Melody The Story of a Child by Laura E. Richards
Melody The Story of a Child by Laura E. Richards
"Well, there!" said Miss Vesta. "The child has a wonderful gift, that is certain. Just listen to her, Rejoice! You never heard our canary sing like that!"
Miss Vesta put back the shutters as she spoke, and let a flood of light into the room where Miss Rejoice lay. The window was open, and Melody's voice came in like a wave of sound, filling the room with sweetness and life and joy.
"It's like the foreign birds they tell about!" said Miss Rejoice, folding her thin hands, and settling herself on the pillow with an air of perfect content,-"nightingales, and skylarks, and all the birds in the poetry-books. What is she doing, Vesta?"
Miss Rejoice could see part of the yard from her bed. She could see the white lilac-bush, now a mass of snowy plumes, waving in the June breeze; she could see the road, and knew when any of the neighbors went to town or to meeting; but the corner from which the wonderful voice came thrilling and soaring was hidden from her.
Miss Vesta peered out between the muslin curtains. "She's sitting on the steps," she said, "feeding the hens. It is wonderful, the way the creatures know her! That old top-knot hen, that never has a good word for anybody, is sitting in her lap almost. She says she understands their talk, and I really believe she does. 'Tis certain none of them cluck, not a sound, while she's singing. 'Tis a manner of marvel, to my mind."
"It is so," assented Miss Rejoice, mildly. "There, sister! you said you had never heard her sing 'Tara's Harp.' Do listen now!"
Both sisters were silent in delight. Miss Vesta stood at the window, leaning against the frame. She was tall, and straight as an arrow, though she was fifty years old. Her snow-white hair was brushed straight up from her broad forehead; her blue eyes were keen and bright as a sword. She wore a black dress and a white apron; her hands showed the marks of years of serving, and of hard work of all kinds. No one would have thought that she and Miss Rejoice were sisters, unless he had surprised one of the loving looks that sometimes passed between them when they were alone together. The face that lay on the pillow was white and withered, like a crumpled white rose. The dark eyes had a pleading, wistful look, and were wonderfully soft withal. Miss Rejoice had white hair too, but it had a warm yellowish tinge, very different from the clear white of Miss Vesta's. It curled, too, in little ringlets round her beautiful old face. In short, Miss Vesta was splendidly handsome, while no one would think of calling Miss Rejoice anything but lovely. The younger sister lay always in bed. It was some thirty years since she met with the accident which changed her from a rosy, laughing girl into a helpless cripple. A party of pleasure,-gay lads and lasses riding together, careless of anything save the delight of the moment; a sudden leap of the horse, frightened at some obstacle; a fall, striking on a sharp stone,-this was Miss Rejoice's little story. People in the village had forgotten that there was any story; even her own contemporaries almost forgot that Rejoice had ever been other than she was now. But Miss Vesta never forgot. She left her position in the neighboring town, broke off her engagement to the man she loved, and came home to her sister; and they had never been separated for a day since. Once, when the bitter pain began to abate, and the sufferer could realize that she was still a living creature and not a condemned spirit, suffering for the sins of some one else (she had thought of all her own, and could not feel that they were bad enough to merit such suffering, if God was the person she supposed),-in those first days Miss Rejoice ventured to question her sister about her engagement. She was afraid-she did hope the breaking of it had nothing to do with her. "It has to do with myself!" said Miss Vesta, briefly, and nothing more was said. The sisters had lived their life together, without a thought save for each other, till Melody came into their world.
But here is Melody at the door; she shall introduce herself. A girl of twelve years old, with a face like a flower. A broad white forehead, with dark hair curling round it in rings and tendrils as delicate as those of a vine; a sweet, steadfast mouth, large blue eyes, clear and calm under the long dark lashes, but with a something in them which makes the stranger turn to look at them again. He may look several times before he discovers the reason of their fixed, unchanging calm. The lovely mouth smiles, the exquisite face lights up with gladness or softens into sympathy or pity; but the blue eyes do not flash or soften, for Melody is blind.
She came into the room, walking lightly, with a firm, assured tread, which gave no hint of hesitation or uncertainty.
"See, Aunt Joy," she said brightly, "here is the first rose. You were saying yesterday that it was time for cinnamon-roses; now here is one for you." She stooped to kiss the sweet white face, and laid the glowing blossom beside it.
"Thank you, dear," said Miss Rejoice; "I might have known you would find the first blossom, wherever it was. Where was this, now? On the old bush behind the barn?"
"Not in our yard at all," replied the child, laughing. "The smell came to me a few minutes ago, and I went hunting for it. It was in Mrs. Penny's yard, right down by the fence, close, so you could hardly see it."
"Well, I never!" exclaimed Miss Vesta. "And she let you have it?"
"Of course," said the child. "I told her it was for Aunt Joy."
"H'm!" said Miss Vesta. "Martha Penny doesn't suffer much from giving, as a rule, to Aunt Joy or anybody else. Did she give it to you at the first asking, hey?"
"Now, Vesta!" remonstrated Miss Rejoice, gently.
"Well, I want to know," persisted the elder sister.
Melody laughed softly. "Not quite the first asking," she said. "She wanted to know if I thought she had no nose of her own. 'I didn't mean that,' said I; 'but I thought perhaps you wouldn't care for it quite as much as Aunt Joy would.' And when she asked why, I said, 'You don't sound as if you would.' Was that rude, Aunt Vesta?"
"Humph!" said Miss Vesta, smiling grimly. "I don't know whether it was exactly polite, but Martha Penny wouldn't know the difference."
The child looked distressed, and so did Miss Rejoice.
"I am sorry," said Melody. "But then Mrs. Penny said something so funny. 'Well, gaffle onto it! I s'pose you're one of them kind as must always have what they want in this world. Gaffle onto your rose, and go 'long! Guess I might be sick enough before anybody 'ud get roses for me!' So I told her I would bring her a whole bunch of our white ones as soon as they were out, and told her how I always tried to get the first cinnamon-rose for Aunt Joy. She said, 'She ain't your aunt, nor mine either.' But she spoke kinder, and didn't seem cross any more; so I took the rose, and here it is."
Miss Vesta was angry. A bright spot burned in her cheeks, and she was about to speak hastily; but Miss Rejoice raised a gentle hand, and motioned her to be silent.
"Martha Penny has a sharp way, Melody," said Miss Rejoice; "but she meant no unkindness, I think. The rose is very sweet," she added; "there are no other roses so sweet, to my mind. And how are the hens this morning, dearie?"
The child clapped her hands, and laughed aloud. "Oh, we have had such fun!" she cried. "Top-knot was very cross at first, and would not let the young speckled hen eat out of the dish with her. So I took one under each arm, and sang and talked to them till they were both in a good humor. That made the Plymouth rooster jealous, and he came and drove them both away, and had to have a petting all by himself. He is such a dear!"
"You do spoil those hens, Melody," said Miss Vesta, with an affectionate grumble. "Do you suppose they'll eat any better for being talked to and sung to as if they were persons?"
"Poor dears!" said the child; "they ought to be happy while they do live, oughtn't they, Auntie? Is it time to make the cake now, Aunt Vesta, or shall I get my knitting, and sing to Auntie Joy a little?"
At that moment a clear whistle was heard outside the house. "The doctor!" cried Melody, her sightless face lighting up with a flash of joy. "I must go," and she ran quickly out to the gate.
"Now he'll carry her off," said Miss Vesta, "and we sha'n't see her again till dinner-time. You'd think she was his child, not ours. But so it is, in this world."
"What has crossed you this morning, Sister?" asked Miss Rejoice, mildly. "You seem put about."
"Oh, the cat got into the tea-kettle." replied the elder sister. "Don't fret your blessed self if I am cross. I can't stand Martha Penny, that's all,-speaking so to that blessed child! I wish I had her here; she'd soon find out whether she had a nose or not. Dear knows it's long enough! It isn't the first time I've had four parts of a mind to pull it for her."
"Why, Vesta Dale, how you do talk!" said Miss Rejoice, and then they both laughed, and Miss Vesta went out to scold the doctor.
Laura Elizabeth Howe Richards (1850-1943) was born in Boston, Massachusetts, to a high-profile family. During her life, she wrote over 90 books, including children's, biographies, poetry, and others. A well-known children's poem for which she is noted is the literary nonsense verse Eletelephony. In 1917, she won a Pulitzer Prize for The Life of Julia Ward Howe, a biography, which she coauthored with her sister, Maud Howe Elliott. Among her most famous works are: Queen Hildegarde (1889), Captain January (1890), Melody (1893), Marie (1894), Hildegarde's Neighbors (1895), Nautilus (1895), Three Margarets (1897), Geoffrey Strong (1901), The Green Satin Gown (1903) and The Silver Crown: Another Book of Fables (1906).
The day Raina gave birth should have been the happiest of her life. Instead, it became her worst nightmare. Moments after delivering their twins, Alexander shattered her heart-divorcing her and forcing her to sign away custody of their son, Liam. With nothing but betrayal and heartbreak to her name, Raina disappeared, raising their daughter, Ava, on her own.Years later, fate comes knocking when Liam falls gravely ill. Desperate to save his son, Alexander is forced to seek out the one person he once cast aside. Alexander finds himself face to face with the woman he underestimated, pleading for a second chance-not just for himself, but for their son. But Raina is no longer the same broken woman who once loved him.No longer the woman he left behind. She has carved out a new life-one built on strength, wealth, and a long-buried legacy she expected to uncover.Raina has spent years learning to live without him.The question is... Will she risk reopening old wounds to save the son she never got to love? or has Alexander lost her forever?
I just got my billionaire husband to sign our divorce papers. He thinks it's another business document. Our marriage was a business transaction. I was his secretary by day, his invisible wife by night. He got a CEO title and a rebellion against his mother; I got the money to save mine. The only rule? Don't fall in love. I broke it. He didn't. So I'm cashing out. Thirty days from now, I'm gone. But now he's noticing me. Touching me. Claiming me. The same man who flaunts his mistresses is suddenly burning down a nightclub because another man insulted me. He says he'll never let me go. But he has no idea I'm already halfway out the door. How far will a billionaire go to keep a wife he never wanted until she tried to leave?
I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.
Isabelle's love for Kolton held flawless for fifteen years-until the day she delivered their children and slipped into a coma. He leaned to her ear and whispered, "Don't wake up. You're worthless to me now." The twins later clutched another woman's hand and chirped, "Mommy," splintering Isabelle's heart. She woke, filed for divorce, and disappeared. Only then did Kolton notice her fingerprints on every habit. They met again: she emerged as the lead medical specialist, radiant and unmoved. But at her engagement gala, she leapt into a tycoon's arms. Jealous, he crushed a glass, blood wetting his palm. He believed as soon as he made a move, Isabelle would return to him. After all, she had loved him deeply.
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
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