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The Mummy and Miss Nitocris by George Griffith
The Mummy and Miss Nitocris by George Griffith
"Oh, what a perfectly lovely mummy! Just fancy!-the poor thing-dead how many years? Something like five thousand, isn't it? And doesn't she look just like me! I mean, wouldn't she, if we had both been dead as long?"
As she said this, Miss Nitocris Marmion, the golden-haired, black-eyed daughter of one of the most celebrated mathematicians and physicists in Europe, stood herself up beside the mummy-case which her father had received that morning from Memphis.
"Look!" she continued. "I am almost the same height. Just a little taller, perhaps, but you see her hair is nearly as fair as mine. Of course, you don't know what colour her eyes are-just fancy, Dad! they have been shut for nearly five thousand years, perhaps a little more-because I think they counted by dynasties then-and yet look at the features! Just imagine me dead!"
"Just imagine yourself shutting the door on the other side, my dear Niti," said the Professor, who had risen from the chair, and was facing his daughter and the Mummy. "I don't want to banish you too unceremoniously, but I really have a lot of work to do to-night, and, as you might know, Bachelor of Science of London as you are, I have got to worry out as best I can, if I can do it at all, this problem that Hartley sent me about the Forty-seventh Proposition of the first book of Euclid."
"Oh yes," she said, going to his side and putting her hand on to his shoulder as he stood facing the Mummy; "I have reason enough to remember that. And what does Professor Hartley say about it?"
"He says, my dear Niti," said the Professor, in a voice which had something like a note of awe in it, "that when Pythagoras thought out that problem-which, of course, is not Euclid's at all-he almost saw across the horizon of the world that we live in."
"But that," she interrupted, "would be something like looking across the edge of time into eternity, and that-well, of course, that is quite impossible, even to you, Dad, or Mr Hartley. What does he mean?"
"He doesn't quite mean that, dear," replied the Professor, still staring straight at the motionless Mummy as though he half expected the lips which had not spoken for fifty centuries to answer the question that was shaping itself in his mind. "What Hartley means, dear, is this-that when Pythagoras thought out that proposition he had almost reached the border which divides the world of three dimensions from the world of four."
"Which, as our dear old friend Euclid would say, is impossible; because you know, Dad, if that were possible, everything else would be. Come, now, Annie is bringing up your whisky and soda. Put away your problems and take your night-cap, and do get to bed in something like respectable time. Don't worry your dear old head about forty-seventh propositions and fourth dimensions and mummies and that sort of thing, even if this Mummy does happen to look a bit like me. Now, good night, and remember that the night-cap is to be a night-cap, and when you've put it on you really must go to bed. You've been thinking a great deal too much this week. Good-night, Dad."
"Good-night, Niti, dear. Don't trouble your head about my thinking. Sufficient unto the brain are the thoughts thereof. Sometimes they are more than sufficient. Good-night. Sleep well and don't dream, if you can help it."
"And don't you dream, Dad, especially about that wretched proposition. Just have another pipe, and drink your whisky and go to bed. There's something in your eyes that says you want a long night's rest. Good-night now, and sleep well."
She pulled his head down and kissed him twice on his grey, thin cheek, and then, with a wave of her hand and a laughing nod towards the Mummy, vanished through the closing study door to go and dream her dreams, which were not very likely to be of mummies and fourth dimensional problems, and left her father to dream his.
Then a couple of lines from one of "B.V.'s" poems, which had been running in his head all the evening, came back to him, and he murmured half-unconsciously:
"'Was it hundreds of years ago, my love,
Was it thousands of miles away...?'"
"And why should it not be? Why should you, who were once Ma-Rimōn, priest of Amen-Ra, in the City of Memphis-you who almost stood upon the threshold of the Inmost Sanctuary of Knowledge: you who, if your footsteps had not turned aside into the way of temptation and trodden the black path of Sin, might even now be dwelling on the Shores of Everlasting Peace in the Land of Amenti-dost thou dare to ask such a question?"
The sudden change of the pronoun seemed to him to put the Clock of Time back indefinitely.
He was standing by his desk still facing the Mummy just as his daughter had left him after saying "good-night." He was not a man to be easily astonished. Not only was he one of the best-read amateur Egyptologists in Europe, but he was also an ex-President of the Royal Society, a Member of the Psychical Research Society, and, moreover, Chairman of a recently appointed Commission on Comparative Insanity, the object of whose labours was to determine, if possible, what proportion of people outside asylums were mad or sane according to a standard which, somehow, no one had thought of inventing before-the standard of common-sense.
The voice, strangely like his daughter's and his dead wife's also, appeared to come from nowhere and yet from everywhere, and it had a faint and far-away echo in it which harmonised most marvellously with other echoes which seemed to come up out of the depths of his own soul.
Where had he heard it before? Somewhere, certainly. There was no possibility of mistaking tones which were so irresistibly familiar, and, moreover, why did they bring back to him such distinct memories of tragedies long forgotten, even by him? Why did they instantly draw before the windows of his soul a long panorama of vast cities, splendid palaces, sombre temples, and towering tombs, in which he saw all these and more with an infinitely greater vividness of form and light and colour than he had ever been able to do in his most inspired hours of dream or study?
Had the voice really come from those long-silenced lips of the Mummy of Nitocris, that daughter of the Pharaohs who had so terribly avenged her outraged love, and after whom he had named the only child of his marriage?
"It is certainly very strange," he said, going to his writing-table and taking up his pipe. "I know that voice, or at least I seem to know it, and it is very like Niti's and her mother's; but where can it have come from? Hardly from your lips, my long-dead Royal Egypt," he went on, going up to the mummy-case and peering through his spectacles into the rigid features. He put up his hand and tapped the tightly-drawn lips very gently, then turned away with a smile, saying aloud to himself: "No, no, I must have been allowing what they call my scientific imagination to play tricks with me. Perhaps I have been worrying a little too much about this confounded fourth dimension problem,-and yet the thing is exceedingly fascinating. If the hand of Science could only reach across the frontier line! If we could only see out of the world of length and breadth and thickness into that other world of these and something else, how many puzzles would be solved, how many impossibilities would become possible, and how many of the miracles which those old Egyptian adepts so seriously claimed to work would look like the merest commonplaces! Ah well, now for the realities. I suppose that's Annie with the whisky."
As he turned round the door opened, and he beheld a very strange sight, one which, to a man who had had a less stern mental training than he had had, would have been nothing less than terrifying. His daughter came in with a little silver tray on which there was a small decanter of whisky, a glass, and a syphon of soda-water.
"Annie has gone to the post, and I thought I might as well bring this myself," said Miss Nitocris, walking to the table and putting the tray down on the corner of it.
Beside her stood another figure as familiar now to his eyes as her's was, dressed and tired and jewelled in a fashion equally familiar. Save for the difference in dress, Nitocris, the daughter of Rameses, was the exact counterpart in feature, stature, and colouring of Nitocris, the daughter of Professor Marmion. In her hands she carried a slender, long-necked jar of brilliantly enamelled earthenware and a golden flagon richly chased, and glittering with jewels, and these she put down on the table in exactly the same place as the other Nitocris had put her tray on, and as she did so he heard the voice again, saying:
"Time was, is now, and ever shall be to those for whom Time has ceased to be-which is a riddle that Ma-Rimōn may even now learn, since his soul has been purified and his spirit strengthened by earnest devotion through many lives to the search for the True Knowledge."
Both voices had spoken together, the one in English and the other in the ancient tongue of Khem, yet he had heard each syllable separately and comprehended both utterances perfectly. He felt a cold grip of fear at his heart as he looked towards the mummy-case, and, as his fear had warned him, it was empty. Then he looked at his daughter, and as their eyes met, she said in the most commonplace tones:
"My dear Dad, what is the matter with you? If advanced people like ourselves believed in any such nonsense, I should be inclined to say that you had seen a ghost; but I suppose it's only that silly fourth dimension puzzle that's worrying you. Now, look here, you must really take your whisky and go to bed. If you go on bothering any longer about 'N to the fourth,' you will have one of your bad headaches to-morrow and won't be able to finish your address for the Institute."
She put her hand out and took up the decanter. It passed without any apparent resistance through the jar. She lifted it from the same place, and poured out the usual modicum of whisky into the glass, which was standing just where the flagon was. Then she pressed the trigger of the syphon, and the familiar hiss of the soda-water brought the Professor, as he thought, back to his senses.
But no! There could be no doubt about it. There in material form on the corner of his table was a point-blank, tangible contradiction of the universally accepted axiom that two bodies cannot occupy the same space, and that, come from somewhere or nowhere, there were two plainly material objects through which his daughter's hand, without her even knowing it, had passed as easily as it would have done through a little cloud of steam. Happily she had no idea of what he had seen and heard, and so for her sake he made a strong effort to control himself, and said as steadily as he could:
"Thank you, Niti, it is very good of you. Yes, I think I am a little tired to-night. Good-night now, and I promise you that I will be off very soon; I will just have one more pipe, and drink my whisky, and then I really will go. Good-night, little woman. We'll have a talk about the Mummy in the morning."
As soon as his daughter had closed the door, Professor Marmion returned to his writing-table. The decanter of whisky, the tumbler, and the syphon of soda-water were still standing on the corner of the table, occupying the same space as the enamelled flagon of wine and the drinking goblet which the long-dead other-self of Miss Nitocris had placed on the little silver salver.
He looked about the room anxiously, with a feeling nearer akin to physical dread than he had ever experienced before; but his worst fears were not fulfilled. Nitocris the Queen had vanished and the Mummy was back in its case, blind, rigid, and silent, as it had been for fifty centuries.
For several moments he looked at the hard, grey, fixed features of the woman who had once been Nitocris, Queen of Middle Egypt, half expecting, after what he had seen, or thought he had seen, that the soul would return, that the long-closed eyes would open again, and that the long-silent lips would speak to him. But no! For all the answer that he got he might as well have been looking upon the granite features of the Sphinx itself. He turned away again towards the table, and murmured:
"Ah well! I suppose it was only an hallucination, after all. One of these strange pranks that the over-strained intellect sometimes plays with us. Perhaps I have been thinking too much lately. And now I really think I had better follow Niti's advice, and take my night-cap and go to bed."
But as he put out his hand to take the whisky decanter he stopped and pulled it back.
"What on earth is the matter with me?" he said, putting his hand to his head. "That decanter is mine-it is the same, and yet it is standing in just the same place as that other thing-and I remember that, too. Look here, Franklin Marmion, my friend, if you were not a rather over-worked man I should think you had had a good deal too much to drink. Two bodies cannot occupy the same space. It is ridiculous, impossible!"
As he said the last word, his voice rose a little, and, as it seemed, an echo came back from one of the corners of the room:
"Impossible, impossible?"
There seemed to be a sarcastic note of interrogation after the last word.
"Eh? What was that?" and he looked round at the mummy-case. Her long-dead Majesty was still reclining in it, silent and impassive.
"Oh, this won't do at all! Hartley and the fourth dimension be hanged! It strikes me that this way madness lies if you only go far enough. I'll have that night-cap at once and go to bed."
He put out his hand, took hold of the whisky decanter, and as he drew back his arm he saw that instead he held the enamelled flagon in his grasp.
"Well, well," he said, looking at it half-angrily, "if it is to be, it must be."
He put out his left hand and took hold of the goblet, tilted the flagon, and out of the curved lip there fell a thin stream of wine, which glittered with a pale ruby radiance in the light of the electric cluster that hung above his writing-desk. He set the flagon down, and as he raised the goblet to his lips, he heard his own voice saying in the ancient language of Khem:
"As was, and is, and ever shall be; ever, yet never-never, yet ever. Nitocris the Queen, in the name of Nebzec I greet thee! From thy hands I take the gift of the Perfect Knowledge!"
As he drained the goblet he turned towards the mummy-case. It might have been fancy, it might have been the effect of that miraculous old wine of Cos which, if he had really drunk it, must now be more than thirty centuries old: it might have been the result of the hard thinking that he had been doing now for several days and half-nights; but he certainly thought that the Queen's head suddenly became endowed with life, that the eyes opened, and the grey of the parchment skin softened into a delicate olive tinge with a faint rosy blush showing through it. The brown, shrivelled lips seemed to fill out, grow red, and smile. The eyelids lifted, and the eyes of the Nitocris of old looked down on him for a moment. He shook his head and looked, and there was the Mummy just as it had been when he opened the case.
"Really, this is strange, almost to the point of bewilderment," he went on. "I wonder if there is any more of that wine left?"
He took up the flagon and poured out another goblet, filled and drank it.
"Yes," he continued, speaking as though under some strange exultation of the mind rather than of the senses, "yes, that is the wine of Cos. I drank it. I, Ma-Rimōn, the priest-student of the Higher Mysteries; I, whose feet faltered on the threshold of the Place of the Elect, and whose heart failed him at the portal of the Sanctuary, even though Amen-Ra was beckoning me to cross it."
"Good heavens, what nonsense I am talking! Whatever there was in that wine or wherever it came from, I think it is quite time I was off, not to old Egypt, but the Land of Nod. It seems to-no, it has not got into my head; in fact I am beginning to see that, after all, Hartley might very possibly be right about that forty-seventh proposition. Well, I will do as the Russians say, take my thoughts to bed with me, since the morning is wiser than the evening. It is all very mysterious. I certainly hope that Annie won't find these things here in the morning when she comes to clear up. I wonder what the Museum would give me for them if they were not, as I think they are, the unsubstantial fabric of a vision?"
When he got into his room and turned the electric light on, he stood under the cluster and held up his closed hand so that the light fell upon a curiously engraved scarab set in a heavy gold ring which had been given to him on his last birthday by Lord Lester Leighton, a wealthy and accomplished young nobleman who had devoted his learned leisure to Egyptian exploration and research. It was he who had sent the Mummy of Queen Nitocris to the house on Wimbledon Common instead of adding it to his own collection-not altogether unselfishly, it must be confessed, for he was very much in love with the other Nitocris who was still in the flesh.
"Now," he said, fingering the scarab, "if I was not dreaming, and if by some mysterious means Her Highness's promise is to be actually fulfilled, I ought to be able to take this ring off without opening my hand. Certainly, any fourth dimensional being could do it."
As he spoke he pulled at the setting of the scarab-and, to his amazement, the ring came off whole. There was no scar on his finger-no break in the ring.
"Good heavens!" he exclaimed, staring with something like fear in his eyes, first at his hand, and then at the ring. "Then it is true!" He was silent for a full minute; then he put the ring down on the dressing-table and whispered: "What a terrible power-and what an awful responsibility! Well, thank God, I am a fairly honest man!"
As he undressed he was conscious of a curious sense of reminiscence which he had never experienced before. His brain was not only perfectly clear, but almost abnormally active, and yet the current of his thoughts appeared to be turned backward instead of forward. The things of his own life, the life that he was then living, seemed to drift behind him. The facts which he had learned in his long and minute study of Egyptian history came up in his mind, no longer as facts learned from books and monuments, wall-paintings, and hieroglyphics, but as living entities. He seemed to know, not by memory, but of immediate knowledge. It was the difference between the reading of the story, say, of a battle, and actually taking part in it. He got into bed, and turned over on his right side, saying:
"Well, this is all very extraordinary. I wonder what it all means? Thank goodness, I am sleepy enough, and sleep is the best of all medicines. I should not wonder if I were to dream of Memphis again to-night. A wonderfully beautiful mummy that, quite unique-and Nitocris, too. Good-night, Nitocris, my royal mistress that might have been! Good-night!"
* * *
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
Elisa watched as the most important people in her life showered the evil imposter-The fake heiress, with love. Elisa, the lost daughter of one of the most wealthiest family was found 18 years later and was brought back to her rightful home. However, someone had already taken her place. A fake heiress, the pampered little princess. Her coy acting and innocent façade made Elisa's real mother love her more than Elisa, her real daughter. That made Elisa, though, the true daughter end up as an adopted child. "Elisa, could you try not to appear in front of her too much as it could trigger her insecurities." Her parents had told her because of the fake heiress. "Elisa, You've taken everything away from her. Why can't you give her a little more?" Her fiancé had ordered her. Because of an unfortunate accident plotted by Isabelle-The fake heiress, Elisa was sent to prison and her family cut ties with her without a second thought. Four years, after much torture which led to her being crippled and blind on one eye, she was released, but got hit by a truck. While laying on the pool of her blood, she wanted to question, Why? Why had they all treated her so cruelly, while they love Isabelle unconditionally? She badly wanted to rip off Isabelle's mask of innocence, to reveal the fake, manipulative woman beneath. She was full of hatred. But after her death, she woke up back to when she was 18 years like all that happened were all nightmare. She was elated. She was reborn to re-live all that had happened in her last life, but now, her mission was to reveal mask beneath that woman and make everyone that made her suffer in her past life pay. It was her time for revenge! And definitely, she won't mess this up!
When Corynn mustered up the courage to tell Elliot about her pregnancy, she unexpectedly found him gallantly helping another woman from his car. Her heart sank as three years of effort to secure his love crumbled before her eyes, compelling her to leave him behind. Three years later, life had taken Corynn down a new path with someone else, while Elliot was left grappling with regret. Seizing a moment of vulnerability, he pleaded, "Corynn, let's get married." Shaking her head with a faint smile, Corynn gently replied, "Sorry, I'm already engaged."
At their wedding night, Kayla caught her brand-new husband cheating. Reeling and half-drunk, she staggered into the wrong suite and collapsed into a stranger's arms. Sunrise brought a pounding head-and the discovery she was pregnant. The father? A supremely powerful tycoon who happened to be her husband's ruthless uncle. Panicked, she tried to run, but he barred the door with a faint, dangerous smile. When the cheating ex begged, Kayla lifted her chin and declared, "Want a second chance at us? Ask your uncle." The tycoon pulled her close. "She's my wife now." The ex gasped, "What!?"
"You don't belong here. Get out!" Hanna, the rightful Wheeler daughter, came back only to be expelled by her family. Her fiancé cheated on her with the fake daughter, her brothers looked down on her, and her father ignored her. Then, she crossed paths with Chris, the formidable leader of the Willis family and her fiancé's uncle. "Let's pretend it never happened." Despite Hanna's hope to part ways, Chris insisted she be responsible. He threatened to reveal Hanna's true talents as an outstanding doctor, a brilliant screenwriter, and the brains behind a famous design studio, forcing her into marriage. Chris was once asked to protect someone. Destiny reunited them in tricky circumstances. He had planned to keep his promise and provide a safe haven, only to find Hanna was far from the delicate woman she seemed. She was witty and cunning...
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
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