Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like "pursuit of the almighty dollar" and "the pen is mightier than the sword".
Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like "pursuit of the almighty dollar" and "the pen is mightier than the sword".
Primitive character of the country in certain districts of Great Britain.-Connection between the features of surrounding scenery and the mental and moral inclinations of man, after the fashion of all sound ethnological historians.-A charioteer, to whom an experience of British laws suggests an ingenious mode of arresting the progress of Roman Papacy, carries Lionel Haughton and his fortunes to a place which allows of description and invites repose.
In safety, but with naught else rare enough, in a railway train, to deserve commemoration, Lionel reached the station to which he was bound. He there inquired the distance to Fawley Manor House; it was five miles. He ordered a fly, and was soon wheeled briskly along a rough parish road, through a country strongly contrasting the gay river scenery he had so lately quitted,-quite as English, but rather the England of a former race than that which spreads round our own generation like one vast suburb of garden-ground and villas. Here, nor village nor spire, nor porter's lodge came in sight. Rare even were the cornfields; wide spaces of unenclosed common opened, solitary and primitive, on the road, bordered by large woods, chiefly of beech, closing the horizon with ridges of undulating green. In such an England, Knights Templars might have wended their way to scattered monasteries, or fugitive partisans in the bloody Wars of the Roses have found shelter under leafy coverts.
The scene had its romance, its beauty-half savage, half gentle-leading perforce the mind of any cultivated and imaginative gazer far back from the present day, waking up long-forgotten passages from old poets. The stillness of such wastes of sward, such deeps of woodland, induced the nurture of revery, gravely soft and lulling. There, Ambition might give rest to the wheel of Ixion, Avarice to the sieve of the Danaids; there, disappointed Love might muse on the brevity of all human passions, and count over the tortured hearts that have found peace in holy meditation, or are now stilled under grassy knolls. See where, at the crossing of three roads upon the waste, the landscape suddenly unfolds, an upland in the distance, and on the upland a building, the first sign of social man. What is the building? only a silenced windmill, the sails dark and sharp against the dull leaden sky.
Lionel touched the driver,-"Are we yet on Mr. Darrell's property?" Of the extent of that property he had involuntarily conceived a vast idea.
"Lord, sir, no; we be two miles from Squire Darrell's. He han't much property to speak of hereabouts. But he bought a good bit o' land, too, some years ago, ten or twelve mile t' other side o' the county. First time you are going to Fawley, sir?"
"Yes."
"Ah! I don't mind seeing you afore; and I should have known you if I had, for it is seldom indeed I have a fare to Fawley old Manor House. It must be, I take it, four or five years ago sin' I wor there with a gent, and he went away while I wor feeding the horse; did me out o' my back fare. What bisness had he to walk when he came in my fly? Shabby."
"Mr. Darrell lives very retired, then? sees few persons?" "S'pose so. I never seed him as I knows on; see'd two o' his hosses though,-rare good uns;" and the driver whipped on his own horse, took to whistling, and Lionel asked no more.
At length the chaise stopped at a carriage gate, receding from the road, and deeply shadowed by venerable trees,-no lodge. The driver, dismounting, opened the gate.
"Is this the place?"
The driver nodded assent, remounted, and drove on rapidly through what night by courtesy he called a park. The enclosure was indeed little beyond that of a good-sized paddock; its boundaries were visible on every side: but swelling uplands covered with massy foliage sloped down to its wild, irregular turf soil,-soil poor for pasturage, but pleasant to the eye; with dell and dingle, bosks of fantastic pollards; dotted oaks of vast growth; here and there a weird hollow thorn-tree; patches of fern and gorse. Hoarse and loud cawed the rooks; and deep, deep as from the innermost core of the lovely woodlands came the mellow note of the cuckoo. A few moments more a wind of the road brought the house in sight. At its rear lay a piece of water, scarcely large enough to be styled a lake; too winding in its shaggy banks, its ends too concealed by tree and islet, to be called by the dull name of pond. Such as it was it arrested the eye before the gaze turned towards the house: it had an air of tranquillity so sequestered, so solemn. A lively man of the world would have been seized with spleen at the first glimpse of it; but he who had known some great grief, some anxious care, would have drunk the calm into his weary soul like an anodyne. The house,-small, low, ancient, about the date of Edward VI., before the statelier architecture of Elizabeth. Few houses in England so old, indeed, as Fawley Manor House. A vast weight of roof, with high gables; windows on the upper story projecting far over the lower part; a covered porch with a coat of half- obliterated arms deep panelled over the oak door. Nothing grand, yet all how venerable! But what is this? Close beside the old, quiet, unassuming Manor House rises the skeleton of a superb and costly pile, -a palace uncompleted, and the work evidently suspended,-perhaps long since, perhaps now forever. No busy workmen nor animated scaffolding. The perforated battlements roofed over with visible haste,-here with slate, there with tile; the Elizabethan mullion casements unglazed; some roughly boarded across,-some with staring forlorn apertures, that showed floorless chambers, for winds to whistle through and rats to tenant. Weeds and long grass were growing over blocks of stone that lay at hand. A wallflower had forced itself into root on the sill of a giant oriel. The effect was startling. A fabric which he who conceived it must have founded for posterity,-so solid its masonry, so thick its walls,-and thus abruptly left to moulder; a palace constructed for the reception of crowding guests, the pomp of stately revels, abandoned to owl and bat. And the homely old house beside it, which that lordly hall was doubtless designed to replace, looking so safe and tranquil at the baffled presumption of its spectral neighbour.
The driver had rung the bell, and now turning back to the chaise met Lionel's inquiring eye, and said, "Yes; Squire Darrell began to build that-many years ago-when I was a boy. I heerd say it was to be the show-house of the whole county. Been stopped these ten or a dozen years."
"Why?-do you know?"
"No one knows. Squire was a laryer, I b'leve: perhaps he put it into Chancery. My wife's grandfather was put into Chancery jist as he was growing up, and never grew afterwards: never got out o' it; nout ever does. There's our churchwarden comes to me with a petition to sign agin the Pope. Says I, 'That old Pope is always in trouble: what's he bin doin' now?' Says he, 'Spreading! He's a-got into Parlyment, and he's now got a colledge, and we pays for it. I does n't know how to stop him.' Says I, 'Put the Pope into Chancery, along with wife's grandfather, and he'll never spread agin.'"
The driver had thus just disposed of the Papacy, when an elderly servant out of livery opened the door. Lionel sprang from the chaise, and paused in some confusion: for then, for the first time, there darted across him the idea that he had never written to announce his acceptance of Mr. Darrell's invitation; that he ought to have done so; that he might not be expected. Meanwhile the servant surveyed him with some surprise. "Mr. Darrell?" hesitated Lionel, inquiringly.
"Not at home, sir," replied the man, as if Lionel's business was over, and he had only to re-enter his chaise. The boy was naturally rather bold than shy, and he said, with a certain assured air, "My name is Haughton. I come here on Mr. Darrell's invitation."
The servant's face changed in a moment; he bowed respectfully. "I beg pardon, sir. I will look for my master; he is somewhere on the grounds." The servant then approached the fly, took out the knapsack, and, observing Lionel had his purse in his hand, said, "Allow me to save you that trouble, sir. Driver, round to the stable-yard." Stepping back into the house, the servant threw open a door to the left, on entrance, and advanced a chair. "If you will wait here a moment, sir, I will seek for my master."
You must often have felt, gentlemen, -- each and all of you, -- especially when sitting alone at night, a strange and unaccountable sensation of coldness and awe creep over you; your blood curdles, and the heart stands still; the limbs shiver, the hair bristles; you are afraid to look up, to turn your eyes to the darker corners of the room; you have a horrible fancy that something unearthly is at hand. Presently the whole spell, if I may so call it, passes away and you are ready to laugh at your own weakness.
Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like "pursuit of the almighty dollar" and "the pen is mightier than the sword".
Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like "pursuit of the almighty dollar" and "the pen is mightier than the sword".
Once Alexia was exposed as a fake heiress, her family dumped her and her husband turned his back on her. The world expected her to break-until Waylon, a mysterious tycoon, took her hand. While doubters waited for him to drop her, Alexia showed skill after shocking skill, leaving CEOs gaping. Her ex begged to come back, but she shut him down and met Waylon's gaze instead. "Darling, you can count on me." He brushed her cheek. "Sweetheart, rely on me instead." Recently, international circles reeled from three disasters: her divorce, his marriage, and their unstoppable alliance crushing foes overnight.
Ten years ago, Elizabeth Kaiser was abandoned by her biological father, cast out of her home like a stray dog. A decade later, she returned as a decorated general of Nation A, wielding immense power and wealth beyond measure. The onlookers waited eagerly for her downfall, only to watch in shock as the elite families of Capitol City bowed before her in reverence. Elizabeth smirked coldly. "Want to chase me? Better ask my fists for permission first!"
Everyone whispered about how Alexander's aunt had forced him into marrying Freya. When the old woman passed and his former love drifted back into town, people watched closely and expected Freya to be brushed aside. Freya shrugged. "Truth be told, I am eager for that day to come." They mocked her for it. Yet everything flipped when Alexander posted something that spread like wildfire. "For everyone asking, I am not ending this marriage. Not now, not ever." Freya stared at the screen, puzzled. What was he trying to pull now?
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
To most, Verena passed for a small-town clinic doctor; in truth, she worked quiet miracles. Three years after Isaac fell hopelessly for her and kept vigil through lonely nights, a crash left him in a wheelchair and stripped his memory. To keep him alive, Verena married him, only to hear, "I will never love you." She just smiled. "That works out-I'm not in love with you, either." Entangled in doubt, he recoiled from hope, yet her patience held him fast-kneeling to meet his eyes, palm warm on his hair, steadying him-until her glowing smile rekindled feelings he believed gone forever.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
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