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The Outdoor Girls at Wild Rose Lodge by Laura Lee Hope
The Outdoor Girls at Wild Rose Lodge by Laura Lee Hope
Just Fun
"Did you ever see a more wonderful day?"
The four Outdoor Girls, in Mollie Billette's touring car and with Mollie herself at the wheel, were at the present moment rushing wildly over a dusty country road at the rate of thirty miles an hour.
Grace Ford was sitting in front with Mollie, while Betty Nelson and Amy Blackford "sprawled," to use Mollie's sarcastic and slightly exaggerated description, "all over the tonneau."
"You look as if you had never done a real day's work in your life," said Mollie, with a disapproving glance over her shoulder at the girls in the tonneau.
"We never have," returned quiet Amy, with a grin.
"And we are proud of it," added Betty, as she defiantly settled her feet still more comfortably on the foot rail. "Why should we be energetic when it is so much easier to be lazy?"
"There the proper spirit speaks," applauded Grace Ford from the front. "I think I shall have to change places with you, Betty. It's far too exciting up here with Mollie. She insists upon staging near collisions every few feet--thus keeping me awake!"
"Great heavens!" cried Mollie, pressing an impatient foot upon the accelerator to which the great car responded with an eager purring, "did any one ever give us the mistaken title of Outdoor Girls, I wonder? They should have called us the Rip Van Winkle club, instead."
"Now she's getting sour-castic," commented Grace lazily. "Have some candy, honey, and sweeten up."
She passed the ever-present box of delicacies over to Mollie, to which overture the young driver responded with so indignant a stare that Grace quickly withdrew the box, tucked it behind her, and strove to look unconscious.
"Please, ma'am, I didn't mean to do it," she said meekly.
"Well, don't do it again, that's all," returned Mollie, uncompromisingly, her eyes once more on the road ahead, "I've eaten so many chocolates this week that I've had indigestion and mother threatened to cut down my allowance."
"Goodness, it's my allowance that suffers," retorted Grace, ruefully, "since it is my candy that you eat."
"Stop quarreling, girls, and answer my question." said Betty, sitting up straight and regarding delightedly a vista of flying hills and woodland greenery. "I asked you a few minutes ago if you had ever seen so wonderful a day?"
"Yes, plenty of 'em," returned Mollie, as she took a sharp curve on two wheels. "If you weren't too lazy to notice anything, Betty Nelson, you would see that there is a storm coming up. Look at those clouds over there in the east."
"Oh, you're a kill-joy!" cried Betty, cocking an optimistic eye up at the sky. "It's only one teeny little cloud anyway, and who cares for clouds when the boys are coming home?"
Both Amy and Grace felt a breathless little tug at their hearts at the joyful challenge in Betty's words, but Mollie, with a perverseness that was sometimes characteristic of her, refused to be too happy.
"Who says they're coming home?" she asked. "Now you're only guessing."
"Guessing!" cried Betty indignantly. "What do you mean--guessing? The war is over, isn't it?"
"Yes; and has been for quite a while," Mollie responded dryly. "But that doesn't say that the boys are coming home right away."
"We don't care about the right away," interrupted Amy, with a quiet happiness in her face that made Betty hug her impulsively. "We can wait patiently, now that we know they are safe."
"It's all right for you to talk about patience, Amy," retorted Mollie, throttling her engine and sliding at breakneck speed down a long hill without the thought of using a brake. A brake to Mollie meant something to be used at the last minute when she couldn't think of anything else to do. "You're an angel, but I'm not----"
"No, indeed!" said Grace, so emphatically that the girls in the tonneau chuckled and Mollie looked at her threateningly.
"For goodness' sake, don't waste time looking at me," Grace pleaded, as they bounced into a hole in the road and out again, fairly jouncing the breath from the girls' bodies. "Keep your eyes on the road, Mollie dear. We're not ready to die yet."
"Well, look out, or you may--ready or not," threatened Mollie darkly, as the car skidded around another precipitous turn and the girls saw with relief a long stretch of flat road before them.
"Just the same the boys must be coming home before very long," said Amy, quietly returning to the subject. "And when they do come we'll have to give them some sort of big party or something, girls."
"Of course we will," said Grace, munching contentedly on a chocolate. "Something that will make the people in Deepdale sit up and take notice."
"We-el--I don't know," objected Betty thoughtfully. "They say that the few soldier boys who have come home object to any sort of fuss being made over them. They seem to want to forget everything that has happened 'over there,' and any sort of celebration brings the whole thing vividly before them again."
"Yes, that's true, too," Mollie agreed. "I remember our doctor telling mother that if people only wouldn't try to force confidences from the boys and would try to keep all thought of the awful things they had been through out of their minds, there would be fewer cases of nervous breakdowns."
"Pop!" said Grace, snapping her finger resignedly. "There go all our hopes of a good time, Amy. When the boys come home all we shall be allowed to do will be to smooth their fevered brows and hold their hands."
"Well, we might do worse things even than that," said Betty, with a light laugh, and Mollie shot her a malicious glance.
"Just watch Betty objecting to that" she said wickedly. "Before we know it she will be sighing that Allen has only one fevered brow to smooth!"
Amy and Grace looked at Betty mischievously--at Betty who could not for the life of her look as unconcerned as she would have liked.
"Don't be so foolish" she said hastily, at which the girls only laughed the more.
"Never mind, honey," said Amy, putting an arm fondly about her chum. "I guess we will all be crazy with joy to get the boys home again."
"Well, you needn't think you can hold hands with Will and smooth his fevered brow all the time," said Grace unexpectedly. "Because I really have some share in him myself, you know. Remember, mine was one of the three pictures he kept under his pillow."
Readers of previous volumes in this series may recall that joyful letter written to Betty not so long ago in which Sergeant Allen Washburn--now Lieutenant Allen Washburn--had spoken of the three pictures which Will Ford had kept under his pillow during his long convalescence in one of the army hospitals over there. These readers may also remember that one of the pictures was of the boy's mother, another of his sister, Grace, and the third of shy little Amy Blackford, who now was blushing so furiously at the mere mention of it.
"How about poor Frank and Roy?" asked Mollie, mentioning the other two boys who made up the quartette of the girls' boy chums. "Who will attend to their fevered brows?"
"Oh, you and Grace can take turns at that," said Betty, lightly adding, with a little sigh: "Try as we can, Amy and I never know quite how to pair you four off. We can't for the life of us find out which of you likes Frank best and which inclines to Roy."
"That's right, kid--keep 'em guessing," said Mollie slangily, as she turned on power and challenged a steep grade. "Grace and I believe in scattering our favors--as 'twere. See that hill just ahead of us? What do you bet I make it without changing gears?"
"If you make it without changing our looks, I'll be happy," said Grace ruefully, as they bumped and rumbled to the top of the steep grade. "Look out, Mollie!" she added suddenly, indicating a big pile of brushwood that jutted out almost into the center of the road. "For goodness' sake, slow down!"
But Mollie did more than slow down. She stopped--and with such suddenness that the girls were all but thrown out of the car and Betty bumped her nose on the seat in front.
They had scarcely regained their poise when they were startled by a shrill cry from Amy.
"Girls!" she almost screamed, clutching Betty's arm in a grip that hurt, "look at that tree. It's going to fall! Oh, we'll be killed!"
The girls followed the direction of her pointing finger and looks of horror sprang to their eyes. Slowly, its descent retarded somewhat by the branches of other trees, a towering giant of the forest tottered and crashed its destructive way downward. And they were directly in its path!
The Outdoor Girls in Army Service Doing Their Bit for the Soldier Boys by Laura Lee Hope
Six Little Bunkers at Uncle Fred's by Laura Lee Hope
Bunny Brown and His Sister Sue Playing Circus by Laura Lee Hope
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Outdoor Girls in a Winter Camp: Or, Glorious Days on Skates and Ice Boats" by Laura Lee Hope is a delightful story about four girls' adventures during World War I. This story is the fourth novel in the "Outdoor girls" series.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Outdoor Girls at the Hostess House; Or, Doing Their Best for the Soldiers" by Laura Lee Hope is a delightful story about four girls' adventures during World War I. This story is the nineth novel in the "Outdoor girls" series.
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
"You need a bride, I need a groom. Why don't we get married?" Both abandoned at the altar, Elyse decided to tie the knot with the disabled stranger from the venue next door. Pitying his state, she vowed to spoil him once they were married. Little did she know that he was actually a powerful tycoon. Jayden thought Elyse only married him for his money, and planned to divorce her when she was no longer of use to him. But after becoming her husband, he was faced with a new dilemma. "She keeps asking for a divorce, but I don't want that! What should I do?"
Sophie became limp after an accident while saving an old grandma. Her parents, who resented her, laughed and said, "No one will marry a limping girl. Marry an old man and bring us the dowry money!" She thought her life was useless now. Until, the grandma's handsome grandson appeared with a shocking marriage proposal: "Marry me and I'll help you with your leg surgery!" She was stunned. "But I'm just a poor girl with a limp leg.why would you marry me?" His lips curled up into a smirk. "At least, I'll have a silly girl as my wife." Blinded by desperation and hope, Sophie agreed. Only later did she discover her new husband's true identity. Dominic William, London's most elusive billionaire, notorious for his icy heart and disdain for women. As Sophie navigates Dominic's world, she uncovers the secrets behind his frozen facade. But will their unconventional love overcome the darkness of his past and her own insecurities? Or will his secrets tear them apart?
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
After being kicked out of her home, Harlee learned she wasn't the biological daughter of her family. Rumors had it that her impoverished biological family favored sons and planned to profit from her return. Unexpectedly, her real father was a zillionaire, catapulting her into immense wealth and making her the most cherished member of the family. While they anticipated her disgrace, Harlee secretly held design patents worth billions. Celebrated for her brilliance, she was invited to mentor in a national astronomy group, drew interest from wealthy suitors, and caught the eye of a mysterious figure, ascending to legendary status.
She was a world-renowned divine doctor, the CEO of a publicly traded company, the most formidable female mercenary, and a top-tier tech genius. Marissa, a titan with a plethora of secret identities, had hidden her true stature to marry a seemingly impoverished young man. However, on the eve of their wedding, her fiance, who was actually the lost heir to a wealthy dynasty, called off the engagement and subjected her to degradation and mockery. Upon the revelation of her concealed identities, her ex-fiance was left stunned and desperately pleaded for her forgiveness. Standing protectively before Marissa, an incredibly influential and fearsome magnate declared, "This is my wife. Who would dare try to claim her?"
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