Not Pretty, But Precious by John Hay, et al.
Not Pretty, But Precious by John Hay, et al.
Hoisting The Flag.
A dreary, murky November day brooded over Southampton, and an impenetrable fog hung over sea and shore alike, penetrating the clothing, chilling the blood and depressing the spirits of every unlucky person who was so unfortunate as to come within the range of its influence. The passengers on the steamship America, from Bremen for New York via Southampton, found the brief period of their stay at the latter port almost unendurable; and while some paced the wet decks impatiently, others grumbled both loudly and deeply in the cabins, or shut themselves up in their state-rooms in sulky discomfort. Those who remained on deck had at least the amusement of watching for the steamboat which was to bring the Southampton passengers--a pastime which, however, being indefinitely prolonged, began to grow wearisome. It came at last--a wretched little vessel, rather smaller than the smallest of the noisy tugs that puff and paddle on our American rivers--and the wet, sick, unsheltered passengers were gradually transferred to the deck of the ship.
Among those who appeared to have suffered most severely from the rocking of the miserable little steamboat was a young, fair-haired girl, apparently about seventeen years of age, who seemed almost insensible. She would have fallen had not one of her fellow-travelers, a lady evidently not much her senior, thrown her arm around her; thus aided, she managed to reach the steamer's deck and to totter down the staircase leading to the ladies' cabin. The active, busy steward at once bustled up to the two young girls:
"Your names, ladies, if you please. I will point out your state-rooms in a moment. Miss Marion Nugent--Miss Rhoda Steele? Miss Nugent, berth No. 20, state-room G--"
"Cannot I occupy the same state-room with this young lady?" interrupted the taller girl, who was still lending the support of her arm to sustain her half-fainting companion.
"Do not leave me, please," murmured the sufferer.
The steward threw a compassionate glance upon the pair, went away, and after a short consultation with the unseen powers, returned and said that the arrangement had been effected, and that they could take possession at once of their state-room, into which he proceeded to usher them. It was more spacious than such apartments usually are, and abounded with all those little contrivances for comfort and convenience for which the steamers of the North German Lloyds are justly famed. The invalid sank down on the soft-cushioned little sofa and gasped painfully for breath.
"For Heaven's sake, get me some wine or some brandy!" exclaimed her companion. "This poor thing seems very ill; and do tell the doctor to come here at once."
With a quick, energetic movement, as she spoke she unclasped the heavy waterproof cloak of the sufferer and threw it back, thus revealing a fair, pallid face, framed in loosened curls of silky golden hair. It was a face that must have looked singularly lovely when tinted with the rosy hues of health, so delicate were the features and so large and blue the half-closed eyes, but it was ghastly pale, and a livid, bluish tinge had settled around the small mouth, whose ruby hues had fled to give place to a sickly purple. The steward speedily returned with some brandy, the bull's-eye was thrown open, and the cold sea air and potent spirit soon asserted their restorative powers. She sat up, a more natural color over-spreading her countenance, and she murmured inarticulately a few words of thanks, while the kind-hearted steward hastened away again in search of the doctor.
"I am subject to these attacks," she said, faintly; to her companion when they were again left alone. "Only feel how my heart is beating."
The ship's surgeon soon made his appearance. He was a young, light-haired, solemn-looking German, who shook his head and looked very grave as he listened to the labored breathing and felt the bounding, irregular pulse of the sufferer.
"It is a pity that the ship has started," he said in very good English, "for I hardly think you are fitted to bear the fatigues of a sea-voyage at this season of the year; and had we been still at anchor, I should have counseled you to return to shore. But it is too late now, and you must try to keep as quiet as possible. I would advise you to retire to your berth at once: it will probably be a stormy night, and you had better settle yourself comfortably before the motion begins to be unpleasant. I will see you again in the morning, and if you feel worse meanwhile, let me know at once."
The doctor and the steward then quitted the state-room, and its two occupants, being left alone, surveyed each other curiously.
The active and energetic girl who had acted as spokeswoman and directress throughout the brief scene we have just described had let fall her waterproof cloak and stood arrayed in a black velvet jacket and dark silk skirt, both much the worse for wear, and contrasting sadly with the neat but simple traveling costume of her companion. But about her slender, finely-proportioned figure there was an air of style and grace which lent an elegance even to her shabby and faded finery, and which was wanting in the owner of the fresher and more appropriate attire. Her face was beautiful, with a singular and weird beauty which owed nothing of its fascinations to the ordinary charms of delicate outlines and dainty coloring. Her features were small and attenuated, and her complexion was of a sallow paleness, whose lack of freshness seemed caused by dissipation and late hours or by the ravages of illness. Heavy masses of soft silken hair, black as midnight, with bluish reflections on its lustrous waves (bleu à force d'être noir, as Alexandre Dumas describes such tresses), untortured by crimping-pins or curling-tongs, were rolled back in plain folds above her low, broad brow. Her eyes would have lent beauty to a plainer face. Large almost to a fault, of that dark, clear blue which is too perfect and too transparent ever to look black even under the shadow of such long, thick eyelashes as shaded them in the present instance, they were perfectly magnificent; and their lustrous azure and ever-varying expression lent to the mobile countenance of their possessor its most potent and peculiar charm.
She was the first to speak. "Do you not think you had better retire to your berth?" she asked. "The rocking of the ship is increasing, and we had better, early as it is, settle ourselves for the night, before it becomes so violent as to prevent us from moving."
At this moment two porters made their appearance laden with packages. Two small new trunks--one marked R.S., the other M.N.--were deposited on the floor and identified by their possessors. The sick girl then attempted, with trembling hands, to disembarrass herself of her apparel, but it was not without much assistance from her companion that she was enabled to remove her traveling costume and make her preparations for retiring. At last, however, she was ready, and was about to make an attempt to reach the upper berth, which was the one allotted to her by number, when a quick, imperative gesture from her companion stopped her.
"No, no," she said: "you must take the lower berth. I can reach the upper one without any trouble, and you are not strong enough for so much exertion."
"You are very, very kind," said the invalid, gratefully. She sank back on the pillow and watched the other for some minutes in silence, as she quietly and quickly gathered up and put in order the scattered articles with which the state-room was strewn.
"Will you not give me that little black bag?" she said at last. "Thanks! that is it. I wished to be certain that I had put my letter of introduction in it. Ah! here it is, quite safe. It would never do for me to lose that letter, for the lady with whom I am going to live as governess has never seen me, and she might take me for an impostor were I to come without it. An English lady who was her most intimate friend engaged me for her. I wonder what New York is like?--very rough, and wild, no doubt, and I am afraid I shall be much annoyed by the rattlesnakes. You are going to New York too, are you not?"
"I am."
"Have you friends there?"
"None."
"I wish I had some acquaintances among our fellow-passengers, but I do not know a single one. Do you?"
"No."
"You have not told me your name yet. Mine is Marion Nugent; and yours--"
"Is not so pretty a one--Rhoda Steele."
There was something in the tone of these replies that quelled the invalid's disposition to talk, and she remained silent while her companion finished her arrangements and prepared to take possession of her berth. It was time that she did so. The threatened gale was by this time blowing in earnest, and the ship was commencing to roll fearfully; so, after securing all the boxes and bags as well as possible, and hanging up all the scattered garments, she made a hasty retreat to her couch, and lay there only half undressed, but utterly prostrate, and as unable to touch the tea and biscuits brought by the attentive stewardess as was her more delicate and suffering room-mate.
Time passed on: the daylight faded from the sky, a feeble glimmering lamp shed its faint rays into the state-room, and the great steamship went steadily on, though rocked and tossed like a plaything by the whistling winds and angry sea. Then midnight came: the lights in the state-rooms were extinguished and a profound silence reigned throughout the cabins, broken only by the ceaseless throb of the mighty engines and the noisy clanking of the screw.
The state-room was wrapped in profound darkness when Rhoda Steele awoke with a start as from some troubled dream. Was she still dreaming, or did she indeed hear a strange choking sound proceeding from the lower berth? She sprang to the floor at once, heeding neither the darkness nor the violent motion, and clinging to the side of the berth she called aloud. There was no answer: even the gurgling, choking sound she had at first heard had ceased. She put out her hand, and it encountered her companion's face. It was deathly cold, and the features quivered as if convulsed under her touch. Again she called aloud--still no answer; and then, thoroughly frightened, she caught up a cloak from the sofa, threw it around her, and opening the state-room door, she rushed into the cabin. It was almost deserted. The lamps swung heavily overhead, swayed by the unceasing rolling of the ship; a drowsy waiter slumbered at one of the tables, his head resting on his folded arms; and one or two sleepy passengers tried to maintain a recumbent posture on the broad sofas that lined the sides. The cries of the terrified girl soon brought several of the waiters to her assistance, and Captain Wessels himself, who had not retired to rest, owing to the stormy weather, came to ascertain the cause of the unusual disturbance. Her story was quickly told: lights were brought, and the captain accompanied her back to the state-room.
It was a pitiful sight that met their eyes. The young girl lay motionless in her berth, her face tinged with a livid bluish hue, her eyes closed, and her small hands clenched as if in agony.
"The doctor!--run for the doctor!" was the instant and universal exclamation. The doctor came. One look at the pallid face, one touch on the slender wrist, and he turned with a grave face to the bystanders.
"There is nothing to be done," he said. "She is dead. I feared some such catastrophe when I saw her last evening. She was in the last stages of heart disease."
"And who was she?--what was her name?" asked kind-hearted Captain Wessels, looking down with pitying eyes at the fair pale face.
The steward brought his lists.
"Berth No. 22," he read--"Miss Rhoda Steele."
"And this young lady?" continued the captain, turning to the other occupant of the state-room, who had sunk back as if exhausted on the sofa, still enveloped in the shrouding folds of her large waterproof cloak.
She raised her head. The answer came after a moment's hesitation--came with a strange, defiant ring in its tone:
"My name is Marion Nugent."
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
The silence in St. Patrick's Cathedral wasn't peaceful; it was a physical weight on Stella's shoulders, heavier than her wedding dress. She stood alone at the altar, ready for her perfect life, when her phone vibrated with a text that shattered everything. Her fiancé, Bryce, messaged just moments before the vows: "I can't do this. Monica needs me. I'm sorry." Monica, her maid of honor, was the reason he fled. Bryce's mother then publicly shamed Stella, implying her career ambition drove him away. The betrayal of her sacrifices, her future, and her dignity ignited a white-hot rage. Stella ripped off her veil, grabbed the microphone, and exposed the groom and maid of honor's affair to the stunned guests before storming out. A furious wreck in her ruined gown, she stumbled on the cathedral steps, meeting Julian Sterling, the "Cursed Son" in a wheelchair. He offered no pity, only a detached assessment. In a defiant, adrenaline-fueled moment, Stella crouched and asked, "Are you single?" Julian, needing a strategic alliance against his family, agreed to a cold, transactional marriage of convenience. With the City Clerk's office hours ticking down, Stella tore her dress, determined to forge a new path of vengeance and desperate necessity.
Her ex-husband declared, "The person I admired most was that legendary racer." She smiled thinly. "Hate to break it to you-that was me." He said, "Jealous I blew a fortune on a world-famous jeweler for Violet?" She let out a cool laugh. "Funny, that designer trained under me." He scoffed, "Buying a dying firm won't put you in my league. Snap out of it." She shrugged. "Weird-I just steered your company off a cliff." Stunned, he blurted out, "Baby, come back. I'll love you forever." She wrinkled her nose. "Hard pass. Keep your cheap love." Then she took a mogul's arm and never looked back.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
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