Jack London made a specialty of books about marvelous dogs. Jerry of the Islands tells the story of an Irish Terrier, a dog from the Southern seas, rather than the cold North. Jerry's life is colored by his experiences in the rough -- and sadly, racist -- land of Melanesia. First published in 1915, "Jerry of the Islands" tells the story of Jerry's narrow world, in which the dog has been born and raised to carry out the racist aims of his master, and his travels after that time...
Not until Mister Haggin abruptly picked him up under one arm and stepped into the sternsheets of the waiting whaleboat, did Jerry dream that anything untoward was to happen to him. Mister Haggin was Jerry's beloved master, and had been his beloved master for the six months of Jerry's life. Jerry did not know Mister Haggin as "master," for "master" had no place in Jerry's vocabulary, Jerry being a smooth-coated, golden-sorrel Irish terrier.
But in Jerry's vocabulary, "Mister Haggin" possessed all the definiteness of sound and meaning that the word "master" possesses in the vocabularies of humans in relation to their dogs. "Mister Haggin" was the sound Jerry had always heard uttered by Bob, the clerk, and by Derby, the foreman on the plantation, when they addressed his master. Also, Jerry had always heard the rare visiting two-legged man-creatures such as came on the Arangi, address his master as Mister Haggin.
But dogs being dogs, in their dim, inarticulate, brilliant, and heroic-worshipping ways misappraising humans, dogs think of their masters, and love their masters, more than the facts warrant. "Master" means to them, as "Mister" Haggin meant to Jerry, a deal more, and a great deal more, than it means to humans. The human considers himself as "master" to his dog, but the dog considers his master "God."
Now "God" was no word in Jerry's vocabulary, despite the fact that he already possessed a definite and fairly large vocabulary. "Mister Haggin" was the sound that meant "God." In Jerry's heart and head, in the mysterious centre of all his activities that is called consciousness, the sound, "Mister Haggin," occupied the same place that "God" occupies in human consciousness. By word and sound, to Jerry, "Mister Haggin" had the same connotation that "God" has to God-worshipping humans. In short, Mister Haggin was Jerry's God.
And so, when Mister Haggin, or God, or call it what one will with the limitations of language, picked Jerry up with imperative abruptness, tucked him under his arm, and stepped into the whaleboat, whose black crew immediately bent to the oars, Jerry was instantly and nervously aware that the unusual had begun to happen. Never before had he gone out on board the Arangi, which he could see growing larger and closer to each lip-hissing stroke of the oars of the blacks.
Only an hour before, Jerry had come down from the plantation house to the beach to see the Arangi depart. Twice before, in his half-year of life, had he had this delectable experience. Delectable it truly was, running up and down the white beach of sand-pounded coral, and, under the wise guidance of Biddy and Terrence, taking part in the excitement of the beach and even adding to it.
There was the nigger-chasing. Jerry had been born to hate niggers. His first experiences in the world as a puling puppy, had taught him that Biddy, his mother, and his father Terrence, hated niggers. A nigger was something to be snarled at. A nigger, unless he were a house-boy, was something to be attacked and bitten and torn if he invaded the compound. Biddy did it. Terrence did it. In doing it, they served their God-Mister Haggin. Niggers were two-legged lesser creatures who toiled and slaved for their two-legged white lords, who lived in the labour barracks afar off, and who were so much lesser and lower that they must not dare come near the habitation of their lords.
And nigger-chasing was adventure. Not long after he had learned to sprawl, Jerry had learned that. One took his chances. As long as Mister Haggin, or Derby, or Bob, was about, the niggers took their chasing. But there were times when the white lords were not about. Then it was "'Ware niggers!" One must dare to chase only with due precaution. Because then, beyond the white lord's eyes, the niggers had a way, not merely of scowling and muttering, but of attacking four-legged dogs with stones and clubs. Jerry had seen his mother so mishandled, and, ere he had learned discretion, alone in the high grass had been himself club-mauled by Godarmy, the black who wore a china door-knob suspended on his chest from his neck on a string of sennit braided from cocoanut fibre. More. Jerry remembered another high-grass adventure, when he and his brother Michael had fought Owmi, another black distinguishable for the cogged wheels of an alarm clock on his chest. Michael had been so severely struck on his head that for ever after his left ear had remained sore and had withered into a peculiar wilted and twisted upward cock.
Still more. There had been his brother Patsy, and his sister Kathleen, who had disappeared two months before, who had ceased and no longer were. The great god, Mister Haggin, had raged up and down the plantation. The bush had been searched. Half a dozen niggers had been whipped. And Mister Haggin had failed to solve the mystery of Patsy's and Kathleen's disappearance. But Biddy and Terrence knew. So did Michael and Jerry. The four-months' old Patsy and Kathleen had gone into the cooking-pot at the barracks, and their puppy-soft skins had been destroyed in the fire. Jerry knew this, as did his father and mother and brother, for they had smelled the unmistakable burnt-meat smell, and Terrence, in his rage of knowledge, had even attacked Mogom the house-boy, and been reprimanded and cuffed by Mister Haggin, who had not smelled and did not understand, and who had always to impress discipline on all creatures under his roof-tree.
But on the beach, when the blacks, whose terms of service were up came down with their trade-boxes on their heads to depart on the Arangi, was the time when nigger-chasing was not dangerous. Old scores could be settled, and it was the last chance, for the blacks who departed on the Arangi never came back. As an instance, this very morning Biddy, remembering a secret mauling at the hands of Lerumie, laid teeth into his naked calf and threw him sprawling into the water, trade-box, earthly possessions and all, and then laughed at him, sure in the protection of Mister Haggin who grinned at the episode.
Then, too, there was usually at least one bush-dog on the Arangi at which Jerry and Michael, from the beach, could bark their heads off. Once, Terrence, who was nearly as large as an Airedale and fully as lion-hearted-Terrence the Magnificent, as Tom Haggin called him-had caught such a bush-dog trespassing on the beach and given him a delightful thrashing, in which Jerry and Michael, and Patsy and Kathleen, who were at the time alive, had joined with many shrill yelps and sharp nips. Jerry had never forgotten the ecstasy of the hair, unmistakably doggy in scent, which had filled his mouth at his one successful nip. Bush-dogs were dogs-he recognized them as his kind; but they were somehow different from his own lordly breed, different and lesser, just as the blacks were compared with Mister Haggin, Derby, and Bob.
But Jerry did not continue to gaze at the nearing Arangi. Biddy, wise with previous bitter bereavements, had sat down on the edge of the sand, her fore-feet in the water, and was mouthing her woe. That this concerned him, Jerry knew, for her grief tore sharply, albeit vaguely, at his sensitive, passionate heart. What it presaged he knew not, save that it was disaster and catastrophe connected with him. As he looked back at her, rough-coated and grief-stricken, he could see Terrence hovering solicitously near her. He, too, was rough-coated, as was Michael, and as Patsy and Kathleen had been, Jerry being the one smooth-coated member of the family.
Further, although Jerry did not know it and Tom Haggin did, Terrence was a royal lover and a devoted spouse. Jerry, from his earliest impressions, could remember the way Terrence had of running with Biddy, miles and miles along the beaches or through the avenues of cocoanuts, side by side with her, both with laughing mouths of sheer delight. As these were the only dogs, besides his brothers and sisters and the several eruptions of strange bush-dogs that Jerry knew, it did not enter his head otherwise than that this was the way of dogs, male and female, wedded and faithful. But Tom Haggin knew its unusualness. "Proper affinities," he declared, and repeatedly declared, with warm voice and moist eyes of appreciation. "A gentleman, that Terrence, and a four-legged proper man. A man-dog, if there ever was one, four-square as the legs on the four corners of him. And prepotent! My word! His blood'd breed true for a thousand generations, and the cool head and the kindly brave heart of him."
Terrence did not voice his sorrow, if sorrow he had; but his hovering about Biddy tokened his anxiety for her. Michael, however, yielding to the contagion, sat beside his mother and barked angrily out across the increasing stretch of water as he would have barked at any danger that crept and rustled in the jungle. This, too, sank to Jerry's heart, adding weight to his sure intuition that dire fate, he knew not what, was upon him.
For his six months of life, Jerry knew a great deal and knew very little. He knew, without thinking about it, without knowing that he knew, why Biddy, the wise as well as the brave, did not act upon all the message that her heart voiced to him, and spring into the water and swim after him. She had protected him like a lioness when the big puarka (which, in Jerry's vocabulary, along with grunts and squeals, was the combination of sound, or word, for "pig") had tried to devour him where he was cornered under the high-piled plantation house. Like a lioness, when the cook-boy had struck him with a stick to drive him out of the kitchen, had Biddy sprung upon the black, receiving without wince or whimper one straight blow from the stick, and then downing him and mauling him among his pots and pans until dragged (for the first time snarling) away by the unchiding Mister Haggin, who; however, administered sharp words to the cook-boy for daring to lift hand against a four-legged dog belonging to a god.
Jerry knew why his mother did not plunge into the water after him. The salt sea, as well as the lagoons that led out of the salt sea, were taboo. "Taboo," as word or sound, had no place in Jerry's vocabulary. But its definition, or significance, was there in the quickest part of his consciousness. He possessed a dim, vague, imperative knowingness that it was not merely not good, but supremely disastrous, leading to the mistily glimpsed sense of utter endingness for a dog, for any dog, to go into the water where slipped and slid and noiselessly paddled, sometimes on top, sometimes emerging from the depths, great scaly monsters, huge-jawed and horribly-toothed, that snapped down and engulfed a dog in an instant just as the fowls of Mister Haggin snapped and engulfed grains of corn.
Often he had heard his father and mother, on the safety of the sand, bark and rage their hatred of those terrible sea-dwellers, when, close to the beach, they appeared on the surface like logs awash. "Crocodile" was no word in Jerry's vocabulary. It was an image, an image of a log awash that was different from any log in that it was alive. Jerry, who heard, registered, and recognized many words that were as truly tools of thought to him as they were to humans, but who, by inarticulateness of birth and breed, could not utter these many words, nevertheless in his mental processes, used images just as articulate men use words in their own mental processes. And after all, articulate men, in the act of thinking, willy nilly use images that correspond to words and that amplify words.
Perhaps, in Jerry's brain, the rising into the foreground of consciousness of an image of a log awash connoted more intimate and fuller comprehension of the thing being thought about, than did the word "crocodile," and its accompanying image, in the foreground of a human's consciousness. For Jerry really did know more about crocodiles than the average human. He could smell a crocodile farther off and more differentiatingly than could any man, than could even a salt-water black or a bushman smell one. He could tell when a crocodile, hauled up from the lagoon, lay without sound or movement, and perhaps asleep, a hundred feet away on the floor mat of jungle.
He knew more of the language of crocodiles than did any man. He had better means and opportunities of knowing. He knew their many noises that were as grunts and slubbers. He knew their anger noises, their fear noises, their food noises, their love noises. And these noises were as definitely words in his vocabulary as are words in a human's vocabulary. And these crocodile noises were tools of thought. By them he weighed and judged and determined his own consequent courses of action, just like any human; or, just like any human, lazily resolved upon no course of action, but merely noted and registered a clear comprehension of something that was going on about him that did not require a correspondence of action on his part.
And yet, what Jerry did not know was very much. He did not know the size of the world. He did not know that this Meringe Lagoon, backed by high, forested mountains and fronted and sheltered by the off-shore coral islets, was anything else than the entire world. He did not know that it was a mere fractional part of the great island of Ysabel, that was again one island of a thousand, many of them greater, that composed the Solomon Islands that men marked on charts as a group of specks in the vastitude of the far-western South Pacific.
It was true, there was a somewhere else or a something beyond of which he was dimly aware. But whatever it was, it was mystery. Out of it, things that had not been, suddenly were. Chickens and puarkas and cats, that he had never seen before, had a way of abruptly appearing on Meringe Plantation. Once, even, had there been an eruption of strange four-legged, horned and hairy creatures, the images of which, registered in his brain, would have been identifiable in the brains of humans with what humans worded "goats."
It was the same way with the blacks. Out of the unknown, from the somewhere and something else, too unconditional for him to know any of the conditions, instantly they appeared, full-statured, walking about Meringe Plantation with loin-cloths about their middles and bone bodkins through their noses, and being put to work by Mister Haggin, Derby, and Bob. That their appearance was coincidental with the arrival of the Arangi was an association that occurred as a matter of course in Jerry's brain. Further, he did not bother, save that there was a companion association, namely, that their occasional disappearances into the beyond was likewise coincidental with the Arangi's departure.
Jerry did not query these appearances and disappearances. It never entered his golden-sorrel head to be curious about the affair or to attempt to solve it. He accepted it in much the way he accepted the wetness of water and the heat of the sun. It was the way of life and of the world he knew. His hazy awareness was no more than an awareness of something-which, by the way, corresponds very fairly with the hazy awareness of the average human of the mysteries of birth and death and of the beyondness about which they have no definiteness of comprehension.
For all that any man may gainsay, the ketch Arangi, trader and blackbirder in the Solomon Islands, may have signified in Jerry's mind as much the mysterious boat that traffics between the two worlds, as, at one time, the boat that Charon sculled across the Styx signified to the human mind. Out of the nothingness men came. Into the nothingness they went. And they came and went always on the Arangi.
And to the Arangi, this hot-white tropic morning, Jerry went on the whaleboat under the arm of his Mister Haggin, while on the beach Biddy moaned her woe, and Michael, not sophisticated, barked the eternal challenge of youth to the Unknown.
A road novel fifty years before Kerouac, The Valley of the Moon traces the odyssey of Billy and Saxon Roberts from the labor strife of Oakland at the turn of the century through Central and Northern California in search of land they can farm independently—a journey that echoes Jack London's own escape from urban poverty. As London lost hope in the prospects of the socialist party and organized labor, he began researching a scientific and environmentally sound approach to farming. In his novel, it is Saxon, London's most fully realized heroine, who embodies these concerns. The Valley of the Moon is London's paean to his second wife Charmian and to the pastoral life and his ranch in Glen Ellen, the Valley of the Moon.
In 1902, Jack London purchased some secondhand clothes, rented a room in the East End, and set out to discover how the London poor lived. His research makes shocking reading. Moving through the slums as one of the poor; eating, drinking, and socializing with the underclass; lining up to get into a flophouse, London was scandalized and brutalized by the experience of living rough in Britain's capital. His clear-eyed reflections on the iniquities of class are a shaming testament to the persistence of social inequality in modern times.
The Iron Heel is a dystopian novel by American writer Jack London, first published in 1908. Anthony Meredith, a scholar in about the year 2600 AD (or 419 B.O.M. - the Brotherhood of Man), annotates the "Everhard Manuscript", an account that chronicles the years from 1912 to 1932 when the great "Iron Heel" oligarchy rose to power in the United States.
Darrell Standing, a university professor serving life imprisonment in San Quentin for murder, defies the will of prison officials who try to break his spirit with "the jacket," a canvas jacket which can be tightly laced so as to tortuously compress the whole body. To survive, Standing discovers how to enter a trance state in which he walks among the stars and experiences past lives.
The Call of the Wild is a novel by Jack London published in 1903. The story is set in the Yukon during the 1890s Klondike Gold Rush—a period in which strong sled dogs were in high demand. The novel's central character is a dog named Buck, a domesticated dog living at a ranch in the Santa Clara Valley of California as the story opens. Stolen from his home and sold into service as sled dog in Alaska, he reverts to a wild state. Buck is forced to fight in order to dominate other dogs in a harsh climate. Eventually he sheds the veneer of civilization, relying on primordial instincts and learned experience to emerge as a leader in the wild.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels and divergences between the life of Martin Eden and that of his creator, focusing on London's mental depressions and how they affected his depiction of Eden.
When they were kids, Derek saved Norah's life. Years later, after Derek ended up in a vegetative state from a car crash, Norah married him without a second thought and even used her medical knowledge to heal him. For two years, Norah was devoted, seeking his affection and looking to settle her life-saving debt. But when Derek's first love returned, Norah, faced with divorce, didn't hesitate to sign. Despite being labeled as forsaken, few knew of her true talents. She was a race car driver, a famed designer, a genius hacker, and a renowned doctor. Regretting his decision, Derek begged for her forgiveness. Just then, a charming CEO intervened, embracing Norah and declaring, "Back off! She's my wife!" Taken aback, Norah blurted out, "What did you say?"
The dream of everyone with regards to marriage is to be able to find that special someone and settle down with them. Even arranged marriages grant you an opportunity to meet your partner briefly before the wedding. How will you feel about waking up in the morning with someone sleeping next to you who is not just anyone but your legally married partner yet with no memory of how that had happened in just a few hours of going out the previous day? This is the story of Jason Haward and Julia Harrison, two strangers trapped in a marriage they never planned. The quest to find out why led to the unfolding of a mystery which made them realize they are both living a lie. To find out more, read this amazing story of love, betrayal, revenge and murder.
Renea was trying the wedding dress, when suddenly the man rushed in the dressing room and held her neck tightly... “Bitch! Are you still trying to pretend innocent!” Jasper said as he tightened his grip on her neck and choked her harder. Then he used his other hand and took out the phone from his suit pocket and played the video of two people having sex in front of Renea… However, what was even more shocking, was that the woman in the video was, Renea Morris, however, the man in the video was not Jasper. Renea struggled to take a phone away from Jasper’s hand and tried to explain, “Jasper, it was not what you think… I… I can…” Jasper looked at Renea with his eyes full of disgust, as he said, “Let’s call of the wedding. I can’t marry a woman like you.” After saying that Jasper walked out of the shop Renea chase after Jasper... But then she sees Jasper passionately kissing her sister Kailey. And she hears everything, that her sleeping with strange men was all a plan of the vipers of the last two days, and that their goal was to get out of this stupid marriage. Even her adopted parents were also involved in this matter... They all do this with her because of the inheritance left by her grandfather... Renea heart was filled with anger and she wanted to expose their true colors to the public... However before she could do anything, Kailey had pushed her in front of the car and she got killed... However, when Renea open her eyes, she found herself sitting in the car with Kailey... She realized that she was reborn and went at the time when everything started... Renea looked at the people who had hurt her in her previous life and her lips curled up in a cold smile... She was back... However, this time... she was back for revenge...
In their three years of marriage, Chelsea had been a dutiful wife to Edmund. She used to think that her love and care would someday melt Edmund's cold heart, but she was wrong. Finally, she couldn't take the disappointment any longer and chose to end the marriage. Edmund had always thought that his wife was just boring and dull. So it was shocking when Chelsea suddenly threw divorce papers at his face in front of everyone at the Nelson Group's anniversary party. How humiliating! After that, everyone thought that the formerly-married couple would never see each other again, even Chelsea. Once again, she thought wrong. Sometime later, at an award ceremony, Chelsea went onstage to accept the award for best screenplay. Her ex-husband, Edmund, was the one presenting the award to her. As he handed her the trophy, he suddenly reached for her hand and pleaded humbly in front of the audience, "Chelsea, I'm sorry I didn't cherish you before. Could you please give me another chance?" Chelsea looked at him indifferently. "I'm sorry, Mr. Nelson. My only concern now is my business." Edmund's heart was shattered into a million pieces. "Chelsea, I really can't live without you." But his ex-wife just walked away. Wasn't it better for her to just concentrate on her career? Men would only distract her—especially her ex-husband.
"Never let anyone treat you like shit!" I learned that the hard way. For three years, I lived with my in-laws. They didn't treat me as their son-in-law but as a slave. I put up with everything because of my wife, Yolanda Lambert. She was the light of my life. Unfortunately, my whole world came crashing down the day I caught my wife cheating on me. I have never been so heartbroken. To have my revenge, I revealed my true identity. I was none other than Liam Hoffman—the heir of a family with trillions of dollars in assets! The Lamberts were utterly shocked after the big reveal. They realized what fools they had been for treating me like trash. My wife even knelt down and begged for my forgiveness. What do you think I did? Did I take her back or made her suffer? Find out!
Sheila had her back against the wall when her family tried to force her to marry an awful old man. In a fit of rage, she hired a gigolo to act as her husband. She thought the gigolo needed money and did this for a living. Little did she know that he was nothing like that. One day, he pulled off his mask and revealed himself to be the world's top magnate. This marked the beginning of their love. He showered her with everything she could ever want. They were happy. However, unexpected circumstances soon posed a threat to their love. Would Sheila and her husband make it through the storm? Find out!