Fresh Fields by John Burroughs
I had come to Great Britain less to see the noted sights and places than to observe the general face of nature. I wanted to steep myself long and well in that mellow, benign landscape, and put to further tests the impressions I had got of it during a hasty visit one autumn, eleven years before. Hence I was mainly intent on roaming about the country, it mattered little where. Like an attic stored with relics and heirlooms, there is no place in England where you cannot instantly turn from nature to scenes and places of deep historical or legendary or artistic interest.
My journal of travel is a brief one, and keeps to a few of the main lines. After spending a couple of days in Glasgow, we went down to Alloway, in Burns's country, and had our first taste of the beauty and sweetness of rural Britain, and of the privacy and comfort of a little Scotch inn. The weather was exceptionally fair, and the mellow Ayrshire landscape, threaded by the Doon, a perpetual delight. Thence we went north on a short tour through the Highlands,-up Loch Lomond, down Loch Katrine, and through the Trosachs to Callander, and thence to Stirling and Edinburgh. After a few days in the Scotch capital we set out for Carlyle's country, where we passed five delightful days. The next week found us in Wordsworth's land, and the 10th of June in London. After a week here I went down into Surrey and Hants, in quest of the nightingale, for four or five days. Till the middle of July I hovered about London, making frequent excursions into the country,-east, south, north, west, and once across the channel into France, where I had a long walk over the hills about Boulogne. July 15 we began our return journey northward, stopping a few days at Stratford, where I found the Red Horse Inn sadly degenerated from excess of travel. Thence again into the Lake region for a longer stay. From Grasmere we went into north Wales, and did the usual touring and sight-seeing around and over the mountains. The last week of July we were again in Glasgow, from which port we sailed on our homeward voyage July 29.
With a suitable companion, I should probably have made many long pedestrian tours. As it was, I took many short but delightful walks both in England and Scotland, with a half day's walk in the north of Ireland about Moville. 'Tis an admirable country to walk in,-the roads are so dry and smooth and of such easy grade, the footpaths so numerous and so bold, and the climate so cool and tonic. One night, with a friend, I walked from Rochester to Maidstone, part of the way in a slow rain and part of the way in the darkness. We had proposed to put up at some one of the little inns on the road, and get a view of the weald of Kent in the morning; but the inns refused us entertainment, and we were compelled to do the eight miles at night, stepping off very lively the last four in order to reach Maidstone before the hotels were shut up, which takes place at eleven o'clock. I learned this night how fragrant the English elder is while in bloom, and that distance lends enchantment to the smell. When I plucked the flowers, which seemed precisely like our own, the odor was rank and disagreeable; but at the distance of a few yards it floated upon the moist air, a spicy and pleasing perfume. The elder here grows to be a veritable tree; I saw specimens seven or eight inches in diameter and twenty feet high. In the morning we walked back by a different route, taking in Boxley Church, where the pilgrims used to pause on their way to Canterbury, and getting many good views of Kent grain-fields and hop-yards. Sometimes the road wound through the landscape like a footpath, with nothing between it and the rank-growing crops. An occasional newly-plowed field presented a curious appearance. The soil is upon the chalk formation, and is full of large fragments of flint. These work out upon the surface, and, being white and full of articulations and processes, give to the ground the appearance of being thickly strewn with bones,-with thigh bones greatly foreshortened. Yet these old bones in skillful hands make a most effective building material. They appear in all the old churches and ancient buildings in the south of England. Broken squarely off, the flint shows a fine semi-transparent surface that, in combination with coarser material, has a remarkable crystalline effect. One of the most delicious bits of architectural decoration I saw in England was produced, in the front wall of one of the old buildings attached to the cathedral at Canterbury, by little squares of these flints in brick panel-work. The cool, pellucid, illuminating effect of the flint was just the proper foil to the warm, glowing, livid brick.
From Rochester we walked to Gravesend, over Gad's Hill; the day soft and warm, half sunshine, half shadow; the air full of the songs of skylarks; a rich, fertile landscape all about us; the waving wheat just in bloom, dashed with scarlet poppies; and presently, on the right, the Thames in view dotted with vessels. Seldom any cattle or grazing herds in Kent; the ground is too valuable; it is all given up to wheat, oats, barley, hops, fruit, and various garden produce.
A few days later we walked from Feversham to Canterbury, and from the top of Harbledown hill saw the magnificent cathedral suddenly break upon us as it did upon the footsore and worshipful pilgrims centuries ago. At this point, it is said, they knelt down, which seems quite probable, the view is so imposing. The cathedral stands out from and above the city, as if the latter were the foundation upon which it rested. On this walk we passed several of the famous cherry orchards of Kent, the thriftiest trees and the finest fruit I ever saw. We invaded one of the orchards, and proposed to purchase some of the fruit of the men engaged in gathering it. But they refused to sell it; had no right to do so, they said; but one of them followed us across the orchard, and said in a confidential way that he would see that we had some cherries. He filled my companion's hat, and accepted our shilling with alacrity. In getting back into the highway, over the wire fence, I got my clothes well tarred before I was aware of it. The fence proved to be well besmeared with a mixture of tar and grease,-an ingenious device for marking trespassers. We sat in the shade of a tree and ate our fruit and scraped our clothes, while a troop of bicyclists filed by. About the best glimpses I had of Canterbury cathedral-after the first view from Harbledown hill-were obtained while lying upon my back on the grass, under the shadow of its walls, and gazing up at the jackdaws flying about the central tower and going out and in weather-worn openings three hundred feet above me. There seemed to be some wild, pinnacled mountain peak or rocky ledge up there toward the sky, where the fowls of the air had made their nests, secure from molestation. The way the birds make themselves at home about these vast architectural piles is very pleasing. Doves, starlings, jackdaws, swallows, sparrows, take to them as to a wood or to a cliff. If there were only something to give a corresponding touch of nature or a throb of life inside! But their interiors are only impressive sepulchres, tombs within a tomb. Your own footfalls seem like the echo of past ages. These cathedrals belong to the pleistocene period of man's religious history, the period of gigantic forms. How vast, how monstrous, how terrible in beauty and power! but in our day as empty and dead as the shells upon the shore. The cold, thin ecclesiasticism that now masquerades in them hardly disturbs the dust in their central aisles. I saw five worshipers at the choral service in Canterbury, and about the same number of curious spectators. For my part, I could not take my eyes off the remnants of some of the old stained windows up aloft. If I worshiped at all, it was my devout admiration of those superb relics. There could be no doubt about the faith that inspired those. Below them were some gorgeous modern memorial windows: stained glass, indeed! loud, garish, thin, painty; while these were like a combination of precious stones and gems, full of depth and richness of tone, and, above all, serious, not courting your attention. My eye was not much taken with them at first, and not till after it had recoiled from the hard, thin glare in my immediate front.
From Canterbury I went to Dover, and spent part of a day walking along the cliffs to Folkestone. There is a good footpath that skirts the edge of the cliffs, and it is much frequented. It is characteristic of the compactness and neatness of this little island, that there is not an inch of waste land along this sea margin; the fertile rolling landscape, waving with wheat and barley, and with grass just ready for the scythe, is cut squarely off by the sea; the plow and the reaper come to the very brink of the chalky cliffs. As you sit down on Shakespeare's Cliff, with your feet dangling in the air at a height of three hundred and fifty feet, you can reach back and pluck the grain heads and the scarlet poppies. Never have I seen such quiet pastoral beauty take such a sudden leap into space. Yet the scene is tame in one sense: there is no hint of the wild and the savage; the rock is soft and friable, a kind of chalky bread, which the sea devours readily; the hills are like freshly cut loaves; slice after slice has been eaten away by the hungry elements. Sitting here, I saw no "crows and choughs" winging "the midway air," but a species of hawk, "haggards of the rocks," were disturbed in the niches beneath me, and flew along from point to point.
"The murmuring surge,
That on the unnumber'd idle pebbles chafes,
Cannot be heard so high."
I had wondered why Shakespeare had made his seashores pebbly instead of sandy, and now I saw why: they are pebbly, with not a grain of sand to be found. This chalk formation, as I have already said, is full of flint nodules; and as the shore is eaten away by the sea, these rounded masses remain. They soon become worn into smooth pebbles, which beneath the pounding of the surf give out a strange clinking, rattling sound. Across the Channel, on the French side, there is more sand, but it is of the hue of mud and not pleasing to look upon.
Of other walks I had in England, I recall with pleasure a Sunday up the Thames toward Windsor: the day perfect, the river alive with row-boats, the shore swarming with pedestrians and picnickers; young athletic London, male and female, rushing forth as hungry for the open air and the water as young mountain herds for salt. I never saw or imagined anything like it. One shore of the Thames, sometimes the right, sometimes the left, it seems, belongs to the public. No private grounds, however lordly, are allowed to monopolize both sides.
Another walk was about Winchester and Salisbury, with more cathedral-viewing. One of the most human things to be seen in the great cathedrals is the carven image of some old knight or warrior prince resting above his tomb, with his feet upon his faithful dog. I was touched by this remembrance of the dog. In all cases he looked alert and watchful, as if guarding his master while he slept. I noticed that Cromwell's soldiers were less apt to batter off the nose and ears of the dog than they were those of the knight.
At Stratford I did more walking. After a row on the river, we strolled through the low, grassy field in front of the church, redolent of cattle and clover, and sat for an hour on the margin of the stream and enjoyed the pastoral beauty and the sunshine. In the afternoon (it was Sunday) I walked across the fields to Shottery, and then followed the road as it wound amid the quaint little thatched cottages till it ended at a stile from which a footpath led across broad, sunny fields to a stately highway. To give a more minute account of English country scenes and sounds in midsummer, I will here copy some jottings in my note-book, made then and there:-
"July 16. In the fields beyond Shottery. Bright and breezy, with appearance of slight showers in the distance. Thermometer probably about seventy; a good working temperature. Clover-white, red, and yellow (white predominating)-in the fields all about me. The red very ruddy; the white large. The only noticeable bird voice that of the yellow-hammer, two or three being within ear-shot. The song is much like certain sparrow songs, only inferior: Sip, sip, sip, see-e-e-e; or, If if, if you ple-e-ease. Honey-bees on the white clover. Turf very thick and springy, supporting two or three kinds of grass resembling red-top and bearded rye-grass. Narrow-leaved plantain, a few buttercups, a small yellow flower unknown to me (probably ladies' fingers), also a species of dandelion and prunella. The land thrown into marked swells twenty feet broad. Two Sunday-school girls lying on the grass in the other end of the field. A number of young men playing some game, perhaps cards, seated on the ground in an adjoining field. Scarcely any signs of midsummer to me; no ripeness or maturity in nature yet. The grass very tender and succulent, the streams full and roily. Yarrow and cinquefoil also in the grass where I sit. The plantain in bloom and fragrant. Along the Avon, the meadow-sweet in full bloom, with a fine cinnamon odor. A wild rose here and there in the hedge-rows. The wild clematis nearly ready to bloom, in appearance almost identical with our own. The wheat and oats full-grown, but not yet turning. The clouds soft and fleecy. Prunella dark purple. A few paces farther on I enter a highway, one of the broadest I have seen, the roadbed hard and smooth as usual, about sixteen feet wide, with grassy margins twelve feet wide, redolent with white and red clover. A rich farming landscape spreads around me, with blue hills in the far west. Cool and fresh like June. Bumblebees here and there, more hairy than at home. A plow in a field by the roadside is so heavy I can barely move it,-at least three times as heavy as an American plow; beam very long, tails four inches square, the mould-board a thick plank. The soil like putty; where it dries, crumbling into small, hard lumps, but sticky and tough when damp,-Shakespeare's soil, the finest and most versatile wit of the world, the product of a sticky, stubborn clay-bank. Here is a field where every alternate swell is small. The large swells heave up in a very molten-like way-real turfy billows, crested with white clover-blossoms."
"July 17. On the road to Warwick, two miles from Stratford. Morning bright, with sky full of white, soft, high-piled thunderheads. Plenty of pink blackberry blossoms along the road; herb Robert in bloom, and a kind of Solomon's-seal as at home, and what appears to be a species of goldenrod with a midsummery smell. The note of the yellow-hammer and the wren here and there. Beech-trees loaded with mast and humming with bumblebees, probably gathering honey-dew, which seems to be more abundant here than with us. The landscape like a well-kept park dotted with great trees, which make islands of shade in a sea of grass. Droves of sheep grazing, and herds of cattle reposing in the succulent fields. Now the just felt breeze brings me the rattle of a mowing-machine, a rare sound here, as most of the grass is cut by hand. The great motionless arms of a windmill rising here and there above the horizon. A gentleman's turnout goes by with glittering wheels and spanking team; the footman in livery behind, the gentleman driving. I hear his brake scrape as he puts it on down the gentle descent. Now a lark goes off. Then the mellow horn of a cow or heifer is heard. Then the bleat of sheep. The crows caw hoarsely. Few houses by the roadside, but here and there behind the trees in the distance. I hear the greenfinch, stronger and sharper than our goldfinch, but less pleasing. The matured look of some fields of grass alone suggests midsummer. Several species of mint by the roadside, also certain white umbelliferous plants. Everywhere that royal weed of Britain, the nettle. Shapely piles of road material and pounded stone at regular distances, every fragment of which will go through a two-inch ring. The roads are mended only in winter, and are kept as smooth and hard as a rock. No swells or 'thank-y'-ma'ams' in them to turn the water; they shed the water like a rounded pavement. On the hill, three miles from Stratford, where a finger-post points you to Hampton Lucy, I turn and see the spire of Shakespeare's church between the trees. It lies in a broad, gentle valley, and rises above much foliage. 'I hope and praise God it will keep foine,' said the old woman at whose little cottage I stopped for ginger-beer, attracted by a sign in the window. 'One penny, sir, if you please. I made it myself, sir. I do not leave the front door unfastened' (undoing it to let me out) 'when I am down in the garden.' A weasel runs across the road in front of me, and is scolded by a little bird. The body of a dead hedgehog festering beside the hedge. A species of St. John's-wort in bloom, teasels, and a small convolvulus. Also a species of plantain with a head large as my finger, purple tinged with white. Road margins wide, grassy, and fragrant with clover. Privet in bloom in the hedges, panicles of small white flowers faintly sweet-scented. 'As clean and white as privet when it flowers,' says Tennyson in 'Walking to the Mail.' The road and avenue between noble trees, beech, ash, elm, and oak. All the fields are bounded by lines of stately trees; the distance is black with them. A large thistle by the roadside, with homeless bumblebees on the heads as at home, some of them white-faced and stingless. Thistles rare in this country. Weeds of all kinds rare except the nettle. The place to see the Scotch thistle is not in Scotland or England, but in America."
Cold as the day was (many degrees below freezing), I heard and saw bluebirds, and as we passed along, every sheltered tangle and overgrown field or lane swarmed with snowbirds and sparrows, --the latter mainly Canada or tree sparrows, with a sprinkling of the song, and, maybe, one or two other varieties. The birds are all social and gregarious in winter, and seem drawn together by common instinct. Where you find one, you will not only find others of the same kind, but also several different kinds
In the early spring, the blooming of the wildflower trillium — also known as "wake-robin" — heralds the return of migrating birds. In Wake-Robin: A Collection of Essays About the Birds, John Burroughs offers absorbing reading for birdwatchers, nature lovers, and anyone interested in ecology and conservation. This 1871 collection of essays by the distinguished naturalist showcases his special gift for combining scientific accuracy with a grand poetic expression. These essays particularly focus on birds of the Adirondacks and the Washington, D.C. region. "What I offer, in fact, is a careful and conscientious record of actual observations and experiences, and is true as it stands written, every word of it. But what has interested me most in ornithology is the pursuit, the chase, the discovery," he notes, adding that "I have tried to present a live bird, a bird in the woods or the fields, with the atmosphere and associations of the place, and not merely a stuffed and labeled specimen." Although scrupulously factual, Burroughs' investigations are less those of a scientist and more in the nature of an experienced and articulate observer who delights in sharing the timeless joys of birdwatching and the outdoors.
Wake-Robin - The Writings of John Burroughs. Volume I. John Burroughs (April 3, 1837 – March 29, 1921) was an American naturalist and nature essayist, active in the U.S. conservation movement. The first of his essay collections was Wake-Robin in 1871. In the words of his biographer Edward Renehan, Burroughs' special identity was less that of a scientific naturalist than that of "a literary naturalist with a duty to record his own unique perceptions of the natural world." The result was a body of work whose resonance with the tone of its cultural moment explains both its popularity at that time, and its relative obscurity since. Burroughs had his first break as a writer in the summer of 1860 when the Atlantic Monthly, then a fairly new publication, accepted his essay Expression. Editor James Russell Lowell found the essay so similar to Emerson's work that he initially thought Burroughs had plagiarized his longtime acquaintance. Poole's Index and Hill's Rhetoric, both periodical indexes, even credited Emerson as the author of the essay. In 1864, Burroughs accepted a position as a clerk at the Treasury; he would eventually become a federal bank examiner, continuing in that profession into the 1880s. All the while, he continued to publish essays, and grew interested in the poetry of Walt Whitman. During the Civil War Burroughs met Whitman in Washington DC, and the two became close friends. Whitman encouraged Burroughs to develop his nature writing as well as his philosophical and literary essays. In 1867, Burroughs published Notes on Walt Whitman as Poet and Person, the first biography and critical work on the poet, which was extensively (and anonymously) revised and edited by Whitman himself before publication. Four years later, the Boston house of Hurd & Houghton published Burroughs's first collection of nature essays, Wake-Robin.
In the Catskills: Selections from the Writings of John Burroughs by John Burroughs
"It was just one night stand, and now I'm pregnant with triplets? Gosh!" Josephine Jade never thought that she would have to run away from her own family while pregnant. She was alone, without money, without connections, with three fetuses in her stomach. How can she survive? However, Josephine couldn't give up now, until she managed to reclaim her arbitrarily seized property and get back at everyone who tried to get rid of her. A sick child, a past crush that comes back, a mysterious eccentric man, and a family that hates her, will weave together the journey of Josephine Jade's new life. "You have no right to separate me from my children, you bastard! I will survive and you will submit to me. Just watch!"
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
Leah Orbert is trapped in a loveless marriage with an arrogant, indifferent man who never touched her in the year they were together. Devoid of intimacy and happiness, her life was marked by hardship and sorrow. Her husband, eager to divorce her, orchestrated a cruel plan that left her devastated. She was drugged and ended up in another man's bed, providing her husband the excuse to accuse her of infidelity and divorce her swiftly. Leah found herself destitute, alone, and begging on the streets. Just weeks later, she discovered she was pregnant by the stranger. Despairing and wishing for death, she struggled to survive, hoping for a miracle. Richard Leo, a billionaire, had a fleeting encounter with Leah during a drunken night, unaware of her identity but haunted by her memory. Seven years later, he encounters twin boys bearing a striking resemblance to him, complete with his family's birthmark. Determined to find their mother, he exclaims, "Take me to your mother, this instant!" Join me as we unravel Leah's journey from misfortune to redemption, and witness the unfolding drama and romance.
Allison fell in love with Ethan Iversen, the soon-to-be Alpha of the Moonlight Crown pack. She always wanted him to notice her. Meanwhile, Ethan was an arrogant Alpha who thought a weak Omega could not be his companion. Ethan's cousin, Ryan Iversen, who came back from abroad and was the actual heir of the pack, never tried to get the position nor did he show any interest in it. He was a popular playboy Alpha but when he came back to the pack, one thing captured his eyes and that was Allison.
Katie was forced to marry Dillan, a notorious ruffian. Her younger sister mocked her, "You're just an adopted daughter. Count your blessings for marrying him!" The world anticipated Katie's tribulations, but her married life unfurled with unexpected serenity. She even snagged a lavish mansion in a raffle! Katie jumped into Dillan's arms, credited him as her lucky charm. "No, Katie, it's you who brings me all this luck," Dillan replied. Then, one fateful day, Dillan's childhood friend came to her. "You're not worthy of him. Take this 50 million and leave him!" Katie finally grasped Dillan's true stature—the wealthiest man on the planet. That night, trembling with trepidation, she broached the subject of divorce with Dillan. However, with a domineering embrace, he told her, "I'd give you everything I have. Divorce is off the table!"
"You're the moon wolf, Lola. You're the wolf with the power of the Moon goddess", Serena said and collective gasps were heard in the room. After being rejected by her mate in Moonlit pack, Lola escaped on a full moon only to enter the territory of the next Alpha King who also happened to be her second chance mate. Adrian is the next Alpha King but he hasn't been able to assume his role because he needed a Luna by his side. A rogue that trespassed on his territory, whom he ordered be killed turned out to be his mate leaving him in a dilemma. Will Adrian reject Lola because she came into his territory as a rogue? Will he overcome what happened to him in the past and give Lola a chance or reject her and go ahead with Fay as his chosen Luna? What will happen when everyone finds out just how much power Lola wields and how she's supposed to protect her kind in an oncoming war? Find out in Lola - The Moon Wolf!