Hubert's Wife by Minnie Mary Lee
Hubert's Wife by Minnie Mary Lee
It was the night after the funeral. Ellice Lisle, the loving wife, devoted mother, kind mistress, and generous friend, had been laid away to rest; over her pulseless bosom had been thrown the red earth of her adopted Virginia, and, mingled with its mocking freshness, was the bitter rain of tears from the eyes of all who had known the lowly sleeper. Even Nature joined the general weeping; for, though the early morning had been bright and beautiful, ere the mourners' feet had left the new-made grave, the skies had lowered, and a gentle rain descended.
"You have pity upon me, O Heaven, and you weep for me, O earth," had exclaimed Duncan Stuart Lisle, as, leading his little Hubert by the hand, he turned away from his lost Ellice.
As night deepened, the rain increased, and the darkness became intense. The house-servants, timid and superstitious, had all congregated in Aunt Amy's cabin. Amidst their grief, sincere and profound, was yet a subject of indignation, which acted as a sort of safety-valve to their over-much sorrowing.
"A nice, pretty piece of impudence it was, to be sure, when she hadn't been in the house for five year, to 'trude herself the minute Miss Ellice's breath had left her precious body, the poor dear!" ejaculated Chloe, the cook, who was intensely black, and fat to immensity.
"Much as ever Massa Duncan 'peared to notice her, not'standing she make herself so 'ficious," said Amy, who looked more the Indian than African.
"He never set eyes on her but once," said young China, the favorite housemaid, whose dialect and manners were superior to those of the other servants, "only just once, and that was when she looked at him so long and fierce-like he couldn't actually keep his eyes down."
"I see it my own self," added Chloe, whose small orbs were almost buried beneath overhanging cliffs of brow and uprising mountains of cheek, "and I'll tell you what I tinks: I tinks just den and dere, dat if we's meet de ole one hisself he wouldn't hab no eyes, cause Misses Rusha Rush jes done gone an' stole 'em."
This dark reference caused a closer grouping of the sable dames and damsels. Trembling hands drew small plaid shawls closer about the shoulders, while one bolder than the rest cast a huge pine-knot upon the glowing coals.
Amy was first to break the brief silence.
"Mighty pity Jude Rush ever fell off 'Big Thunderbolt' and broke his slim neck! But Massa Duncan knew nuf once to let Miss Rusha 'lone; he's not gwine to be 'veigled by none o' her hilofical airs-you may 'pend on dat; 'specially when he's had dat sweet saint all to hisself now dese so many year-no, neber."
And Amy reiterated this over and over, as if to kill the secret thought which haunted her against her will.
"She persume to come here and order you dis way an' I dat way, an' all us all 'round ebry which way-oo-but I gived her a piece o' my mind," spake Margery, the weaver, very irate.
"Umph! I never seed ye speak to her," said Amy, doubtingly.
"Not wid my tongue, mind ye. I knows better den dat. But I jes spit fire at her out of my eyes."
"Fire neber burn Miss Rusha; she too ugly for dat. S'pose fire burn de ole Nick? Den he be done dead and gone, which ain't so; derefore nuthin' ever fall Miss Rusha; she never sick, nor die, nor drown, nor burn up. Miss Ellice she sick, she die, 'cause she be an angel; she go home to glory; but Miss Rusha she live, jes to trouble white folks, jes to torment niggers."
Wrathful Amy, as she said this, glanced triumphantly at Margery, who was about to speak, when Chloe took the floor, figuratively.
"Tank de Lord, we ain't de niggers what she's got to torment; and she needn't be setting her cap for our own good Massa Duncan; she may jes hang up high her fiddle on de willows o' Bab'lon; she sit down an' weep on de streams; she neber hab good Massa Duncan; neber while de trees on Kennons grow and de stars 'bove Kennons shine."
Kennons was the name of the Lisle plantation.
"She'd like to jine the two plantations. One is too little for her to rule. She's allus wanted our south 'bacco patch. Her hundred niggers and Massa's hundred would make a crew. O, she's a shrewd one; she sees further than her nose. She'd make my shettle fly fast as Aunt Kizzie's."
"Somebody ought to make your shuttle fly faster than is its habit, Margery," returned China, usually quiet and gentle. "But what if you are all mistaken, and Mistress Rush has no idea of making a rush upon Kennons and our good master."
"O, you poor innocent," quoth Chloe and Amy at the same time. "Haven't we eyes? What's they for if not to see with? They ain't in the backs of our heads neither. We've got ears too; we don't hear with our elbows. What for did she bring nice things and pretties for Hubert? and what for did she take such a wonderful interest in de poor baby? Bress us, is de baby wake or sleep, or what is come of it? We's all forgettin' de dear precious objec. Sakes alive, an' its nearly smuddered in its soft blankets, worked so beau'fully wid its own moder's hand."
A sleeping-powder, administered to the three days' old infant had, for a time, quieted its incessant cries. This sudden mention brought every dark face to bend low over the cradle, which Bessie, the nurse, had brought hither from the house, that she might share the gossip of her companions.
Worn out with weeping and watching, Bessie lay prone and sleeping upon the floor at the cradle's side. Satisfied that the baby still breathed, Chloe, Amy, Margery, China and Dinah settled back into their seats, like so many crows upon a branch.
Dinah, the last-named, had been thus far fast asleep; and provoked with herself that she had lost a share of the gossip, she gave Bessie a vigorous push with her foot as she passed her, not through charity, nor yet through malice, but through a sudden spasm of ill-nature.
Bessie gave a groan and sat up. She gazed around wildly-slowly comprehended the scene, the present, the past, and, with another groan, flung herself upon the floor again.
"You ought to be ashamed of yourself, Dinah, to disturb Bessie in that way," said China, between whom and Bessie was a warm friendship. "She has cried so, and broken her heart."
"She needn't be in people's way, then-who's going 'round Robinhood's barn for sake o' likes o' her?" said Dinah, complainingly.
"Shut your mouth, black Dinah," cried Amy authoritatively. "Ye's a pretty one to knock around a sleepin' nigger. You's been asleep yourself the last hour. S'pose we'd all been like you-you'd been kicked into a heap-but we ain't-and you never did have a drop o' human kindness."
"O, go 'way wid your quarreling. Dinah is jis like a firebran'; let her 'lone. What she got to do wid dis subjec-matter in han', I like a-know?" queried Aunt Chloe, swaying up to the mantle, filling her pipe with tobacco, and adding thereto the smallest glowing coal upon the hearth. Meantime, while she is preparing for a smoke, her companions have taken from their pockets, each a tin snuff-box and a mop, which mop consists of a small twig, chewed at the end into threads or fibers. This mop, wet with saliva, is thrust into the box of Scotch snuff, thence thrust into the mouth, and worked around upon the teeth much to the delight and constant spitting of the performer. This operation, so prevalent both among white and black women of the South, is called "dipping snuff."
Having followed our sable friends from grief to indignation, and from indignation to the charming amusement of snuff-dipping, we will enter the house and make acquaintance with its master.
* * *
For three years, Averie pushed herself through a secret marriage, waiting for the day she could finally wear a white dress and be seen as his wife. The night before she could finally walk down the aisle, he confessed without a hint of hesitation that he was marrying the woman who once rescued him instead. The "fake" divorce agreement she signed for him shattered into a real, icy breakup that finally freed her wounded heart. When he returned in remorse, begging for just one more chance, a ruthless business magnate pulled Averie close and muttered coldly, "You're too late. She's my woman now."
I woke up on silk sheets that smelled of expensive cedar and cold sandalwood, a world away from my cramped apartment in Brooklyn. Beside me lay Ezra Gardner—my boss, the billionaire CEO of Gardner Holdings, and the man who could end my career with a snap of his fingers. He didn’t offer an apology for the night before; instead, he looked at me with terrifying clarity and proposed a cold, calculated business arrangement. "Marriage. It stabilizes the board and solves the PR crisis before it begins." He dressed me in archival Chanel and sent me home in his Maybach, but my life was already falling apart. My boyfriend, Irving, claimed he had passed out early, yet his location data placed him at my best friend’s apartment until three in the morning. When I tried to run, I realized Ezra was already ten steps ahead, tracking my movements and uncovering the secret I’d spent twenty years hiding: my connection to the powerful Senator Grimes. I was trapped between a CEO who treated me like a line item on a quarterly report and a boyfriend who had been using me while sleeping with my closest friend. I felt like a pawn in a game I didn't understand, wondering why a man like Ezra would walk up forty flights of stairs on a broken leg just to make sure I was safe. "Showtime, Mrs. Gardner." Standing on the red carpet in a gown that cost more than my life, I watched my cheating ex-boyfriend’s face turn pale as Ezra claimed me in front of the world. I wasn't just an assistant anymore; I was a weapon, and it was time to burn their world down.
For three years, I was the perfect, invisible wife. My husband, Jaden, called the songs I poured my soul into "trash," then secretly fed them to his pop-star mistress to make her famous. Then one night, after being drugged at a gala, I woke up in a stranger's bed. It wasn't just the betrayal that shattered me; it was the soul-deep certainty that this powerful, dangerous man was my true fated mate. I fled home in a panic, only to find a message on Jaden's phone confirming my worst fears. His mistress, the woman singing my songs on the radio, was pregnant with the baby he'd always told me I was too weak to carry. The nightmare deepened when I learned the identity of the man from the hotel. He was Carter Mcclain, the ruthless Alpha King-and my husband's older brother. He looked at me with eyes that knew my secret, his cruel smirk promising that my life was now a game for his amusement. Jaden had stolen my music, my dream of a family, and my future, leaving me trapped between his betrayal and his terrifying brother. He thought he had broken me, leaving me with nothing. He forgot he left me with the rage that wrote the songs. And I was about to write their final, brutal verse.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
"I will marry you. Wait for me!" Mabel woke up. She had that dream again. In her dream, a man said he would marry her. Just a dream. Five years ago, she was set up by her stepsister and became pregnant out of wedlock. She lost everything, including her baby. Five years later, she was forced to marry her stepsister's fiance, Jayden, who was sick and going to pass away. Having no choice, Mabel decided to marry Jayden, not expecting that Jayden was the man...
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