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The Tragedy of the Chain Pier by Charlotte M. Braeme
The Tragedy of the Chain Pier by Charlotte M. Braeme
Most visitors to Brighton prefer the new pier; it is altogether a more magnificent affair. It is in the fashionable town, for fashion will go westward; it is larger, more commodious, more frequented. Go to the West Pier when you will, there is always something to see; beautiful women, pretty girls, fashionable belles promenade incessantly. There are times when it is crowded, and there is even a difficulty in making room for all who come.
No wonder the elite of Brighton like the West Pier; it is one of the most enjoyable spots in England; every luxury and comfort is there; a good library, plenty of newspapers, elegant little shops, excellent refreshment rooms, fine music; and then the lovely blue, dimpling sea, the little boats with their white sails, like white-winged birds on the water, the grand stretch of the waves, the blue sky overhead, and the town, with its fine, tall houses shining in the sunlight, the line of white cliff and the beach where the children are at play. You go down to the wonderful jetty, which, to me, was one of the most mysterious and romantic of places. There the water is of the deepest, choicest emerald green, and it washes the wonderful net-work of poles with a soft, lapping sound beautiful to hear. You can stand there with only a rail between you and the green, deep water, watching the fisher-boats out on the deep; watching, perhaps, the steamer with its load of passengers, or looking over the wide sunlit waves, dreaming-dreams born of the sea-out of the world; alone in the kingdom of fancy; there is always something weird in the presence of deep, silent, moving waters.
There is always plenty of life, gayety and fashion on the West Pier. It is a famous place, not for love-making but for flirtation; a famous place for studying human nature; a famous place for passing a pleasant hour. You may often meet great celebrities on the West Pier; faces familiar at the House of Lords, familiar at Court, familiar at the opera, are to be seen there during the season; beautiful faces that have grown pale and worn with the excitement of a London campaign, and here, as they are bent thoughtfully over the green waters, the bracing air brings sweet roses, the lines fade, the eyes brighten; there is no such beautifier as a sea breeze, no bloom so radiant and charming as that brought by the wind from the sea.
On the West Pier you will find all the beauty, rank and fashion of Brighton; you will see costumes a ravir, dresses that are artistic and elegant; you will see faces beautiful and well-known; you will hear a charming ripple of conversation; you will witness many pleasant and piquant adventures; but if you want to dream; if you want to give up your whole heart and soul to the poetry of the sea; if you want to listen to its voice and hear no other; if you want to shut yourself away from the world; if you want to hear the music of the winds, their whispers, their lullabies, their mad dashes, their frantic rages, you must go to the Old Chain Pier. As a rule you will find few there, but you may know they are a special few; you will see the grave, quiet face of the thinker, who has chosen that spot because he does not want to be disturbed by the frou-frou of ladies' dresses, or the music of their happy voices; he wants to be alone with the sea and the wind.
It often happens that you find a pair of very happy lovers there-they go to the side and lean over the railing as though their sole object in life was to watch the rippling sea. Do not believe them, for you will hear the murmur of two voices, and the theme is always "love." If you go near them they look shyly at you, and in a few minutes move gently away. Ah, happy lovers, make hay while the sun shines; it does not shine always, even over the Chain Pier.
If you want to watch the waves, to hear their rolling music, if you want to see the seagulls whirl in the blue ether, if you want to think, to read, to be alone, to fill your mind with beautiful thoughts, go to the Chain Pier at Brighton.
There is a jetty-an old-fashioned, weird place, where the green water rushes swiftly and washes round the green wood, where there is always a beautiful sound of the rising and falling of the sea; where you may sit on one of the old-fashioned seats, seeing nothing but water and sky around you, until you can fancy yourself out in the wide ocean; until you can wrap your thoughts and your senses in the very mists of romance. Time was when the Chain Pier at Brighton was one of the wonders of England, and even now, with its picturesque chains and arches, I like it better than any other.
I may as well tell the truth while I write of it. I know that if the dead can rise from their graves I shall re-visit the Chain Pier at Brighton. I spent one hour there-that was the hour of my life-one madly happy, bewildering hour! I remember the plank of wood on which my feet rested; I remember the railing, over which I heard the green, deep water, with the white-sailed boat in the distance-sails like the white wings of angels beckoning me away; the blue sky with the few fleecy white clouds-the wash of the waters against the woodwork of the pier; and I remember the face that looked down into mine-all Heaven lay in it for me; the deep water, the blue sky, the handsome face, the measured rhythms of the sea, the calm tones of the clear waves-are all mixed in one dream. I cry out in anguish at times that Heaven may send me such another, but it can never be! If the dead can return, I shall stand once more where I stood then. I will not tell my story now, but rather tell of the tragedy with which the Chain Pier at Brighton is associated for evermore in my mind.
I had gone down to Brighton for my health, and I was staying at the most comfortable and luxurious of hotels, "The Norfolk." It was the end of September, and the only peculiarity of the month that I remember was this: the nights grew dark very soon-they were not cold; the darkness was rather that of soft thick gloom that spread over land and sea. No one need ever feel dull in Brighton. If I could have liked billiards, or cared for the theater, or enjoyed the brilliant shops on the crowded pier, with its fine music, I might have been happy enough; but I was miserable with this aching pain of regret and the chill desolation of a terrible loss. I tried the Aquarium. If fishes could soothe the heart of man, solace might be found there; but to my morbid fancy they looked at me with wide open eyes of wonder-they knew the secrets of the sea-the faint stir of life in the beautiful anemones had lost its interest. I could not smile at the King Crabs; the reading tables and the music had no interest for me; outwardly I was walking through the magnificent halls of the Aquarium-inwardly my heart was beating to the mournful rhythms of the sea. The clock had not struck seven when I came out, and there lying before me was the Chain Pier.
I went there as naturally as the needle goes to the magnet. The moon shone with a fitful light-at times it was bright as day-flooded the sea with silver and showed the chain and the arches of the pier as plainly as the sun could have done-showed the running of the waves-they were busy that evening and came in fast-spreading out in great sheets of white foam, and when the moonlight did touch the foam it was beautiful to see.
But my lady moon was coquettish-every now and then she hid her face behind a drifting cloud, then the soft, thick gloom fell again, and the pier lay like a huge shadow-the very place, I thought, in which a tortured heart could grow calm; there was only the wind and the sea, nothing more. I would go to the spot where we two should stand together never more. I fancied, as I paid for admission at the gate, that the face of the person who received it expressed some surprise. It must have seemed a strange taste; but-ah, me!-there had bloomed for me for one short hour the flowers of paradise.
The thick, soft gloom was deeper on the pier. I remember that, as I walked down, I heard from the church clocks the hour of eight. All along the coast there was a line of light; the town was brilliantly lighted, and when I looked across the waters the West Pier was in all its radiance; the sound of the music floated over the waves to me, the light of the colored lamps shone far and wide. I could see the moving mass of people; here I was almost alone. I saw a gentleman smoking a cigar, I saw the inevitable lovers, I saw an old man with an iron face, I saw two young men, almost boys-what had brought them there I could not think.
I reached the pier-head, where the huge lamp had been lighted and shone like a great brilliant jewel. I sat down; there was no greater pleasure for me than an evening spent there. At first all was quite still; the gentleman smoking his cigar walked up and down; the two youths, who had evidently mistaken the nature of the pier, and considered themselves greatly injured by the absence of music and company, went away; the old man sat still for some time, then he left.
I was alone then with the smoker, who troubled himself very little about me. The coquettish moon threw a wide, laughing gleam around, then vanished. A whole pile of thick, dark clouds came up from the west and hid her fair face-by them the thick, soft gloom had deepened into darkness. I was far from expecting anything tragical as I sat there, cold and desolate, lonely. As it was, the Chain Pier was more like home to me than any other spot on earth, because of the one hour I had spent there.
The wind began to freshen and blow coldly where I sat. I had no motive in changing my seat, except to escape the sharpness of the breeze. I crossed to the other side, where the white line of cliffs lay-away from the brilliant lights of the west pier, hidden behind the wooden structure erected to shelter those on the pier. I gave myself up to my dreams.
I cannot tell how it was, but to-night many ghostly stories that I had read about piers came to my mind. For instance, now, how easy it would be for any man to steal up to me through the thick, soft, shadowy mist, and murder me before I had time even to utter a cry, I might be thrown over into the sea.
Then I said to myself, what a foolish thought! I was close to many people, such a murder was quite impossible. Yet I was foolish enough to turn my head and try to peer through the darkness to see if any one was near.
The tall, slender figure of a woman dressed in a dark cloak was slowly walking up the middle of the pier. She could not see me, but I saw her-plainly, distinctly. I noticed the grace of her movements, her grand carriage. She was closely veiled, so that I could not see her face. But, unless I was much mistaken, she carried a bundle of something held tightly under her arm.
* * *
Season 1: Esther Davenier has spent her life proving she belongs-first to the elite family who raised her, then to a society that values bloodlines over loyalty. But when a long-lost "real" daughter is found, Esther is discarded like yesterday's scandal-her name erased, her face mocked, her engagement stolen. They thought they could bury her. But Esther doesn't go quietly. Armed with multiple powerful hidden identities and a dangerous new ally-CEO Evander Westvale, the man they said she could never have-Esther steps back into the limelight not to reclaim what was stolen, but to take what was never offered. Now she's more than ready to turn the game upside down. Season 2: When the powerful Davenier family reunites, Victor Davenier moves the Victory Group back to their homeland to spend more time with his daughter-Esther Davenier. Because of this, Roger Davenier, Esther's twin brother, finds himself buried in responsibilities, leaving no time for love-until a beautiful secretary, Alexandra, walks into his life uninvited and slowly pulls him closer. But Alexandra is caught between a protective mother hiding a dark past, a jealous rival determined to humiliate her, and a powerful client who sees her as more than just a secretary. Drawn into a dangerous game of power, desire, and betrayal, she must find her strength to survive. And Roger? He's no longer sure if he's protecting his secretary... or falling hopelessly in love with her.
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
Alexander's coldness was laid bare before Florrie; he even asked her to buy morning-after pills for another woman. Enduring the pain became her routine, all because Alexander was a stand-in for Alec, her lost love. But one day, she tricked him into signing the divorce papers and said, "I never loved you." Devastation clung to him, his gaze clouded by despair. "You can't leave. I won't sign." Then Alec returned as a conglomerate heir. She searched his face for love and found none-until she turned away. He cracked, tears falling. "I'm sorry," he begged. "I love you."
Rachel used to think that her devotion would win Brian over one day, but she was proven wrong when his true love returned. Rachel had endured it all-from standing alone at the altar to dragging herself to the hospital for an emergency treatment. Everyone thought she was crazy to give up so much of herself for someone who didn't return her feelings. But when Brian received news of Rachel's terminal illness and realized she didn't have long to live, he completely broke down. "I forbid you to die!" Rachel just smiled. She no longer needed him. "I will finally be free."
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
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