The Young Outlaw or, Adrift in the Streets by Horatio Alger
The Young Outlaw or, Adrift in the Streets by Horatio Alger
"Boy, is this Canal Street?"
The speaker was evidently from the country. He was a tall man, with prominent features, and a face seamed and wrinkled by the passage of nearly seventy years. He wore a rusty cloak, in the style of thirty years gone by, and his clothing generally was of a fashion seldom seen on Broadway.
The boy addressed was leaning against a lamppost, with both hands in his pockets. His clothes were soiled and ragged, a soft hat, which looked as if it had served in its varied career as a foot-ball, was thrust carelessly on his head. He looked like a genuine representative of the "street Arab," with no thought for to-morrow and its needs, and contented if he could only make sure of a square meal to-day. His face was dirty, and marked by a mingled expression of fun and impudence; but the features were not unpleasing, and, had he been clean and neatly dressed, he would undoubtedly have been considered good-looking.
He turned quickly on being addressed, and started perceptibly, as his glance met the inquiring look of the tall, stranger. He seemed at first disposed to run away, but this intention was succeeded by a desire to have some fun with the old man.
"Canal Street's about a mile off. I'll show yer the way for ten cents."
"A mile off? That's strange," said the old man, puzzled. "They told me at the Astor House it was only about ten minutes walk, straight up."
"That's where you got sold, gov'nor. Give me ten cents, and you won't have no more trouble."
"Are you sure you know Canal Street, yourself?" said the old man, perplexed. "They'd ought to know at the hotel."
"I'd ought to know too. That's where my store is."
"Your store!" ejaculated the old man, fixing his eyes upon his ragged companion, who certainly looked very little like a New York merchant.
"In course. Don't I keep a cigar store at No. 95?"
"I hope you don't smoke yourself," said the deacon (for he was a deacon), solemnly.
"Yes, I do. My constitushun requires it."
"My boy, you are doing a lasting injury to your health," said the old man, impressively.
"Oh, I'm tough. I kin stand it. Better give me a dime, and let me show yer the way."
The deacon was in a hurry to get to Canal Street, and after some hesitation, for he was fond of money, he drew out ten cents, and handed it to his ragged companion.
"There, my boy, show me the way. I should think you might have done it for nothing."
"That aint the way we do business in the city, gov'nor."
"Well, go ahead, I'm in a hurry."
"You needn't be, for this is Canal Street," said the boy, edging off a little.
"Then you've swindled me," said the deacon, wrathfully. "Give me back that ten cents."
"Not if I know it," said the boy, mockingly. "That aint the way we do business in the city. I'm goin to buy two five-cent cigars with that money."
"You said you kept a cigar-store yourself," said the deacon, with sudden recollection.
"You mustn't believe all you hear, gov'nor," said the boy, laughing saucily.
"Well now, if you aint a bad boy," said the old man.
"What's the odds as long as you're happy?" said the young Arab, carelessly.
Here was a good chance for a moral lesson, and the deacon felt that it was his duty to point out to the young reprobate the error of his ways.
"My young friend," he said, "how can you expect to be happy when you lie and cheat? Such men are never happy."
"Aint they though? You bet I'll be happy when I'm smokin' the two cigars I'm goin to buy."
"Keep the money, but don't buy the cigars," said the deacon, religion getting the better of his love of money. "Buy yourself some clothes. You appear to need them."
"Buy clo'es with ten cents!" repeated the boy, humorously.
"At any rate, devote the money to a useful purpose, and I shall not mind being cheated out of it. If you keep on this way, you'll end in the gallus."
"That's comin' it rather strong, gov'nor. Hangin's played out in New
York. I guess I'm all right."
"I'm afraid you're all wrong, my boy. You're travellin' to destruction."
"Let's change the subject," said the street boy. "You're gittin' personal, and I don't like personal remarks. What'll you bet I can't tell your name?"
"Bet!" ejaculated the deacon, horrified.
"Yes, gov'nor. I'll bet you a quarter I kin tell your name."
"I never bet. It's wicked," said the old man, with emphasis.
"Well, we won't bet, then," said the boy. "Only, if I tell your name right, you give me ten cents. If I don't get it right, I'll give back this dime you gave me. Aint that fair?"
The deacon might have been led to suspect that there was not much difference between the boy's proposal, and the iniquity of a bet, but his mind was rather possessed by the thought that here was a good chance to recover the money out of which he had been so adroitly cheated. Surely there was no wrong in recovering that, as of course he would do, for how could a ragged street boy tell the name of one who lived a hundred and fifty miles distant, in a small country town?
"I'll do it," said the deacon.
"You'll give me ten cents if I tell your name?"
"Yes, and you'll give me back the money I give you if you can't tell."
"That's it, gov'nor."
"Then what's my name, my boy?" and the deacon extended his hand in readiness to receive the forfeit of a wrong answer.
"Deacon John Hopkins," answered the boy, confidently.
The effect on the old man was startling. He was never more surprised in his life. He stared at the boy open-mouthed, in bewilderment and wonder.
"Well, I declare!" he ejaculated. "I never heard of such a thing."
"Aint I right, gov'nor?"
"Yes, my boy, you're right; but how on earth did you find out?"
"Give me the money, and I'll tell you;" and the boy extended his hand.
The deacon drew the money from his vest-pocket, and handed it to the young Arab, without remonstrance.
"Now tell me, my boy, how you know'd me."
The boy edged off a few feet, then lifted his venerable hat so as to display the whole of his face.
"I'd ought to know you, deacon," he said; "I'm Sam Barker."
"By gracious, if it aint Sam!" ejaculated the old man. "Hallo! stop, I say!"
But Sam was half-way across the street. The deacon hesitated an instant, and then dashed after him, his long cloak floating in the wind, and his hat unconsciously pushed back on the top of his head.
"Stop, you Sam!" he shouted.
But Sam, with his head over his shoulder, already three rods in advance, grinned provokingly, but appeared to have no intention of stopping. The deacon was not used to running, nor did he make due allowance for the difficulty of navigating the crowded streets of the metropolis. He dashed headlong into an apple-stand, and suffered disastrous shipwreck. The apple-stand was overturned, the deacon's hat flew off, and he found himself sprawling on the sidewalk, with apples rolling in all directions around him, and an angry dame showering maledictions upon him, and demanding compensation for damages.
The deacon picked himself up, bruised and ashamed, recovered his hat, which had rolled into a mud-puddle, and was forced to pay the woman a dollar before he could get away. When this matter was settled, he looked for Sam, but the boy was out of sight. In fact, he was just around the corner, laughing as if he would split. He had seen his pursuer's discomfiture, and regarded it as a huge practical joke.
"I never had such fun in all my life," he ejaculated, with difficulty, and he went off into a fresh convulsion. "The old feller won't forget me in a hurry."
Sam's Chance And How He Improved It by Horatio Alger
In A New World or, Among The Gold Fields Of Australia by Horatio Alger
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
I spent four hours preparing a five-course meal for our fifth anniversary. When Jackson finally walked into the penthouse an hour late, he didn't even look at the table. He just dropped a thick Manila envelope in front of me and told me he was done. He said his stepsister, Davida, was getting worse and needed "stability." I wasn't his wife; I was a placeholder, a temporary fix he used until the woman he actually loved was ready to take my place. Jackson didn't just want a divorce; he wanted to erase me. He called me a "proprietary asset," claiming that every design I had created to save his empire belonged to him. He froze my bank accounts, cut off my phone, and told me I’d be nothing without his name. Davida even called me from her hospital bed to flaunt the family heirloom ring Jackson claimed was lost, mocking me for being "baggage" that was finally being cleared out. I stood in our empty home, realizing I had spent five years being a martyr for a man who saw me as a transaction. I couldn't understand how he could be so blind to the monster he was protecting, or how he could discard me so coldly after I had given him everything. I grabbed my hidden sketchbook, shredded our wedding portrait, and walked out into the rain. I dialed a number I hadn't touched in years—a dangerous man known as The Surgeon who dealt in debts and shadows. I told him I was ready to pay his price. Jackson and Davida wanted to steal my identity, but I was about to show the world the literal scars they had left behind.
My marriage to Joshua Caldwell was a prison sentence. I was a Hartman trophy, sold to the powerful family who had destroyed mine. Then I discovered he was cheating. His mistress was pregnant with the child he denied me, and he was stealing my secret song lyrics to build her career. When I confronted him, he called me a spineless liability and threatened to destroy what was left of my family. To make matters worse, a one-night stand with a stranger turned out to be with my husband's brother, Anthony Caldwell-the Don of the city. He knew all of Joshua's secrets and used them to trap me in a twisted game, seeing me as nothing more than an asset. They both thought I was a broken doll they could control. I wrote a song for his mistress, a beautiful execution with a single, impossible note I knew would destroy her voice. She sang it, and now her career is over. Now the Don has summoned me to Chicago, not knowing the woman he thinks is his asset is the one who just burned his brother's world to the ground.
I had been a wife for exactly six hours when I woke up to the sound of my husband’s heavy breathing. In the dim moonlight of our bridal suite, I watched Hardin, the man I had adored for years, intertwined with my sister Carissa on the chaise lounge. The betrayal didn't come with an apology. Hardin stood up, unashamed, and sneered at me. "You're awake? Get out, you frumpy mute." Carissa huddled under a throw, her fake tears already welling up as she played the victim. They didn't just want me gone; they wanted me erased to protect their reputations. When I refused to move, my world collapsed. My father didn't offer a shoulder to cry on; he threatened to have me committed to a mental asylum to save his business merger. "You're a disgrace," he bellowed, while the guards stood ready to drag me away. They had spent my life treating me like a stuttering, submissive pawn, and now they were done with me. I felt a blinding pain in my skull, a fracture that should have broken me. But instead of tears, something dormant and lethal flickered to life. The terrified girl who walked down the aisle earlier that day simply ceased to exist. In her place, a clinical system—the Valkyrie Protocol—booted up. My racing heart plummeted to a steady sixty beats per minute. I didn't scream. I stood up, my spine straightening for the first time in twenty years, and looked at Hardin with the detachment of a surgeon looking at a tumor. "Correction," I said, my voice stripped of its stutter. "You're in my light." By dawn, I had drained my father's accounts, vanished into a storm, and found a bleeding Crown Prince in a hidden safehouse. They thought they had broken a mute girl. They didn't realize they had just activated their own destruction.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
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