I had occasion to pass a week in the autumn in the little old town of Coire or Chur, in the Grisons, where lies buried that very ancient British king, saint, and martyr, Lucius,1 who founded the Church of St. Peter, on Cornhill.
I had occasion to pass a week in the autumn in the little old town of Coire or Chur, in the Grisons, where lies buried that very ancient British king, saint, and martyr, Lucius,1 who founded the Church of St. Peter, on Cornhill.
I had occasion to pass a week in the autumn in the little old town of Coire or Chur, in the Grisons, where lies buried that very ancient British king, saint, and martyr, Lucius,1 who founded the Church of St. Peter, on Cornhill. Few people note the church now-a-days, and fewer ever heard of the saint. In the cathedral at Chur, his statue appears surrounded by other sainted persons of his family.
With tight red breeches, a Roman habit, a curly brown beard, and a neat little gilt crown and sceptre, he stands, a very comely and cheerful image: and, from what I may call his peculiar position with regard to Cornhill, I beheld this figure of St. Lucius with more interest than I should have bestowed upon personages who, hierarchically, are, I dare say, his superiors.
1 Stow quotes the inscription, still extant, from the table fast chained in St. Peter's Church, Cornhill; and says, "he was after some chronicle buried at London, and after some chronicle buried at Glowcester"- but, oh! these incorrect chroniclers! when Alban Butler, in the "Lives of the Saints," v. xii., and Murray's "Handbook," and the Sacristan at Chur, all say Lucius was killed there, and I saw his tomb with my own eyes!
The pretty little city stands, so to speak, at the end of the world - of the world of today, the world of rapid motion, and rushing railways, and the commerce and intercourse of men. From the northern gate, the iron road stretches away to Zurich, to Basle, to Paris, to home. From the old southern barriers, before which a little river rushes, and around which stretch the crumbling battlements of the ancient town, the road bears the slow diligence or lagging vetturino by the shallow Rhine, through the awful gorges of the Via Mala, and presently over the Splugen to the shores of Como.
I have seldom seen a place more quaint, pretty, calm, and pastoral, than this remote little Chur. What need have the inhabitants for walls and ramparts, except to build summer-houses, to trail vines, and hang clothes to dry on them? No enemies approach the great mouldering gates: only at morn and even the cows come lowing past them, the village maidens chatter merrily round the fountains, and babble like the ever-voluble stream that flows under the old walls. The schoolboys, with book and satchel, in smart uniforms, march up to the gymnasium, and return thence at their stated time. There is one coffee-house in the town, and I see one old gentleman goes to it. There are shops with no customers seemingly, and the lazy tradesmen look out of their little windows at the single stranger sauntering by. There is a stall with baskets of queer little black grapes and apples, and a pretty brisk trade with half a dozen urchins standing round. But, beyond this, there is scarce any talk or movement in the street. There's nobody at the book-shop. "If you will have the goodness to come again in an hour," says the banker, with his mouthful of dinner at one o'clock, "you can have the money." There is nobody at the hotel, save the good landlady, the kind waiters, the brisk young cook who ministers to you. Nobody is in the Protestant church -(oh! strange sight, the two confessions are here at peace!)- nobody in the Catholic church: until the sacristan, from his snug abode in the cathedral close, espies the traveller eying the monsters and pillars before the old shark-toothed arch of his cathedral, and comes out (with a view to remuneration possibly) and opens the gate, and shows you the venerable church, and the queer old relics in the sacristy, and the ancient vestments (a black velvet cope, amongst other robes, as fresh as yesterday, and presented by that notorious "pervert," Henry of Navarre and France), and the statue of St. Lucius who built St. Peter's Church, on Cornhill.
What a quiet, kind, quaint, pleasant, pretty old town! Has it been asleep these hundreds and hundreds of years, and is the brisk young Prince of the Sidereal Realms in his screaming car drawn by his snorting steel elephant coming to waken it? Time was when there must have been life and bustle and commerce here. Those vast, venerable walls were not made to keep out cows, but men-at-arms, led by fierce captains, who prowled about the gates, and robbed the traders as they passed in and out with their bales, their goods, their pack-horses, and their wains. Is the place so dead that even the clergy of the different denominations can't quarrel? Why, seven or eight, or a dozen, or fifteen hundred years ago (they haven't the register at St. Peter's up to that remote period. I dare say it was burnt in the fire of London)- a dozen hundred years ago, when there was some life in the town, St. Lucius was stoned here on account of theological differences, after founding our church in Cornhill.
There was a sweet pretty river walk we used to take in the evening and mark the mountains round glooming with a deeper purple; the shades creeping up the golden walls; the river brawling, the cattle calling, the maids and chatter-boxes round the fountains babbling and bawling; and several times in the course of our sober walks we overtook a lazy slouching boy, or hobble-dehoy, with a rusty coat, and trousers not too long, and big feet trailing lazily one after the other, and large lazy hands dawdling from out the tight sleeves, and in the lazy hands a little book, which my lad held up to his face, and which I dare say so charmed and ravished him, that he was blind to the beautiful sights around him; unmindful, I would venture to lay any wager, of the lessons he had to learn for tomorrow; forgetful of mother, waiting supper, and father preparing a scolding; - absorbed utterly and entirely in his book.
What was it that so fascinated the young student, as he stood by the river shore? Not the Pons Asinorum. What book so delighted him, and blinded him to all the rest of the world, so that he did not care to see the apple-woman with her fruit, or (more tempting still to sons of Eve) the pretty girls with their apple cheeks, who laughed and prattled round the fountain! What was the book? Do you suppose it was Livy, or the Greek grammar? No; it was a NOVEL that you were reading, you lazy, not very clean, good-for-nothing, sensible boy! It was D'Artagnan locking up General Monk in a box, or almost succeeding in keeping Charles the First's head on. It was the prisoner of the Chateau d'If cutting himself out of the sack fifty feet under water (I mention the novels I like best myself - novels without love or talking, or any of that sort of nonsense, but containing plenty of fighting, escaping, robbery, and rescuing)- cutting himself out of the sack, and swimming to the island of Monte Cristo. O Dumas! O thou brave, kind, gallant old Alexandre! I hereby offer thee homage, and give thee thanks for many pleasant hours. I have read thee (being sick in bed) for thirteen hours of a happy day, and had the ladies of the house fighting for the volumes. Be assured that lazy boy was reading Dumas (or I will go so far as to let the reader here pronounce the eulogium, or insert the name of his favorite author); and as for the anger, or it may be, the reverberations of his schoolmaster, or the remonstrances of his father, or the tender pleadings of his mother that he should not let the supper grow cold - I don't believe the scapegrace cared one fig. No! Figs are sweet, but fictions are sweeter.
Have you ever seen a score of white-bearded, white-robed warriors, or grave seniors of the city, seated at the gate of Jaffa or Beyrout, and listening to the story-teller reciting his marvels out of "Antar" or the "Arabian Nights?" I was once present when a young gentleman at table put a tart away from him, and said to his neighbor, the Younger Son (with rather a fatuous air), "I never eat sweets."
"Not eat sweets! and do you know why?" says T.
"Because I am past that kind of thing," says the young gentleman.
"Because you are a glutton and a sot!" cries the Elder (and Juvenis winces a little). "All people who have natural, healthy appetites, love sweets; all children, all women, all Eastern people, whose tastes are not corrupted by gluttony and strong drink." And a plateful of raspberries and cream disappeared before the philosopher.
You take the allegory? Novels are sweets. All people with healthy literary appetites love them - almost all women; - a vast number of clever, hard-headed men. Why, one of the most learned physicians in England said to me only yesterday, "I have just read So-and-So for the second time" (naming one of Jones's exquisite fictions). Judges, bishops, chancellors, mathematicians, are notorious novel-readers; as well as young boys and sweet girls, and their kind, tender mothers. Who has not read about Eldon, and how he cried over novels every night when he was not at whist?
As for that lazy naughty boy at Chur, I doubt whether HE will like novels when he is thirty years of age. He is taking too great a glut of them now. He is eating jelly until he will be sick. He will know most plots by the time he is twenty, so that HE will never be surprised when the Stranger turns out to be the rightful earl - when the old waterman, throwing off his beggarly gabardine, shows his stars and the collars of his various orders, and clasping Antonia to his bosom, proves himself to be the prince, her long-lost father. He will recognize the novelist's same characters, though they appear in red-heeled pumps and ailes-de-pigeon, or the garb of the nineteenth century. He will get weary of sweets, as boys of private schools grow (or used to grow, for I have done growing some little time myself, and the practice may have ended too)- as private school-boys used to grow tired of the pudding before their mutton at dinner.
And pray what is the moral of this apologue? The moral I take to be this: the appetite for novels extending to the end of the world; far away in the frozen deep, the sailors reading them to one another during the endless night; - far away under the Syrian stars, the solemn sheikhs and elders hearkening to the poet as he recites his tales; far away in the Indian camps, where the soldiers listen to --'s tales, or --'s, after the hot day's march; far away in little Chur yonder, where the lazy boy pores over the fond volume, and drinks it in with all his eyes; - the demand being what we know it is, the merchant must supply it, as he will supply saddles and pale ale for Bombay or Calcutta.
But as surely as the cadet drinks too much pale ale, it will disagree with him; and so surely, dear youth, will too much novels cloy on thee. I wonder, do novel-writers themselves read many novels? If you go into Gunter's, you don't see those charming young ladies (to whom I present my most respectful compliments) eating tarts and ices, but at the proper eventide they have good plain wholesome tea and bread-and-butter. Can anybody tell me does the author of the "Tale of Two Cities" read novels? does the author of the "Tower of London" devour romances? does the dashing "Harry Lorrequer" delight in "Plain or Ringlets" or "Sponge's Sporting Tour?" Does the veteran, from whose flowing pen we had the books which delighted our young days, "Darnley," and "Richelieu," and "Delorme,"2 relish the works of Alexandre the Great, and thrill over the "Three Musqueteers?" Does the accomplished author of the "Caxtons" read the other tales in Blackwood? (For example, that ghost-story printed last August, and which for my part, though I read it in the public reading-room at the "Pavilion Hotel" at Folkestone, I protest frightened me so that I scarce dared look over my shoulder.) Does "Uncle Tom" admire "Adam Bede;" and does the author of the "Vicar of Wrexhill" laugh over the "Warden" and the "The Three Clerks?" Dear youth of ingenuous countenance and ingenuous pudor! I make no doubt that the eminent parties above named all partake of novels in moderation - eat jellies - but mainly nourish themselves upon wholesome roast and boiled.
2 By the way, what a strange fate is that which befell the veteran novelist! He was appointed her Majesty's Consul-General in Venice, the only city in Europe where the famous "Two Cavaliers" cannot by any possibility be seen riding together.
Here, dear youth aforesaid! our Cornhill Magazine owners strive to provide thee with facts as well as fiction; and though it does not become them to brag of their Ordinary, at least they invite thee to a table where thou shalt sit in good company. That story of the "Fox"3 was written by one of the gallant seamen who sought for poor Franklin under the awful Arctic Night: that account of China4 is told by the man of all the empire most likely to know of what he speaks: those pages regarding Volunteers5 come from an honored hand that has borne the sword in a hundred famous fields, and pointed the British guns in the greatest siege in the world.
3 "The Search for Sir John Franklin. (From the Private Journal of an Officer of the 'Fox.')"
4 "The Chinese and the Outer Barbarians." By Sir John Bowring.
5 "Our Volunteers." By Sir John Burgoyne.
Shall we point out others? We are fellow-travellers, and shall make acquaintance as the voyage proceeds. In the Atlantic steamers, on the first day out (and on high-and holy-days subsequently), the jellies set down on table are richly ornamented; medioque in fonte leporum rise the American and British flags nobly emblazoned in tin. As the passengers remark this pleasing phenomenon, the Captain no doubt improves the occasion by expressing a hope, to his right and left, that the flag of Mr. Bull and his younger Brother may always float side by side in friendly emulation. Novels having been previously compared to jellies - here are two (one perhaps not entirely saccharine, and flavored with an amari aliquid very distasteful to some palates)- two novels6 under two flags, the one that ancient ensign which has hung before the well-known booth of "Vanity Fair;" the other that fresh and handsome standard which has lately been hoisted on "Barchester Towers." Pray, sir, or madam, to which dish will you be helped?
6 "Lovel the Widower" and "Framley Parsonage."
So have I seen my friends Captain Lang and Captain Comstock press their guests to partake of the fare on that memorable "First day out," when there is no man, I think, who sits down but asks a blessing on his voyage, and the good ship dips over the bar, and bounds away into the blue water.
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. It first appeared in serialized installments in Fraser's Magazine between May 1839 and February 1840. Thackeray's original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
My marriage to Joshua Caldwell was a prison sentence. I was a Hartman trophy, sold to the powerful family who had destroyed mine. Then I discovered he was cheating. His mistress was pregnant with the child he denied me, and he was stealing my secret song lyrics to build her career. When I confronted him, he called me a spineless liability and threatened to destroy what was left of my family. To make matters worse, a one-night stand with a stranger turned out to be with my husband's brother, Anthony Caldwell-the Don of the city. He knew all of Joshua's secrets and used them to trap me in a twisted game, seeing me as nothing more than an asset. They both thought I was a broken doll they could control. I wrote a song for his mistress, a beautiful execution with a single, impossible note I knew would destroy her voice. She sang it, and now her career is over. Now the Don has summoned me to Chicago, not knowing the woman he thinks is his asset is the one who just burned his brother's world to the ground.
I had been a wife for exactly six hours when I woke up to the sound of my husband’s heavy breathing. In the dim moonlight of our bridal suite, I watched Hardin, the man I had adored for years, intertwined with my sister Carissa on the chaise lounge. The betrayal didn't come with an apology. Hardin stood up, unashamed, and sneered at me. "You're awake? Get out, you frumpy mute." Carissa huddled under a throw, her fake tears already welling up as she played the victim. They didn't just want me gone; they wanted me erased to protect their reputations. When I refused to move, my world collapsed. My father didn't offer a shoulder to cry on; he threatened to have me committed to a mental asylum to save his business merger. "You're a disgrace," he bellowed, while the guards stood ready to drag me away. They had spent my life treating me like a stuttering, submissive pawn, and now they were done with me. I felt a blinding pain in my skull, a fracture that should have broken me. But instead of tears, something dormant and lethal flickered to life. The terrified girl who walked down the aisle earlier that day simply ceased to exist. In her place, a clinical system—the Valkyrie Protocol—booted up. My racing heart plummeted to a steady sixty beats per minute. I didn't scream. I stood up, my spine straightening for the first time in twenty years, and looked at Hardin with the detachment of a surgeon looking at a tumor. "Correction," I said, my voice stripped of its stutter. "You're in my light." By dawn, I had drained my father's accounts, vanished into a storm, and found a bleeding Crown Prince in a hidden safehouse. They thought they had broken a mute girl. They didn't realize they had just activated their own destruction.
For seventeen years, I was the crown jewel of the Kensington empire, the perfect daughter groomed for a royal future. Then, a cream-colored envelope landed in my lap, bearing a gold crest and a truth that turned my world into ice. The DNA test result was a cold, hard zero percent-I wasn't a Kensington. Before the ink could even dry, my parents invited my replacement, a girl named Alleen, into the drawing room and treated me like a trespasser in my own home. My mother, who once hosted galas in my honor, wouldn't even look me in the eye as she stroked Alleen's arm, whispering that she was finally "safe." My father handed me a one-million-dollar check-a mere tip for a billionaire-and told me to leave immediately to avoid tanking the company's stock price. "You're a thief! You lived my life, you spent my money, and you don't get to keep the loot!" Alleen shrieked, trying to claw the designer jacket off my shoulders while my "parents" watched with clinical detachment. I was dumped on a gritty sidewalk in Queens with nothing but three trunks and the address of a struggling laborer I was now supposed to call "Dad." I traded a marble mansion for a crumbling walk-up where the air smelled of exhaust and my new bedroom was a literal storage closet. My biological family thought I was a broken princess, and the Kensingtons thought they had successfully erased me with a payoff and a non-disclosure agreement. They had no idea that while I was hauling trunks up four flights of stairs, my secret media empire was already preparing to move against them. As I sat on a thin mattress in the dark, I opened my encrypted laptop and sent a single command that would cost my former father ten million dollars by breakfast. They thought they were throwing me to the wolves, but they forgot one thing: I'm the one who leads the pack.
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
For four years, I traced the bullet scar on Chace’s chest, believing it was proof he would bleed to keep me safe. On our anniversary, he told me to wear white because "tonight changes everything." I walked into the gala thinking I was getting a ring. Instead, I stood frozen in the center of the ballroom, drowning in silk, watching him slide his mother's sapphire onto another woman's finger. Karyn Warren. The daughter of a rival family. When I begged him with my eyes to claim me, to save me from the public humiliation, he didn't flinch. He just leaned toward his Underboss, his voice amplified by the silence. "Karyn is for power. Ember is for pleasure. Don't confuse the assets." My heart didn't just break; it incinerated. He expected me to stay as his mistress, threatening to dig up my dead mother’s grave if I refused to play the obedient pet. He thought I was trapped. He thought I had nowhere to go because of my father’s massive gambling debts. He was wrong. With shaking hands, I pulled out my phone and texted the one name I was never supposed to use. Keith Mosley. The Don. The monster under Chace's bed. *I am invoking the Blood Oath. My father’s debt. I am ready to pay it.* His reply came three seconds later, buzzing against my palm like a warning. *The price is marriage. You belong to me. Yes or No?* I looked up at Chace, who was laughing with his new fiancée, thinking he owned me. I looked down and typed three letters. *Yes.*
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