ennette Lee (1860-1951) created Uncle William, a genial character who has a talent for confounding land sharks and ending up owning most of the property in sight.
ennette Lee (1860-1951) created Uncle William, a genial character who has a talent for confounding land sharks and ending up owning most of the property in sight.
"Yes, I'm shif'less. I'm gen'ally considered shif'less," said William Benslow. He spoke in a tone of satisfaction, and hitched his trousers skilfully into place by their one suspender.
His companion shifted his easel a little, squinting across the harbor at the changing light. There was a mysterious green in the water that he failed to find in his color-box.
William Benslow watched him patiently. "Kind o' ticklish business, ain't it?" he said.
The artist admitted that it was.
"I reckon I wouldn't ever 'a' done for a painter," said the old man, readjusting his legs. "It's settin'-work, and that's good; but you have to keep at it steady-like-keep a-daubin' and a-scrapin' and a-daubin' and a-scrapin', day in and day out. I shouldn't like it. Sailin' 's more in my line," he added, scanning the horizon. "You have to step lively when you do step, but there's plenty of off times when you can set and look and the boat just goes skimmin' along all o' herself, with the water and the sky all round you. I've been thankful a good many times the Lord saw fit to make a sailor of me."
The artist glanced a little quizzically at the tumble-down house on the cliff above them and then at the old boat, with its tattered maroon sail, anchored below. "There's not much money in it?" he suggested.
"Money? Dunno's there is," returned the other. "You don't reely need money if you're a sailor."
"No, I suppose not-no more than an artist."
"Don't you need money, either?" The old man spoke with cordial interest.
"Well, occasionally-not much. I have to buy canvas now and then, and colors-"
The old man nodded. "Same as me. Canvas costs a little, and color. I dye mine in magenta. You get it cheap in the bulk-"
The artist laughed out. "All right, Uncle William, all right," he said. "You teach me to trust in the Lord and I'll teach you art. You see that color out there,-deep green like shadowed grass-"
The old man nodded. "I've seen that a good many times," he said. "Cur'us, ain't it?-just the color of lobsters when you haul 'em."
The young man started. He glanced again at the harbor. "Hum-m!" he said under his breath. He searched in his color-box and mixed a fresh color rapidly on the palette, transferring it swiftly to the canvas. "Ah-h!" he said, again under his breath. It held a note of satisfaction.
Uncle William hitched up his suspender and came leisurely across the sand. He squinted at the canvas and then at the sliding water, rising and falling across the bay. "Putty good," he said approvingly. "You've got it just about the way it looks-"
"Just about," assented the young man, with quick satisfaction. "Just about. Thank you."
Uncle William nodded. "Cur'us, ain't it? there's a lot in the way you see a thing."
"There certainly is," said the painter. His brush moved in swift strokes across the canvas. "There certainly is. I've been studying that water for two hours. I never thought of lobsters." He laughed happily.
Uncle William joined him, chuckling gently. "That's nateral enough," he said kindly. "You hain't been seein' it every day for sixty year, the way I hev." He looked at it again, lovingly, from his height.
"What's the good of being an artist if I can't see things that you can't?" demanded the young man, swinging about on his stool.
"Well, what is the use? I dunno; do you?" said Uncle William, genially. "I've thought about that a good many times, too, when I've been sailin'," he went on-"how them artists come up here summer after summer makin' picters,-putty poor, most on 'em,-and what's the use? I can see better ones settin' out there in my boat, any day.-Not but that's better'n some," he added politely, indicating the half-finished canvas.
The young man laughed. "Thanks to you," he said. "Come on in and make a chowder. It's too late to do any more to-day-and that's enough." He glanced with satisfaction at the glowing canvas with its touch of green. He set it carefully to one side and gathered up his tubes and brushes.
Uncle William bent from his height and lifted the easel, knocking it apart and folding it with quick skill.
The artist looked up with a nod of thanks. "All right," he said, "go ahead."
Uncle William reached out a friendly hand for the canvas, but the artist drew it back quickly. "No, no," he said. "You'd rub it off."
"Like enough," returned the old man, placidly. "I gen'ally do get in a muss when there's fresh paint around. But I don't mind my clothes. They're ust to it-same as yourn."
The young man laughed anxiously. "I wouldn't risk it," he said. "Come on."
They turned to the path that zigzagged its way up the cliff, and with bent backs and hinged knees they mounted to the little house perched on its edge.
THE sunlight got in Uncle William’s eyes. He looked up from the map spread on the table before him. Then he got up slowly and crossed to the window and drew down the turkey-red curtain—a deep glow filled the room. Juno, on the lounge, stirred a little and stretched her daws, and drew them in and tucked her head behind them and went on sleeping.
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
"My sister threatens to take my mate. And I let her keep him." Born without a wolf, Seraphina is the disgrace of her pack-until a drunken night leaves her pregnant and married to Kieran, the ruthless Alpha who never wanted her. But their decade-long marriage was no fairytale. For ten years, she endured the humiliation: No Luna title. No mating mark. Just cold sheets and colder stares. When her perfect sister returned, Kieran filed for divorce the same night. And her family was happy to see her marriage broken. Seraphina didn't fight but left silently. However, when danger struck, shocking truths emerged: ☽ That night wasn't an accident ☽ Her "defect" is actually a rare gift ☽ And now every Alpha-including her ex-husband-will fight to claim her Too bad she's done being owned. *** Kieran's growl vibrated through my bones as he pinned me against the wall. The heat of him seared through layers of fabric. "You think leaving is that easy, Seraphina?" His teeth grazed the unmarked skin of my throat. "You. Are. Mine." A hot palm slid up my thigh. "No one else will ever touch you." "You had ten years to claim me, Alpha." I bared my teeth in a smile. "Funny how you only remember I'm yours... when I'm walking away."
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
After being forced out of her marriage because she could not have children, Allison's heart broke into pieces. She left for a sleepy town, hoping to find peace and mend her wounds. One day, she stumbled upon an abandoned baby boy and chose to raise him alone. Four years slipped by. One morning, a fleet of luxury cars rolled up to her modest house. A well-dressed man stepped out, holding a card. "Here's two million. Take it for raising my son." With a sly grin, the man replied, "Then both of you come home with me." Allison drew the child close. "He's my family. I will not let him go!"
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
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