THE WORLD SET FREE was written in 1913 and published early in 1914, and it is the latest of a series of three fantasias of possibility, stories which all turn on the possible developments in the future of some contemporary force or group of forces. The World Set Free was written under the immediate shadow of the Great War. Every intelligent person in the world felt that disaster was impending and knew no way of averting it, but few of us realised in the earlier half of 1914 how near the crash was to us. The reader will be amused to find that here it is put off until the year 1956. He may naturally want to know the reason for what will seem now a quite extraordinary delay. As a prophet, the author must confess he has always been inclined to be rather a slow prophet.
THE WORLD SET FREE was written in 1913 and published early in 1914, and it is the latest of a series of three fantasias of possibility, stories which all turn on the possible developments in the future of some contemporary force or group of forces. The World Set Free was written under the immediate shadow of the Great War. Every intelligent person in the world felt that disaster was impending and knew no way of averting it, but few of us realised in the earlier half of 1914 how near the crash was to us. The reader will be amused to find that here it is put off until the year 1956.
He may naturally want to know the reason for what will seem now a quite extraordinary delay. As a prophet, the author must confess he has always been inclined to be rather a slow prophet. The war aeroplane in the world of reality, for example, beat the forecast in Anticipations by about twenty years or so. I suppose a desire not to shock the sceptical reader's sense of use and wont and perhaps a less creditable disposition to hedge, have something to do with this dating forward of one's main events, but in the particular case of The World Set Free there was, I think, another motive in holding the Great War back, and that was to allow the chemist to get well forward with his discovery of the release of atomic energy. 1956 - or for that matter 2056 - may be none too late for that crowning revolution in human potentialities. And apart from this procrastination of over forty years, the guess at the opening phase of the war was fairly lucky; the forecast of an alliance of the Central Empires, the opening campaign through the Netherlands, and the despatch of the British Expeditionary Force were all justified before the book had been published six months. And the opening section of Chapter the Second remains now, after the reality has happened, a fairly adequate diagnosis of the essentials of the matter. One happy hit (in Chapter the Second, Section 2), on which the writer may congratulate himself, is the forecast that under modern conditions it would be quite impossible for any great general to emerge to supremacy and concentrate the enthusiasm of the armies of either side. There could be no Alexanders or Napoleons. And we soon heard the scientific corps muttering, 'These old fools,' exactly as it is here foretold.
These, however, are small details, and the misses in the story far outnumber the hits. It is the main thesis which is still of interest now; the thesis that because of the development of scientific knowledge, separate sovereign states and separate sovereign empires are no longer possible in the world, that to attempt to keep on with the old system is to heap disaster upon disaster for mankind and perhaps to destroy our race altogether. The remaining interest of this book now is the sustained validity of this thesis and the discussion of the possible ending of war on the earth. I have supposed a sort of epidemic of sanity to break out among the rulers of states and the leaders of mankind. I have represented the native common sense of the French mind and of the English mind - for manifestly King Egbert is meant to be 'God's Englishman'- leading mankind towards a bold and resolute effort of salvage and reconstruction. Instead of which, as the school book footnotes say, compare to-day's newspaper. Instead of a frank and honourable gathering of leading men, Englishman meeting German and Frenchman Russian, brothers in their offences and in their disaster, upon the hills of Brissago, beheld in Geneva at the other end of Switzerland a poor little League of (Allied) Nations (excluding the United States, Russia, and most of the 'subject peoples' of the world), meeting obscurely amidst a world-wide disregard to make impotent gestures at the leading problems of the debacle. Either the disaster has not been vast enough yet or it has not been swift enough to inflict the necessary moral shock and achieve the necessary moral revulsion. Just as the world of 1913 was used to an increasing prosperity and thought that increase would go on for ever, so now it would seem the world is growing accustomed to a steady glide towards social disintegration, and thinks that that too can go on continually and never come to a final bump. So soon do use and wont establish themselves, and the most flaming and thunderous of lessons pale into disregard.
The question whether a Leblanc is still possible, the question whether it is still possible to bring about an outbreak of creative sanity in mankind, to avert this steady glide to destruction, is now one of the most urgent in the world. It is clear that the writer is temperamentally disposed to hope that there is such a possibility. But he has to confess that he sees few signs of any such breadth of understanding and steadfastness of will as an effectual effort to turn the rush of human affairs demands. The inertia of dead ideas and old institutions carries us on towards the rapids. Only in one direction is there any plain recognition of the idea of a human commonweal as something overriding any national and patriotic consideration, and that is in the working class movement throughout the world. And labour internationalism is closely bound up with conceptions of a profound social revolution. If world peace is to be attained through labour internationalism, it will have to be attained at the price of the completest social and economic reconstruction and by passing through a phase of revolution that will certainly be violent, that may be very bloody, which may be prolonged through a long period, and may in the end fail to achieve anything but social destruction. Nevertheless, the fact remains that it is in the labour class, and the labour class alone, that any conception of a world rule and a world peace has so far appeared. The dream of The World Set Free, a dream of highly educated and highly favoured leading and ruling men, voluntarily setting themselves to the task of reshaping the world, has thus far remained a dream.
H. G. WELLS.
EASTON GLEBE, DUNMOW, 1921.
From the book:One afternoon, at low water, Mr. Isbister, a young artist lodging at Boscastle, walked from that place to the picturesque cove of Pentargen, desiring to examine the caves there. Halfway down the precipitous path to the Pentargen beach he came suddenly upon a man sitting in an attitude of profound distress beneath a projecting mass of rock. The hands of this man hung limply over his knees, his eyes were red and staring before him, and his face was wet with tears. He glanced round at Isbister's footfall. Both men were disconcerted, Isbister the more so, and, to override the awkwardness of his involuntary pause, he remarked, with an air of mature conviction, that the weather was hot for the time of year. "Very," answered the stranger shortly, hesitated a second, and added in a colourless tone, "I can't sleep."
Philosophically minded science fiction fans will rejoice in this novel from H.G. Wells, the author regarded as one of the originators of the genre who wrote classic gems such as The War of the Worlds, The Time Machine, The Invisible Man, and The Island of Doctor Moreau. Though more grounded in realism than some of his other works, Tono-Bungay offers an interesting look into the morality of scientific discovery.
THE WORLD SET FREE was written in 1913 and published early in 1914, and it is the latest of a series of three fantasias of possibility, stories which all turn on the possible developments in the future of some contemporary force or group of forces. The World Set Free was written under the immediate shadow of the Great War. Every intelligent person in the world felt that disaster was impending and knew no way of averting it, but few of us realised in the earlier half of 1914 how near the crash was to us. The reader will be amused to find that here it is put off until the year 1956.Noteworthy for its depiction of fictional ''atomic bombs'' which eerily prefigure the development of real nuclear weapons.
Bert Smallways is the unlikely protagonist, a kind of Edwardian Mod, not interested in a steady career, always looking for a good time, riding his proto-scooter down to Brighton at the weekends. When Bert is accidentally scooped up by a German fleet, on its way to launch a surprise attack on the United States, he finds himself with a front row seat to the greatest war that has ever been – the war in the air! This new war is to be a different sort of war than all the wars that came before it, unprecedented in its ferocity and destructiveness. The art of war has completely changed with the coming of airplanes, which the author very eloquently brings out. „The War in the Air" is a story of the awful devastation following a conflict between two first-class powers with the resources of the air at their command. It is one of the most brilliant and successful of Mr. Wells's studies in futurity.
A radical reinvention of Victorian invasion fiction, and a blueprint for the alien invasion stories that have captured the minds of science fiction readers and writers for over a century. The unnamed narrator recounts the circumstances of a Martian invasion of earth, and their subsequent behaviour once England has been laid to ruin and brought under their control, all while trying desperately to reunite with his wife. The War of the Worlds has been adapted for other media numerous times, the most famous of which is the 1938 Orson Welles radio broadcast. Keeping with the factual presentation of the novel, the broadcast was initially framed as a news bulletin, leading numerous listeners to believe the events recounted were actually happening. More recently, Steven Spielberg adapted the novel to film, with Tom Cruise in the leading role. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
The New Machiavelli is written in the first person by its protagonist, Dick Remington, who has a lifelong passion for statecraft and who dreams of recasting the social and political form of the English nation. Remington is a brilliant student at Cambridge, writes several books on political themes, marries a wealthy heiress, and enters parliament as a Liberal influenced by the socialism of a couple easily recognizable as the Webbs, only to go over to the Conservatives.
On her wedding day, Khloe’s sister connived with her groom, framing her for a crime she didn’t commit. She was sentenced to three years in prison, where she endured much suffering. When Khloe was finally released, her evil sister used their mother to coerce Khloe into an indecent liaison with an elderly man. As fate would have it, Khloe crossed paths with Henrik, the dashing yet ruthless mobster who sought to alter the course of her life. Despite Henrik’s cold exterior, he cherished Khloe like no other. He helped her take retribution from her tormentors and kept her from being bullied again.
She was a world-renowned divine doctor, the CEO of a publicly traded company, the most formidable female mercenary, and a top-tier tech genius. Marissa, a titan with a plethora of secret identities, had hidden her true stature to marry a seemingly impoverished young man. However, on the eve of their wedding, her fiance, who was actually the lost heir to a wealthy dynasty, called off the engagement and subjected her to degradation and mockery. Upon the revelation of her concealed identities, her ex-fiance was left stunned and desperately pleaded for her forgiveness. Standing protectively before Marissa, an incredibly influential and fearsome magnate declared, "This is my wife. Who would dare try to claim her?"
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
Three years ago, the Moore family opposed Charles Moore's choice to marry his beloved woman and selected Scarlett Riley as his bride. Charles didn't love her. In fact, he hated her. Not long after they got married, Scarlett received an offer from her dream university and jumped on it. Three years later, Charles's beloved woman fell terribly ill. In order to fulfill her last wish, he called Scarlett back and presented her with a divorce agreement. Scarlett was deeply hurt by Charles's abrupt decision, but she chose to let him go and agreed to sign the divorce papers. However, Charles seemed to delay the process deliberately, leaving Scarlett confused and frustrated. Now, Scarlett was trapped between the consequences of Charles's indecision. Would she be able to break free from him? Would Charles eventually come to his senses and face his true feelings?
She was hurt. She was bullied and made fun of. And the only hope that kept her going was finding her mate. She has always been weak. Weak to the world. Why? Because she was a lantern. She didn't have a wolf. That's what everyone thought about her. When she found her mate, he wanted her to be his slut and not a wife. She might be an omega, but it doesn't mean she will take disloyalty and betrayal lightly. So she did something that no one in history ever did. She rejected an Alpha. "I, Alexis Clark, reject Brandon Sterling, the alpha of Black mist pack, and consider myself a free soul until I decide so."; Were her last words before she left that torturous place and became a rogue. A rogue that everyone was fearing and finding. Why? Because she was the rogue that has become one of the biggest problems of almost all the packs in the country. She was Alexis Clark. A rogue that rejected an Alpha, stealth food, kill other rogues, and more than that was living with humans and studying with them. What will happen when her case is given to the world's most dangerous alpha, Sebastian Sinclair, who has taken it upon himself to punish this rogue. The one who hated rogues and omega to a level that was beyond understanding. Why? Because his mate was an omega, who betrayed him with a rogue before dying. How will Alexis tackle this alpha, in whose College she was studying and living under hiding for almost a year? What will Sebastian do when he finds out the new girl he had been talking to is none other than the rogue omega that he had decided to kill? "To love you with all my might was my only wish, but you were the only one who gave me endless suffering. So today, I promise myself to not fall for anyone."; A simple saying that both Alexis and Sebastian had vowed upon. Will they be able to find their love amidst all these problems?
Compelled by her dad's dilemma and the looming fate of their business, Irene agreed to become Braydon's lover. To outsiders, Braydon seemed invulnerable, yet only Irene was privy to the tempestuous passions he unleashed behind closed doors. Gradually, Irene found herself tangled in the intricate emotional snare Braydon had woven, her heart craving more, only to be shattered by the revelation of his engagement. Devastated, she left and soon encountered Braydon's archrival. It was then that the formidable Braydon confronted the esteemed surgeon Dr. Mitchell, all in a fierce struggle over Irene.