The Clicking of Cuthbert by P. G. Wodehouse
The Clicking of Cuthbert by P. G. Wodehouse
TO THE IMMORTAL MEMORY OF JOHN HENRIE AND PAT ROGIE WHO AT EDINBURGH IN THE YEAR 1593 A.D. WERE IMPRISONED FOR "PLAYING OF THE GOWFF ON THE LINKS OF LEITH EVERY SABBATH THE TIME OF THE SERMONSES", ALSO OF ROBERT ROBERTSON WHO GOT IT IN THE NECK IN 1604 A.D. FOR THE SAME REASON
FORE!
This book marks an epoch in my literary career. It is written in blood. It is the outpouring of a soul as deeply seared by Fate's unkindness as the fairway on the dog-leg hole of the second nine was ever seared by my iron. It is the work of a very nearly desperate man, an eighteen-handicap man who has got to look extremely slippy if he doesn't want to find himself in the twenties again.
As a writer of light fiction, I have always till now been handicapped by the fact that my disposition was cheerful, my heart intact, and my life unsoured. Handicapped, I say, because the public likes to feel that a writer of farcical stories is piquantly miserable in his private life, and that, if he turns out anything amusing, he does it simply in order to obtain relief from the almost insupportable weight of an existence which he has long since realized to be a wash-out. Well, today I am just like that.
Two years ago, I admit, I was a shallow farceur. My work lacked depth. I wrote flippantly simply because I was having a thoroughly good time. Then I took up golf, and now I can smile through the tears and laugh, like Figaro, that I may not weep, and generally hold my head up and feel that I am entitled to respect.
If you find anything in this volume that amuses you, kindly bear in mind that it was probably written on my return home after losing three balls in the gorse or breaking the head off a favourite driver: and, with a murmured "Brave fellow! Brave fellow!" recall the story of the clown jesting while his child lay dying at home. That is all. Thank you for your sympathy. It means more to me than I can say. Do you think that if I tried the square stance for a bit.... But, after all, this cannot interest you. Leave me to my misery.
POSTSCRIPT.-In the second chapter I allude to Stout Cortez staring at the Pacific. Shortly after the appearance of this narrative in serial form in America, I received an anonymous letter containing the words, "You big stiff, it wasn't Cortez, it was Balboa." This, I believe, is historically accurate. On the other hand, if Cortez was good enough for Keats, he is good enough for me. Besides, even if it was Balboa, the Pacific was open for being stared at about that time, and I see no reason why Cortez should not have had a look at it as well.
P. G. WODEHOUSE.
CONTENTS
FORE!
What would you do if you found out that a long-ago acquaintance left you the equivalent of millions of dollars in his will? That's exactly what happens to down-on-his-luck Lord Dawlish in P.G. Wodehouse's Uneasy Money.
The Man with Two Left Feet and Other Stories by P. G. Wodehouse
Since she was ten, Noreen had been by Caiden's side, watching him rise from a young boy into a respected CEO. After two years of marriage, though, his visits home grew rare. Gossip among the wealthy said he despised her. Even his beloved mocked her hopes, and his circle treated her with scorn. People forgot about her decade of loyalty. She clung to memories and became a figure of ridicule, worn out from trying. They thought he'd won his freedom, but he dropped to his knees and begged, "Noreen, you're the only one I love." Leaving behind the divorce papers, she walked away.
Her ex-husband declared, "The person I admired most was that legendary racer." She smiled thinly. "Hate to break it to you-that was me." He said, "Jealous I blew a fortune on a world-famous jeweler for Violet?" She let out a cool laugh. "Funny, that designer trained under me." He scoffed, "Buying a dying firm won't put you in my league. Snap out of it." She shrugged. "Weird-I just steered your company off a cliff." Stunned, he blurted out, "Baby, come back. I'll love you forever." She wrinkled her nose. "Hard pass. Keep your cheap love." Then she took a mogul's arm and never looked back.
I was the spare daughter of the Vitiello crime family, born solely to provide organs for my golden sister, Isabella. Four years ago, under the codename "Seven," I nursed Dante Moretti, the Don of Chicago, back to health in a safe house. I was the one who held him in the dark. But Isabella stole my name, my credit, and the man I loved. Now, Dante looked at me with nothing but cold disgust, believing her lies. When a neon sign crashed down on the street, Dante used his body to shield Isabella, leaving me to be crushed under twisted steel. While Isabella sat in a VIP suite crying over a scratch, I lay broken, listening to my parents discuss if my kidneys were still viable for harvest. The final straw came at their engagement gala. When Dante saw me wearing the lava stone bracelet I had worn in the safe house, he accused me of stealing it from Isabella. He ordered my father to punish me. I took fifty lashes to my back while Dante covered Isabella's eyes, protecting her from the ugly truth. That night, the love in my heart finally died. On the morning of their wedding, I handed Dante a gift box containing a cassette tape—the only proof that I was Seven. Then, I signed the papers disowning my family, threw my phone out the car window, and boarded a one-way flight to Sydney. By the time Dante listens to that tape and realizes he married a monster, I will be thousands of miles away, never to return.
Katherine endured mistreatment for three years as Julian's wife, sacrificing everything for love. But when his sister drugged her and sent her to a client's bed, Katherine finally snapped. She left behind divorce papers, walking away from the toxic marriage. Years later, Katherine returned as a radiant star with the world at her feet. When Julian saw her again, he couldn't ignore the uncanny resemblance between her new love and himself. He had been nothing but a stand-in for someone else. Desperate to make sense of the past, Julian pressed Katherine, asking, "Did I mean nothing to you?"
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
"You need a bride, I need a groom. Why don't we get married?" Both abandoned at the altar, Elyse decided to tie the knot with the disabled stranger from the venue next door. Pitying his state, she vowed to spoil him once they were married. Little did she know that he was actually a powerful tycoon. Jayden thought Elyse only married him for his money, and planned to divorce her when she was no longer of use to him. But after becoming her husband, he was faced with a new dilemma. "She keeps asking for a divorce, but I don't want that! What should I do?"
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