The Thrall of Leif the Lucky by Ottilie A. Liljencrantz
The Thrall of Leif the Lucky by Ottilie A. Liljencrantz
Vices and virtues
The sons of mortals bear
In their breasts mingled;
No one is so good That no failing attends him,
Nor so bad as to be good for nothing.
Ha'vama'l (High Song of Odin).
It was back in the tenth century, when the mighty fair-haired warriors of Norway and Sweden and Denmark, whom the people of Southern Europe called the Northmen, were becoming known and dreaded throughout the world. Iceland and Greenland had been colonized by their dauntless enterprise. Greece and Africa had not proved distant enough to escape their ravages. The descendants of the Viking Rollo ruled in France as Dukes of Normandy; and Saxon England, misguided by Ethelred the Unready and harassed by Danish pirates, was slipping swiftly and surely under Northern rule. It was the time when the priests of France added to their litany this petition: "From the fury of the Northmen, deliver us, good Lord."
The old, old Norwegian city of Trondhjem, which lies on Trondhjem Fiord, girt by the river Nid, was then King Olaf Trygvasson's new city of Nidaros, and though hardly more than a trading station, a hamlet without streets, it was humming with prosperity and jubilant life. The shore was fringed with ships whose gilded dragon-heads and purple-and-yellow hulls and azure-and-scarlet sails were reflected in the waves until it seemed as if rainbows had been melted in them. Hillside and river-bank bloomed with the gay tents of chieftains who had come from all over the North to visit the powerful Norwegian king. Traders had scattered booths of tempting wares over the plain, so that it looked like fair-time. The broad roads between the estates that clustered around the royal residence were thronged with clanking horsemen, with richly dressed traders followed by covered carts of precious merchandise, with beautiful fair-haired women riding on gilded chair-like saddles, with monks and slaves, with white-bearded lawmen and pompous landowners.
Along one of those roads that crossed the city from the west, a Danish warrior came riding, one keen May morning, with a young English captive tied to his saddle-bow.
The Northman was a great, hulking, wild-maned, brute-faced fellow, capped by an iron helmet and wrapped in a mantle of coarse gray, from whose folds the handle of a battle-axe looked out suggestively; but the boy was of the handsomest Saxon type. Though barely seventeen, he was man-grown, and lithe and well-shaped; and he carried himself nobly, despite his clumsy garments of white wool. His gold-brown hair had been clipped close as a mark of slavery, and there were fetters on his limbs; but chains could not restrain the glance of his proud gray eyes, which flashed defiance with every look.
Crossing the city northward, they came where a trading-booth stood on its outskirts-an odd looking place of neatly built log walls tented over with gay striped linen. Beyond, the plain rose in gentle hills, which were overlooked in their turn by pine-clad snow-capped mountains. On one side, the river hurried along in surging rapids; on the other, one could see the broad elbow of the fiord glittering in the sun. At the sight of the booth, the Saxon scowled darkly, while the Dane gave a grunt of relief. Drawing rein before the door, the warrior dismounted and pulled down his captive.
It was a scene of barbaric splendor that the gay roof covered. The walls displayed exquisitely wrought weapons, and rare fabrics interwoven with gleaming gold and silver threads. Piles of rich furs were heaped in the corners, amid a medley of gilded drinking-horns and bronze vessels and graceful silver urns. Across the back of the booth stretched a benchful of sullen-looking creatures war-captives to be sold as slaves, native thralls, and two Northmen enslaved for debt. In the centre of the floor, seated upon one of his massive steel-bound chests, gorgeous in velvet and golden chains, the trader presided over his sales like a prince on his throne.
The Dane saluted him with a surly nod, and he answered with such smooth words as the thrifty old Norse proverbs advise every man to practise.
"Greeting, Gorm Arnorsson! Here is great industry, if already this Spring you have gone on a Viking voyage and gotten yourself so good a piece of property! How came you by him?"
Gorm gave his "property" a rough push forward, and his harsh voice came out of his bull-thick neck like a bellow. "I got him in England last Summer. We ravaged his lather's castle, I and twenty ship-mates, and slew all his kinsmen. He comes of good blood; I am told for certain that he is a jarl's son. And I swear he is sound in wind and limb. How much will you pay me for him, Karl Grimsson?"
The owner of the booth stroked his long white beard and eyed the captive critically. It seemed to him that he had never seen a king's son with a haughtier air. The boy wore his letters as though they had been bracelets from the hands of Ethelred.
"Is it because you value him so highly that you keep him in chains?" he asked.
"In that I will not deceive you," said the Dane, after a moment's hesitation. "Though he is sound in wind and limb, he is not sound in temper. Shortly after I got him, I sold him to Gilli the Wealthy for a herd-boy; but because it was not to his mind on the dairy-farm, he lost half his herd and let wolves prey on the rest, and when the headman would have flogged him for it, he slew him. He has the temper of a black elf."
"He does not look to be a cooing dove," the trader assented. "But how came it that he was not slain for this? I have heard that Gilli is a fretful man."
The Dane snorted. "More than anything else he is greedy for property, and his wife Bertha advised him not to lose the price he had paid. It is my belief that she has a liking for the cub; she was an English captive before the Wealthy One married her. He followed her advice, as was to be expected, and saddled me with the whelp when I passed through the district yesterday. I should have sent him to Thor myself," he added with a suggestive swing of his axe, "but that silver is useful to me also. I go to join my shipmates in Wisby. And I am in haste, Karl Grimsson. Take him, and let me have what you think fair."
It seemed as if the trader would never finish the meditative caressing of his beard, but at last he arose and called for his scales. The Dane took the little heap of silver rings weighed out to him, and strode out of the tent. At the same time, he passed out of the English boy's life. What a pity that the result of their short acquaintance could not have disappeared with him!
The trader surveyed his new possession, standing straight and slim before him. "What are you called?" he demanded. "And whence come you? And of what kin?"
"I am called Alwin," answered the thrall; "and I come from Northumbria." He hesitated, and the blood mounted to his face. "But I will not tell you my father's name," he finished proudly, "that you may shame him in shaming me."
The trader's patience was a little chafed. Peaceful merchants were also men of war between times in those days.
Suddenly he unsheathed the sword that hung at his side, and laid its point against the thrall's breast.
"I ask you again of what kin you come. If you do not answer now, it is unlikely that you will be alive to answer a third question."
Perhaps young Alwin's bronzed cheeks lost a little of their color, but his lip curled scornfully. So they stood, minute after minute, the sharp point pricking through the cloth until the boy felt it against his skin.
Gradually the trader's face relaxed into a grim smile. "You are a young wolf," he said at last, sheathing his weapon; "yet go and sit with the others. It may be that wolves thrive better than lambs in the North."
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
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Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
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