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Literary Love-Letters and Other Stories by Robert Herrick
Literary Love-Letters and Other Stories by Robert Herrick
John Clayton had pretty nearly run the gamut of the fine arts. As a boy at college he had taken a dilettante interest in music, and having shown some power of sketching the summer girl he had determined to become an artist. His numerous friends had hoped such great things for him that he had been encouraged to spend the rest of his little patrimony in educating himself abroad. It took him nearly two years to find out what being an artist meant, and the next three in thinking what he wanted to do.
In Paris and Munich and Rome, the wealth of the possible had dazzled him and confused his aims; he was so skilful and adaptable that in turn he had wooed almost all the arts, and had accomplished enough trivial things to raise very pretty expectations of his future powers. He had enjoyed an uncertain glory among the crowd of American amateurs. When his purse had become empty he returned to America to realize on his prospects.
On his arrival he had elaborately equipped a studio in Boston, but as he found the atmosphere "too provincial" he removed to New York. There he was much courted at a certain class of afternoon teas. He was in full bloom of the "might do," but he had his suspicions that a fatally limited term of years would translate the tense into "might have done." He argued, however, that he had not yet found the right milieu; he was fond of that word-conveniently comprehensive of all things that might stimulate his will. He doubted if America ever could furnish him a suitable milieu for the expression of his artistic instincts. But in the meantime necessity for effort was becoming more urgent; he could not live at afternoon teas.
Clayton was related widely to interesting and even influential people.
One woman, a distant cousin, had taken upon herself his affairs.
"I will give you another chance," she said, in a business-like tone, after he had been languidly detailing his condition to her and indicating politely that he was coming to extremities. "Visit me this summer at Bar Harbor. You shall have the little lodge at the Point for a studio, and you can take your meals at the hotel near by. In that way you will be independent. Now, there are three ways, any one of which will lead you out of your difficulties, and if you don't find one that suits you before October, I shall leave you to your fate."
The young man appeared interested.
"You can model something-that's your line, isn't it?"
Clayton nodded meekly. He had resolved to become a sculptor during his last six months in Italy.
"And so put you on your feet, professionally." Clayton sighed. "Or you can find some rich patron or patroness who will send you over for a couple of years more until your chef d' oeuvre makes its appearance." Her pupil turned red, and began to murmur, but she kept on unperturbed. "Or, best of all, you can marry a girl with some money and then do what you like." At this Clayton rose abruptly.
"I haven't come to that," he growled.
"Don't be silly," she pursued. "You are really charming; good character; exquisite manners; pleasant habits; success with women. You needn't feel flattered, for this is your stock in trade. You are decidedly interesting, and lots of those girls who are brought there every year to get them in would be glad to make such an exchange. You know everybody, and you could give any girl a good standing in Boston or New York. Besides, there is your genius, which may develop. That will be thrown in to boot; it may bear interest."
Clayton, who had begun by feeling how disagreeable his situation was when it exposed him to this kind of hauling over, ended by bursting into a cordial laugh at the frank materialism with which his cousin presented his case. "Well," he exclaimed, "it's no go to talk to you about the claims and ideals of art, Cousin Della, but I will accept your offer, if only for the sake of modelling a bust of 'The Energetic Matron (American).'"
"Of course, I don't make much of ideals in art and all that," replied his cousin, "but I will put this through for you, as Harry says. You must promise me only one thing: no flirting with Harriet and Mary. Henry has been foolish and lost money, as you know, and I cannot have another beggar on my hands!"
This hushed moment was broken by the resonant tones of the minister as he began the opening words of the sacrament that had been said over so many millions of human beings. Familiar as the phrases were, she did not realize them, could not summon back her attention from that depth within of awed expectancy. After a time she became aware of the subdued movements in the chapel, of people breaking into the remote circle of her mystery, even here they must needs have their part, and of the man beside her looking intently at her, with flushed face. It was this man, this one here at her side, whom she had' chosen of all that might have come into her life; and suddenly he seemed a stranger, standing there, ready to become her husband! The wood bine waved, recalling to her flashing thoughts that day two years before when the chapel was dedicated, and they two, then mere friends, had planted this vine together. And now, after certain meetings, after some surface intercourse, they had willed to come here'to be made one.
1900. Herrick wrote realistic social novels about the conflict between professional and personal values in American capitalistic society. The Web of Life begins: The young surgeon examined the man as he lay on the hospital chair in which ward attendants had left him. The surgeon's fingers touched him deftly, here and there, as if to test the endurance of the flesh he had to deal with. The head nurse followed his swift movements, wearily moving an incandescent light hither and thither, observing the surgeon with languid interest. Another nurse, much younger, without the black band, watched the surgeon from the foot of the cot. Beads of perspiration chased themselves down her pale face, caused less by sympathy than by sheer weariness and heat. See other titles by this author available from Kessinger Publishing.
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
Dayna had worshiped her husband, only to watch him strip her late mother's estate and lavish devotion on another woman. After three miserable years, he discarded her, and she lay broken-until Kristopher, the man she once betrayed, dragged her from the wreckage. He now sat in a wheelchair, eyes like tempered steel. She offered a pact: she would mend his legs if he helped crush her ex. He scoffed, yet signed on. As their ruthless alliance caught fire, he uncovered her other lives-healer, hacker, pianist-and her numb heart stirred. But her groveling ex crawled back. "Dayna, you were my wife! How could you marry someone else? Come back!"
Kathleen was diagnosed with liver cancer and needed a transplant. To her shock, she discovered that her husband of five years, Joshua, not only intended to give the liver to someone else but also had a mistress and an illegitimate child outside their marriage. Upon learning the truth, Kathleen was utterly heartbroken. She realized that she couldn't hold onto a man who had betrayed her, but she was determined to reclaim the liver that she had been promised as a donor match. Kathleen dialed a number she hadn't contacted in five years. "I'm going to Jaxperton for surgery. Come pick me up in three days." But after she left, Joshua was driven to desperation.
Two years ago, Ricky found himself coerced into marrying Emma to protect the woman he cherished. From Ricky's perspective, Emma was despicable, resorting to underhanded schemes to ensure their marriage. He maintained a distant and cold attitude toward her, reserving his warmth for another. Yet, Emma remained wholeheartedly dedicated to Ricky for more than ten years. As she grew weary and considered relinquishing her efforts, Ricky was seized by a sudden fear. Only when Emma's life teetered on the edge, pregnant with Ricky's child, did he recognize-the love of his life had always been Emma.
Esther Davenier has spent her life proving she belongs-first to the elite family who raised her, then to a society that values bloodlines over loyalty. But when a long-lost "real" daughter is found, Esther is discarded like yesterday's scandal-her name erased, her face mocked, her engagement stolen. They thought they could bury her. But Esther doesn't go quietly. Armed with multiple powerful hidden identities and a dangerous new ally-CEO Evander Westvale, the man they said she could never have-Esther steps back into the limelight not to reclaim what was stolen, but to take what was never offered. Now she's more than ready to turn the game upside down.
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
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