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THE BESTLOVED NOVEL of One of the World's Great WritersMother, the immortal classic of Maxim Gorky, one of the world's bestloved writers, is the story of the radicalization of an uneducated woman. From her dull peasant existence into active participation in her people's struggle for justice. Through her work she frees herself from the cowed state into which she has been beaten, and her simple motherly concern for her son becomes a motherly concern for all oppressed.To read Mother is to undergo a great emotional experience. It is a novel of strength and power, a tribute to the dignity of the individual. As one wellknown literary critic puts it: "and then I came on Mother, the first of Gorky I had ever seen, and much of what I had read became thin and tasteless by comparison. It was tapestry after cotton and burlap, living, breathing people after cardboard cutouts... it was the hope and zeal of all human beings."
Every day the factory whistle bellowed forth its shrill, roaring, trembling noises into the smoke-begrimed and greasy atmosphere of the workingmen's suburb; and obedient to the summons of the power of steam, people poured out of little gray houses into the street. With somber faces they hastened forward like frightened roaches, their muscles stiff from insufficient sleep. In the chill morning twilight they walked through the narrow, unpaved street to the tall stone cage that waited for them with cold assurance, illumining their muddy road with scores of greasy, yellow, square eyes.
The mud plashed under their feet as if in mocking commiseration. Hoarse exclamations of sleepy voices were heard; irritated, peevish, abusive language rent the air with malice; and, to welcome the people, deafening sounds floated about-the heavy whir of machinery, the dissatisfied snort of steam. Stern and somber, the black chimneys stretched their huge, thick sticks high above the village.
In the evening, when the sun was setting, and red rays languidly glimmered upon the windows of the houses, the factory ejected its people like burned-out ashes, and again they walked through the streets, with black, smoke-covered faces, radiating the sticky odor of machine oil, and showing the gleam of hungry teeth. But now there was animation in their voices, and even gladness. The servitude of hard toil was over for the day. Supper awaited them at home, and respite.
The day was swallowed up by the factory; the machine sucked out of men's muscles as much vigor as it needed. The day was blotted out from life, not a trace of it left. Man made another imperceptible step toward his grave; but he saw close before him the delights of rest, the joys of the odorous tavern, and he was satisfied.
On holidays the workers slept until about ten o'clock. Then the staid and married people dressed themselves in their best clothes and, after duly scolding the young folks for their indifference to church, went to hear mass. When they returned from church, they ate pirogs, the Russian national pastry, and again lay down to sleep until the evening. The accumulated exhaustion of years had robbed them of their appetites, and to be able to eat they drank, long and deep, goading on their feeble stomachs with the biting, burning lash of vodka.
In the evening they amused themselves idly on the street; and those who had overshoes put them on, even if it was dry, and those who had umbrellas carried them, even if the sun was shining. Not everybody has overshoes and an umbrella, but everybody desires in some way, however small, to appear more important than his neighbor.
Meeting one another they spoke about the factory and the machines, had their fling against their foreman, conversed and thought only of matters closely and manifestly connected with their work. Only rarely, and then but faintly, did solitary sparks of impotent thought glimmer in the wearisome monotony of their talk. Returning home they quarreled with their wives, and often beat them, unsparing of their fists. The young people sat in the taverns, or enjoyed evening parties at one another's houses, played the accordion, sang vulgar songs devoid of beauty, danced, talked ribaldry, and drank.
Exhausted with toil, men drank swiftly, and in every heart there awoke and grew an incomprehensible, sickly irritation. It demanded an outlet. Clutching tenaciously at every pretext for unloading themselves of this disquieting sensation, they fell on one another for mere trifles, with the spiteful ferocity of beasts, breaking into bloody quarrels which sometimes ended in serious injury and on rare occasions even in murder.
This lurking malice steadily increased, inveterate as the incurable weariness in their muscles. They were born with this disease of the soul inherited from their fathers. Like a black shadow it accompanied them to their graves, spurring on their lives to crime, hideous in its aimless cruelty and brutality.
On holidays the young people came home late at night, dirty and dusty, their clothes torn, their faces bruised, boasting maliciously of the blows they had struck their companions, or the insults they had inflicted upon them; enraged or in tears over the indignities they themselves had suffered; drunken and piteous, unfortunate and repulsive. Sometimes the boys would be brought home by the mother or the father, who had picked them up in the street or in a tavern, drunk to insensibility. The parents scolded and swore at them peevishly, and beat their spongelike bodies, soaked with liquor; then more or less systematically put them to bed, in order to rouse them to work early next morning, when the bellow of the whistle should sullenly course through the air.
They scolded and beat the children soundly, notwithstanding the fact that drunkenness and brawls among young folk appeared perfectly legitimate to the old people. When they were young they, too, had drunk and fought; they, too, had been beaten by their mothers and fathers. Life had always been like that. It flowed on monotonously and slowly somewhere down the muddy, turbid stream, year after year; and it was all bound up in strong ancient customs and habits that led them to do one and the same thing day in and day out. None of them, it seemed, had either the time or the desire to attempt to change this state of life.
Once in a long while a stranger would come to the village. At first he attracted attention merely because he was a stranger. Then he aroused a light, superficial interest by the stories of the places where he had worked. Afterwards the novelty wore off, the people got used to him, and he remained unnoticed. From his stories it was clear that the life of the workingmen was the same everywhere. And if so, then what was there to talk about?
Occasionally, however, some stranger spoke curious things never heard of in the suburb. The men did not argue with him, but listened to his odd speeches with incredulity. His words aroused blind irritation in some, perplexed alarm in others, while still others were disturbed by a feeble, shadowy glimmer of the hope of something, they knew not what. And they all began to drink more in order to drive away the unnecessary, meddlesome excitement.
Noticing in the stranger something unusual, the villagers cherished it long against him and treated the man who was not like them with unaccountable apprehension. It was as if they feared he would throw something into their life which would disturb its straight, dismal course. Sad and difficult, it was yet even in its tenor. People were accustomed to the fact that life always oppressed them with the same power. Unhopeful of any turn for the better, they regarded every change as capable only of increasing their burden.
And the workingmen of the suburb tacitly avoided people who spoke unusual things to them. Then these people disappeared again, going off elsewhere, and those who remained in the factory lived apart, if they could not blend and make one whole with the monotonous mass in the village.
Living a life like that for some fifty years, a workman died.
* * *
Thus also lived Michael Vlasov, a gloomy, sullen man, with little eyes which looked at everybody from under his thick eyebrows suspiciously, with a mistrustful, evil smile. He was the best locksmith in the factory, and the strongest man in the village. But he was insolent and disrespectful toward the foreman and the superintendent, and therefore earned little; every holiday he beat somebody, and everyone disliked and feared him.
More than one attempt was made to beat him in turn, but without success. When Vlasov found himself threatened with attack, he caught a stone in his hand, or a piece of wood or iron, and spreading out his legs stood waiting in silence for the enemy. His face overgrown with a dark beard from his eyes to his neck, and his hands thickly covered with woolly hair, inspired everybody with fear. People were especially afraid of his eyes. Small and keen, they seemed to bore through a man like steel gimlets, and everyone who met their gaze felt he was confronting a beast, a savage power, inaccessible to fear, ready to strike unmercifully.
"Well, pack off, dirty vermin!" he said gruffly. His coarse, yellow teeth glistened terribly through the thick hair on his face. The men walked off uttering coward abuse.
"Dirty vermin!" he snapped at them, and his eyes gleamed with a smile sharp as an awl. Then holding his head in an attitude of direct challenge, with a short, thick pipe between his teeth, he walked behind them, and now and then called out: "Well, who wants death?"
No one wanted it.
He spoke little, and "dirty vermin" was his favorite expression. It was the name he used for the authorities of the factory, and the police, and it was the epithet with which he addressed his wife: "Look, you dirty vermin, don't you see my clothes are torn?"
When Pavel, his son, was a boy of fourteen, Vlasov was one day seized with the desire to pull him by the hair once more. But Pavel grasped a heavy hammer, and said curtly:
"Don't touch me!"
"What!" demanded his father, bending over the tall, slender figure of his son like a shadow on a birch tree.
"Enough!" said Pavel. "I am not going to give myself up any more."
And opening his dark eyes wide, he waved the hammer in the air.
His father looked at him, folded his shaggy hands on his back, and, smiling, said:
"All right." Then he drew a heavy breath and added: "Ah, you dirty vermin!"
Shortly after this he said to his wife:
"Don't ask me for money any more. Pasha will feed you now."
"And you will drink up everything?" she ventured to ask.
"None of your business, dirty vermin!" From that time, for three years, until his death, he did not notice, and did not speak to his son.
Vlasov had a dog as big and shaggy as himself. She accompanied him to the factory every morning, and every evening she waited for him at the gate. On holidays Vlasov started off on his round of the taverns. He walked in silence, and stared into people's faces as if looking for somebody. His dog trotted after him the whole day long. Returning home drunk he sat down to supper, and gave his dog to eat from his own bowl. He never beat her, never scolded, and never petted her. After supper he flung the dishes from the table-if his wife was not quick enough to remove them in time-put a bottle of whisky before him, and leaning his back against the wall, began in a hoarse voice that spread anguish about him to bawl a song, his mouth wide open and his eyes closed. The doleful sounds got entangled in his mustache, knocking off the crumbs of bread. He smoothed down the hair of his beard and mustache with his thick fingers and sang-sang unintelligible words, long drawn out. The melody recalled the wintry howl of wolves. He sang as long as there was whisky in the bottle, then he dropped on his side upon the bench, or let his head sink on the table, and slept in this way until the whistle began to blow. The dog lay at his side.
When he died, he died hard. For five days, turned all black, he rolled in his bed, gnashing his teeth, his eyes tightly closed. Sometimes he would say to his wife: "Give me arsenic. Poison me."
She called a physician. He ordered hot poultices, but said an operation was necessary and the patient must be taken at once to the hospital.
"Go to the devil! I will die by myself, dirty vermin!" said Michael.
And when the physician had left, and his wife with tears in her eyes began to insist on an operation, he clenched his fists and announced threateningly:
"Don't you dare! It will be worse for you if I get well."
He died in the morning at the moment when the whistle called the men to work. He lay in the coffin with open mouth, his eyebrows knit as if in a scowl. He was buried by his wife, his son, the dog, an old drunkard and thief, Daniel Vyesovshchikov, a discharged smelter, and a few beggars of the suburb. His wife wept a little and quietly; Pavel did not weep at all. The villagers who met the funeral in the street stopped, crossed themselves, and said to one another: "Guess Pelagueya is glad he died!" And some corrected: "He didn't die; he rotted away like a beast."
When the body was put in the ground, the people went away, but the dog remained for a long time, and sitting silently on the fresh soil, she sniffed at the grave.
* * *
Alexei Maximovitch Peshkoff was born March 14, 1869, at Nijni Novgorod. On both his father's and mother's side he belonged to the people; his father followed the trade of a jobbing upholsterer, and his mother was the daughter of a dyer. He was left an orphan when quite young, and he passed then under the care of his grandfather, a cruel and tyrannical old man, who had already so ill-treated young Alexei's father when a lad, that he ran away from home.
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
Billionaire Bennett Graham urgently needed a wife to close a business deal but his fiancée wasn't ready to tie the knots yet. So his grandmother picked the most unassuming maid for him. Everything was supposed to go incredibly well, and all he had to do was wait until he divorced her a year later. But after seeing Maliyah's ocean eyes.it wasn't looking simple anymore. *** Before I could get her up, it was as if she felt the light and an uncomfortable sound came out of her mouth. "Uh-huh..." She raised her hand to cover her eyes. But I didn't have time to wait for her to wake up, so I told her to "Get Up." My voice seemed to scare her, and her light-fearing eyes suddenly widened and she kept moving to the corner. The only voice in the quiet art room was her fear-filled voice, "No...please...go away...don't come close to me." She was afraid of me? I hadn't even spoken to her before, what was she afraid of? This was definitely not going to work, I couldn't talk to her if she couldn't calm down. Then I moved closer to her, my hand on her trembling shoulder, and I whispered soothingly "Calm down.I'm not going to hurt you.I'm not going to hurt you."I assured and then she moved her hair away from her face as if to stare at me properly. Our eyes met.It was that moment. It felt as if I was enchanted for a moment. Those ocean eyes were the most beautiful eyes I've ever seen.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
They don't know I'm a girl. They all look at me and see a boy. A prince. Their kind purchase humans like me for their lustful desires. And, when they stormed into our kingdom to buy my sister, I intervened to protect her. I made them take me too. The plan was to escape with my sister whenever we found a chance. How was I to know our prison would be the most fortified place in their kingdom? I was supposed to be on the sidelines. The one they had no real use for. The one they never meant to buy. But then, the most important person in their savage land-their ruthless beast king-took an interest in the "pretty little prince." How do we survive in this brutal kingdom, where everyone hates our kind and shows us no mercy? And how does someone, with a secret like mine, become a lust slave? . AUTHOR'S NOTE. This is a dark romance-dark, mature content. Highly rated 18+ Expect triggers, expect hardcore. If you're a seasoned reader of this genre, looking for something different, prepared to go in blindly not knowing what to expect at every turn, but eager to know more anyway, then dive in! . From the author of the international bestselling book: "The Alpha King's Hated Slave."
"You're a creepy bastard." His eyes smolder me and his answering grin is nothing short of beautiful. Deadly. "Yet you hunger for me. Tell me, this appetite of yours, does it always tend toward 'creepy bastards'?" **** Widower and ex-boss to the Mafia, Zefiro Della Rocca, has an unhealthy fixation on the woman nextdoor. It began as a coincidence, growing into mere curiosity, and soon, it was an itch he couldn't ignore, like a quick fix of crack for an addict. He didn't know her name, but he knew every inch of her skin, how it flushed when she climaxed, her favourite novel and that every night she contemplated suicide. He didn't want to care, despising his rapt fascination of the woman. She was in love with her abusive husband. She was married, bound by a contract to the Bratva's hitman. She was off-limits. But when Zefiro wanted something, it was with an intensity that bordered on madness. He obsessed, possessed, owned. There'd be bloodshed if he touched her, but the sight of blood always did fascinate him. * When Susanna flees from her husband, she stumbles right into the arms of her devilishly handsome neighbour with a brooding glare. He couldn't stand her, but she needed him, if she was ever going to escape her husband who now wanted her dead. Better the devil you know than the angel you don't. She should have recalled that before hopping into Zefiro's car and letting him whisk her away to Italy. Maybe then, she wouldn't have started an affair with him. He was the only man who touched her right, and the crazy man took no small pains in ensuring he would be the last.
Eliza Greer was abandoned by her mother, raised in an orphanage, and sold to the Burns family at 19. Even though she marries Mason Burns, the other people in the Burns family look down on her for her poor identity and want to try every way to bully her. Unexpectedly, they all failed. Eliza's hidden identities are gradually revealed in one incident after another, which astonishes everyone.