The Young Mother by William A. Alcott
The Young Mother by William A. Alcott
General remarks. Importance of a Nursery-generally overlooked. Its walls-ceiling-windows-chimney. Two apartments. Sliding partition. Reasons for this arrangement. Objections to carpets. Furniture, &c. Feather beds. Holes or crevices. Currents of air. Cats and dogs. "Sucking the child's breath." Brilliant objects. Squinting. Causes of blindness.
It is far from being in the power of every young mother to procure a suitable room for a nursery. In the present state of society, the majority must be contented with such places as they can get. Still there are various reasons for saying what a nursery should be. 1. It may be of service to those who have the power of selection. 2. Information cannot injure those who have not. 3. It may lead those who have wealth to extend the hand of charity in this important direction; for there are not a few who have little sympathy with the wants and distresses of the adult poor, who will yet open their hearts and unfold their hands for the relief of suffering infancy.
Among those who have what is called a nursery, few select for this purpose the most appropriate part of the building. It is not unfrequently the one that can best be spared, is most retired, or most convenient. Whether it is most favorable to the health and happiness of its occupants, is usually at best a secondary consideration.
But this ought not so to be. A nursery should never, for example, be on a ground floor, or in a shaded situation, or in any circumstances which expose it to dampness, or hinder the occasional approach of the light of the sun. It should be spacious, with dry walls, high ceiling, and tight windows. The latter should always be so constructed that the upper sash can be lowered when we wish to admit or exclude air. It should have a chimney, if possible; but if not, there should be suitable holes in the ceiling, for the purposes of ventilation.
The windows should have shutters, so that the room, when necessary, can be darkened-and green curtains. Some writers say that the windows should have cross bars before them; but if they do not descend within three feet of the floor, such an arrangement can hardly be required.
It is highly desirable that every nursery should consist of two rooms, opening into each other; or what is still better, of one large room, with a sliding or swinging partition in the middle. The use of this is, that the mother and child may retire to one, while the other is being swept or ventilated. They would thus avoid damp air, currents, and dust. Such an arrangement would also give the occupants a room, fresh, clean and sweet, in the morning, (which is a very great advantage,) after having rendered the air of the other foul by sleeping in it.
In winter, and while there is an infant in the nursery, just beginning to walk, it is recommended by many to cover the floor with a carpet. The only advantage which they mention is, that it secures the child from injury if it falls. But I have seldom seen lasting injury inflicted by simple falls on the hard floor; and there are so many objections to carpeting a nursery, since it favors an accumulation of dust, bad air, damp, grease, and other impurities, that it seems to me preferable to omit it. Many physicians, I must own, recommend carpets during winter, though not in summer; and in no case, unless they are well shaken and aired, at least once a week.
No furniture should be admissible, except the beds for the mother and child, a table, and a few chairs. With the best writers and highest authorities on the subject, I am decidedly of opinion that all feather beds ought effectually and forever to be excluded from nurseries. The reasons for this prohibition will appear hereafter.
Every nursery should, if possible, be free from holes or crevices; otherwise the occupants will be exposed to currents of air, and their sometimes terrible and always injurious consequences. The room may, in this way, be kept at a lower medium temperature-a point of very great importance.
Cats and dogs, I believe, are usually excluded from the nursery; if not, they ought to be. For though the apprehension of cats "sucking the child's breath," is wholly groundless, yet they may be provoked by the rude attacks of a child to inflict upon it a lasting injury. Besides, they assist, by respiration, in contaminating the air, like all other animals.
If there are, in the nursery, objects which, from the vivacity or brilliancy of their colors, attract the attention of the child, they should never be presented to them sideways, or immediately over their heads. The reason for this caution is, that children seek, and pursue almost instinctively, bright objects; and are thus liable to contract a habit of moving their eyes in an oblique direction, which may terminate in squinting.
Many parents seem to take great pleasure in indulging the young infant in looking at these bright objects; especially a lamp or a candle. If the child is naturally strong and vigorous, no immediate perceptible injury may arise; but I am confident in the opinion that the result is often quite otherwise. For many weeks, if not many months of their early existence, they should not be permitted to sit or lie and gaze at any bright object, be it ever so weak or distant, unless placed exactly before their eyes; and even in the latter case, it were better to avoid it.
Heat is also injurious to the eyes of all, and of course not less so to children than to adults. But when a strong light and heat are conjoined, as is the case of sitting around a large blazing fire-the former custom of New England-it is no wonder if the infantile eyes become early injured. No wonder that the generation now on the stage, early subjected to these abuses, should be found almost universally in the use of spectacles.
This may be the most proper place for observing that great care ought to be taken, at the birth of the child, to prevent a too sudden exposure of the tender organ of vision to the light. We believe this caution is generally omitted by the American physician, though it is one which accords with the plainest dictates of common sense. Who of us has not experienced the pain of emerging suddenly from the darkness of a cellar to the ordinary light of day? The strongest eyes of the adult are scarcely able to bear the transition. How much more painful to the tender organs of the new-born infant must be the change to which it is so frequently subjected? And how easy it is to prevent the pain and danger of the change, by more effectually darkening the room into which it is introduced!
But we have testimony on this point. A distinguished German physician states that he has known many cases of permanent blindness from this very cause to which we have referred. The Principal of the Institution for the Blind, at Vienna, says he is confident that most children who appear to be born blind, are actually made blind by neglecting this same precaution.
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"Anya, a 'wolfless' in a world of powerful werewolves, was invisible, drowning her sorrows and desperately lonely. One drunken text, a desperate cry for attention, accidentally reached the Alpha, pulling her into his terrifying orbit. Now, she's trapped, a pawn in his game, forced to warm his bed while he waits for his true mate, her heart breaking with every stolen moment. As a 'wolfless' in the Blackwood Pack, Anya felt like an outsider, always yearning for a connection. One night, in a drunken haze, a misdirected text meant for her best friend landed in Alpha Declan Blackwood's inbox: ""Send me something hot."" Minutes later, the most powerful, terrifying man in the Pack stood at her door, claiming her with a possessive kiss that ignited a dangerous, unwanted fire. The next morning, his cold indifference shattered her world. Publicly humiliated and instantly fired, Anya became a pariah. Her dying mother's urgent need for a million-dollar heart transplant left her with an impossible choice: accept the Alpha's cold, transactional marriage proposal or watch her mother die. She became his ""placeholder"" wife, a contract, not a partner, all while battling a confusing attraction to the man who treated her as property. Why did he demand her, only to remind her constantly of her worthlessness, especially when everyone knew he waited for his true mate? Her world crumbled when she overheard Declan tell his returning ""true mate,"" Kristin Larsen, that Anya was ""just a substitute."" Despite the crushing betrayal and a strange, unyielding pull, Anya, fueled by her mother's desperate need, vowed to survive this gilded cage and reclaim her life before she lost herself completely."
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.
I stood at my mother’s open grave in the freezing rain, my heels sinking into the mud. The space beside me was empty. My husband, Hilliard Holloway, had promised to cherish me in bad times, but apparently, burying my mother didn't fit into his busy schedule. While the priest’s voice droned on, a news alert lit up my phone. It was a livestream of the Metropolitan Charity Gala. There was Hilliard, looking impeccable in a custom tuxedo, with his ex-girlfriend Charla English draped over his arm. The headline read: "Holloway & English: A Power Couple Reunited?" When he finally returned to our penthouse at 2 AM, he didn't come alone—he brought Charla with him. He claimed she’d had a "medical emergency" at the gala and couldn't be left alone. I found a Tiffany diamond necklace on our coffee table meant for her birthday, and a smudge of her signature red lipstick on his collar. When I confronted him, he simply told me to stop being "hysterical" and "acting like a child." He had no idea I was seven months pregnant with his child. He thought so little of my grief that he didn't even bother to craft a convincing lie, laughing with his mistress in our home while I sat in the dark with a shattered heart and a secret life growing inside me. "He doesn't deserve us," I whispered to the darkness. I didn't scream or beg. I simply left a folder on his desk containing signed divorce papers and a forged medical report for a terminated pregnancy. I disappeared into the night, letting him believe he had successfully killed his own legacy through his neglect. Five years later, Hilliard walked into "The Vault," the city's most exclusive underground auction, looking for a broker to manage his estate. He didn't recognize me behind my Venetian mask, but he couldn't ignore the neon pink graffiti on his armored Maybach that read "DEADBEAT." He had no clue that the three brilliant triplets currently hacking his security system were the very children he thought had been erased years ago. This time, I wasn't just a wife in the way; I was the one holding all the cards.
I woke up in a blindingly white hotel penthouse with a throbbing headache and the taste of betrayal in my mouth. The last thing I remembered was my stepsister, Cathie, handing me a flute of champagne at the charity gala with a smile that didn't reach her eyes. Now, a tall, dangerously handsome man walked out of the bathroom with a towel around his hips. On the nightstand sat a stack of hundred-dollar bills. My stepmother had finally done it—she drugged me and staged a scandal with a hired escort to destroy my reputation and my future. "Aisha! Is it true you spent the night with a gigolo?" The shouts of a dozen reporters echoed through the heavy oak door as camera flashes exploded through the peephole. My phone lit up with messages showing my bank accounts were already frozen. My father was invoking the 'morality clause' in my mother’s trust fund, and my fiancé had already released a statement dumping me to marry my stepsister instead. I was trapped, penniless, and being hunted by the press for a scandal I hadn't even participated in. My own family had sold me out for a payday, and the man standing in front of me was the only witness who could prove I was innocent—or finish me off for good. I didn't have time to cry. According to the fine print of the trust, I had thirty days to prove my "rehabilitation" through a legal marriage or I would lose everything. I tracked the man down to a coffee shop the next morning, watching him take a thick envelope of cash from a wealthy older woman. I sat across from him and slid a napkin with a $50,000 figure written on it. "I need a husband. Legal, paper-signed, and convincing." He looked at the number, then at me, a slow, crooked smile spreading across his face. I thought I was hiring a desperate gigolo to save my inheritance. I had no idea I was actually proposing to Dominic Fields, the reclusive billionaire shark who was currently planning a hostile takeover of my father’s entire empire.
My husband, Ethan Vance, made me his trophy wife. My best friend, Susanna Thorne, helped me pick out my wedding dress. Together, they made me a fool. For three years, I was Mrs. Ethan Vance, a decorative silence in his billion-dollar world, living a quiet routine until a forgotten phone charger led me to his office. The low, feminine laugh from behind his door was a gut-punch; inside, I found Ethan and Susanna, my "best friend" and his CMO, tangled on his sofa, his only reaction irritation. My divorce declaration brought immediate scorn and threats. I was fired, my accounts frozen, and publicly smeared as an unstable gold-digger. Even my own family disowned me for my last cent, only for me to be framed for assault and served a restraining order. Broke, injured, and utterly demonized, they believed I was broken, too ashamed to fight. But their audacious betrayal and relentless cruelty only forged a cold, unyielding resolve. Slumped alone, a restraining order in hand, I remembered my hidden journal: a log of Ethan's insider trading secrets. They wanted a monster? I would show them one.
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