No book has a better claim to have invented the myth of the American West. It is 1871 in Cottonwoods, Utah.This is the story of the gunman, Lassiter, and the Mormon rancher, Jane Withersteen.
No book has a better claim to have invented the myth of the American West. It is 1871 in Cottonwoods, Utah.This is the story of the gunman, Lassiter, and the Mormon rancher, Jane Withersteen.
A sharp clip-crop of iron-shod hoofs deadened and died away, and clouds of yellow dust drifted from under the cottonwoods out over the sage.
Jane Withersteen gazed down the wide purple slope with dreamy and troubled eyes. A rider had just left her and it was his message that held her thoughtful and almost sad, awaiting the churchmen who were coming to resent and attack her right to befriend a Gentile.
She wondered if the unrest and strife that had lately come to the little village of Cottonwoods was to involve her. And then she sighed, remembering that her father had founded this remotest border settlement of southern Utah and that he had left it to her. She owned all the ground and many of the cottages. Withersteen House was hers, and the great ranch, with its thousands of cattle, and the swiftest horses of the sage. To her belonged Amber Spring, the water which gave verdure and beauty to the village and made living possible on that wild purple upland waste. She could not escape being involved by whatever befell Cottonwoods.
That year, 1871, had marked a change which had been gradually coming in the lives of the peace-loving Mormons of the border. Glaze-Stone Bridge-Sterling, villages to the north, had risen against the invasion of Gentile settlers and the forays of rustlers. There had been opposition to the one and fighting with the other. And now Cottonwoods had begun to wake and bestir itself and grown hard.
Jane prayed that the tranquillity and sweetness of her life would not be permanently disrupted. She meant to do so much more for her people than she had done. She wanted the sleepy quiet pastoral days to last always. Trouble between the Mormons and the Gentiles of the community would make her unhappy. She was Mormon-born, and she was a friend to poor and unfortunate Gentiles. She wished only to go on doing good and being happy. And she thought of what that great ranch meant to her. She loved it all-the grove of cottonwoods, the old stone house, the amber-tinted water, and the droves of shaggy, dusty horses and mustangs, the sleek, clean-limbed, blooded racers, and the browsing herds of cattle and the lean, sun-browned riders of the sage.
While she waited there she forgot the prospect of untoward change. The bray of a lazy burro broke the afternoon quiet, and it was comfortingly suggestive of the drowsy farmyard, and the open corrals, and the green alfalfa fields. Her clear sight intensified the purple sage-slope as it rolled before her. Low swells of prairie-like ground sloped up to the west. Dark, lonely cedar-trees, few and far between, stood out strikingly, and at long distances ruins of red rocks. Farther on, up the gradual slope, rose a broken wall, a huge monument, looming dark purple and stretching its solitary, mystic way, a wavering line that faded in the north. Here to the westward was the light and color and beauty. Northward the slope descended to a dim line of canyons from which rose an up-flinging of the earth, not mountainous, but a vast heave of purple uplands, with ribbed and fan-shaped walls, castle-crowned cliffs, and gray escarpments. Over it all crept the lengthening, waning afternoon shadows.
The rapid beat of hoofs recalled Jane Withersteen to the question at hand. A group of riders cantered up the lane, dismounted, and threw their bridles. They were seven in number, and Tull, the leader, a tall, dark man, was an elder of Jane's church.
"Did you get my message?" he asked, curtly.
"Yes," replied Jane.
"I sent word I'd give that rider Venters half an hour to come down to the village. He didn't come."
"He knows nothing of it;" said Jane. "I didn't tell him. I've been waiting here for you."
"Where is Venters?"
"I left him in the courtyard."
"Here, Jerry," called Tull, turning to his men, "take the gang and fetch Venters out here if you have to rope him."
The dusty-booted and long-spurred riders clanked noisily into the grove of cottonwoods and disappeared in the shade.
"Elder Tull, what do you mean by this?" demanded Jane. "If you must arrest Venters you might have the courtesy to wait till he leaves my home. And if you do arrest him it will be adding insult to injury. It's absurd to accuse Venters of being mixed up in that shooting fray in the village last night. He was with me at the time. Besides, he let me take charge of his guns. You're only using this as a pretext. What do you mean to do to Venters?"
"I'll tell you presently," replied Tull. "But first tell me why you defend this worthless rider?"
"Worthless!" exclaimed Jane, indignantly. "He's nothing of the kind. He was the best rider I ever had. There's not a reason why I shouldn't champion him and every reason why I should. It's no little shame to me, Elder Tull, that through my friendship he has roused the enmity of my people and become an outcast. Besides I owe him eternal gratitude for saving the life of little Fay."
"I've heard of your love for Fay Larkin and that you intend to adopt her. But-Jane Withersteen, the child is a Gentile!"
"Yes. But, Elder, I don't love the Mormon children any less because I love a Gentile child. I shall adopt Fay if her mother will give her to me."
"I'm not so much against that. You can give the child Mormon teaching," said Tull. "But I'm sick of seeing this fellow Venters hang around you. I'm going to put a stop to it. You've so much love to throw away on these beggars of Gentiles that I've an idea you might love Venters."
Tull spoke with the arrogance of a Mormon whose power could not be brooked and with the passion of a man in whom jealousy had kindled a consuming fire.
"Maybe I do love him," said Jane. She felt both fear and anger stir her heart. "I'd never thought of that. Poor fellow! he certainly needs some one to love him."
"This'll be a bad day for Venters unless you deny that," returned Tull, grimly.
Tull's men appeared under the cottonwoods and led a young man out into the lane. His ragged clothes were those of an outcast. But he stood tall and straight, his wide shoulders flung back, with the muscles of his bound arms rippling and a blue flame of defiance in the gaze he bent on Tull.
For the first time Jane Withersteen felt Venters's real spirit. She wondered if she would love this splendid youth. Then her emotion cooled to the sobering sense of the issue at stake.
"Venters, will you leave Cottonwoods at once and forever?" asked Tull, tensely.
"Why?" rejoined the rider.
"Because I order it."
Venters laughed in cool disdain.
The red leaped to Tull's dark cheek.
"If you don't go it means your ruin," he said, sharply.
"Ruin!" exclaimed Venters, passionately. "Haven't you already ruined me? What do you call ruin? A year ago I was a rider. I had horses and cattle of my own. I had a good name in Cottonwoods. And now when I come into the village to see this woman you set your men on me. You hound me. You trail me as if I were a rustler. I've no more to lose-except my life."
"Will you leave Utah?"
"Oh! I know," went on Venters, tauntingly, "it galls you, the idea of beautiful Jane Withersteen being friendly to a poor Gentile. You want her all yourself. You're a wiving Mormon. You have use for her-and Withersteen House and Amber Spring and seven thousand head of cattle!"
Tull's hard jaw protruded, and rioting blood corded the veins of his neck.
"Once more. Will you go?"
"NO!"
"Then I'll have you whipped within an inch of your life," replied Tull, harshly. "I'll turn you out in the sage. And if you ever come back you'll get worse."
Venters's agitated face grew coldly set and the bronze changed
Jane impulsively stepped forward. "Oh! Elder Tull!" she cried. "You won't do that!"
Tull lifted a shaking finger toward her.
"That'll do from you. Understand, you'll not be allowed to hold this boy to a friendship that's offensive to your Bishop. Jane Withersteen, your father left you wealth and power. It has turned your head. You haven't yet come to see the place of Mormon women. We've reasoned with you, borne with you. We've patiently waited. We've let you have your fling, which is more than I ever saw granted to a Mormon woman. But you haven't come to your senses. Now, once for all, you can't have any further friendship with Venters. He's going to be whipped, and he's got to leave Utah!"
"Oh! Don't whip him! It would be dastardly!" implored Jane, with slow certainty of her failing courage.
Tull always blunted her spirit, and she grew conscious that she had feigned a boldness which she did not possess. He loomed up now in different guise, not as a jealous suitor, but embodying the mysterious despotism she had known from childhood-the power of her creed.
"Venters, will you take your whipping here or would you rather go out in the sage?" asked Tull. He smiled a flinty smile that was more than inhuman, yet seemed to give out of its dark aloofness a gleam of righteousness.
"I'll take it here-if I must," said Venters. "But by God!-Tull you'd better kill me outright. That'll be a dear whipping for you and your praying Mormons. You'll make me another Lassiter!"
The strange glow, the austere light which radiated from Tull's face, might have been a holy joy at the spiritual conception of exalted duty. But there was something more in him, barely hidden, a something personal and sinister, a deep of himself, an engulfing abyss. As his religious mood was fanatical and inexorable, so would his physical hate be merciless.
"Elder, I-I repent my words," Jane faltered. The religion in her, the long habit of obedience, of humility, as well as agony of fear, spoke in her voice. "Spare the boy!" she whispered.
"You can't save him now," replied Tull stridently.
Her head was bowing to the inevitable. She was grasping the truth, when suddenly there came, in inward constriction, a hardening of gentle forces within her breast. Like a steel bar it was stiffening all that had been soft and weak in her. She felt a birth in her of something new and unintelligible. Once more her strained gaze sought the sage-slopes. Jane Withersteen loved that wild and purple wilderness. In times of sorrow it had been her strength, in happiness its beauty was her continual delight. In her extremity she found herself murmuring, "Whence cometh my help!" It was a prayer, as if forth from those lonely purple reaches and walls of red and clefts of blue might ride a fearless man, neither creed-bound nor creed-mad, who would hold up a restraining hand in the faces of her ruthless people.
The restless movements of Tull's men suddenly quieted down. Then followed a low whisper, a rustle, a sharp exclamation.
"Look!" said one, pointing to the west.
"A rider!"
Jane Withersteen wheeled and saw a horseman, silhouetted against the western sky, coming riding out of the sage. He had ridden down from the left, in the golden glare of the sun, and had been unobserved till close at hand. An answer to her prayer!
"Do you know him? Does any one know him?" questioned Tull, hurriedly.
His men looked and looked, and one by one shook their heads.
"He's come from far," said one.
"Thet's a fine hoss," said another.
"A strange rider."
"Huh! he wears black leather," added a fourth.
With a wave of his hand, enjoining silence, Tull stepped forward in such a way that he concealed Venters.
The rider reined in his mount, and with a lithe forward-slipping action appeared to reach the ground in one long step. It was a peculiar movement in its quickness and inasmuch that while performing it the rider did not swerve in the slightest from a square front to the group before him.
"Look!" hoarsely whispered one of Tull's companions. "He packs two black-butted guns-low down-they're hard to see-black akin them black chaps."
"A gun-man!" whispered another. "Fellers, careful now about movin' your hands."
The stranger's slow approach might have been a mere leisurely manner of gait or the cramped short steps of a rider unused to walking; yet, as well, it could have been the guarded advance of one who took no chances with men.
"Hello, stranger!" called Tull. No welcome was in this greeting only a gruff curiosity.
The rider responded with a curt nod. The wide brim of a black sombrero cast a dark shade over his face. For a moment he closely regarded Tull and his comrades, and then, halting in his slow walk, he seemed to relax.
"Evenin', ma'am," he said to Jane, and removed his sombrero with quaint grace.
Jane, greeting him, looked up into a face that she trusted instinctively and which riveted her attention. It had all the characteristics of the range rider's-the leanness, the red burn of the sun, and the set changelessness that came from years of silence and solitude. But it was not these which held her, rather the intensity of his gaze, a strained weariness, a piercing wistfulness of keen, gray sight, as if the man was forever looking for that which he never found. Jane's subtle woman's intuition, even in that brief instant, felt a sadness, a hungering, a secret.
"Jane Withersteen, ma'am?" he inquired.
"Yes," she replied.
"The water here is yours?"
"Yes."
"May I water my horse?"
"Certainly. There's the trough."
"But mebbe if you knew who I was-" He hesitated, with his glance on the listening men. "Mebbe you wouldn't let me water him-though I ain't askin' none for myself."
"Stranger, it doesn't matter who you are. Water your horse. And if you are thirsty and hungry come into my house."
"Thanks, ma'am. I can't accept for myself-but for my tired horse-"
Trampling of hoofs interrupted the rider. More restless movements on the part of Tull's men broke up the little circle, exposing the prisoner Venters.
"Mebbe I've kind of hindered somethin'-for a few moments, perhaps?" inquired the rider.
"Yes," replied Jane Withersteen, with a throb in her voice.
She felt the drawing power of his eyes; and then she saw him look at the bound Venters, and at the men who held him, and their leader.
"In this here country all the rustlers an' thieves an' cut-throats an' gun-throwers an' all-round no-good men jest happen to be Gentiles. Ma'am, which of the no-good class does that young feller belong to?"
"He belongs to none of them. He's an honest boy."
"You KNOW that, ma'am?"
"Yes-yes."
"Then what has he done to get tied up that way?"
His clear and distinct question, meant for Tull as well as for Jane Withersteen, stilled the restlessness and brought a momentary silence.
"Ask him," replied Jane, her voice rising high.
The rider stepped away from her, moving out with the same slow, measured stride in which he had approached, and the fact that his action placed her wholly to one side, and him no nearer to Tull and his men, had a penetrating significance.
"Young feller, speak up," he said to Venters.
"Here stranger, this's none of your mix," began Tull. "Don't try any interference. You've been asked to drink and eat. That's more than you'd have got in any other village of the Utah border. Water your horse and be on your way."
"Easy-easy-I ain't interferin' yet," replied the rider. The tone of his voice had undergone a change. A different man had spoken. Where, in addressing Jane, he had been mild and gentle, now, with his first speech to Tull, he was dry, cool, biting. "I've lest stumbled onto a queer deal. Seven Mormons all packin' guns, an' a Gentile tied with a rope, an' a woman who swears by his honesty! Queer, ain't that?"
"Queer or not, it's none of your business," retorted Tull.
"Where I was raised a woman's word was law. I ain't quite outgrowed that yet."
Tull fumed between amaze and anger.
"Meddler, we have a law here something different from woman's whim-Mormon law!... Take care you don't transgress it."
"To hell with your Mormon law!"
The deliberate speech marked the rider's further change, this time from kindly interest to an awakening menace. It produced a transformation in Tull and his companions. The leader gasped and staggered backward at a blasphemous affront to an institution he held most sacred. The man Jerry, holding the horses, dropped the bridles and froze in his tracks. Like posts the other men stood watchful-eyed, arms hanging rigid, all waiting.
"Speak up now, young man. What have you done to be roped that way?"
"It's a damned outrage!" burst out Venters. "I've done no wrong. I've offended this Mormon Elder by being a friend to that woman."
"Ma'am, is it true-what he says?" asked the rider of Jane, but his quiveringly alert eyes never left the little knot of quiet men.
"True? Yes, perfectly true," she answered.
"Well, young man, it seems to me that bein' a friend to such a woman would be what you wouldn't want to help an' couldn't help.... What's to be done to you for it?"
"They intend to whip me. You know what that means-in Utah!"
"I reckon," replied the rider, slowly.
With his gray glance cold on the Mormons, with the restive bit-champing of the horses, with Jane failing to repress her mounting agitations, with Venters standing pale and still, the tension of the moment tightened. Tull broke the spell with a laugh, a laugh without mirth, a laugh that was only a sound betraying fear.
"Come on, men!" he called.
Jane Withersteen turned again to the rider.
"Stranger, can you do nothing to save Venters?"
"Ma'am, you ask me to save him-from your own people?"
"Ask you? I beg of you!"
"But you don't dream who you're askin'."
"Oh, sir, I pray you-save him!"
"These are Mormons, an' I..."
"At-at any cost-save him. For I-I care for him!"
Tull snarled. "You love-sick fool! Tell your secrets. There'll be a way to teach you what you've never learned.... Come men out of here!"
"Mormon, the young man stays," said the rider.
Like a shot his voice halted Tull.
"What!"
"Who'll keep him? He's my prisoner!" cried Tull, hotly. "Stranger, again I tell you-don't mix here. You've meddled enough. Go your way now or-"
"Listen!... He stays."
Absolute certainty, beyond any shadow of doubt, breathed in the rider's low voice.
"Who are you? We are seven here."
The rider dropped his sombrero and made a rapid movement, singular in that it left him somewhat crouched, arms bent and stiff, with the big black gun-sheaths swung round to the fore.
"LASSITER!"
It was Venters's wondering, thrilling cry that bridged the fateful connection between the rider's singular position and the dreaded name.
Tull put out a groping hand. The life of his eyes dulled to the gloom with which men of his fear saw the approach of death. But death, while it hovered over him, did not descend, for the rider waited for the twitching fingers, the downward flash of hand that did not come. Tull, gathering himself together, turned to the horses, attended by his pale comrades.
Wildfire is a glorious beast, a fiery red stallion that is captured and broken by Lin Slone, a horse trainer. A legendary and miraculous horse, Wildfire is also a curse—a horse who could run like the wind but who could also injure those who love him most. Zane Grey is the master of the Western novel. His works have thrilled generations of readers with brave and noble characters, hard-shooting action, and high-plains panoramas. Truly he symbolizes the spirit of the Old West.
To the Last Man is the story of Arizona's Pleasant Valley War, one of the most legendary conflicts of the Old West. A venomous feud between cattle ranchers, the Isbels, and sheepherders, the Jorths, plunges both families into a deadly cycle of vengeance. Yet, even as their families spiral into annihilation, Ellen Jorth and Jean Isabel struggle to keep their fateful romance alive.
Unlike many of Grey's fictional novels of the old west, this is an account of a trip made to the North Rim of the Grand Canyon about 1908, for the purpose of tracking and capturing mountain lions. Buffalo Jones was the last of the famous plainsmen who rode the trails of the old West. In a continuing quest to establish dominion over wild animals, Jones leads his men on a journey to capture untamed cougars and bring them back alive. After several run-ins with Navajo, Commanche, Yellow Knife and Great Slave Indians, Jones finally captures his first wild cougar. The story is riveting with many details of the Arizona high desert and Grand Canyon areas of that era and gives a wonderful account of the Ponderosa Pine forest now known as the Kaibab National Forest.
Zane Grey's first trilogy – „Betty Zane", „The Last Trail", and „The Spirit of the Border" together in one volume. „Betty Zane" is an „Eastern" real life adventure story by Zane Grey based upon diaries kept by his great grandmother, Betty Zane, describing her life and adventures after she joined her brother's family near what is now Wheeling, WV in the late 1700's. It is the story of the last battle of the American Revolution, in which the heroine was a young, spunky, and beautiful frontier girl named Betty Zane. Life along the frontier, attacks by Indians, Betty's heroic defense of the beleaguered garrison at Wheeling, the burning of the Fort, and Betty's final race for life, make up this never-to-be-forgotten story. Well written historical fiction recommended to anyone interested in the decline of the indigenous North American. The writing is beautiful, especially the descriptions that take you vividly back to a place and time. The story is suspenseful and riveting, with plenty of excitement.
I lay paralyzed on stiff white sheets, a prisoner in my own skin, listening to the rain lash against the window like nails on a coffin. My father, Elmore Franco, didn't even look at my face as he checked his clipboard. He just listened to the steady, monotonous beep of the heart monitor-the only thing proving I was still alive. Without a hint of remorse, he pulled a pen from his pocket and signed the Do Not Resuscitate order. My stepmother, Ophelia, stepped out from behind him, wearing my favorite pearl necklace and smelling of cloying perfume. She leaned close to my ear to whisper the truth that turned my blood to ice. "It was the tea, darling. Just like your mother. A slow, tasteless poison." She chuckled as she revealed that my fiancé, Bryce, had a two-year-old son with my sister, Daniela. My inheritance had been funding their secret life for years, and now that the money was secure, I was an inconvenience they were finally scrubbing away. As my father yanked the power cord from the wall, the beeping died, and the darkness swallowed me whole. I was being murdered by my own flesh and blood, used as a bank account until I was no longer needed. I died in that sterile room, drowning in the realization that every person I ever loved was a monster who had been waiting for me to take my last breath. Then, I gasped. I woke up in a luxury hotel suite surrounded by silk sheets, five years in the past-the very morning of my wedding. Next to me lay Basile Delgado, the "Wolf of Wall Street" and my family's most dangerous enemy. In my first life, I ran from this room in a panic and lost everything. This time, I looked at the man who would eventually destroy my father's empire and decided to join him. "I'm not leaving, Basile. Marry me. Right now. Today."
Today is October 14th, my birthday. I returned to New York after months away, dragging my suitcase through the biting wind, but the VIP pickup zone where my husband’s Maybach usually idled was empty. When I finally let myself into our Upper East Side penthouse, I didn’t find a cake or a "welcome home" banner. Instead, I found my husband, Caden, kneeling on the floor, helping our five-year-old daughter wrap a massive gift for my half-sister, Adalynn. Caden didn’t even look up when I walked in; he was too busy laughing with the girl who had already stolen my father’s legacy and was now moving in on my family. "Auntie Addie is a million times better than Mommy," my daughter Elara chirped, clutching a plush toy Caden had once forbidden me from buying for her. "Mommy is mean," she whispered loudly, while Caden just smirked, calling me a "drill sergeant" before whisking her off to Adalynn’s party without a second glance. Later that night, I saw a video Adalynn posted online where my husband and child laughed while mocking my "sensitive" nature, treating me like an inconvenient ghost in my own home. I had spent five years researching nutrition for Elara’s health and managing every detail of Caden’s empire, only to be discarded the moment I wasn't in the room. How could the man who set his safe combination to my birthday completely forget I even existed? The realization didn't break me; it turned me into ice. I didn't scream or beg for an explanation. I simply walked into the study, pulled out the divorce papers I’d drafted months ago, and took a black marker to the terms. I crossed out the alimony, the mansion, and even the custody clause—if they wanted a life without me, I would give them exactly what they asked for. I left my four-carat diamond ring on the console table and walked out into the rain with nothing but a heavily encrypted hard drive. The submissive Mrs. Holloway was gone, and "Ghost," the most lethal architect in the tech world, was finally back online to take back everything they thought I’d forgotten.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
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