The House on the Moor, v. 3/3

The House on the Moor, v. 2/3 by Mrs. Oliphant

Margaret Oliphant was one of the most prolific and popular writers of her day. Her domestic novels are steeped in the broad social, political, and religious worlds of the Victorian era, and her Chronicles of Carlingford series stands as an insightful portrait of English life. 'Phoebe ,Junior', the last of this series, examines Victorian class dynamics by following the social mobility of one family and the effects of this mobility on the daughter, Phoebe.

Merkland; or, Self Sacrifice by Mrs. Oliphant

OUT of the darkest depths of life, where vice and crime and misery abound, comes the Byron of the twentieth century, the poet of the vagabond and the proletariat, Maxim Gorky. Not like the beggar, humbly imploring for a crust in the name of the Lord, nor like the jeweller displaying his precious stones to dazzle and tempt the eye, he comes to the world,— nay, in accents of Tyrtaeus this commoner of Nizhni Novgorod spurs on his troops of freedom-loving heroes to conquer, as it were, the placid, self- satisfied literatures of to-day, and bring new life to pale, bloodless frames.

These words were spoken in the garden of Dinglefield Rectory on a very fine summer day a few years ago. The speaker was Mr. Damerel, the rector, a middle-aged man with very fine, somewhat worn features, a soft benignant smile, and, as everybody said who knew him, the most charming manners in the world. He was a man of very elegant mind as well as manners. He did not preach often, but when he did preach all the educated persons in his congregation felt that they had very choice fare indeed set before them. I am afraid the poor folk liked the curate best, but then the curate liked them best, and it mattered very little to any man or woman of refinement what sentiment existed between the cottagers and the curate. Mr. Damerel was perfectly kind and courteous to everybody, gentle and simple, who came in his way, but he was not fond of poor people in the abstract.

I THOUGHT I heard a slight rustle, as if Sarah had taken off her spectacles, but I was really so interested in the matter which I was then discussing with Mr. Cresswell, our solicitor, that I did not look round, as I certainly should have done in any other circumstances; but imagine my utter amazement and the start which Mr. Cresswell gave, nearly upsetting the ink on the drab table-cover, which never could have got the better of it, when my sister Sarah, who never speaks except to me, and then only in a whisper, pronounced distinctly, loud out, the following words: “His Christian name was Richard Arkwright; he was called after the cotton-spinner; that was the chief thing against him in my father’s days.”

Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.

Kathryn was the true daughter, but Jolene stole her life and set her up for ruin. After a brutal kidnapping scheme, Kathryn's loyalty to her brothers and fiancé was met with cruel betrayal. Narrowly escaping, she chose to cut all ties and never forgive them. Then she shocked the world: the miracle doctor for the elite, a top-tier hacker, a financial mastermind, and now the untouchable star her family could only watch from afar. Her brothers begged, her parents pleaded, her ex wanted her back-Kathryn exposed them all. The world gasped as the richest man confessed his love for her.

I was sitting in the Presidential Suite of The Pierre, wearing a Vera Wang gown worth more than most people earn in a decade. It was supposed to be the wedding of the century, the final move to merge two of Manhattan's most powerful empires. Then my phone buzzed. It was an Instagram Story from my fiancé, Jameson. He was at Charles de Gaulle Airport in Paris with a caption that read: "Fuck the chains. Chasing freedom." He hadn't just gotten cold feet; he had abandoned me at the altar to run across the world. My father didn't come in to comfort me. He burst through the door roaring about a lost acquisition deal, telling me the Holland Group would strip our family for parts if the ceremony didn't happen by noon. My stepmother wailed about us becoming the laughingstock of the Upper East Side. The Holland PR director even suggested I fake a "panic attack" to make myself look weak and sympathetic to save their stock price. Then Jameson’s sleazy cousin, Pierce, walked in with a lopsided grin, offering to "step in" and marry me just to get his hands on my assets. I looked at them and realized I wasn't a daughter or a bride to anyone in that room. I was a failed asset, a bouncing check, a girl whose own father told her to go to Paris and "beg" the man who had just publicly humiliated her. The girl who wanted to be loved died in that mirror. I realized that if I was going to be sold to save a merger, I was going to sell myself to the one who actually controlled the money. I marched past my parents and walked straight into the VIP holding room. I looked the most powerful man in the room—Jameson’s cold, ruthless uncle, Fletcher Holland—dead in the eye and threw the iPad on the table. "Jameson is gone," I said, my voice as hard as stone. "Marry me instead."

For three years, I was the perfect, invisible wife. My husband, Jaden, called the songs I poured my soul into "trash," then secretly fed them to his pop-star mistress to make her famous. Then one night, after being drugged at a gala, I woke up in a stranger's bed. It wasn't just the betrayal that shattered me; it was the soul-deep certainty that this powerful, dangerous man was my true fated mate. I fled home in a panic, only to find a message on Jaden's phone confirming my worst fears. His mistress, the woman singing my songs on the radio, was pregnant with the baby he'd always told me I was too weak to carry. The nightmare deepened when I learned the identity of the man from the hotel. He was Carter Mcclain, the ruthless Alpha King-and my husband's older brother. He looked at me with eyes that knew my secret, his cruel smirk promising that my life was now a game for his amusement. Jaden had stolen my music, my dream of a family, and my future, leaving me trapped between his betrayal and his terrifying brother. He thought he had broken me, leaving me with nothing. He forgot he left me with the rage that wrote the songs. And I was about to write their final, brutal verse.

Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.

I stood at my mother’s open grave in the freezing rain, my heels sinking into the mud. The space beside me was empty. My husband, Hilliard Holloway, had promised to cherish me in bad times, but apparently, burying my mother didn't fit into his busy schedule. While the priest’s voice droned on, a news alert lit up my phone. It was a livestream of the Metropolitan Charity Gala. There was Hilliard, looking impeccable in a custom tuxedo, with his ex-girlfriend Charla English draped over his arm. The headline read: "Holloway & English: A Power Couple Reunited?" When he finally returned to our penthouse at 2 AM, he didn't come alone—he brought Charla with him. He claimed she’d had a "medical emergency" at the gala and couldn't be left alone. I found a Tiffany diamond necklace on our coffee table meant for her birthday, and a smudge of her signature red lipstick on his collar. When I confronted him, he simply told me to stop being "hysterical" and "acting like a child." He had no idea I was seven months pregnant with his child. He thought so little of my grief that he didn't even bother to craft a convincing lie, laughing with his mistress in our home while I sat in the dark with a shattered heart and a secret life growing inside me. "He doesn't deserve us," I whispered to the darkness. I didn't scream or beg. I simply left a folder on his desk containing signed divorce papers and a forged medical report for a terminated pregnancy. I disappeared into the night, letting him believe he had successfully killed his own legacy through his neglect. Five years later, Hilliard walked into "The Vault," the city's most exclusive underground auction, looking for a broker to manage his estate. He didn't recognize me behind my Venetian mask, but he couldn't ignore the neon pink graffiti on his armored Maybach that read "DEADBEAT." He had no clue that the three brilliant triplets currently hacking his security system were the very children he thought had been erased years ago. This time, I wasn't just a wife in the way; I was the one holding all the cards.