Mother Meg by Catharine Shaw
Mother Meg by Catharine Shaw
UT 'im down, 'e can walk as well as anythink."
It was a cold day in May, when the sun was hidden behind leaden clouds, and the wind swept along the streets as if determined to clear them of every loiterer who should venture to assure himself that it was not March, and could not be so cold.
The few people who had ventured out in spring clothing bid fair to "repent it many a day," and those who were happy enough to have winter wraps drew them closer, and hurried along, the sooner to get into some shelter. The omnibus men dashed their arms across their breasts for warmth, and everybody, gentle or simple, looked nipped up with the strong east wind.
"Put 'im down," said a hard-featured woman, who was walking slowly along by the side of the road; "it won't matter 'is walkin' now."
The man thus addressed was a thin, brow-beaten looking individual, who was carrying a child of some three years old in his arms. His clothes were threadbare, his knees peeped through his worn trousers, and his whole appearance was most deplorable. The woman by his side was as poorly clad as himself, outwardly at least, but seemed to suffer less from it. She was not thin, and if looked at closely, appeared to be well fed, and perhaps to have no lack of drink either. She carried a small infant in her arms, wrapped in a large dirty shawl.
The three-year-old child had a pale, suffering little face, which looked as if tears were often very near. His eyes were terribly weak, and when he was set down by the man he looked as if he would have fallen. But the woman disengaged one of her hands, and said impatiently, dragging him towards her, "Come along, Dickie, none o' yer nonsense; walk on like a good boy."
The child gave one glance at her stern face, and then tottered on silently, occasionally rubbing his poor little eyes with the back of his tiny hand.
The wind met them round the corners; it seemed to be everywhere, and at every gust the miserable-looking party looked more miserable still.
"How much 'ave yer took?" asked the man, as if he could turn and run home.
The woman felt for her pocket, and after some fumbling she said in a low voice, "Two-and-eight, I should think."
"Won't that do?" said the man, shivering. Then glancing sideways at the child, he went on, "'E'll not walk many more steps, and if you don't take care 'e'll not be hout to-morrer, nor next day neither; 'e's most done, 'e is."
The woman turned round and was going to speak, when a respectable couple, dressed in warm cloth, silks, and furs, came in sight.
In a moment her manner changed. "Take 'im up," she said in a wheedling tone, "'e's tired, 'e is, and cold; carry 'im a bit, George."
The child, too cold and weary to care, was taken resistlessly into the man's arms, and laid his head on his shoulder, and the party paused, looking expectantly at the lady and gentleman who were fast approaching.
"My good woman, this is a bitter day for such little ones to be out," said the gentleman kindly; "have you far to go?"
"Over London Bridge, sir, down that way."
"That's a long distance," he exclaimed; "and you all look perished with the cold."
"That we are, sir," answered the woman, sniffing, "and my good man, sir, just now was a-saying that though we hadn't took a ha'penny, sir, this day, we must give it up. But it's hard to see 'em suffer, sir, and have no bread nor firing to give 'em."
The man shook his head dolorously at each sentence, and the weak little child shut his eyes, as a fresh gust of wind seemed ready to blind him altogether.
"That child ought not to be out on such a day as this at all," said the lady almost severely.
"What is poor folk to do, my lady?" asked the woman, "there's no work, and there's no food; and surely we'd be better to get a bit of broken victuals or a copper from some Christian gentleman than to starve at home, like rats in a hole!"
"Well, well," said the gentleman with a ponderous sigh, "it makes one's heart ache, Clarissa. Here, my good woman, go home now and buy some food and coals, and get that poor child warm."
He gave her a shilling and passed on, and the woman, catching sight of a policeman whom she recognized bearing down upon them, they hastily turned the other way and set off in the direction of London Bridge as fast as they could go.
The man knew it was useless to put Dickie down to walk, for he had seen all day that the child was very ill. His light weight, however, was not a great trouble, for he was very small for his age, and now was so thin and emaciated with hardship that the man doubted if he should ever carry him again.
"I wish yer'd git some one else," he exclaimed at last, for some remnants of humanity were left in his heart, and he had not carried that tender little mite for six months without some feeling as near akin to love as he was capable of.
His wife turned on him sharply. "Yer know we can't! There's lots o' reasons why 'e is the best one as we can git. Look at them soft brown curls of 'is, what allers takes the ladies, and 'is small size for carryin'; and then yer know as well as I do as 'is mother's dead, and 'is father ain't of no account, and is glad to git a pint or two in return for our havin' 'im. I wish you wouldn't be such a simpleton, George."
The man sighed. Long ago he had given up contending with his imperious wife, but sometimes as now, he walked along morosely, and his thoughts were best known to himself.
"I'd save 'im from it if I could," he muttered to himself, "but I've thought that 'afore, and it ain't no use. Still I shan't forgit-though I ain't no good at anythink now."
They had now reached London Bridge, and soon after turned down one of the narrow streets leading from the main thoroughfare, and again under a long low archway running beneath the first floor rooms of one of the houses, and so emerged into a court squalid and forlorn, which contained the house they called home.
Just as they were turning in at the door a crippled child of some thirteen or fourteen years came down the stairs to meet them. She silently held out her arms for little Dickie, and without vouchsafing more than one dark look at the woman's face, and then another hopeless one at her little brother's, she slowly ascended again, step by step, till weary and panting she laid him down on an old mattress in the corner of the crowded room where she lived.
"Dickie," she moaned, burying her face in his neck, where the soft waves of his golden-brown hair felt like silk against it, "Dickie, are they goin' to kill you right out? Dickie--!"
* * *
Left to Ourselves; or, John Headley's Promise. by Catharine Shaw
Serena gave everything to the man she loved-her trust, her devotion, her future. But betrayal shattered it all. Pregnant and full of hope, she walked in on her husband tangled in bed with another woman. What followed was worse: the slow, agonizing loss of her baby... and then her own life, bleeding out on an operating table, heartbroken and alone. But fate wasn't finished with her. Reborn with every memory intact, Serena wakes in the past-stronger, colder, and no longer naive. This time, she's ready to rewrite her story. This time, she'll make them pay. Because the girl they destroyed... came back for revenge. And maybe, just maybe, she'll find something worth living for too.
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
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