The other day, in looking over my papers, I found in my desk the following copy of a letter, sent by me a year since to an old school acquaintance:—
The other day, in looking over my papers, I found in my desk the following copy of a letter, sent by me a year since to an old school acquaintance:—
This little book was written before either "Jane Eyre" or "Shirley," and yet no indulgence can be solicited for it on the plea of a first attempt. A first attempt it certainly was not, as the pen which wrote it had been previously worn a good deal in a practice of some years. I had not indeed published anything before I commenced "The Professor," but in many a crude effort, destroyed almost as soon as composed, I had got over any such taste as I might once have had for ornamented and redundant composition, and come to prefer what was plain and homely.
At the same time I had adopted a set of principles on the subject of incident, &c., such as would be generally approved in theory, but the result of which, when carried out into practice, often procures for an author more surprise than pleasure.
I said to myself that my hero should work his way through life as I had seen real living men work theirs - that he should never get a shilling he had not earned - that no sudden turns should lift him in a moment to wealth and high station; that whatever small competency he might gain, should be won by the sweat of his brow; that, before he could find so much as an arbour to sit down in, he should master at least half the ascent of "the Hill of Difficulty;" that he should not even marry a beautiful girl or a lady of rank. As Adam's son he should share Adam's doom, and drain throughout life a mixed and moderate cup of enjoyment.
In the sequel, however, I find that publishers in general scarcely approved of this system, but would have liked something more imaginative and poetical - something more consonant with a highly wrought fancy, with a taste for pathos, with sentiments more tender, elevated, unworldly. Indeed, until an author has tried to dispose of a manuscript of this kind, he can never know what stores of romance and sensibility lie hidden in breasts he would not have suspected of casketing such treasures. Men in business are usually thought to prefer the real; on trial the idea will be often found fallacious: a passionate preference for the wild, wonderful, and thrilling - the strange, startling, and harrowing - agitates divers souls that show a calm and sober surface.
Such being the case, the reader will comprehend that to have reached him in the form of a printed book, this brief narrative must have gone through some struggles - which indeed it has. And after all, its worst struggle and strongest ordeal is yet to come but it takes comfort - subdues fear - leans on the staff of a moderate expectation - and mutters under its breath, while lifting its eye to that of the public,
"He that is low need fear no fall."
Currer Bell.
The foregoing preface was written by my wife with a view to the publication of "The Professor," shortly after the appearance of "Shirley." Being dissuaded from her intention, the authoress made some use of the materials in a subsequent work -"Villette," As, however, these two stories are in most respects unlike, it has been represented to me that I ought not to withhold "The Professor" from the public. I have therefore consented to its publication.
The persons meant by the Chief of the city and his Sons are the Duke of Wellington the Marquis of Duro and Lord Wellesly the city is the Glass town Henry O'Donell and Alexander Delancy are Captain Tarry-not-at-home and Monsieur Like-to-live-in-lonely-places
Clara had to die once to see who truly surrounded her-traitors and opportunists everywhere. After her rebirth, she swore to make her enemies pay. Her fiancé mocked, "You think you deserve me?" She punched him and ended the engagement. Her stepsister played innocent, but Clara shut her down with a cold retort. "Stop pretending! I'm tired of your little act!" They called her a loser, but Clara didn't bother defending herself. Instead, she revealed her real power: superstar, racing champion, and secret mogul. When her masks fell, chaos erupted. Her ex begged, and the crime lord claimed her, but Clara had already conquered them all.
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
In her past life, Summer was tragically killed by a scumbag and her scheming stepsister, and they also caused the death of the husband who loved her most. After being reborn, Summer takes the initiative to marry in the place of another, becoming the bride of a disabled husband. In this new life, she plans to tear apart those who wronged her and fiercely punish the scum. They say she's plain and unlucky for her husband? Until one day, when all her divine-level disguises are revealed, everyone who underestimated her is blinded by her brilliance. But what about the supposedly impotent, disabled big shot? By day, he is so gentle, pampering her to the bone; by night, he turns into a ravenous wolf and devours her completely! [Foolish Bride Substitute + Hidden Talents + Rebirth + Strong Couple + Sweet Romance]
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