The Doctor by Ralph Connor
The Doctor by Ralph Connor
There were two ways by which one could get to the Old Stone Mill.
One, from the sideroad by a lane which, edged with grassy, flower-decked banks, wound between snake fences, along which straggled irregular clumps of hazel and blue beech, dogwood and thorn bushes, and beyond which stretched on one side fields of grain just heading out this bright June morning, and on the other side a long strip of hay fields of mixed timothy and red clover, generous of colour and perfume, which ran along the snake fence till it came to a potato patch which, in turn, led to an orchard where the lane began to drop down to the Mill valley.
At the crest of the hill travellers with even the merest embryonic aesthetic taste were forced to pause. For there the valley with its sweet loveliness lay in full view before them. Far away to the right, out of an angle in the woods, ran the Mill Creek to fill the pond which brimmed gleaming to the green bank of the dam. Beyond the pond a sloping grassy sward showed green under an open beech and maple woods. On the hither side of the pond an orchard ran down hill to the water's edge, and at the nearer corner of the dam, among a clump of ancient willows, stood the Old Stone Mill, with house attached, and across the mill yard the shed and barn, all neat as a tidy housewife's kitchen. To the left of the mill, with its green turf-clad dam and placid gleaming pond, wandered off green fields of many shading colours, through which ran the Mill Creek, foaming as if enraged that it should have been even for a brief space paused in its flow to serve another's will. Then, beyond the many-shaded fields, woods again, spruce and tamarack, where the stream entered, and maple and beech on the higher levels. That was one way to the mill, the way the farmers took with their grist or their oats for old Charley Boyle to grind.
The other way came in by the McKenzies' lane from the Concession Line, which ran at right angles to the sideroad. This was a mere foot path, sometimes used by riders who came for a bag of flour or meal when the barrel or bin had unawares run low. This path led through the beech and maple woods to the farther end of the dam, where it divided, to the right if one wished to go to the mill yard, and across the dam if one wished to reach the house. From any point of view the Old Stone Mill, with its dam and pond, its surrounding woods and fields and orchard, made a picture of rare loveliness, and suggestive of deep fulness of peace. At least, the woman standing at the dam, where the shade of the willows fell, found it so. The beauty, the quiet of the scene, rested her; the full sweet harmony of those many voices in which Nature pours forth herself on a summer day, stole in upon her heart and comforted her. She was a woman of striking appearance. Tall and straight she stood, a figure full of strength; her dark face stamped with features that bespoke her Highland ancestry, her black hair shot with silver threads, parting in waves over her forehead; her eyes deep set, black and sombre, glowing with that mystic light that shines only in eyes that have for generations peered into the gloom of Highland glens.
"Ay, it's a bonny spot," she sighed, her rugged face softening as she gazed. "It's a bonny spot, and it would be a sore thing to part it."
As she stood looking and listening her face changed. Through the hum of the mill there pierced now and then the notes of a violin.
"Oh, that weary fiddle!" she said with an impatient shake of her head. But in a few moments the impatience in her face passed into tender pity. "Ah, well, well," she sighed, "poor man, it is the kind heart he has, whateffer."
She passed down the bank into the house, then through the large living-room, speckless in its thrifty order, into a longer room that joined house to mill. She glanced at the tall clock that stood beside the door. "Mercy me!" she cried, "it's time my own work was done. But I'll just step in and see-" She opened the door leading to the mill and stood silent. A neat little man with cheery, rosy face, clean-shaven, and with a mass of curly hair tinged with grey hanging about his forehead, was seated upon a chair tipped back against the wall, playing a violin with great vigour and unmistakable delight.
"The mill's a-workin', mother," he cried without stopping his flying fingers, "and I'm keepin' my eye upon her."
She shook her head reproachfully at her husband. "Ay, the mill is workin' indeed, but it's not of the mill you're thinking."
"Of what then?" he cried cheerily, still playing.
"It is of that raising and of the dancing, I'll be bound you."
"Wrong, mother," replied the little man exultant. "Sure you're wrong. Listen to this. What is it now?"
"Nonsense," cried the woman, "how do I know?"
"But listen, Elsie, darlin'," he cried, dropping into his Irish brogue. "Don't you mind-" and on he played for a few minutes. "Now you mind, don't you?"
"Of course, I mind, 'The Lass o' Gowrie.' But what of it?" she cried, heroically struggling to maintain her stern appearance.
But even as she spoke her face, so amazing in its power of swiftly changing expression, took on a softer look.
"Ah, there you are," cried the little man in triumph, "now I know you remember. And it's twenty-four years to-morrow, Elsie, darlin', since-" He suddenly dropped his violin on some meal bags at his side and sprang toward her.
"Go away with you." She closed the door quickly behind her. "Whisht now! Be quate now, I'm sayin'. You're just as foolish as ever you were."
"Foolish? No mother, not foolish, but wise yon time, although it's foolish enough I've been often since. And," he added with a sigh, "it's not much luck I've brought you, except for the boys. They'll do, perhaps, what I've not done."
"Whisht now, lad," said his wife, patting his shoulder gently, for a great tenderness flowed over her eloquent face. "What has come to you to-day? Go away now to your work," she added in her former tone, "there's the hay waiting, you know well. Go now and I'll watch the grist."
"And why would you watch the grist, mother?" said a voice from the mill door, as a young man of eighteen years stepped inside. He was his mother's son. The same swarthy, rugged face, the same deep-set, sombre eyes, the same suggestion of strength in every line of his body, of power in every move he made and of passion in every glance. "Indeed, you will do no such thing. Dad'll watch the grist and I'll slash down the hay in no time. And do you know, mother," he continued in a tone of suppressed excitement, "have you heard the big news?" His mother waited. "He's coming home to-day. He's coming with the Murrays, and Alec will bring him to the raising."
A throb of light swept across the mother's face, but she only said in a voice calm and steady, "Well, you'd better get that hay down. It'll be late enough before it is in."
"Listen to her, Barney," cried her husband scornfully. "And she'll not be going to the raising today, either. The boy'll be home by one in the morning, and sure that's time enough."
Barney stood looking at his mother with a quiet smile on his face. "We will have dinner early," he said, "and I'll just take a turn at the hay."
She turned and entered the house without a word, while he took down the scythe from its peg, removed the blade from the snath and handed it to his father.
"Give it a turn or two," he said; "you're better than me at this."
"Here then," replied his father, handing him the violin, "and you're better at this."
"They would not say so to-night, Dad," replied the lad as he took the violin from his father's hands, looking it over reverently. In a very few minutes his father came back with the scythe ready for work; and Barney, fastening it to the snath, again set off up the lane.
To-morrow morning, at seven o'clock, remember,” he said curtly, and, turning on his heel, he passed out. It seemed to Jack as he drove home that life had suddenly become a tangle of perplexities and complications. First there was Annette.
I think I have met Ralph Conner. Indeed, I am sure I have - once in a canoe on the Red River, once on the Assinaboine, and twice or thrice on the prairies to the West. That was not the name he gave me, but, if I am right, it covers one of the most honest and genial of the strong characters that are fighting the devil and doing good work for men all over the world. He has seen with his own eyes the life which he describes in this book, and has himself, for some years of hard and lonely toil, assisted in the good influences which he traces among its wild and often hopeless conditions.
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
I stood outside my husband's study, the perfect mafia wife, only to hear him mocking me as an "ice sculpture" while he entertained his mistress, Aria. But the betrayal went deeper than infidelity. A week later, my saddle snapped mid-jump, leaving me with a shattered leg. Lying in the hospital bed, I overheard the conversation that killed the last of my love. My husband, Alessandro, knew Aria had sabotaged my gear. He knew she could have killed me. Yet, he told his men to let it go. He called my near-death experience a "lesson" because I had bruised his mistress's ego. He humiliated me publicly, freezing my accounts to buy family heirlooms for her. He stood by while she threatened to leak our private tapes to the press. He destroyed my dignity to play the hero for a woman he thought was a helpless orphan. He had no idea she was a fraud. He didn't know I had installed micro-cameras throughout the estate while he was busy pampering her. He didn't know I had hours of footage showing his "innocent" Aria sleeping with his guards, his rivals, and even his staff, laughing about how easy he was to manipulate. At the annual charity gala, in front of the entire crime family, Alessandro demanded I apologize to her. I didn't beg. I didn't cry. I simply connected my drive to the main projector and pressed play.
Isabelle's love for Kolton held flawless for fifteen years-until the day she delivered their children and slipped into a coma. He leaned to her ear and whispered, "Don't wake up. You're worthless to me now." The twins later clutched another woman's hand and chirped, "Mommy," splintering Isabelle's heart. She woke, filed for divorce, and disappeared. Only then did Kolton notice her fingerprints on every habit. They met again: she emerged as the lead medical specialist, radiant and unmoved. But at her engagement gala, she leapt into a tycoon's arms. Jealous, he crushed a glass, blood wetting his palm. He believed as soon as he made a move, Isabelle would return to him. After all, she had loved him deeply.
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
Nadine reunited with her family, convinced she'd been discarded, rage simmering-only to find collapse: her mother unstable, her father poisoned; a pianist brother trapped in a sham marriage, a detective brother framed and jailed, the youngest dragged into a gang. While the fake daughter mocked and colluded, Nadine moved in secret-healing her mother, curing her father, ending the union, clearing charges, and lifting the youngest to leader. Rumors said she rode coattails, unworthy of Rhys, the unmatched magnate. Few knew she was a renowned healer, legendary assassin, mysterious tycoon... Rhys knelt. "Marry me! The entire empire is yours for the taking!"
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY