Edgar Huntley by Charles Brockden Brown
Edgar Huntley by Charles Brockden Brown
I sit down, my friend, to comply with thy request. At length does the impetuosity of my fears, the transports of my wonder, permit me to recollect my promise and perform it. At length am I somewhat delivered from suspense and from tremors. At length the drama is brought to an imperfect close, and the series of events that absorbed my faculties, that hurried away my attention, has terminated in repose.
Till now, to hold a steadfast pen was impossible; to disengage my senses from the scene that was passing or approaching; to forbear to grasp at futurity; to suffer so much thought to wander from the purpose which engrossed my fears and my hopes, could not be.
Yet am I sure that even now my perturbations are sufficiently stilled for an employment like this? That the incidents I am going to relate can be recalled and arranged without indistinctness and confusion? That emotions will not be reawakened by my narrative, incompatible with order and coherence? Yet when I shall be better qualified for this task I know not. Time may take away these headlong energies, and give me back my ancient sobriety; but this change will only be effected by weakening my remembrance of these events. In proportion as I gain power over words, shall I lose dominion over sentiments. In proportion as my tale is deliberate and slow, the incidents and motives which it is designed to exhibit will be imperfectly revived and obscurely portrayed.
Oh, why art thou away at a time like this. Wert thou present, the office to which my pen is so inadequate would easily be executed by my tongue. Accents can scarcely be too rapid; or that which words should fail to convey, my looks and gestures would suffice to communicate. But I know thy coming is impossible. To leave this spot is equally beyond my power. To keep thee in ignorance of what has happened would justly offend thee. There is no method of informing thee except by letter, and this method must I, therefore, adopt.
How short is the period that has elapsed since thou and I parted, and yet how full of tumult and dismay has been my soul during that period! What light has burst upon my ignorance of myself and of mankind! How sudden and enormous the transition from uncertainty to knowledge!
But let me recall my thoughts; let me struggle for so much composure as will permit my pen to trace intelligible characters. Let me place in order the incidents that are to compose my tale. I need not call on thee to listen. The fate of Waldegrave was as fertile of torment to thee as to me. His bloody and mysterious catastrophe equally awakened thy grief, thy revenge, and thy curiosity. Thou wilt catch from my story every horror and every sympathy which it paints. Thou wilt shudder with my foreboding and dissolve with my tears. As the sister of my friend, and as one who honours me with her affection, thou wilt share in all my tasks and all my dangers.
You need not be reminded with what reluctance I left you. To reach this place by evening was impossible, unless I had set out early in the morning; but your society was too precious not to be enjoyed to the last moment. It was indispensable to be here on Tuesday, but my duty required no more than that I should arrive by sunrise on that day. To travel during the night was productive of no formidable inconvenience. The air was likely to be frosty and sharp, but these would not incommode one who walked with speed. A nocturnal journey in districts so romantic and wild as these, through which lay my road, was more congenial to my temper than a noonday ramble.
By nightfall I was within ten miles of my uncle's house. As the darkness increased, and I advanced on my way, my sensations sunk into melancholy. The scene and the time reminded me of the friend whom I had lost. I recalled his features, and accents, and gestures, and mused with unutterable feelings on the circumstances of his death.
My recollections once more plunged me into anguish and perplexity. Once more I asked, Who was his assassin? By what motives could he be impelled to a deed like this? Waldegrave was pure from all offence. His piety was rapturous. His benevolence was a stranger to remissness or torpor. All who came within the sphere of his influence experienced and acknowledged his benign activity. His friends were few, because his habits were timid and reserved; but the existence of an enemy was impossible.
I recalled the incidents of our last interview, my importunities that he should postpone his ill-omened journey till the morning, his inexplicable obstinacy, his resolution to set out on foot during a dark and tempestuous night, and the horrible disaster that befell him.
The first intimation I received of this misfortune, the insanity of vengeance and grief into which I was hurried, my fruitless searches for the author of this guilt, my midnight wanderings and reveries beneath the shade of that fatal elm, were revived and reacted. I heard the discharge of the pistol, I witnessed the alarm of Inglefield, I heard his calls to his servants, and saw them issue forth with lights and hasten to the spot whence the sound had seemed to proceed. I beheld my friend, stretched upon the earth, ghastly with a mortal wound, alone, with no traces of the slayer visible, no tokens by which his place of refuge might be sought, the motives of his enmity or his instruments of mischief might be detected.
I hung over the dying youth, whose insensibility forbade him to recognise his friend, or unfold the cause of his destruction. I accompanied his remains to the grave; I tended the sacred spot where he lay; I once more exercised my penetration and my zeal in pursuit of his assassin. Once more my meditations and exertions were doomed to be disappointed.
I need not remind thee of what is past. Time and reason seemed to have dissolved the spell which made me deaf to the dictates of duty and discretion. Remembrances had ceased to agonize, to urge me to headlong acts and foster sanguinary purposes. The gloom was half dispersed, and a radiance had succeeded sweeter than my former joys.
Now, by some unseen concurrence of reflections, my thoughts reverted into some degree of bitterness. Methought that to ascertain the hand who killed my friend was not impossible, and to punish the crime was just. That to forbear inquiry or withhold punishment was to violate my duty to my God and to mankind. The impulse was gradually awakened that bade me once more to seek the elm; once more to explore the ground; to scrutinize its trunk. What could I expect to find? Had it not been a hundred times examined? Had I not extended my search to the neighbouring groves and precipices? Had I not pored upon the brooks, and pried into the pits and hollows, that were adjacent to the scene of blood?
Lately I had viewed this conduct with shame and regret; but in the present state of my mind it assumed the appearance of conformity with prudence, and I felt myself irresistibly prompted to repeat my search. Some time had elapsed since my departure from this district,--time enough for momentous changes to occur. Expedients that formerly were useless might now lead instantaneously to the end which I sought. The tree which had formerly been shunned by the criminal might, in the absence of the avenger of blood, be incautiously approached. Thoughtless or fearless of my return, it was possible that he might, at this moment, be detected hovering near the scene of his offences.
Nothing can be pleaded in extenuation of this relapse into folly. My return, after an absence of some duration, into the scene of these transactions and sufferings, the time of night, the glimmering of the stars, the obscurity in which external objects were wrapped, and which, consequently, did not draw my attention from the images of fancy, may in some degree account for the revival of those sentiments and resolutions which immediately succeeded the death of Waldegrave, and which, during my visit to you, had been suspended.
You know the situation of the elm, in the midst of a private road, on the verge of Norwalk, near the habitation of Inglefield, but three miles from my uncle's house. It was now my intention to visit it. The road in which I was travelling led a different way. It was requisite to leave it, therefore, and make a circuit through meadows and over steeps. My journey would, by these means, be considerably prolonged; but on that head I was indifferent, or rather, considering how far the night had already advanced, it was desirable not to reach home till the dawn.
I proceeded in this new direction with speed. Time, however, was allowed for my impetuosities to subside, and for sober thoughts to take place. Still I persisted in this path. To linger a few moments in this shade, to ponder on objects connected with events so momentous to my happiness, promised me a mournful satisfaction. I was familiar with the way, though trackless and intricate, and I climbed the steeps, crept through the brambles, leaped the rivulets and fences with undeviating aim, till at length I reached the craggy and obscure path which led to Inglefield's house.
In a short time, I descried through the dusk the widespread branches of the elm. This tree, however faintly seen, cannot be mistaken for another. The remarkable bulk and shape of its trunk, its position in the midst of the way, its branches spreading into an ample circumference, made it conspicuous from afar. My pulse throbbed as I approached it.
My eyes were eagerly bent to discover the trunk and the area beneath the shade. These, as I approached, gradually became visible. The trunk was not the only thing which appeared in view. Somewhat else, which made itself distinguishable by its motions, was likewise noted. I faltered and stopped.
To a casual observer this appearance would have been unnoticed. To me, it could not but possess a powerful significance. All my surmises and suspicions instantly returned. This apparition was human, it was connected with the fate of Waldegrave, it led to a disclosure of the author of that fate. What was I to do? To approach unwarily would alarm the person. Instant flight would set him beyond discovery and reach.
I walked softly to the roadside. The ground was covered with rocky masses, scattered among shrub-oaks and dwarf-cedars, emblems of its sterile and uncultivated state. Among these it was possible to elude observation and yet approach near enough to gain an accurate view of this being.
At this time, the atmosphere was somewhat illuminated by the moon, which, though it had already set, was yet so near the horizon as to benefit me by its light. The shape of a man, tall and robust, was now distinguished. Repeated and closer scrutiny enabled me to perceive that he was employed in digging the earth. Something like flannel was wrapped round his waist and covered his lower limbs. The rest of his frame was naked. I did not recognise in him any one whom I knew.
A figure, robust and strange, and half naked, to be thus employed, at this hour and place, was calculated to rouse up my whole soul. His occupation was mysterious and obscure. Was it a grave that he was digging? Was his purpose to explore or to hide? Was it proper to watch him at a distance, unobserved and in silence, or to rush upon him and extort from him, by violence or menaces, an explanation of the scene?
Before my resolution was formed, he ceased to dig. He cast aside his spade and sat down in the pit that he had dug. He seemed wrapped in meditation; but the pause was short, and succeeded by sobs, at first low and at wide intervals, but presently louder and more vehement. Sorely charged was indeed that heart whence flowed these tokens of sorrow. Never did I witness a scene of such mighty anguish, such heart-bursting grief.
What should I think? I was suspended in astonishment. Every sentiment, at length, yielded to my sympathy. Every new accent of the mourner struck upon my heart with additional force, and tears found their way spontaneously to my eyes. I left the spot where I stood, and advanced within the verge of the shade. My caution had forsaken me, and, instead of one whom it was duty to persecute, I beheld, in this man, nothing but an object of compassion.
My pace was checked by his suddenly ceasing to lament. He snatched the spade, and, rising on his feet, began to cover up the pit with the utmost diligence. He seemed aware of my presence, and desirous of hiding something from my inspection. I was prompted to advance nearer and hold his hand, but my uncertainty as to his character and views, the abruptness with which I had been ushered into this scene, made me still hesitate; but, though I hesitated to advance, there was nothing to hinder me from calling.
"What, ho!" said I. "Who is there? What are you doing?"
He stopped: the spade fell from his hand; he looked up and bent forward his face towards the spot where I stood. An interview and explanation were now, methought, unavoidable. I mustered up my courage to confront and interrogate this being.
He continued for a minute in his gazing and listening attitude. Where I stood I could not fail of being seen, and yet he acted as if he saw nothing. Again he betook himself to his spade, and proceeded with new diligence to fill up the pit. This demeanour confounded and bewildered me. I had no power but to stand and silently gaze upon his motions.
The pit being filled, he once more sat upon the ground, and resigned himself to weeping and sighs with more vehemence than before. In a short time the fit seemed to have passed. He rose, seized the spade, and advanced to the spot where I stood.
Again I made preparation as for an interview which could not but take place. He passed me, however, without appearing to notice my existence. He came so near as almost to brush my arm, yet turned not his head to either side. My nearer view of him made his brawny arms and lofty stature more conspicuous; but his imperfect dress, the dimness of the light, and the confusion of my own thoughts, hindered me from discerning his features. He proceeded with a few quick steps along the road, but presently darted to one side and disappeared among the rocks and bushes.
My eye followed him as long as he was visible, but my feet were rooted to the spot. My musing was rapid and incongruous. It could not fail to terminate in one conjecture, that this person was asleep. Such instances were not unknown to me, through the medium of conversation and books. Never, indeed, had it fallen under my own observation till now, and now it was conspicuous, and environed with all that could give edge to suspicion and vigour to inquiry. To stand here was no longer of use, and I turned my steps towards my uncle's habitation.
Wieland, is the first major work by Charles Brockden Brown. First published in 1798, it distinguishes the true beginning of his career as a writer. Wieland is the first – and most famous – American Gothic novel. It has often been linked to Caleb Williams by William Godwin. Godwin's influence is clear, but Brown's writing is unique in its style. Wieland is often categorized under several subgenres other than gothic fiction, including horror, psychological fiction and epistolary fiction. Set sometime between the French and Indian War and the American Revolutionary War, Wieland details the horrible events that befall Clara Wieland and her brother Theodore's family. Clara and Theodore's father was a German immigrant who founded his own religion; he came to America just before the American Revolution with the conviction to spread his religion to the indigenous people. When he fails at this task, he believes he has also failed his deity. One night, as he worships in his bare, reclusive temple, he seems to spontaneously combust, after which his health rapidly deteriorates and he dies. His children inherit his property, which is divided equally between them. Theodore marries their childhood friend, Catharine Pleyel, and they have four children. Soon, Theodore begins to hear voices and Catharine's brother-in-law, Henry Pleyel, begins to hear them, too. Though at first doubtful of the voices that the men claim to hear, Clara also begins to hear a strange voice. The mysterious Carwin appears on the scene, and suggests that the voices may be caused by human mimicry. Clara is secretly in love with Pleyel, and makes a plan to tell him so; however, her chance is ruined. When she returns home, she finds Carwin hiding in her closet. He admits he had been planning to rape Clara, but believing her to be under the protection of a supernatural force, leaves her. The next morning, Pleyel accuses Clara of having an affair with Carwin. He leaves quickly, without giving Clara enough time to defend herself. She decides to go to see Pleyel, to tell him he is mistaken, but he does not seem to believe her. On her way home, Clara stops to visit her friend Mrs. Baynton, where Clara finds a letter from Carwin waiting for her, which requests an audience with her.
Memoirs of Carwin the Biloquist follows the life of a young man by the name of Carwin as he realizes his biloquial, ventriloquist, talents. Carwin develops this ability to perfection, being able to manipulate his own voice to sound like any person he wants. Carwin is the sequel to Brown's previous work, Wieland; or the Transformation, because Brown wrote it five years afterwards; however, the events in Carwin occur prior to the plot established in Wieland.
“What! no music, no dancing at Castle Hermitage to-night; and all the ladies sitting in a formal circle, petrifying into perfect statues?” cried Sir Ulick O’Shane as he entered the drawing-room, between ten and eleven o’clock at night, accompanied by what he called his rear-guard, veterans of the old school of good fellows, who at those times in Ireland — times long since past — deemed it essential to health, happiness, and manly character, to swallow, and show themselves able to stand after swallowing, a certain number of bottles of claret per day or night.
Isabelle's love for Kolton held flawless for fifteen years-until the day she delivered their children and slipped into a coma. He leaned to her ear and whispered, "Don't wake up. You're worthless to me now." The twins later clutched another woman's hand and chirped, "Mommy," splintering Isabelle's heart. She woke, filed for divorce, and disappeared. Only then did Kolton notice her fingerprints on every habit. They met again: she emerged as the lead medical specialist, radiant and unmoved. But at her engagement gala, she leapt into a tycoon's arms. Jealous, he crushed a glass, blood wetting his palm. He believed as soon as he made a move, Isabelle would return to him. After all, she had loved him deeply.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
I was the spare daughter of the Vitiello crime family, born solely to provide organs for my golden sister, Isabella. Four years ago, under the codename "Seven," I nursed Dante Moretti, the Don of Chicago, back to health in a safe house. I was the one who held him in the dark. But Isabella stole my name, my credit, and the man I loved. Now, Dante looked at me with nothing but cold disgust, believing her lies. When a neon sign crashed down on the street, Dante used his body to shield Isabella, leaving me to be crushed under twisted steel. While Isabella sat in a VIP suite crying over a scratch, I lay broken, listening to my parents discuss if my kidneys were still viable for harvest. The final straw came at their engagement gala. When Dante saw me wearing the lava stone bracelet I had worn in the safe house, he accused me of stealing it from Isabella. He ordered my father to punish me. I took fifty lashes to my back while Dante covered Isabella's eyes, protecting her from the ugly truth. That night, the love in my heart finally died. On the morning of their wedding, I handed Dante a gift box containing a cassette tape—the only proof that I was Seven. Then, I signed the papers disowning my family, threw my phone out the car window, and boarded a one-way flight to Sydney. By the time Dante listens to that tape and realizes he married a monster, I will be thousands of miles away, never to return.
Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
After the divorce, she became the dream woman everyone longed for. James Ferguson saved Zelda Liamson and always did whatever she asked, making sure she had everything she could ever want. Zelda thought it was true love. After five years of marriage, she realized she was nothing more than his favourite pet, while he was her whole world. Then, the woman James truly loved came back, and Zelda demanded a divorce. James mocked her, saying, " You can't survive without me. What will you do without the Ferguson's name? " But Zelda did run away and never looked back, receiving marriage proposals every day. James lost his mind and returned, begging Zelda, "Please, come back to me. Give me another chance." His eyes were full of love and desperation.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
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