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This book is part of the TREDITION CLASSICS series.
This book is part of the TREDITION CLASSICS series.
By the walls of Thebes-the old city of a hundred gates-the Nile spreads to a broad river; the heights, which follow the stream on both sides, here take a more decided outline; solitary, almost cone-shaped peaks stand out sharply from the level background of the many-colored. limestone hills, on which no palm-tree flourishes and in which no humble desert-plant can strike root. Rocky crevasses and gorges cut more or less deeply into the mountain range, and up to its ridge extends the desert, destructive of all life, with sand and stones, with rocky cliffs and reef-like, desert hills.
Behind the eastern range the desert spreads to the Red Sea; behind the western it stretches without limit, into infinity. In the belief of the Egyptians beyond it lay the region of the dead.
Between these two ranges of hills, which serve as walls or ramparts to keep back the desert-sand, flows the fresh and bounteous Nile, bestowing blessing and abundance; at once the father and the cradle of millions of beings. On each shore spreads the wide plain of black and fruitful soil, and in the depths many-shaped creatures, in coats of mail or scales, swarm and find subsistence.
The lotos floats on the mirror of the waters, and among the papyrus reeds by the shore water-fowl innumerable build their nests. Between the river and the mountain-range lie fields, which after the seed-time are of a shining blue-green, and towards the time of harvest glow like gold. Near the brooks and water-wheels here and there stands a shady sycamore; and date-palms, carefully tended, group themselves in groves. The fruitful plain, watered and manured every year by the inundation, lies at the foot of the sandy desert-hills behind it, and stands out like a garden flower-bed from the gravel-path.
In the fourteenth century before Christ-for to so remote a date we must direct the thoughts of the reader-impassable limits had been set by the hand of man, in many places in Thebes, to the inroads of the water; high dykes of stone and embankments protected the streets and squares, the temples and the palaces, from the overflow.
Canals that could be tightly closed up led from the dykes to the land within, and smaller branch-cuttings to the gardens of Thebes.
On the right, the eastern bank of the Nile, rose the buildings of the far-famed residence of the Pharaohs. Close by the river stood the immense and gaudy Temples of the city of Amon; behind these and at a short distance from the Eastern hills-indeed at their very foot and partly even on the soil of the desert-were the palaces of the King and nobles, and the shady streets in which the high narrow houses of the citizens stood in close rows.
Life was gay and busy in the streets of the capital of the Pharaohs.
The western shore of the Nile showed a quite different scene. Here too there was no lack of stately buildings or thronging men; but while on the farther side of the river there was a compact mass of houses, and the citizens went cheerfully and openly about their day's work, on this side there were solitary splendid structures, round which little houses and huts seemed to cling as children cling to the protection of a mother. And these buildings lay in detached groups.
Any one climbing the hill and looking down would form the notion that there lay below him a number of neighboring villages, each with its lordly manor house. Looking from the plain up to the precipice of the western hills, hundreds of closed portals could be seen, some solitary, others closely ranged in rows; a great number of them towards the foot of the slope, yet more half-way up, and a few at a considerable height.
And even more dissimilar were the slow-moving, solemn groups in the roadways on this side, and the cheerful, confused throng yonder. There, on the eastern shore, all were in eager pursuit of labor or recreation, stirred by pleasure or by grief, active in deed and speech; here, in the west, little was spoken, a spell seemed to check the footstep of the wanderer, a pale hand to sadden the bright glance of every eye, and to banish the smile from every lip.
And yet many a gaily-dressed bark stopped at the shore, there was no lack of minstrel bands, grand processions passed on to the western heights; but the Nile boats bore the dead, the songs sung here were songs of lamentation, and the processions consisted of mourners following the sarcophagus.
We are standing on the soil of the City of the Dead of Thebes.
Nevertheless even here nothing is wanting for return and revival, for to the Egyptian his dead died not. He closed his eyes, he bore him to the Necropolis, to the house of the embalmer, or Kolchytes, and then to the grave; but he knew that the souls of the departed lived on; that the justified absorbed into Osiris floated over the Heavens in the vessel of the Sun; that they appeared on earth in the form they choose to take upon them, and that they might exert influence on the current of the lives of the survivors. So he took care to give a worthy interment to his dead, above all to have the body embalmed so as to endure long: and had fixed times to bring fresh offerings for the dead of flesh and fowl, with drink-offerings and sweet-smelling essences, and vegetables and flowers.
Neither at the obsequies nor at the offerings might the ministers of the gods be absent, and the silent City of the Dead was regarded as a favored sanctuary in which to establish schools and dwellings for the learned.
So it came to pass that in the temples and on the site Of the Necropolis, large communities of priests dwelt together, and close to the extensive embalming houses lived numerous Kolchytes, who handed down the secrets of their art from father to son.
Besides these there were other manufactories and shops. In the former, sarcophagi of stone and of wood, linen bands for enveloping mummies, and amulets for decorating them, were made; in the latter, merchants kept spices and essences, flowers, fruits, vegetables and pastry for sale. Calves, gazelles, goats, geese and other fowl, were fed on enclosed meadow-plats, and the mourners betook themselves thither to select what they needed from among the beasts pronounced by the priests to be clean for sacrifice, and to have them sealed with the sacred seal. Many bought only part of a victim at the shambles-the poor could not even do this. They bought only colored cakes in the shape of beasts, which symbolically took the place of the calves and geese which their means were unable to procure. In the handsomest shops sat servants of the priests, who received forms written on rolls of papyrus which were filled up in the writing room of the temple with those sacred verses which the departed spirit must know and repeat to ward off the evil genius of the deep, to open the gate of the under world, and to be held righteous before Osiris and the forty-two assessors of the subterranean court of justice.
What took place within the temples was concealed from view, for each was surrounded by a high enclosing wall with lofty, carefully-closed portals, which were only opened when a chorus of priests came out to sing a pious hymn, in the morning to Horus the rising god, and in the evening to Tum the descending god.
[The course of the Sun was compared to that of the life of Man.
He rose as the child Horns, grew by midday to the hero Ra, who
conquered the Uraeus snake for his diadem, and by evening was an old
Man, Tum. Light had been born of darkness, hence Tum was regarded
as older than Horns and the other gods of light.]
As soon as the evening hymn of the priests was heard, the Necropolis was deserted, for the mourners and those who were visiting the graves were required by this time to return to their boats and to quit the City of the Dead. Crowds of men who had marched in the processions of the west bank hastened in disorder to the shore, driven on by the body of watchmen who took it in turns to do this duty and to protect the graves against robbers. The merchants closed their booths, the embalmers and workmen ended their day's work and retired to their houses, the priests returned to the temples, and the inns were filled with guests, who had come hither on long pilgrimages from a distance, and who preferred passing the night in the vicinity of the dead whom they had come to visit, to going across to the bustling noisy city farther shore.
The voices of the singers and of the wailing women were hushed, even the song of the sailors on the numberless ferry boats from the western shore to Thebes died away, its faint echo was now and then borne across on the evening air, and at last all was still.
A cloudless sky spread over the silent City of the Dead, now and then darkened for an instant by the swiftly passing shade of a bat returning to its home in a cave or cleft of the rock after flying the whole evening near the Nile to catch flies, to drink, and so prepare itself for the next day's sleep. From time to time black forms with long shadows glided over the still illuminated plain-the jackals, who at this hour frequented the shore to slake their thirst, and often fearlessly showed themselves in troops in the vicinity of the pens of geese and goats.
It was forbidden to hunt these robbers, as they were accounted sacred to the god Anubis, the tutelary of sepulchres; and indeed they did little mischief, for they found abundant food in the tombs.
[The jackal-headed god Anubis was the son of Osiris and Nephthys,
and the jackal was sacred to him. In the earliest ages even he is
prominent in the nether world. He conducts the mummifying process,
preserves the corpse, guards the Necropolis, and, as Hermes
Psychopompos (Hermanubis), opens the way for the souls. According
to Plutarch "He is the watch of the gods as the dog is the watch of
men."]
The remnants of the meat offerings from the altars were consumed by them; to the perfect satisfaction of the devotees, who, when they found that by the following day the meat had disappeared, believed that it had been accepted and taken away by the spirits of the underworld.
They also did the duty of trusty watchers, for they were a dangerous foe for any intruder who, under the shadow of the night, might attempt to violate a grave.
Thus-on that summer evening of the year 1352 B.C., when we invite the reader to accompany us to the Necropolis of Thebes-after the priests' hymn had died away, all was still in the City of the Dead.
The soldiers on guard were already returning from their first round when suddenly, on the north side of the Necropolis, a dog barked loudly; soon a second took up the cry, a third, a fourth. The captain of the watch called to his men to halt, and, as the cry of the dogs spread and grew louder every minute, commanded them to march towards the north.
The little troop had reached the high dyke which divided the west bank of the Nile from a branch canal, and looked from thence over the plain as far as the river and to the north of the Necropolis. Once more the word to "halt" was given, and as the guard perceived the glare of torches in the direction where the dogs were barking loudest, they hurried forward and came up with the author of the disturbance near the Pylon of the temple erected by Seti I., the deceased father of the reigning King Rameses II.
[The two pyramidal towers joined by a gateway which formed the
entrance to an Egyptian temple were called the Pylon.]
The moon was up, and her pale light flooded the stately structure, while the walls glowed with the ruddy smoky light of the torches which flared in the hands of black attendants.
A man of sturdy build, in sumptuous dress, was knocking at the brass-covered temple door with the metal handle of a whip, so violently that the blows rang far and loud through the night. Near him stood a litter, and a chariot, to which were harnessed two fine horses. In the litter sat a young woman, and in the carriage, next to the driver, was the tall figure of a lady. Several men of the upper classes and many servants stood around the litter and the chariot. Few words were exchanged; the whole attention of the strangely lighted groups seemed concentrated on the temple-gate. The darkness concealed the features of individuals, but the mingled light of the moon and the torches was enough to reveal to the gate-keeper, who looked down on the party from a tower of the Pylon, that it was composed of persons of the highest rank; nay, perhaps of the royal family.
He called aloud to the one who knocked, and asked him what was his will.
He looked up, and in a voice so rough and imperious, that the lady in the litter shrank in horror as its tones suddenly violated the place of the dead, he cried out-"How long are we to wait here for you-you dirty hound? Come down and open the door and then ask questions. If the torch-light is not bright enough to show you who is waiting, I will score our name on your shoulders with my whip, and teach you how to receive princely visitors."
While the porter muttered an unintelligible answer and came down the steps within to open the door, the lady in the chariot turned to her impatient companion and said in a pleasant but yet decided voice, "You forget, Paaker, that you are back again in Egypt, and that here you have to deal not with the wild Schasu,-[A Semitic race of robbers in the cast of Egypt.]-but with friendly priests of whom we have to solicit a favor. We have always had to lament your roughness, which seems to me very ill-suited to the unusual circumstances under which we approach this sanctuary."
Although these words were spoken in a tone rather of regret than of blame, they wounded the sensibilities of the person addressed; his wide nostrils began to twitch ominously, he clenched his right hand over the handle of his whip, and, while he seemed to be bowing humbly, he struck such a heavy blow on the bare leg of a slave who was standing near to him, an old Ethiopian, that he shuddered as if from sudden cold, though-knowing his lord only too well-he let no cry of pain escape him. Meanwhile the gate-keeper had opened the door, and with him a tall young priest stepped out into the open air to ask the will of the intruders.
Paaker would have seized the opportunity of speaking, but the lady in the chariot interposed and said:
"I am Bent-Anat, the daughter of the King, and this lady in the litter is Nefert, the wife of the noble Mena, the charioteer of my father. We were going in company with these gentlemen to the north-west valley of the Necropolis to see the new works there. You know the narrow pass in the rocks which leads up the gorge. On the way home I myself held the reins and I had the misfortune to drive over a girl who sat by the road with a basket full of flowers, and to hurt her-to hurt her very badly I am afraid. The wife of Mena with her own hands bound up the child, and then she carried her to her father's house-he is a paraschites-[One who opened the bodies of the dead to prepare them for being embalmed.]-Pinem is his name. I know not whether he is known to you."
"Thou hast been into his house, Princess?"
"Indeed, I was obliged, holy father," she replied, "I know of course that I have defiled myself by crossing the threshold of these people, but-"
"But," cried the wife of Mena, raising herself in her litter, "Bent-Anat can in a day be purified by thee or by her house-priest, while she can hardly-or perhaps never-restore the child whole and sound again to the unhappy father."
"Still, the den of a paraschites is above every thing unclean," said the chamberlain Penbesa, master of the ceremonies to the princess, interrupting the wife of Mena, "and I did not conceal my opinion when Bent-Anat announced her intention of visiting the accursed hole in person. I suggested," he continued, turning to the priest, "that she should let the girl be taken home, and send a royal present to the father."
"And the princess?" asked the priest.
"She acted, as she always does, on her own judgment," replied the master of the ceremonies.
"And that always hits on the right course," cried the wife of Mena.
"Would to God it were so!" said the princess in a subdued voice. Then she continued, addressing the priest, "Thou knowest the will of the Gods and the hearts of men, holy father, and I myself know that I give alms willingly and help the poor even when there is none to plead for them but their poverty. But after what has occurred here, and to these unhappy people, it is I who come as a suppliant."
"Thou?" said the chamberlain.
"I," answered the princess with decision. The priest who up to this moment had remained a silent witness of the scene raised his right hand as in blessing and spoke.
"Thou hast done well. The Hathors fashioned thy heart and the Lady of Truth guides it. Thou hast broken in on our night-prayers to request us to send a doctor to the injured girl?"
[Hathor was Isis under a substantial form. She is the goddess of
the pure, light heaven, and bears the Sun-disk between cow-horns on
a cow's head or on a human head with cow's ears. She was named the
Fair, and all the pure joys of life are in her gift. Later she was
regarded as a Muse who beautifies life with enjoyment, love, song,
and the dance. She appears as a good fairy by the cradle of
children and decides their lot in life. She bears many names: and
several, generally seven, Hathors were represented, who personified
the attributes and influence of the goddess.]
"Thou hast said."
"I will ask the high-priest to send the best leech for outward wounds immediately to the child. But where is the house of the paraschites Pinem? I do not know it."
"Northwards from the terrace of Hatasu,-[A great queen of the 18th dynasty and guardian of two Pharaohs]-close to-; but I will charge one of my attendants to conduct the leech. Besides, I want to know early in the morning how the child is doing.-Paaker."
The rough visitor, whom we already know, thus called upon, bowed to the earth, his arms hanging by his sides, and asked:
"What dost thou command?"
"I appoint you guide to the physician," said the princess. "It will be easy to the king's pioneer to find the little half-hidden house again-
[The title here rendered pioneer was that of an officer whose duties
were those at once of a scout and of a Quarter-Master General. In
unknown and comparatively savage countries it was an onerous post.
-Translator.]
besides, you share my guilt, for," she added, turning to the priest, "I confess that the misfortune happened because I would try with my horses to overtake Paaker's Syrian racers, which he declared to be swifter than the Egyptian horses. It was a mad race."
"And Amon be praised that it ended as it did," exclaimed the master of the ceremonies. "Packer's chariot lies dashed in pieces in the valley, and his best horse is badly hurt."
"He will see to him when he has taken the physician to the house of the paraschites," said the princess. "Dost thou know, Penbesa-thou anxious guardian of a thoughtless girl-that to-day for the first time I am glad that my father is at the war in distant Satiland?"-[Asia].
"He would not have welcomed us kindly!" said the master of the ceremonies, laughing.
"But the leech, the leech!" cried Bent-Anat. "Packer, it is settled then. You will conduct him, and bring us to-morrow morning news of the wounded girl."
Paaker bowed; the princess bowed her head; the priest and his companions, who meanwhile had come out of the temple and joined him, raised their hands in blessing, and the belated procession moved towards the Nile.
Paaker remained alone with his two slaves; the commission with which the princess had charged him greatly displeased him. So long as the moonlight enabled him to distinguish the litter of Mena's wife, he gazed after it; then he endeavored to recollect the position of the hut of the paraschites. The captain of the watch still stood with the guard at the gate of the temple.
"Do you know the dwelling of Pinem the paraschites?" asked Paaker.
"What do you want with him?"
"That is no concern of yours," retorted Paaker.
"Lout!" exclaimed the captain, "left face and forwards, my men."
"Halt!" cried Paaker in a rage. "I am the king's chief pioneer."
"Then you will all the more easily find the way back by which you came. March."
The words were followed by a peal of many-voiced laughter: the re-echoing insult so confounded Paaker that he dropped his whip on the ground. The slave, whom a short time since he had struck with it, humbly picked it up and then followed his lord into the fore court of the temple. Both attributed the titter, which they still could hear without being able to detect its origin, to wandering spirits. But the mocking tones had been heard too by the old gate-keeper, and the laughers were better known to him than to the king's pioneer; he strode with heavy steps to the door of the temple through the black shadow of the pylon, and striking blindly before him called out-
"Ah! you good-for-nothing brood of Seth."
[The Typhon of the Greeks. The enemy of Osiris, of truth, good
and purity. Discord and strife in nature. Horns who fights against
him for his father Osiris, can throw him and stun him, but never
annihilate him.]
"You gallows-birds and brood of hell-I am coming."
The giggling ceased; a few youthful figures appeared in the moonlight, the old man pursued them panting, and, after a short chase, a troop of youths fled back through the temple gate.
The door-keeper had succeeded in catching one miscreant, a boy of thirteen, and held him so tight by the ear that his pretty head seemed to have grown in a horizontal direction from his shoulders.
"I will take you before the school-master, you plague-of-locusts, you swarm of bats!" cried the old man out of breath. But the dozen of school-boys, who had availed themselves of the opportunity to break out of bounds, gathered coaxing round him, with words of repentance, though every eye sparkled with delight at the fun they had had, and of which no one could deprive them; and when the biggest of them took the old man's chin, and promised to give him the wine which his mother was to send him next day for the week's use, the porter let go his prisoner-who tried to rub the pain out of his burning ear-and cried out in harsher tones than before:
"You will pay me, will you, to let you off! Do you think I will let your tricks pass? You little know this old man. I will complain to the Gods, not to the school-master; and as for your wine, youngster, I will offer it as a libation, that heaven may forgive you."
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ...wife of Master Ulrich Schwab. The famous guild of Antwerp painters admitted him with pride to be one of their company, and his pictures would be highly esteemed to this day but that they are commonly attributed to other masters, for he never signed his name to any of his works. Of the four Words by whose guidance he had tried to shape his life he had learned to condemn Glory and Power. Fortune and Art remained faithful to him, it is true; for just as the earth has no brightness in itself, but derives its light from the sun, so did Fortune and Art borrow all their splendor, charm, and power from Love. The reckless Electo, whose sword had raged in the fight, had now become a good-hearted neighbor in the fullest Christian sense of the word, and of his worthy master's teaching. Many a stranger has gazed with silent delight at a noble picture representing a handsome and thoughtfully happy mother leading her three blooming children toward an old man, who holds out his arms to them. The old man is Adam, the young mother is Ruth, the three children are the swordsmith's grandchildren. Ulrich Schwab painted it. Antonio Moor died not long after Ulrich's marriage, and a year later Sophonisba di Moncada came to Antwerp to visit the grave of the man she had so tenderly regarded. She had heard from Moor of his finding his old Madrid pupil again, and her first visit was to Ulrich. After she had looked at his work she said, brightly: \" The Word--you know it now, master? I told you then--you remember--that you had found the right one. You have altered since then--altered greatly, and it is a pity you should have cut off your long hair. Still you look like a happy man; and to what do you owe it? To the Word--the one and only true...
It is now four years since this book first appeared before the public, and I feel it my duty not to let a second edition go forth into the world without a few words of accompaniment. It hardly seems necessary to assure my readers that I have endeavored to earn for the following pages the title of a "corrected edition." An author is the father of his book, and what father could see his child preparing to set out on a new and dangerous road, even if it were not for the first time, without endeavoring to supply him with every good that it lay in his power to bestow, and to free him from every fault or infirmity on which the world could look unfavorably? The assurance therefore that I have repeatedly bestowed the greatest possible care on the correction of my Egyptian Princess seems to me superfluous, but at the same time I think it advisable to mention briefly where and in what manner I have found it necessary to make these emendations.
Dieses eBook: "Historische Romane aus dem alten Ägypten: Kleopatra + Die Nilbraut + Der Kaiser + Eine ägyptische Königstochter + Homo sum + Serapis + Uarda und mehr" ist mit einem detaillierten und dynamischen Inhaltsverzeichnis versehen und wurde sorgfältig korrekturgelesen. Georg Ebers (1837-1898) war ein deutscher Ägyptologe und Schriftsteller. Mit seinen historischen Romanen und populärwissenschaftlichen Büchern trug er zur großen Popularität der Ägyptologie im ausgehenden 19. Jahrhundert bei. Beginnend mit Eine ägyptische Königstochter (1864) verfasste Ebers zahlreiche historische Romane, die auf großes Leserinteresse stießen. Neben Felix Dahn gilt er als der bedeutendste Vertreter des "Professorenromans". Die Themen der Romane wählte er teilweise aus dem Umfeld seiner wissenschaftlichen Arbeit, also der ägyptischen Geschichte, aber auch aus anderen Epochen (Mittelalter). Inhalt: Eine ägyptische Königstochter Kleopatra Der Kaiser Uarda Die Schwestern Serapis Die Nilbraut Homo sum Per aspera
Eighteen days after giving up on Brendan Maynard, Jayde Rosario cut off her waist-length hair and called her father, announcing her decision to move to California and attend UC Berkeley. Her father, surprised, asked about the sudden change, reminding her how she' d always insisted on staying with Brendan. Jayde forced a laugh, revealing the painful truth: Brendan was getting married, and she, his stepsister, could no longer cling to him. That night, she tried to tell Brendan about her college acceptance, but his fiancée, Chloie Ellis, interrupted with a bubbly call, and Brendan' s tender words to Chloie twisted a knife in Jayde' s heart. She remembered how his tenderness used to be hers alone, how he had protected her, and how she had poured out her heart to him in a diary and a love letter, only for him to explode, tearing the letter and yelling, "I'm your brother!" He had stormed out, leaving her to painstakingly tape the shredded pieces back together. Her love, however, didn't die, not even when he brought Chloie home and told her to call her "sister-in-law." Now, she understood. She had to put that fire out herself. She had to dig Brendan out of her heart.
Forced out of a mental hospital by her family, Nicole was made to marry Aidan-reputed to be disabled-in her sister's place. The public ridiculed their union: a so-called lunatic and a cripple. What they didn't know was that Nicole had a sharp mind, countless talents, and secret identities. High society sneered at her unruly behavior, but Aidan always took her side. "My wife is too fragile to hurt anyone," he'd say. But soon- "Sir, your wife destroyed someone's house!" "Let her." "Sir, your wife ran away!" He arrived at the airport with two adorable kids in tow, pleading, "Sweetheart, come back. You can punish me however you want." Nicole froze. Wait-where did these two adorable little troublemakers come from?
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
I received a pornographic video. "Do you like this?" The man speaking in the video is my husband, Mark, whom I haven't seen for several months. He is naked, his shirt and pants scattered on the ground, thrusting forcefully on a woman whose face I can't see, her plump and round breasts bouncing vigorously. I can clearly hear the slapping sounds in the video, mixed with lustful moans and grunts. "Yes, yes, fuck me hard, baby," the woman screams ecstatically in response. "You naughty girl!" Mark stands up and flips her over, slapping her buttocks as he speaks. "Stick your ass up!" The woman giggles, turns around, sways her buttocks, and kneels on the bed. I feel like someone has poured a bucket of ice water on my head. It's bad enough that my husband is having an affair, but what's worse is that the other woman is my own sister, Bella. ************************************************************************************************************************ "I want to get a divorce, Mark," I repeated myself in case he didn't hear me the first time-even though I knew he'd heard me clearly. He stared at me with a frown before answering coldly, "It's not up to you! I'm very busy, don't waste my time with such boring topics, or try to attract my attention!" The last thing I was going to do was argue or bicker with him. "I will have the lawyer send you the divorce agreement," was all I said, as calmly as I could muster. He didn't even say another word after that and just went through the door he'd been standing in front of, slamming it harshly behind him. My eyes lingered on the knob of the door a bit absentmindedly before I pulled the wedding ring off my finger and placed it on the table. I grabbed my suitcase, which I'd already had my things packed in and headed out of the house.
"Ms. Crawford, it’s time for you to divorce Mr. Larsen and come home. You're the only heiress the Master's waiting for.” ~•~ For the sake of love, Amara accepted the arranged marriage with Tobias William Larsen. She did everything to gain her husband’s heart but when his old love returned, she realized that all her effort was all for naught. Tobias demanded a divorce on the night of their wedding anniversary, even at the price of threatening her. Heartbroken, she finally dropped all her illusions about him and returned home to be the heiress. The next time she met Tobias, they were no longer couples but opponents. "Mr. Larsen, should I remind you again? We've divorced." "Amara, that's the stupidest mistake I've ever made. Please come back to me."
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
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