English Pharisees and French Crocodiles by Max O'Rell
English Pharisees and French Crocodiles by Max O'Rell
People very often speak ill of their neighbors, not out of wickedness, but merely out of laziness; it is so much easier to do so than to study their qualities and all the circumstances that might oblige you to change your opinion.
For instance, some fifty years ago, a great English wit, Sydney Smith, said that it required a surgical operation to make a Scotchman understand a joke.
Well, an English joke, he probably meant.
However, the satire was neatly expressed. When the English get hold of a good joke, and see it, it lasts them a long time.
The Scotch are a hundred times more witty and humorous than the English; but John Bull still goes on affirming that "it requires a surgical operation to make a Scotchman understand a joke."
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If such misunderstanding can exist between the English and the Scotch, just imagine what feelings the natives of a land can inspire in foreigners.
Oh! that word foreigner!
In some ears it sounds like bastards. In some people's minds, it is the synonym of bad. The English greengrocer, for instance, divides his asparagus into large and small heads. The fine large ones he binds together and sells at high prices under the name of English asparagus. The bundles of threads at one shilling figure in his shop window as foreign.
In England, the adjective English is synonymous with excellent. In France, we have an adjective that signifies excellent, too, and that is the adjective French. Do but make an observation to a French shopkeeper upon the price of his goods, and he will promptly answer: "I keep a cheaper article, but it is naturally of greatly inferior quality. Would Monsieur like to see my English stock?" In French commerce, English is synonymous with worthless.
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Now, what is a foreigner?
No man was born a foreigner.
Once an American said to me, on board a steamer, sailing from Liverpool to New York: "You are a foreigner, I guess."
"Well," I replied, "not yet. I shall be, when I get to your country."
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What is a foreigner?
As a rule, a foreigner is a good fellow, brought up by worthy parents, and belonging to a country quite as good as yours.
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Nations may be well or badly governed. They may possess hot or cold climates, indifferent or beautiful scenery. The manners and customs of their inhabitants may be utterly different. But the most stupid statement that can possibly be made is that some nations are better or worse than others.
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We French people ought not to be a closed letter to the foreigner, for Heaven knows we make no attempt to hide our defects, and I might even add that if we did study to hide them, instead of boasting of them, we might cut quite as good and moral a figure as the most proper inhabitant of the British Isles or of the State of Maine.
We offer ourselves to criticism so unreservedly, owning our shortcomings with such frankness, such abandon, that it ill becomes our neighbors to find fault with us. Indeed, we are a nation that confesses with a gay candor that should disarm unkind criticism.
Yes, the foreigner ought to be able to read, as in an open book, that good, warm-hearted, France that he hardly looks at. For him, France is Paris; Paris that supplies him with pleasures for a fortnight, and that he despises when he is satiated. The real France, peaceful and laborious, he knows nothing about beyond what he has seen of it from the windows of a railroad car.
On arriving at home again, he writes to his friends:
"I have just returned from France. What a country it is! Ah! I have seen pretty sights, I can assure you! I will tell you all about it in private, when we meet. All I can say now is, that I thank God that I was born an Englishman."
Here is a good fellow who has undoubtedly visited the wrong places.
The Frenchman is no better. He comes to London for a week on business. (I say "on business," because nobody would think of coming to London on pleasure), and profits by his visit to go and see Madame Tussaud's Exhibition. Then he returns home, and exclaims, parodying Victor Hugo's celebrated lines: "How proud a man is to call himself a Frenchman when he has looked at England."
He has looked at England, it is true, but he has not seen it.
To look is an action of the body. To see is an action of the mind.
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When people travel in foreign lands, they often make two kinds of mistakes.
Firstly, they are liable to visit the wrong places, like the Englishman who returned home "thanking God he was born an Englishman."
Secondly, they draw conclusions too quickly.
Let us illustrate this.
When English people alight at a French hotel and find no soap on the washstand, do you believe they conclude from this that the French carry their own soap in their trunks when they travel? Not they. They conclude that the French do not wash, or that, if they do, their ablutions are performed by means of a corner of a handkerchief dipped in water.
Mark Twain, the prince of American humorists, exclaims upon entering the bedroom of a French hotel: "What, waiter, no soap! Don't you know that soap is indispensable to an Englishman or an American; and that only a Frenchman can do without it?"
It is true that you find soap on the washstands in English or American hotels; but the English and their American cousins may perhaps be astonished to hear that a true-born Frenchman would have as much repugnance to using hotel soap, as they would to using a toothbrush that they might find on a lodging-house washstand. Some people like second-hand soap; some do not. We will even make bold to inform them that a great many French ladies are so particular as to carry about a supply of bedroom towels with them when they travel.
* * *
When her half-sister stole her fiancé, scarred her face, and threw her from a skyscraper, Amelia thought it was the end-until fate gave her a second chance. Reborn with bitter clarity, she vowed not to repeat the same mistakes. In her past life, she had been kind to a fault; now, she would wear a mask of innocence to outmaneuver every snake in the grass. One by one, she tore down their schemes-leaving her treacherous sister begging, her stepmother pleading, her worthless father groveling, and her ex-fiancé crawling back. Her response was a cold smirk and two words: "Get lost." But the one thing she never anticipated was crossing paths with Damien Taylor-the most powerful and untouchable man in the capital-on the very first day of her new life. They said he was ruthless, ice-cold, immune to any woman's charm. Amelia believed it. until she learned the truth: the man was dangerously cunning. "Miss Johnson, I saved you. How about dinner?" "Miss Johnson, I helped you. Don't you owe me a favor?" Backed against the wall, Amelia felt his low voice vibrate through her: "You owe me too much, Amelia. It's time to pay up-starting with you." Only much later would she realize. she'd been owing him all along.
For ten years, Daniela showered her ex-husband with unwavering devotion, only to discover she was just his biggest joke. Feeling humiliated yet determined, she finally divorced him. Three months later, Daniela returned in grand style. She was now the hidden CEO of a leading brand, a sought-after designer, and a wealthy mining mogul-her success unveiled at her triumphant comeback. Her ex-husband's entire family rushed over, desperate to beg for forgiveness and plead for another chance. Yet Daniela, now cherished by the famed Mr. Phillips, regarded them with icy disdain. "I'm out of your league."
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
To most, Verena passed for a small-town clinic doctor; in truth, she worked quiet miracles. Three years after Isaac fell hopelessly for her and kept vigil through lonely nights, a crash left him in a wheelchair and stripped his memory. To keep him alive, Verena married him, only to hear, "I will never love you." She just smiled. "That works out-I'm not in love with you, either." Entangled in doubt, he recoiled from hope, yet her patience held him fast-kneeling to meet his eyes, palm warm on his hair, steadying him-until her glowing smile rekindled feelings he believed gone forever.
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