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Flower of the North by James Oliver Curwood
"Such hair! Such eyes! Such color! Laugh if you will, Whittemore, but I swear that she was the handsomest girl I've ever laid my eyes upon!"
There was an artist's enthusiasm in Gregson's girlishly sensitive face as he looked across the table at Whittemore and lighted a cigarette.
"She wouldn't so much as give me a look when I stared," he added. "I couldn't help it. Gad, I'm going to make a full-page 'cover' of her to-morrow for Burke's. Burke dotes on pretty women for the cover of his magazine. Why, demmit, man, what the deuce are you laughing at?"
"Not at this particular case, Tom," apologized Whittemore. "But-I'm wondering-"
His eyes wandered ruminatively about the rough interior of the little cabin, lighted by a single oil-lamp hanging from a cross-beam in the ceiling, and he whistled softly.
"I'm wondering," he went on, "if you'll ever strike a place where you won't see 'one of the most beautiful things on earth.' The last one was at Rio Piedras, wasn't it, Tom? A Spanish girl, or was she a Creole? I believe I've got your letter yet, and I'll read it to you to-morrow. I wasn't surprised. There are pretty women down in Porto Rico. But I didn't think you'd have the nerve to discover one up here-in the wilderness."
"She's got them all beat," retorted the artist, flecking the ash from the tip of his cigarette.
"Even the Valencia girl, eh?"
There was a chuckling note of pleasure in Philip Whittemore's voice as he leaned half across the table, his handsome face, bronzed by snow and wind, illumined in the lamp-glow. Gregson, in strong contrast, with his round, smooth cheeks, slim hands, and build that was almost womanish, leaned over his side to meet him. For the twentieth time that evening the two men shook hands.
"Haven't forgotten Valencia, eh?" chuckled the artist, gloatingly. "Lord, but I'm glad to see you again, Phil. Seems like a century since we were out raising the Old Ned together, and yet it's less than three years since we came back from South America. Valencia! Will we ever forget it? When Burke handed me his first turn-down a month ago and said, 'Tom, your work begins to show you want a rest,' I thought of Valencia, and was so confoundedly homesick for those old days when you and I pretty nearly started a revolution, and came within an ace of getting our scalps lifted, that I moped for a week. Gad, do I remember it? You got out by fighting, and I through a pretty girl."
"And your nerve," chuckled Whittemore, crushing the other's hand. "That was when I made up my mind you were the nerviest man alive, Greggy. Did you ever learn what became of Donna Isobel?"
"She appeared twice in Burke's, once as the 'Goddess of the Southern Republics' and again as 'The Girl of Valencia.' She married that reprobate of a Carabobo planter, and I believe they're happy."
"It seems to me there were others," continued Whittemore, pondering for a moment in mock seriousness. "There was one at Rio whom you swore would make your fortune if you could get her to sit for you, and whose husband was on the point of putting six inches of steel into you for telling her so, when I explained that you were young and harmless, and a little out of your head-"
"With your fist," cried Gregson, joyously. "Gad, but that was a mighty blow! I can see that knife now. I was just beginning my paternoster when-chug!-and down he went! And he deserved it. I said nothing wrong. In my very best Spanish I asked her if she would sit for me, and why the devil did he take that as an insult? And she was beautiful."
"Of course," agreed Whittemore. "If I remember, she was 'the loveliest creature you had ever seen.' And after that there were others-a score of them at least, each lovelier than the one before."
"They make up my life," said Gregson, more seriously than he had yet spoken. "They're the only thing I can draw and do well. I'd think an editor was mad if he asked me to do something without a pretty woman in it. God bless 'em, I hope I'll go on seeing them forever. When I can't see beauty in woman I want to die."
"And you always want to see it in the superlative degree."
"I insist upon it. If she lacks something, as Donna Isobel wanted color, I imagine that it is there, and she is perfect! But this one that I saw to-night is perfect! Now what I want to know is this, Who the deuce is she!"
-"where can she be found, and will she sit for a 'Burke,' two or three miscellaneous, and a 'study' for the annual sale," struck in Whittemore. "Is that it?"
"Exactly. You've a natural ability for hitting the nail on the head, Phil."
"And Burke told you to take a rest."
Gregson offered his cigarettes.
"Yes, Burke is a good-natured, poetic old soul who has a horror of spiders, snakes, and sky-scrapers. He said to me: 'Greggy, go and seek nature in some quiet, secluded place, and forget everything for a fortnight or two except your clothes and half a dozen cases of beer.' Rest! Nature! Beer! Think of those cheerful suggestions, Phil, while I was dreaming of Valencia, of Donna Isobels, and places where Nature cuts up as though she had been taking champagne all her life. Gad, your letter came just in time!"
"And I told you little enough in that," said Philip, quickly, rising and pacing uneasily back and forth across the cabin floor. "I gave you promise of excitement, and urged you to join me if you could. And why? Because-"
He turned sharply, and faced Gregson across the table.
"I wanted you to come because the thing that happened down in Valencia, and that other at Rio, isn't a circumstance to the hell that's going to cut loose pretty soon up here-and I'm in need of help. Understand? It's not fun-this time. I'm playing a single hand in what looks like a losing game. If I ever needed a fighter in my life I need one now. That's why I sent for you."
Gregson shoved back his chair and rose to his feet. He was a head shorter than his companion, of almost delicate physique. Yet there was something in the cold gray-blue of his eyes, a peculiar hardness of his chin, that compelled one to look at him twice and rendered first judgment unsafe. His slim fingers closed like steel about Philip's.
"Now you're coming down to business, Phil," he exclaimed. "I've been waiting with the patience of Job-or of little Bobby Tuckett, if you remember him, who began courting Minnie Sheldon seven years ago-and married her the day after I got your letter. I was too busy figuring out what you hadn't written to go to the wedding. I tried to read between the lines, and fell down completely. I've been thinking all the way up from Le Pas, and I'm still at sea. You called. I came. What's up?"
"It's going to sound a little mad-at first, Greggy," chuckled Whittemore, lighting his pipe. "It's going to give your esthetic tastes a jar. Look here!"
He seized Gregson by the arm and led him to the door.
The cold northern sky was brilliant with stars. The cabin, its logs half smothered in dying masses of verdure which had climbed about it during the summer, was built on the summit of one of the wind-cropped ridges which are called mountains in the far north. Into that north swept infinite wilderness, white and gray where the starlit tops of the spruce rose up at their feet, black in the distance. From somewhere out of it there came the low, weeping monotone of surf beating on a shore. Philip, with one hand on Gregson's shoulder, pointed with the other into the lonely desolation which they were facing.
"There isn't much between us and the Arctic Ocean, Greggy," he said. "See that light off there, like a great fire that has half a mind to die out one minute and flares up the next? Doesn't it remind you of the night we got away from Carabobo, when Donna Isobel pointed out our way to us, with the moon coming up over the mountains as a guide? That isn't the moon. It's the aurora borealis. You can hear the wash of the Bay down there, and if you're keen you can catch the smell of icebergs. There's Fort Churchill-a rifle-shot beyond the ridge, asleep. There's nothing but Hudson's Bay Company's posts, Indian camps, and trappers between here and civilization, which is four hundred miles down there. Seems like a quiet and peaceful country, doesn't it? There's something about it that makes you thrill and wonder if this isn't the biggest part of the universe after all. Listen! Hear the Indian dogs wailing down at Churchill! That's the primal voice in this world, the voice of the wild. Even that beating of the surf is filled with the same thing, for it's rolling up mystery instead of history. It is telling what man doesn't know, and in a language which he cannot understand. You're a beauty scientist, Greggy. This must sink deep."
"It does," said Gregson. "What the deuce are you getting at, Phil?"
"I'm arriving gradually and without undue haste to the point, Greggy. I'm about to tell you why I induced you to join me up here. I hesitate at the last word. It seems almost brutal, taking into consideration your philosophy of beauty, to drop from all this-from that blackness and mystery out there, from Donna Isobels and pretty eyes, down to-fish."
"Fish!"
"Yes, fish."
Gregson, lighting a fresh cigarette, held the match so that the tiny flame lighted up his companion's face for a moment.
"Look here," he expostulated, "you haven't got me up here to go-fishing?"
"Yes-and no," said Philip. "But even if I have-"
He caught Gregson by the arm again, and there was a tightness in the grip of his fingers which convinced the other that he was speaking seriously now.
"Do you remember what started the revolution down in Honduras the second week after we struck Puerto Barrios, Greggy? It was a girl, wasn't it?"
"Yes, and she wasn't half pretty at that."
"It was less than a girl," went on Philip. "Scene: the palm plaza at Ceiba. President Belize is drinking wine with his cousin, the fiancee of General O'Kelly Bonilla, the half Irish, half Latin-American leader of his forces, and his warmest friend. At a moment when their corner of the plaza is empty Belize helps himself to a cousinly kiss. O'Kelly, unperceived, arrives in time to witness the act. From that moment his friendship for Belize turns to hatred and jealousy. Within three weeks he has started a revolution, beats the government forces at Ceiba, chases Belize from the capital, gets Nicaragua mixed up in the trouble, and draws three French, two German, and two American war-ships to the scene. Six weeks after the wine-drinking he is President of the Republic, en facto. And all of this, Greggy, because of a kiss. Now, if a kiss can start a revolution, unseat a President, send a government to smash, what must be the possibilities of a fish?"
"I'm getting interested," said Gregson. "If there's a climax, come to it, Phil. I admit that there must be enormous possibilities in-a fish. Go on!"
A police officer on a deathbed makes a confession of a murder that an innocent man is about to be hanged for. A beautiful and mysterious young woman knows something about the murder, but has deep reasons to keep it hidden from all except the Chief of Police, who also has reasons of his own for it to stay a secret. James Oliver Curwood (1878-1927) was an American action-adventure writer and conservationist. His adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great White North. He often took trips to the Canadian northwest which provided the inspiration for his wilderness adventure stories. At least eighteen movies have been based on or inspired by Curwood's novels and short stories.
The Flaming Forest was written in the year 1921 by James Oliver Curwood. This book is one of the most popular novels of James Oliver Curwood, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally.
Philip Weyman's buoyancy of heart was in face of the fact that he had but recently looked upon Radisson's unpleasant death, and that he was still in a country where the water flowed north. He laughed and he sang. His heart bubbled over with cheer. He talked to himself frankly and without embarrassment, asked himself questions, answered them, discussed the beauties of nature and the possibilities of storm as if there were three or four of him instead of one.
Get set for pulse-pounding adventure in the far northern wilds of Canada in James Oliver Curwood's The Gold Hunters. The motley trio of explorers who first were introduced in the earlier Curwood novel The Wolf Hunters come together again in this gripping sequel. Will they fulfill their dreams of striking it rich this time around?
Philip Steele's pencil drove steadily over the paper, as if the mere writing of a letter he might never mail in some way lessened the loneliness.
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
The day Raina gave birth should have been the happiest of her life. Instead, it became her worst nightmare. Moments after delivering their twins, Alexander shattered her heart-divorcing her and forcing her to sign away custody of their son, Liam. With nothing but betrayal and heartbreak to her name, Raina disappeared, raising their daughter, Ava, on her own.Years later, fate comes knocking when Liam falls gravely ill. Desperate to save his son, Alexander is forced to seek out the one person he once cast aside. Alexander finds himself face to face with the woman he underestimated, pleading for a second chance-not just for himself, but for their son. But Raina is no longer the same broken woman who once loved him.No longer the woman he left behind. She has carved out a new life-one built on strength, wealth, and a long-buried legacy she expected to uncover.Raina has spent years learning to live without him.The question is... Will she risk reopening old wounds to save the son she never got to love? or has Alexander lost her forever?
6 years ago, Lydia suffered a brutal betrayal orchestrated by her own husband and step-sister, who drugged her and framed her. In a twist of fate, she ended up having a one-night stand with a stranger. Don't even remember what he looked like. Later, in the throes of death, she discovered the truth about her mother's death all those years ago. In the blink of an eye, she lost everything. 6 years later, Lydia returned with her genius son, vowing to exact revenge on all her enemies! Little did she know, she encountered an incredibly familiar man at the airport! *** The man was briskly pushing open the door to the restroom, heading to the urinal. Even with such a mundane action, he did it with unparalleled elegance and grace. Lydia, following him in a daze, saw his fierce lower body and suddenly snapped back to reality. She let out a high-pitched scream, instinctively covering her eyes with her hands, her cheeks flushed, and stood there stiffly, unsure of what to do. Lambert furrowed his brows slightly but remained calm as he continued to relieve himself. The sound of water hitting the urinal made Lydia's face even redder. She angrily shouted, "You pervert!" Little did Lydia know that Lambert, seeing her in this state, had a flicker of recognition in his eyes. Memories from many years ago flashed through his mind, and his heart couldn't help but stir. It was her!
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, “Do you think you deserve it?” Then a powerful magnate gently proposed, “Marry me?”
June Rivera was divorced by her husband after three years of marriage because he wanted to be with her sister who was pregnant for him. Kicked to the curb with a divorce and rejected by her parents,she struggles to make ends meet and get a job until she saves Luis Ambrose from an accident - the only child of Rafael Ambrose, a widowed man and the CEO of Ambrose Corporation. When little Luis asks to have her as a nanny, and Rafael's mother pressures him to get married, they draw a contract. To be Luis's nanny and his fake wife for one year in exchange for 50 million dollars!
Two years ago, Ricky found himself coerced into marrying Emma to protect the woman he cherished. From Ricky's perspective, Emma was despicable, resorting to underhanded schemes to ensure their marriage. He maintained a distant and cold attitude toward her, reserving his warmth for another. Yet, Emma remained wholeheartedly dedicated to Ricky for more than ten years. As she grew weary and considered relinquishing her efforts, Ricky was seized by a sudden fear. Only when Emma's life teetered on the edge, pregnant with Ricky's child, did he recognize-the love of his life had always been Emma.