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Equal parts daring and prone to disaster, B. M. Bower's beloved hero with a heart of gold, Casey Ryan, is at it again in The Trail of the White Mule. Whether he's veering through traffic at high speed in the boomtown of Los Angeles or pursuing bootleggers in the country, Ryan always seems to find himself in the middle of a maelstrom.
Casey Ryan, hunched behind the wheel of a large, dark blue touring car with a kinked front fender and the glass gone from the left headlight, slid out from the halted traffic, shied sharply away from a hysterically clanging street car, crossed the path of a huge red truck coming in from his right, missed it with two inches to spare and was halfway down the block before the traffic officer overtook him.
The traffic officer was Irish too, and bigger than Casey, and madder. For all that, Casey offered to lick the livin' tar outa him before accepting a pale, expensive ticket which he crumbled and put into his pocket without looking at it.
"What I know about these here fancy city rules ain't sufficient to give a horn-toad a headache-but it's a darn sight more'n I care," Casey declaimed hotly. "I never was asked what I thought of them tin signs you stick up on the end of a telegraft pole, to tell folks when to go an' when to quit goin'. Mebby it's all right fer these here city drivers-"
"This'll mean thirty days for you," spluttered the officer. "I ought to call the patrol right now-"
"Get the undertaker on the line first!" Casey advised him ominously.
Traffic was piling up behind them, and horns were honking a blatant chorus that extended two blocks up the street. The traffic officer glanced into the troubled gray eyes of the Little Woman beside Casey and took his foot off the running board.
"Better go put up your bail and then forfeit it," he advised in a milder tone. "The judge will probably remember you; I do, and my memory ain't the best in the world. Twice you've been hooked for speeding through traffic; and parking by fire-plugs and in front of the No Park signs and after four, seems to be your big outdoor sport. Forfeit your bail, old boy-or it's thirty days for you, sure."
Casey Ryan made bitter retort, but the traffic cop had gone to untangle two furious Fords from a horse-drawn mail wagon, so he did not hear. Which was good luck for Casey.
"Why do you persist in making trouble for yourself?" the Little Woman beside him exclaimed. "It can't be so hard to obey the rules; other drivers do. I know that I have driven this car all over town without any trouble whatever."
Casey hogged the next safety-zone line to the deep disgust of a young movie star in a cream-and-silver racer, and pulled in to the curb just where he could not be passed.
"All right, ma'am. You can drive, then." He slid out of the driver's seat to the pavement, his face a deeper shade of red than usual.
"For pity's sake, Casey! Don't be silly," his wife cried sharply, a bit of panic in her voice.
"You was in a hurry to git home," Casey pointed out to her with that mildness of manner which is not mild. "I was hurryin', wasn't I?"
"You aren't hurrying now-you're delaying the traffic again. Do be reasonable! You know it costs money to argue with the police."
"Police be damned! I'm tryin' to please a woman, an' I'm up agin a hard proposition. You can ask anybody if I'm the unreasonable one. You hustled me out of the show soon as the huggin' commenced. You wouldn't even let me stay to see the first of Mutt and Jeff. You said you was in a hurry. I leaves the show without seein' the best part, gits the car an' drills through the traffic tryin' to git yuh home quick. Now you're kickin' because I did hurry."
"Hey! Whadda yuh mean, blockin' the traffic?" a domineering voice behind him bellowed. "This ain't any reception hall, and it ain't no free auto park neither."
Another traffic officer with another pencil and another pad of tickets such as drivers dread to see began to write down the number of Casey's car. This man did not argue. He finished his work briskly, presented another notice which advised Casey Ryan to report immediately to police headquarters, waved Casey peremptorily to proceed, and returned to his little square platform to the chorus of blatting automobile horns.
"The cops in this town hands out tickets like they was Free Excursion peddlers!" snorted Casey, his eyes a pale glitter behind his half-closed lids. "They can go around me, or they can honk and be darned to 'em. Git behind the wheel, ma'am-Casey Ryan's drove the last inch he'll ever drive in this darned town. If they pinch me again, it'll have to be fer walkin'."
The Little Woman looked at him, pressed her lips together and moved behind the wheel. She did not say a word all the way out to the white apartment house on Vermont which held the four rooms they called home. She parked the car dexterously in front and led the way to their apartment (ground floor, front) before she looked at me.
"It's coming to a show-down, Jack," she said then with a faint smile. "He's on probation already for disobeying traffic rules of one sort and other, and his fines cost more than the entire upkeep of the car. I think he really will have to go to jail this time. It just isn't in Casey Ryan to take orders from any one, especially when his own personal habits of driving a car are concerned."
"Town life is getting on his nerves," I tried to defend Casey, and at the same time to comfort the Little Woman. "I didn't think it would work, his coming here to live, with nothing to do but spend money. This is the inevitable result of too much money and too much leisure."
"It sounds much better, putting it that way," murmured Mrs. Casey. "I think you're right-though he did behave back there as if it were too much matrimony. Jack, he's been looking forward to your visit. I'm sorry this has happened to spoil it."
"It isn't spoiled," I grinned. "Casey Ryan is, always and ever shall be Casey Ryan. He's running true to form, though tamer than one would expect. When do you think he'll show up?"
Mrs. Casey did not know. She ventured a guess or two, but there was no conviction in her tone. With two nominal arrests in five minutes chalked against him, and with his first rebellion against the Little Woman to rankle in his conscience and memory, she owned herself at a loss.
With a cheerfulness that was only conversation deep, we waited for Casey and finally ate supper without him. The evening was enlivened somewhat by Babe's chatter of kindergarten doings; and was punctuated by certain pauses while steps on the sidewalk passed on or ended with the closing of another door than the Ryans'. I fought the impulse to call up the police station, and I caught the eyes of the Little Woman straying unconsciously to the telephone in the hall while she talked of things remote from our inner thoughts. Margaret Ryan is game, I'll say that. We played cribbage for an hour or two, and the Little Woman beat me until finally I threw up my hands and quit.
"I can't stand it any longer, Mrs. Casey. Do you think he's in jail, or just sulking at a movie somewhere?" I blurted. "Forgive my butting in, but I wish you'd talk about it. You know you can, to me. Casey Ryan is a friend and more than a friend: he's a pet theory of mine-a fad, if you prefer to call him that.
"I consider him a perfect example of human nature in its unhampered, unbiased state, going straight through life without deviating a hair's breadth from the viewpoint of youth. A fighter and a castle builder; a sort of rough-edged Peter Pan. Till he gums soft food and hobbles with a stick because the years have warped his back and his legs, Casey Ryan will keep that indefinable, bubbling optimism of spiritual youth. So tell me all about him. I want to know who has licked, so far; luxury or Casey Ryan."
The Little Woman laughed and picked up the cards, evening their edges with sensitive fingers that had not been manicured so beautifully when first I saw them.
"Well-sir," she drawled, making one word of the two and failing to keep a little twitching from her lips, "I think it's been about a tie, so far. As a husband-Casey's a darned good bachelor." Her chuckle robbed that statement of anything approaching criticism. "Aside from his insisting on cooking breakfast every morning and feeding me in bed, forcing me to eat fried eggs and sour-dough hotcakes swimming in butter and honey-when I crave grapefruit and thin toast and one French lamb chop with a white paper frill on the handle and garnished with fresh parsley-he's the soul of consideration. He wants four kinds of jam on the table every meal, when fresh fruit is going to waste. He's bullied the laundryman until the poor fellow's reached the point where he won't stop if the car's parked in front and Casey's liable to be home; but aside from that, Casey's all right.
"After serving time in the desert and rustling my own wood and living on bacon and beans and sour-dough bread, I'm perfectly willing to spend the rest of my life doing painless housekeeping with all the modern built-in features ever invented; and buying my bread and cakes and salads from the delicatessen around the corner. I never want to see a sagebush again as long as I live, or feel the crunch of gravel under my feet. I expect to die in French-heeled pumps and embroidered silk stockings and the finest, silliest silk things ever put in a show window to tempt the soul of a woman. But it took just two weeks and three days to drive Casey back to his sour-dough can."
"He craved luxury more than you seemed to do," I remembered aloud.
"He did, yes. But his idea of luxury is sitting down in the kitchen to a real meal of beans and biscuits and all the known varieties of jam and those horrible whitewashed store cookies and having the noise of the phonograph drowned every five minutes by a passing street car. Casey wants four movies a day, and he wants them all funny. He brings home silk shirts with the stripes fairly shrieking when he unwraps them-and he has to be thrown and tied to get a collar on him.
"He will get up at any hour of the night to chase after a fire engine, and every whipstitch he gets pinched for doing something which is perfectly lawful and right in the desert and perfectly awful in the city. You saw him," said the Little Woman, "to-day." And she added wistfully, "It's the first time since we were married that he has ever talked back-to me.
"And you know," she went on, shuffling the cards and stopping to regard the joker attentively (though I am sure she didn't know what card she was looking at), "just chasing around town and doing nothing but square yourself for not playing according to the rules costs money without getting you anywhere. Fifty-five thousand dollars isn't so much just to play with, in this town. Casey's highest ambition now seems to be nickel disk wheels on a new racing car that can make the speed cops go some to catch him. His idea of economy is to put six or seven thousand dollars into a car that will enable him to outrun a twenty-dollar fine!
"We have some money invested," she went on. "We own this apartment house-and fortunately it's in my name. So long as the housing problem continues critical, I think I can keep Casey going without spending our last cent."
"He did one good stroke of business," I ventured, "when he bought this place. Apartment houses are good as gold mines these days."
The Little Woman laughed. "Well-sir, it wasn't so much a stroke as it was a wallop. Casey bought it just to show who was boss, he or the landlord. The first thing he did when we moved in was to take down the nicely framed rules that said we must not cook cabbage nor onions nor fish, nor play music after ten o'clock at night, nor do any loud talking in the halls.
"Every day for a week Casey cooked cabbage, onions and fish. He sat up nights to play the graphophone. He stayed home to talk loudly and play bucking bronk with Babe all up and down the stairs and in the halls. Our rent was paid for a month in advance, and the landlord was too little and old to fight. So he sold out cheap-and it really was a good stroke of business for us, though not deliberate.
"Well-sir, at first we lost tenants who didn't enjoy the freedom of their neighbors' homes. But really, Jack, you'd be surprised to know how many people in this city just LOVE cabbage and onions and fish, and to have children they needn't disown whenever they go house-hunting. I had ventilator hoods put over every gas range in the house, and turned the back yard into a playground with plenty of sand piles and swings. I raised the price, too, and made the place look very select, with a roof garden for the grown-ups. We have the house filled now with really nice families-avoiding the garlic brand-and as an investment I wouldn't ask for anything better.
"Casey enjoyed himself hugely while he was whipping things into shape, but the last month he's been going stale. The tenants are all so thankful to do as they please that they're excruciatingly polite to him, no matter what he does or says. He's tired of the beaches and he has begun to cuss the long, smooth roads that are signed so that he couldn't get lost if he tried. It does seem as if there's no interest left in anything, unless he can get a kick out of going to jail. And, Jack, I do believe he's gone there."
The telephone rang and the Little Woman excused herself and went into the hall, closing the door softly behind her.
I'm not greatly given to reminiscence, but while I sat and watched the flames of civilization licking tamely at the impregnable iron bark of the gas logs, the eyes of my memory looked upon a picture:
Desert, empty and with the mountains standing back against the sky, the great dipper uptilted over a peak and the stars bending close for very friendliness. The licking flames of dry greasewood burning, with a pungent odor in my nostrils when the wind blew the smoke my way. The far-off hooting of an owl, perched somewhere on a juniper branch watching for mice; and Casey Ryan sitting cross-legged in the sand, squinting humorously at me across the fire while he talked.
I saw him, too, bolting a hurried breakfast under a mesquite tree in the chill before sunrise, his mind intent upon the trail; facing the desert and its hardships as a matter of course, with never a thought that other men would shrink from the ordeal.
I saw him kneeling before a solid face of rock in a shallow cut in the hillside, swinging his "single-jack" with tireless rhythm; a tap and a turn of the steel, a tap and a turn-chewing tobacco industriously and stopping now and then to pry off a fresh bit from the plug in his hip pocket before he reached for the "spoon" to muck out the hole he was drilling.
I saw him larruping in his Ford along a sandy, winding trail it would break a snake's back to follow, hot on the heels of his next adventure, dreaming of the fortune that finally came. . . .
The Little Woman came in looking as if she had been talking with Destiny and was still dazed and unsteady from the meeting.
"Well-sir, he's gone!" she announced, and stopped and tried to smile. But her eyes looked hurt and sorry. "He has bought a Ford and a tent and outfit since he left us down on Seventh and Broadway, and he just called me up on long-distance from San Bernardino. He's going out on a prospecting trip, he says. I'll say he's been going some! A speed cop overhauled him just the other side of Claremont, he told me, and he was delayed for a few minutes while he licked the cop and kicked him and his motorcycle into a ditch. He says he's sorry he sassed me, and if I can drive a car in this darned town and not spend all my loose change paying fines, I'm a better man than he is. He doesn't know when he'll be back-and there you are."
She sat down wearily on the arm of an over-stuffed armchair and looked up at the gilt-and-onyx clock which I suspected Casey of having bought. "If he isn't lynched before morning," she sighed whimsically, "he'll probably make it to the Nevada line all right."
I rose, also glancing at the clock. But the Little Woman put up a hand to forbid the plan she read in my mind.
"Let him alone, Jack," she advised. "Let him go and be just as wild and devilish as he wants to be. I'm only thankful he can take it out on a Ford and a pick and shovel. There really isn't any trouble between us two. Casey knows I can look out for myself for awhile. He's got to have a vacation from loafing and matrimony. I'm so thankful he isn't taking it in jail!"
I told her somewhat bluntly that she was a brick, and that if I could get in touch with Casey I'd try to keep an eye on him. It would probably be a good thing, I told her, if he did stay away long enough to let this collection of complaints against him be forgotten at the police station.
I went away, hoping fervently that Casey would break even his own records that night. I really intended to find him and keep an eye on him. But keeping an eye on Casey Ryan is a more complicated affair than it sounds.
Wherefore, much of this story must be built upon my knowledge of Casey and a more or less complete report of events in which I took no part, welded together with a bit of healthy imagination.
Take a trip along the dusty byways of the Old West in this book from renowned author B.M. Bowers. Phil Thurston was born on the range where the trails are dim and silent under the big sky. It was the place his father loved, the place he had to be. After the death of his father when he was five, his mother brought him back to the city, where he grew up and became a writer. To revive his stale writing, he returns to the West, and may just find what he is really missing. Thurston learns many a lesson while following „The Lure of the Dim Trails" but the hardest, and probably the most welcome, is that of love.
Pioneering Western writer Bertha Muzzy Bower gained critical acclaim by bringing a unique female perspective to her tales of ranch life. In „The Heritage of the Sioux", Bower brings a similarly empathic perspective to her fictionalized account of one of the most storied Native American tribes. It is widely considered to be one of the top 100 greatest books of all time. This great novel will surely attract a whole new generation of readers. „The Heritage Of The Sioux" by B.M. Bower – was a much loved American author who wrote novels, fictional short stories, and screenplays about the American Old West. A great addition to any collection.
Sign up or sign in to see availability for your saved libraries at a glance. Trailblazing female Western writer Bertha Muzzy Bower wrote a series of pulse-pounding novels about the grizzled vaqueros and cowpokes who populated the Flying U Ranch. This novel follows the crew as a territorial conflict emerges with a neighboring group of sheep ranchers. Fleshed out with meticulous details about the period and plenty of action, Flying U Ranch is a must-read for fans of the genre.
A man is found shot dead in the kitchen of the Lazy A ranch, and in an absence of other evidence, ranch owner Aleck Douglas is convicted of the crime. His daughter Jean is absolutely certain that he is innocent of the crime, but has no factual evidence with which to prove that her father has been wrongly convicted. With a rapidly dwindling bank account and no clues to speak of, will Jean find a way to free her father and get her old life back?
Good Indian is a foster son of a western ranch owner. Considered as the eldest son, Good Indian plays a pivot role when the family ranch is attacked by scheming, gold prospectors. He is taken by the beauty of one fragile girl who cannot understand the western customs. His partner and supporter, Georgie Howard, quells her love for him, when they both go through the legal battle of the family ranch. Bower gives the reader an excellent portrayal of a man loved by more than one woman. All that entwined with three lovely women with completely different characters, a group of native Americans, and some interesting family dynamics transformed this saga into a good read.
Excerpt from Cow-Country In hot mid afternoon when the acrid, gray dust-cloud kicked up by the listless plodding of eight thousand cloven hoofs formed the only blot on the hard blue above the Staked Plains, an ox stumbled and fell awkwardly under his yoke, and refused to scramble up when his negro driver shouted and prodded him with the end of, a willow gad. "Call your master, Ezra," directed a quiet woman-voice gone weary and toneless with the heat and two restless children. "Don't beat the poor brute. He can't go any farther and carry the yoke, much less pull the wagon." Ezra dropped the gad and stepped upon the wagon tongue where he might squint into the dust cloud and decide which gray, plodding horseman alongside the herd was Robert Birnie. Far across the sluggish river of grimy backs, a horse threw up its head with a peculiar sidelong motion, and Ezra's eyes lightened with recognition. That was the colt, Rattler, chafing against the slow pace he must keep.
"You're a creepy bastard." His eyes smolder me and his answering grin is nothing short of beautiful. Deadly. "Yet you hunger for me. Tell me, this appetite of yours, does it always tend toward 'creepy bastards'?" **** Widower and ex-boss to the Mafia, Zefiro Della Rocca, has an unhealthy fixation on the woman nextdoor. It began as a coincidence, growing into mere curiosity, and soon, it was an itch he couldn't ignore, like a quick fix of crack for an addict. He didn't know her name, but he knew every inch of her skin, how it flushed when she climaxed, her favourite novel and that every night she contemplated suicide. He didn't want to care, despising his rapt fascination of the woman. She was in love with her abusive husband. She was married, bound by a contract to the Bratva's hitman. She was off-limits. But when Zefiro wanted something, it was with an intensity that bordered on madness. He obsessed, possessed, owned. There'd be bloodshed if he touched her, but the sight of blood always did fascinate him. * When Susanna flees from her husband, she stumbles right into the arms of her devilishly handsome neighbour with a brooding glare. He couldn't stand her, but she needed him, if she was ever going to escape her husband who now wanted her dead. Better the devil you know than the angel you don't. She should have recalled that before hopping into Zefiro's car and letting him whisk her away to Italy. Maybe then, she wouldn't have started an affair with him. He was the only man who touched her right, and the crazy man took no small pains in ensuring he would be the last.
The day Lilah found out that she was pregnant, she caught her fiancé cheating on her. Her remorseless fiancé and his mistress almost killed her. Lilah fled for her dear life. When she returned to her hometown five years later, she happened to save a little boy's life. The boy's father turned out to be the world's richest man. Everything changed for Lilah from that moment. The man didn't let her experience any inconvenience. When her ex-fiancé bullied her, he crushed the scumbag's family and also rented out an entire island just to give Lilah a break from all the drama. He also taught Lilah's hateful father a lesson. He crushed all her enemies before she even asked. When Lilah's vile sister threw herself at him, he showed her a marriage certificate and said, "I'm happily married and my wife is much more beautiful than you are!" Lilah was shocked. "When did we ever get married? Last I checked, I was still single." With a wicked smile, he said, "Honey, we've been married for five years. Isn't it about time we had another child together?" Lilah's jaw dropped to the floor. What the hell was he talking about?
Rumors claimed that Fernanda, newly back with her family, was nothing more than a violent country bumpkin. Fernanda just flashed a casual, dismissive grin in response. Another rumor suggested that the usually rational Cristian had lost all sense, madly in love with Fernanda. This frustrated her. She could tolerate gossip about herself, but slander against her beloved crossed the line! Gradually, as Fernanda's multiple identities as a celebrated designer, a savvy gamer, an acclaimed painter, and a successful business magnate came to light, everyone realized they were the ones who had been fooled.
I'm a Luna. After three years of marriage to Alpha Nathaniel Blackwood, I'm finally pregnant with his pup. But he's unclaimed me for his first love. I'm leaving the pack with this secret, praying he never finds out. Nathaniel Blackwood is a handsome, powerful Alpha. In a world where humans and werewolves coexist, he has it all: a billion-dollar empire, untold power, a massive pack, and, most importantly, the perfect Luna. But the return of his first love shattered our marriage. When he finds out the secret I've been hiding, will he regret rejecting me? Will I ever be able to forgive him? Dive into this gripping serialized novel to find out more-Enjoy the ride!
Elodie took a deep breath and knocked, the sound echoing in the quiet corridor. A moment of silence passed, broken only by the pounding of her heart. Finally, the door snicked open, revealing a surprised Dashiell. 'Can't you see the Do Not Disturb sign? We don't want-' His initial frown quickly morphed into confusion at the sight of his wife. 'What are you doing here?' he demanded. 'Your girlfriend invited me,' Elodie replied, her voice laced with icy calm. She tried to peer past him, but his broad frame blocked the view. A saccharine voice chimed in from within the room. 'Elodie? Oh dear, we didn't mean for you to find out this way. It's just that-' Elodie cut her short. 'Oh please, Selene. Spare me the fake apologies. You wouldn't have sent me all those texts if you didn't want me to know.' Dashiell shifted uncomfortably, his face a mask of annoyance. 'What texts?' Elodie stepped past him, taking in the luxurious suite with a sardonic smile. The king-sized bed, the scattered rose petals, the lingering scent of sex – it all painted a vivid picture of their betrayal. She looked up at Dashiell, her gaze unwavering. 'I want a divorce.' ****** Dashiell lived a life of luxury, surrounded by the best things money could buy. But when a car accident left him vulnerable, he met Elodie, a seemingly ordinary woman who nursed him back to health. Mistaking her for just another employee, Dashiell entered into a loveless marriage with her solely for convenience. However, fate had a different script in store. Elodie, the 'ordinary nurse,' held a secret more precious than any diamond: she was the sole heiress to Northstar, a vast and powerful enterprise. Unaware of her true identity, Dashiell cast her aside when his ex-girlfriend returned, leaving Elodie humiliated. But Elodie was not one to be easily broken. She shed the facade of the meek nurse, reclaiming her rightful inheritance and stepping into the role of Northstar's CEO. Now, the woman Dashiell discarded was the one holding the reins of power. As Elodie thrives in her new role, Dashiell is consumed by regret. He finally sees Elodie for the extraordinary woman she truly is, realising the depth of his mistake. But will his remorse be enough to win back the heart he so carelessly discarded?
In their three years of marriage, Chelsea had been a dutiful wife to Edmund. She used to think that her love and care would someday melt Edmund's cold heart, but she was wrong. Finally, she couldn't take the disappointment any longer and chose to end the marriage. Edmund had always thought that his wife was just boring and dull. So it was shocking when Chelsea suddenly threw divorce papers at his face in front of everyone at the Nelson Group's anniversary party. How humiliating! After that, everyone thought that the formerly-married couple would never see each other again, even Chelsea. Once again, she thought wrong. Sometime later, at an award ceremony, Chelsea went onstage to accept the award for best screenplay. Her ex-husband, Edmund, was the one presenting the award to her. As he handed her the trophy, he suddenly reached for her hand and pleaded humbly in front of the audience, "Chelsea, I'm sorry I didn't cherish you before. Could you please give me another chance?" Chelsea looked at him indifferently. "I'm sorry, Mr. Nelson. My only concern now is my business." Edmund's heart was shattered into a million pieces. "Chelsea, I really can't live without you." But his ex-wife just walked away. Wasn't it better for her to just concentrate on her career? Men would only distract her—especially her ex-husband.