The Hive by Will Levington Comfort
The Hive by Will Levington Comfort
The thing called the New Race-the passion of poets, the phantom running ahead and forever calling the dreamer and revolutionist and occultist, is far from a reality as yet among the commonplaces of the world. It is the spirit of everything worth while, but that means nothing to one who has not a breath of it in his own body.... A story went forth from this shop recently in which certain ideals and presences of the new social order were carried through to a cheerful ending. The publisher wrote, "Yes, but what is the New Race?"
It's a fair question, but remember one cannot adequately describe a spiritual thing in terms of matter. It is only possible of portrayal where it has broken through into terms of three-space. First you are apt to get the nearest and most striking picture of the New Race at your own supper-table-the presence of one of your own children, especially if the young one is hard to understand.
Parents and children of all times have found confusion and alarm in each other's ways. But there are rare periods of human history when the difference between two generations has been not a normal and superficial crack, but an abyss. It is so now. The Old has reached its climacteric point of destructivity. All self-passions destroy themselves in time. Fear, greed, sensuality-all are self-destructive. Great human numbers and decadent principles have been recently broken down in the world with a swiftness and abandonment heretofore unrecorded, except in the traditions of planetary flood and flame....
You may watch closely the child under seven who plays in the Unseen, whose companions are not in the room for older eyes; watch the one of fancies and fairies and fragrances which others cannot quite discern. Many a child has been driven with a soul-wound into corroding silence by parents who thought they were punishing falsehood, when they were in reality repressing the imagination-the faculty which master-artists denote as the first and loveliest possession of the creative mind. Too coarse and unlit to see what the child saw, the parents again and again have looked gravely at each other, saying:
"This is a crisis. Our child has begun to lie. We must forget her own feelings and punish her--"
So often it is her-but not always. The boys who are to do the great tasks of song and prophecy and architecture-they, too, dream dreams and see visions and have the rapt eyes of Joan in the forests of Domremy; they, too, are severely questioned by the pharisees; none escape this scourging; they, too, in many cases shall be put to death.
The new ideals of the parenthood, education, romance, are now being introduced and promulgated by pioneers long since emerged from the old litter and humus. Education will mean first of all a turning for power to the Unseen. The quest of the Swan and the Star and the Beloved, are never carried along on the levels and inequalities of the earth-always the uplifted face for the saint and the sage and the seer. Great parents kneel beside their children and beg to be delivered from the heaviness which holds them to the dim shadows, where the child sees face to face. Education will mean finding his intrinsic task for the child-the intensive cultivation of the human spirit from the Soul outward, not alone from the brain inward.
The quest of the passing age was for Gold. The real meaning and symbol and glory of gold, as the highest, smoothest and most finished of minerals, has been lost in the bulkier products and possessions it meant to measure and signify. More and more has gold itself hid away from vulgar hands and been represented by objects intrinsically inferior. We now behold a civilisation destroying itself for commodities and destroying the commodities for which the destruction began.
Gold itself will serve Beauty in the coming age; commerce will serve ?sthetics. The lovers of Beauty begin with the sand, with the clay. They love nature from the ground up; they are fervent for light and air, for sun and sky and water, for fruits and grains and bees, for stars and rains and romances. They say such things are holy. Words are inadequate for their loves and appreciations. They find the ways to love God infinite. They see Him in stone and stream; they see Him in the eyes of the deep down men; they see Him risen and inevitable in the eyes of their lovers....
Straight goodness will not do for the New Race, nor straight intellectuality. Artists, singers, painters and idealists will be the heroes of the generations to come, for they will add the quest of Beauty to the unwashed goodness of the saints and pilgrims.
These are but flaring points; one is embarrassed in short space because of a myriad things to say. Free verse is a sign of the New, also the dream of a free world and the planetary patriotism. The immanence of the spirit of all things, is a sign; the sense of the underlying oneness of humanity; not alone the Fatherland, but the Kinterland, where new Fountains are established and sages and masters come for inspiration-all these, like a passing train of wonder, a glimpse of many cars....
I think I can bring the picture in closer by using a few pages of work from one of the young men with me. His name is Steve. I called him The Dakotan,[1] in the book, Child and Country. We've romped and ridden together for three years, and I've known Steve better every day-still far from the end. The rest of the chapter is Steve's writing:
NORTH AMERICANS
Out of the centuries of moil and mix and fuse of Europe, the orient and the north countries, a gleaming archetype has emerged here which may be called the real North Americans. They are scattered here and there among the younger generation-young people new in name only; in soul they are as old as Zeus. Often they are strangers in their father's house. They blend the mind of the occidental with the soul of the east; splendid firstlings of an untried future. They betray themselves by their genius. Heredity is the first fetich overthrown by them.
From the first they are a law unto themselves. They cast off churches, codes, creeds, schools and parents as preliminary steps in their teens. In the twenties they are prodigies, leaders in the arts or the revolutions. It is their aim to over-reach themselves, not to further a type. Very early they conjourn together in secret and obscure places, revolting against life as it is lived, like a handful of white dwellers in a foreign city.
There is always an alien, intangible something about these people. One senses the double life they lead, their own, and others. Conditions are not yet adjusted for them. They are super-nationalists, the first mark of the new. They are dreamers who make their dreams come true in matter, and first among their dreams is of the planet in one piece. They are naturally intolerant of barriers and partitions. They see ahead a new social order vast and shining as a devachanic vision-the real democracy of the future. They see that the new has come in not to kill, but to build. Theirs will be the spiritual heroics. Yet all this, of the greater patriotism, must not yet be spoken. It only alienates them the more from those they must live with. Their arch enemy is Ignorance, personified so often in their elders.
It is noticeable that these young people are healthier, stronger, swifter, sharper, tougher, bolder and at the same time lighter and finer than the passing generation. They have the new healthiness. They belong to the open and are practically immune to disease. Theirs is the health of sun and wind and spirit-vitality instead of constitution, something the old can never understand. Constitution is weight, solid, ungiving. Vitality is volatile, springy, electric, constantly being given, constantly being acquired, self-refining. Constitution does not change; it accumulates all it can, then begins to die....
The young women of this new Race are open, strong, eye-to-eye, free spoken. They are capable of friendships; they are not adverse to being wholly understood by males. They are not popular with ordinary women, who surmise their superiority but comprehend it not. Deceit, jealousy and such common disturbances evident in the sex are unknown to them. They have character and are lovely rather than beautiful. They are apt to go half way in their love-making, for who should know better when the chosen father of their children arrives.
All of these people are bringers of true love. Love is their philosophy and religion. They listen to the heart as well as the brain. Others think them cruel in their discrimination in mating. They take all or nothing-prodigious riskers, great sufferers, throwing even love's dream on the board to be played for, and laughing as they play. The slightest blight on the loved one is deepest agony.
Perhaps the surest way of discovering these young giants is to search about for the most sorely harassed children. Invariably they are put to it, to break into this day and generation. They fight their way up through all the banked-up ignorance and antagonism of unlit humanity. Often they are solitaires, coming and going with the secrecy of kings and eagles.
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
"Anya, a 'wolfless' in a world of powerful werewolves, was invisible, drowning her sorrows and desperately lonely. One drunken text, a desperate cry for attention, accidentally reached the Alpha, pulling her into his terrifying orbit. Now, she's trapped, a pawn in his game, forced to warm his bed while he waits for his true mate, her heart breaking with every stolen moment. As a 'wolfless' in the Blackwood Pack, Anya felt like an outsider, always yearning for a connection. One night, in a drunken haze, a misdirected text meant for her best friend landed in Alpha Declan Blackwood's inbox: ""Send me something hot."" Minutes later, the most powerful, terrifying man in the Pack stood at her door, claiming her with a possessive kiss that ignited a dangerous, unwanted fire. The next morning, his cold indifference shattered her world. Publicly humiliated and instantly fired, Anya became a pariah. Her dying mother's urgent need for a million-dollar heart transplant left her with an impossible choice: accept the Alpha's cold, transactional marriage proposal or watch her mother die. She became his ""placeholder"" wife, a contract, not a partner, all while battling a confusing attraction to the man who treated her as property. Why did he demand her, only to remind her constantly of her worthlessness, especially when everyone knew he waited for his true mate? Her world crumbled when she overheard Declan tell his returning ""true mate,"" Kristin Larsen, that Anya was ""just a substitute."" Despite the crushing betrayal and a strange, unyielding pull, Anya, fueled by her mother's desperate need, vowed to survive this gilded cage and reclaim her life before she lost herself completely."
I was sitting in the Presidential Suite of The Pierre, wearing a Vera Wang gown worth more than most people earn in a decade. It was supposed to be the wedding of the century, the final move to merge two of Manhattan's most powerful empires. Then my phone buzzed. It was an Instagram Story from my fiancé, Jameson. He was at Charles de Gaulle Airport in Paris with a caption that read: "Fuck the chains. Chasing freedom." He hadn't just gotten cold feet; he had abandoned me at the altar to run across the world. My father didn't come in to comfort me. He burst through the door roaring about a lost acquisition deal, telling me the Holland Group would strip our family for parts if the ceremony didn't happen by noon. My stepmother wailed about us becoming the laughingstock of the Upper East Side. The Holland PR director even suggested I fake a "panic attack" to make myself look weak and sympathetic to save their stock price. Then Jameson’s sleazy cousin, Pierce, walked in with a lopsided grin, offering to "step in" and marry me just to get his hands on my assets. I looked at them and realized I wasn't a daughter or a bride to anyone in that room. I was a failed asset, a bouncing check, a girl whose own father told her to go to Paris and "beg" the man who had just publicly humiliated her. The girl who wanted to be loved died in that mirror. I realized that if I was going to be sold to save a merger, I was going to sell myself to the one who actually controlled the money. I marched past my parents and walked straight into the VIP holding room. I looked the most powerful man in the room—Jameson’s cold, ruthless uncle, Fletcher Holland—dead in the eye and threw the iPad on the table. "Jameson is gone," I said, my voice as hard as stone. "Marry me instead."
Five years of devotion ended when Brynn was left at the altar, watching Richard rush to his true love. Knowing she could never thaw his cold heart, Brynn walked away, ready to start over. After a night of drinking, she woke beside the last man she should ever cross-Nolan, her brother's arch-enemy. As she tried to escape, he caught her, murmuring, "You kissed me all night. Leaving isn't an option." The world saw Nolan as cold and distant, but with Brynn, he indulged her every desire. He even bought her a whole village and held her close, his voice low, deep, and endlessly tempting, his robe falling open to reveal his toned abs. "Want to feel it?"
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY