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Memoirs of Arthur Hamilton, B. A. Of Trinity College, Cambridge by Arthur Christopher Benson
He was born November 2, 1852. He was the second son of a retired cavalry officer, who lived in Hampshire. Besides his elder brother, there were three sisters, one of whom died. His father was a wealthy man, and had built himself a small country house, and planted the few acres of ground round it very skillfully. Major Hamilton was a very religious man, of the self-sufficient, puritanical, and evangelical type, that issues from discipline; a martinet in his regiment, a domestic tyrant, without intending to be.
He did not marry till rather late in life; and at the time when Arthur was growing up-the time when memory intwines itself most lingeringly with its surroundings, the time which comes back to us at ecstatic moments in later, sadder days-all the entourage of the place was at its loveliest. Nothing ever equalled the thrill, he has told me, of finding the first thrush's nest in the laurels by the gate, or of catching the first smell of the lilac bushes in spring, or the pungent scent of the chamomile and wild celery down by the little stream.
The boy acquired a great love for Nature, though not of the intimate kind that poets have by instinct. "In moments of grief and despair," he wrote in later life, "I do not, as some do, crouch back to the bosom of the great Mother; she has, it seems, no heart for me when I am sorry, though she smiles with me when I am glad." But he has told me that he is able to enjoy a simple village scene in a way that others can not easily understand: a chestnut crowded with pink spires, the clack of a mill-wheel, the gush of a green sluice out of a mantled pool, a little stream surrounded by flags and water lobelias, gave him all his life a keen satisfaction in his happy moments. "I always gravitate to water," he writes. "I could stop and look at a little wayside stream for hours; and a pool-I never tire of it, though it awes me when I am alone."
The boy was afraid of trees, as many children are. If he had to go out alone he always crossed the fields, and never went by the wood; wandering in a wood at night was a childish nightmare of a peculiarly horrible kind.
I quote a few childish stories about him, selecting them out of a large number.
His mother saying to him one day that the gardener was dead, he burst out laughing (with that curious hysteria so common in children), and then after a little asked if they were going to bury him.
His mother, wishing to familiarize him with the idea of continued existence after death, dwelt on the fact that it was only his body that was going to be buried: his soul was in heaven.
The boy said presently, "If his body is in the churchyard, and his soul in heaven, where is David?"
Upon which his mother sent him down to the farm.
He was often singularly old-fashioned in his ways. If he was kept indoors by a childish ailment, he would draw his chair up to the fire, by his nurse, and say, "Now that the children are gone out, nurse, we can have a quiet talk." And he always returned first of all his brothers and sisters, if they were playing in the garden, that he might have the pleasure of clapping his hands from the nursery window to summon them in. "Children, children, come in," he used to say.
A curious little dialogue is preserved by his aunt in a diary. He laughed so immoderately at something that was said at lunch by one of his elders, that when his father inquired what the joke was, he was unable to answer. "It must be something very funny," said his mother in explanation. "Arthur never laughs unless there is a joke." The little boy became grave at once, and said severely, "There's hardly ever anything to laugh at in what you say; but I always laugh for fear people should be disappointed."
He was very sensitive to rebuke. "I am not so sensitive as I am always supposed to be," he said to me once. "I am one of those people who cry when they are spoken to, and do it again."
For instance, he told me that, being very fond of music when he was small, he stole down one morning at six to play the piano. His father, a very early riser, was disturbed by the gentle tinkling, and coming out of his study, asked him rather sharply why he couldn't do something useful-read some Shakespeare. He never played on the piano again for months, and for years never until he had ascertained that his father was out. "It was a mistake," he told me once, apropos of it. "If he had said that it disturbed him, but that I might do it later, I should have been delighted to stop. I always liked feeling that I was obliging people."
He disliked his father, and feared him. The tall, handsome gentleman, accustomed to be obeyed, in reality passionately fond of his children, dismayed him. He once wrote on a piece of paper the words, "I hate papa," and buried it in the garden.
For the rest, he was an ordinary, rather clever, secretive child, speaking very little of his feelings, and caring, as he has told me since, very little for anybody except his nurse. "I cared about her in a curious way. I enjoyed the sensation of crying over imaginary evils; and I should not like to say how often in bed at night I used to act over in my mind an imaginary death-bed scene of my nurse, and the pathetic remarks she was to make about Master Arthur, and the edifying bearing I was to show. This was calculated within a given time to produce tears, and then I was content."
He went to a private school, which he hated, and then to Winchester, which he grew to love. The interesting earnest little boy merged into the clumsy loose-jointed schoolboy, silent and languid. There are hardly any records of this time.
"My younger sister died," he told me, "when I was at school. I experienced about ten minutes of grief; my parents were overwhelmed with anguish, and I can remember that, like a quick, rather clever child, I soon came to comprehend the sort of remark that cheered them, and almost overdid it in my zeal. I am overwhelmed with shame," he said, "whenever I look at my mother's letters about that time when she speaks of the comfort I was to them. It was a fraus pia, but it was a most downright fraus."
I think I may relate one other curious incident among his public school experiences: it may seem very incredible, but I have his word for it that it is true.
"A sixth-form boy took a fancy to me, and let me sit in his room, and helped me in my work. The night before he left the school I was sitting there, and just before I went away, being rather overcome with regretful sentiments, he caught hold of me by the arm and said, among other things, 'And now that I am going away, and shall probably never see you again, I don't believe you care one bit.' I don't know how I came to do it," he said, "because I was never demonstrative; but I bent down and kissed him on the cheek, and then blushed up to my ears. He let me go at once; he was very much astonished, and I think not a little pleased; but it was certainly a curious incident."
During this time his intellectual development was proceeding slowly. "I went through three phases," he said. "I began by a curious love for pastoral and descriptive poetry. I read Thomson and Cowper, similes from 'Paradise Lost,' and other selections of my own; I read Tennyson, and revelled in the music of the lines and words. I intended to be a poet.
"Then I became omnivorous, and read everything, whether I understood it or not, especially biographies. I spent all my spare time in the school library; one only valuable thing have I derived from that-a capacity for taking in the sense of a page at a glance, and having a verbal memory of a skimmed book for an hour or two superior to any one that I ever met."
Then there came an ebb, and he read nothing, but loafed all day, and tried to talk. He had a notion he said, that he could argue Socratically; and he was always trying to introduce metaphors into his conversation. But his remarks in a much later letter to a friend on childish reading are so pertinent that I introduce them here.
"Never take a book away from a child unless it is positively vicious; that they should learn how to read a book and read it quickly is the great point; that they should get a habit of reading, and feel a void without it, is what should be cultivated. Never mind if it is trash now; their tastes will insensibly alter. I like a boy to cram himself with novels; a day will come when he is sick of them, and rejects them for the study of facts. What we want to give a child is 'bookmindedness,' as some one calls it. They will read a good deal that is bad, of course; but innocence is as slippery as a duck's back; a boy really fond of reading is generally pure-minded enough. When you see a robust, active, out-of-door boy deeply engrossed in a book, then you may suspect it if you like, and ask him what he has got; it will probably have an animal bearing."
Friendships more or less ardent, butterfly-hunting, school games, constant visits to the cathedral for service, to which he was always keenly devoted, uneventful holidays, filled up most of his school life. His letters at this date are very ordinary; his early precocity seemed, rather to the delight of his parents, to have vanished. He was not a prig, though rather exclusive; not ungenial, though retiring. "A dreadful boy," he writes of himself, "who is as mum as a mouse with his elders, and then makes his school friends roar with laughter in the passage: dumb at home, a chatterbox at school."
"I had no religion at that time," he writes, "with the exception of six months, when I got interested in it by forming a friendship with an attractive ritualistic curate; but my confirmation made no impression on me, and I think I had no moral feelings that I could distinguish. I had no inherent hatred of wrong, or love for right; but I was fastidious, and that kept me from being riotous, and undemonstrative, which made me pure."
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"What are those wretched little flowers?" said Mr. Redmayne, pointing at them contemptuously. "Oh, don't say that," said Howard; "they are always the first to struggle up, and they are the earliest signs of spring. Those are aconites." "Aconites? Deadly poison " said Mr. Redmayne, in a tone of horror. "Well, I don't object to them, -- though I must say that I prefer the works of man to the works of God at all times and in all places. I don't like the spring -- it's a languid and treacherous time; it always makes me feel that I wish I were doing something else."
A.C. Benson was a popular British essayist and poet in the late 19th century, and many of his works continue to be read today.
A.C. Benson was a popular British essayist and poet in the late 19th century, and many of his works continue to be read today.
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