Island, in 1906, and began the popular series of "Friendship Village" stories. In 1920, she published the novel Miss Lulu Bett, a brilliant realisation of life in the Midwestern United States. She adapted it as a play, and it was awarded the Pulitzer Prize for Drama in 1921. Zona was also an active supporter of progressive causes and a member of the National Women's Party, and she lobbied extensively for the 1921 Wisconsin Equal Rights Law. Her activism on behalf of women was her way to help solve "a problem she returned to repeatedly in her novels: women's frustration at their lack of opportunities." In 1928 at the age of fifty-four she married William L. Breese, also of Portage. Zona died of pneumonia in a Chicago hospital on December 27th 1938.

That is like Calliope. And that is like the village. Blunt and sometimes bitter speech there is, and now and again what we gently call “words”; but the faith of my experience is that these are facile, and need never trouble one. These are born of circumscription, of little areas, of teasing tasks, of lack of exercise, of that curious mingling which we call social life; but any one who takes seriously our faint feuds or even our narrow judgments does not know and love the Middle Western villages, nor understand that seeds and buds are not the norm of bloom. Instance, if you will, this case and that to show the contrary.

Although it is June, the Little Child about whom I shall sometimes write in these pages this morning brought me a few violets. June violets. They sound unconvincing and even sentimental. However, here they are in their vase; and they are all white but one.

"Whatever comes of it after this [in Russia] every one in the world should be plainly told of what took place in those first weeks. For it was a dazzling revelation of the deep, deep powers for brotherhood and friendliness that lie buried in mankind. I was no dreamer; I was a chemist, a scientist, used to dealing with facts. All my life I had smiled at social dreams as nothing but Utopias. But in those days I was wholly changed, for I could feel beneath my feet this brotherhood like solid ground. There is no end to what men can do—for there is no limit to their good will, if only they can be shown the way." Tarasov, in Ernest Poole's "The Village." "I am the way ..." Jesus Christ.

For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"

I stood outside my husband's study, the perfect mafia wife, only to hear him mocking me as an "ice sculpture" while he entertained his mistress, Aria. But the betrayal went deeper than infidelity. A week later, my saddle snapped mid-jump, leaving me with a shattered leg. Lying in the hospital bed, I overheard the conversation that killed the last of my love. My husband, Alessandro, knew Aria had sabotaged my gear. He knew she could have killed me. Yet, he told his men to let it go. He called my near-death experience a "lesson" because I had bruised his mistress's ego. He humiliated me publicly, freezing my accounts to buy family heirlooms for her. He stood by while she threatened to leak our private tapes to the press. He destroyed my dignity to play the hero for a woman he thought was a helpless orphan. He had no idea she was a fraud. He didn't know I had installed micro-cameras throughout the estate while he was busy pampering her. He didn't know I had hours of footage showing his "innocent" Aria sleeping with his guards, his rivals, and even his staff, laughing about how easy he was to manipulate. At the annual charity gala, in front of the entire crime family, Alessandro demanded I apologize to her. I didn't beg. I didn't cry. I simply connected my drive to the main projector and pressed play.

My Luna became an alpha after I rejected her : she was my Luna. I rejected her. Now she's stronger than ever and she has my son. Amelia's world shattered the day her daughter died-and her mate, Alpha Aiden of the Red Moon Pack, divorced her to reunite with his ex-girlfriend. Cast out, disgraced, and accused of poisoning her own child, Amelia was stripped of her title and driven from her pack. The next morning, her lifeless body was found at the border.They all believed she was dead.But she wasn't. Far from the ashes of betrayal, Amelia rebuilt herself-rising from rejection and ruin to become the first female Alpha of Velaris, the most powerful and respected pack in the realm. She also carried a secret Aiden never discovered:She was pregnant-with his son.Years later, fate brings them face to face once more. A deadly disease is spreading through the packs, and the only one who can stop it is the renowned doctor they thought had died. When Aiden sees the boy at her side-his eyes, his blood-he realizes the truth.He didn't just lose his Luna. He destroyed the mother of his child.And now, she's everything he's not-stronger, wiser, untouchable. Will she heal the pack that betrayed her?Will she ever let him near her heart again?Or is his punishment simply living with the consequences?

Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.

Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."

After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"