The Boy Crusaders by John G. Edgar
The Boy Crusaders by John G. Edgar
IT was the age of chain armour and tournaments-of iron barons and barons' wars-of pilgrims and armed pilgrimages-of forests and forest outlaws-when Henry III. reigned as King of England, and the feudal system, though no longer rampant, was still full of life and energy; when Louis King of France, afterwards canonised as St. Louis, undertook one of the last and most celebrated of those expeditions known as the Crusades, and described as 'feudalism's great adventure, and popular glory.'
At the time when Henry was King of England and when Louis of France was about to embark for the East, with the object of rescuing the Holy Sepulchre from the Saracens, there stood on the very verge of Northumberland a strong baronial edifice, known as the Castle of Wark, occupying a circular eminence, visible from a great distance, and commanding such an extensive view to the north as seemed to ensure the garrison against any sudden inroad on the part of the restless and refractory Scots. On the north the foundations were washed by the waters of the Tweed, here broad and deep; and on the south were a little town, which had risen under the protection of the castle, and,-stretching away towards the hills of Cheviot,-an extensive park or chase, abounding with wild cattle and deer and beasts of game. At an earlier period this castle had been a possession of the famous house of Espec; and, when in after days it came into the hands of the Montacute Earls of Salisbury, Edward III. was inspired within its walls with that romantic admiration of the Countess of Salisbury which resulted in the institution of the Order of the Garter. During the fifth decade of the thirteenth century, however, it was the chief seat of Robert, Lord de Roos, a powerful Anglo-Norman noble, whose father had been one of the barons of Runnymede and one of the conservators of the Great Charter.
Like most of the fortresses built by the Norman conquerors of England, Wark consisted of a base-court, a keep, and a barbican in front of the base-court. The sides of the walls were fortified with innumerable angles, towers, and buttresses, and surmounted with strong battlements and hornworks. For greater security the castle was encompassed, save towards the Tweed, with a moat or deep ditch, filled with water, and fortified with strong palisades, and sharp stakes set thick all around the walls. Over the moat, at the principal gate, was the drawbridge, which was almost always raised, and the gate-house, a square building, having strong towers at each corner. Over the entrance and within the square of the gate-house was an arched vault, and over it was a chamber with apertures, through which, on occasion of an assault, the garrison, unseen the whilst, could watch the operations of the foe, and pour boiling water or melted lead on the foremost assailants. On the west side were the outworks, consisting of a platform with a trench half a mile in length, and breastworks, and covered ways, and mounds. The roofs of the building were bordered with parapets, guard walks, and sentry boxes.
But the whole space was not appropriated to works intended to ensure the stronghold against the assault of foes. Near the mound was the chapel dedicated to St. Giles. Under the outer wall was a military walk, five yards wide, and forty-eight yards in length. Underneath the walls, on the brink of the river, was a beautiful terrace, called the Maiden's Walk, where the lady of the castle and her damsels, after their labours at the loom, were wont to take air and exercise on a summer evening, ere the vesper bell rang, and the bat began to hunt the moth. Within the precincts of the building was the tiltyard, a broad space enclosed with rails, and covered with sawdust, where young men of gentle blood, in the capacity of pages and squires, acquired the chivalrous accomplishments which the age prized so highly.
In fact, the castle of Wark, like most feudal castles of that century, was a school of chivalry, whither the sons of nobles and knights were sent to serve their apprenticeship as warriors, taught their duty to God and the ladies, and trained to the skill in arms which enabled them to compel the respect of one sex and influence the hearts of the other.
First, on foot, they were taught to attack the pel, an imaginary adversary, which was simply the stump of a tree six feet in height; then, on horseback, they were made to charge the quintain, a wooden figure in the form of a Saracen, armed in mail and holding a sabre in one hand and a shield in the other, and so constructed to move on a pivot that, unless the youth was dexterous enough to strike the face or breast, it revolved rapidly, and dealt him a heavy blow on the back as he was retiring. As the lads became more expert they tilted at each other with blunt lances, practised riding at the ring, and learned to excel as equestrians by riding in a circle, vaulting from their steeds in the course of their career, and mounting again while they galloped.
At the same time they were trained to acquit themselves with credit in those encounters celebrated as combats at the barriers. At the sieges of cities, during the middle ages, knights of the besieging army were in the habit of going to the barriers, or grated palisades of the fortress, and defying the garrison to break a lance for the honour of their ladies. Indeed, this was so fashionable, that an army could hardly appear before a town without the siege giving rise to a variety of such combats, which were generally conducted with fairness on both sides. This mode of attack was early taught to the apprentice to chivalry, and assiduously practised by all who were ambitious of knightly honour.
Nor did the exercises of the tiltyard end at this stage. At the time of which I write, the name of Richard C?ur de Lion was famous in Europe and Asia; and his feats in arms were on every tongue. One of his great exploits at the battle of Joppa was especially the admiration of the brave. It seems that, when the Crusaders were surrounded and almost overwhelmed by the swarming host of Saladin, Richard, who, up to that moment, had neither given nor received a wound, suddenly sprang on his charger, drew his sword, laid his lance in rest, and with his sword in one hand, and his lance in the other, spurred against the Saracens, striking sparks from their helmets and armour, and inspiring such terror that his foes were completely routed. Naturally such an exploit made a strong impression on the imagination of aspirants to warlike fame, and the youth who had the dexterity and the equestrian skill to imitate it in mimic fray was regarded with admiration and envy.
Now our concern with Wark, and its tiltyard, is simply this-that, within the castle, there were trained in the exercises of chivalry, and qualified for its honours, two striplings, who, when St. Louis took the Cross, and undertook a holy war, embarked for the East, and figured, during a memorable expedition, as the Boy Crusaders.
* * *
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Zane and I were together for ten years. When he had no one, I stayed by his side, supporting his hockey career while believing at the end of all our struggles, I'll be his wife and the only one at his side. But after six years of dating, and four years of being his fiancée, not only did he leave me, but seven months later I receive an invitation... to his wedding! If that isn't bad enough, the month long wedding cruise is for couples only and requires a plus one. If Zane thinks breaking my heart left me too miserable to move on, he thought wrong! Not only did it make me stronger.. it made me strong enough to move on with his favourite bad boy hockey player, Liam Calloway.
I sat on the cold tile floor of our Upper East Side penthouse, staring at the two pink lines until my vision blurred. After ten years of loving Julian Sterling and three years of a hollow marriage, I finally had the one thing that could bridge the distance between us. I was pregnant. But Julian didn't come home with flowers for our anniversary. He tossed a thick manila envelope onto the marble coffee table with a heavy thud. Fiona, the woman he'd truly loved for years, was back in New York, and he told me our "business deal" was officially over. "Sign it," He said, his voice flat and devoid of emotion. He looked at me with the cold detachment of a man selling a piece of unwanted furniture. When I hesitated, he told me to add a zero to the alimony if the money wasn't enough. I realized in that moment that if he knew about the baby, he wouldn't love me; he would simply take my child and give it to Fiona to raise. I shoved the pregnancy test into my pocket, signed the papers with a shaking hand, and lied through my teeth. When my morning sickness hit, I slumped to the floor to hide the truth. "It's just cramps," I gasped, watching him recoil as if I were contagious. To make him stay away, I invented a man named Jack-a fake boyfriend who supposedly gave me the kindness Julian never could. Suddenly, the man who wanted me gone became a monster of possessiveness. He threatened to "bury" a man who didn't exist while leaving me humiliated at his family's dinner to rush to Fiona's side. I was so broken that I even ate a cake I was deathly allergic to, then had to refuse life-saving steroids at the hospital because they would harm the fetus. Julian thinks he's stalling the divorce for two months to protect the family's reputation for his father's Jubilee. He thinks he's keeping his "property" on a short leash until the press dies down. He has no idea I'm using those sixty days to build a fortress for my child. By the time he realizes the truth, I'll be gone, and the Sterling heir will be far beyond his reach.
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
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