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From Bapaume to Passchendaele, 1917 by Philip Gibbs
From Bapaume to Passchendaele, 1917 by Philip Gibbs
New Year's Eve, 1916
Last New Year's Eve-the end of a year which had been full of menace for our fighting men, because, at the beginning, our lines had no great power of guns behind them, and full of hopes that had been unfilled, in spite of all their courage and all their sacrifice-an artillery officer up in the Ypres salient waited for the tick of midnight by his wrist-watch (it gave a glow-worm light in the darkness), and then shouted the word "Fire!" ... One gun spoke, and then for a few seconds there was silence. Over in the German line the flares went up and down, and it was very quiet in the enemy trenches, where, perhaps, the sentries wondered at that solitary gun. Then the artillery officer gave the word of command again. This time the battery fired nine rounds. A little while there was silence again, followed by another solitary shot, and then by six rounds. So did the artillery in the Ypres salient salute the birth of the New Year, born in war, coming to our soldiers and our race with many days of battle, with new and stern demands for the lives and blood of men.
To-night it is another New Year's Eve, and the year is coming to us with the same demands and the same promises, and the only difference between our hopes upon this night and that of a year ago is that by the struggle and endeavour of those past twelve months the ending is nearer in sight and the promise very near-very near as we hope and believe-its fulfilment. The guns will speak again to-night, saluting by the same kind of sullen salvo the first day of the last year of war. The last year, if we have luck. It is raining now, a soft rain swept gustily across the fields by a wind so mild after all our wild weather that it seems to have the breath of spring in it. For a little while yesterday this mildness, and the sunlight lying over the battlefields, and a strange, rare inactivity of artillery, gave one just for one second of a day-dream a sense that Peace had already come and that the victory had been won. It was queer. I stood looking upon Neuville-St.-Vaast and the Vimy Ridge. Our trenches and the enemy's wound along the slopes in wavy lines of white chalk. There to my right was the Labyrinth and in a hollow the ruins of Souchez. When I had first come to these battlefields they were strewn with dead-French dead-after fighting frightful and ferocious in intensity. Unexploded shells lay everywhere, and the litter of great ruin, and storms of shells were bursting upon the Vimy Ridge.
The last time I went to these battlefields the high ridge of Vimy was still aflame, and British troops were attacking the mine-craters there. Yesterday all the scene was quiet, and bright sunlight gleamed upon the broken roofs of Neuville, and the white trenches seemed abandoned. The wet earth and leaves about me in a ruined farmyard had the moist scent of early spring. A man was wandering up a road where six months ago he would have been killed before he had gone a hundred yards. Lord! It looked like peace again! ... It was only a false mirage. There was no peace. Presently a battery began to fire. I saw the shells bursting over the enemy's position. Now and again there was the sullen crump of a German "heavy." And though the trenches seemed deserted on either side they were held as usual by men waiting and watching with machine-guns and hand-grenades and trench-mortars. There is no peace!
* * *
It was enormously quiet at times in Arras. The footsteps of my companion were startling as they clumped over the broken pavement of the square, and voices-women's voices-coming up from some hole in the earth sounded high and clear, carrying far, in an unearthly way, in this great awful loneliness of empty houses, broken churches, ruined banks and shops and restaurants, and mansions cloistered once in flower gardens behind high white walls. I went towards the women's voices as men in darkness go towards any glimmer of light, for warmth of soul as well as of body.
A woman came up a flight of stone steps from a vaulted cellar and stared at me, and said, "Good day. Do you look for anything?"
I said, "I look only into your cellar. It is strange to find you living here. All alone-perhaps."
"It is no longer strange to me. I have been here, as you say, alone, all through the war, since the day of the first bombardment. That was on October 6, 1914. Before then I was not alone. I was married. But my husband was killed over there-you see the place where the shell fell. Since then I am alone."
For two years and two months she and other women of Arras-one came now to stand by her side and nod at her tale-have lived below ground, coming up for light and air when there is a spell of such silence as I had listened to, and going down to the dark vaults when a German "crump" smashes through another roof, or when German gas steals through the streets with the foul breath of death.
I asked her about the Kaiser's offer of peace. What did she think of that? I wondered what her answer would be-this woman imprisoned in darkness, hiding under daily bombardments, alone in the abomination of desolation. It was strange how quickly she was caught on fire by a sudden passion. All the tranquillity of her face changed, and there were burning sparks in her eyes. She was like a woman of the Revolution, and her laughter, for she began her answer with a laugh, was shrill and fierce.
"Peace! William offers peace, you say? Bah! It is nothing but humbug [la blague]. It is a trap which he sets at our feet to catch us. It is a lie."
She grasped my arm, and with her other hand pointed to the ruins over the way, to the chaos of old houses, once very stately and noble, where her friends lived before the fires of hell came.
"The Germans did that to us. They are doing it now. But it is not enough. What they have done to Arras they want to do to France-to smash the nation to the dust, to break the spirit of our race as they have broken all things here. They wish to deceive us to our further ruin. There will be no peace until Germany herself is laid in ashes, and her cities destroyed like Arras is destroyed, and her women left alone, with only the ghosts of their dead husbands, as I live here alone in my cellar. Peace! Je m'en fiche de ?a!"
There was a queer light in her eyes for a moment, in the eyes of this woman of Arras who saw down a vista of two years and two months all the fire and death that had been hurled into this city around her, and the bodies of little children in the streets, and her dead husband lying there on the cobble-stones, where now there was a great hole in the roadway piercing through to the vaults.
* * *
I met other women of Arras. Two of them were young, daintily dressed as though for the boulevards of Paris, and they walked, swinging little handbags, down a street where at any moment a shell might come to tear them to pieces and make rags of them. Another was a buxom woman with a boy and girl holding her hands. The boy had been born to the sound of shell-fire. The girl was eight years old, but she now learns the history of France, not only out of school books, but out of this life in the midst of war.
"They are frightened-the little ones?" I asked. A solitary gun boomed and shook the loose stones of a ruined house.
The woman smiled and shrugged her shoulders.
"They are used to it all. Peace will seem strange to them."
"Will there ever be peace?" I asked.
The woman of Arras looked for a moment like the one I had spoken to on the steps of the cellar. Then she smiled, in a way that made me feel cold, for it was the smile of a woman who sees a vengeance for the wreckage of her life.
"There is no peace at Verdun," she said. "Our soldiers have done well there."
I said good day to her and went through the ruins again and out of the city, and stood watching an artillery duel up towards Souchez. The stabs of flame from our batteries were like red sparks in the deepening mist. They were like the fire in the eyes of the women who lived in cellars away back there in Arras, with a smouldering passion in the gloom and coldness of their lives.
* * *
In many French villages the pipes are playing the New Year in, and their notes are full of triumph, but with a cry in them for those who have gone away with the old year, lying asleep on the battlefields-so many brave Scots-like "the flowers o' the forest" and last year's leaves. I heard the pipes to-day in one old barn, where a feast was on, not far from where the guns were shooting through the mist with a round or two at odd moments, and though I had had one good meal, I had to eat another, even to the Christmas plum pudding, just to show there was no ill-feeling.
It was the pudding that threatened to do me down.
But it was good to sit among these splendid Seaforths and their feast, all packed together shoulder to shoulder, and back to back, under high old beams that grew in French forests five centuries ago. They were the transport men, who get the risks but not the glory. Every man here had ridden, night after night, up to the lines of death, under shell-fire and machine-gun fire, up by Longueval and Bazentin, carrying food for men and guns at their own risk of life. Every night now they go up again with more food for men and guns through places where there are now shell-craters in the roads, and the reek of poison gas.
The young transport officer by my side (who once went scouting in Delville Wood when the devil had it all his own way there) raised his glass of beer (the jug from which it had been poured stood a yard high in front of me) and wished "Good luck" to his men in the New Year of war, and bade them "wire in" to the feast before them. So in other Scottish billets the first of the New Year was kept, and to-night there is sword-dancing by kilted men as nimble as Nijinski, in their stockinged feet, and old songs of Scotland which are blown down the wind of France, in this strange nightmare of a war where men from all the Empire are crowded along the fighting-lines waiting for the bloody battles that will come, as sure as fate, while the New Year is still young.
* * *
The queerest music I have heard in this war zone was three days ago, when I was walking down a city street. The city was dead, killed by storms of high explosives. The street was of shuttered houses, scarred by shell-fire, deserted by all their people, who had fled two years ago. I walked down this desolation, so quiet, so dead, where there was no sound of guns, that it was like walking in Pompeii when the lava was cooled. Suddenly there was the sound of a voice singing loud and clear with birdlike trills, as triumphant as a lark's song to the dawn. It was a woman's voice singing behind the shutters of a shelled city! ...
Some English officer was there with his gramophone.
* * *
People of Destiny: Americans as I saw them at Home and Abroad by Philip Gibbs
Sir Philip Gibbs (1877-1962) served as one of five official British reporters during the First World War. Born in London the son of a civil servant, Gibbs received a home education and determined at an early age to develop a career as a writer. His debut article was published in 1894 in the Daily Chronicle; five years later he published the first of many books, Founders of the Empire. His wartime output was prodigious. He not only produced a stream of newspaper articles but also a series of books: The Soul of the War (1915), The Battle of the Somme (1917), Now It Can Be Told (1920) and The Realities of War (1920). (Excerpt from Google)
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