The house was very silent. An odour of disinfectants pervaded the atmosphere. Upstairs hushed, swift steps moved to and fro.
The house was very silent. An odour of disinfectants pervaded the atmosphere. Upstairs hushed, swift steps moved to and fro.
The house was very silent. An odour of disinfectants pervaded the atmosphere. Upstairs hushed, swift steps moved to and fro.
Hugh Vallincourt stood at the window of his study, staring out with unseeing eyes at the smooth, shaven lawns and well-kept paths with their background of leafless trees. It seemed to him that he had been standing thus for hours, waiting-waiting for someone to come and tell him that a son and heir was born to him.
He never doubted that it would be a son. By some freak of chance the first-born of the Vallincourts of Coverdale had been, for eight successive generations, a boy. Indeed, by this time, the thing had become so much a habit that no doubts or apprehensions concerning the sex of the eldest child were ever entertained. It was accepted as a foregone conclusion, and in the eyes of the family there was a certain gratifying propriety about such regularity. It was like a hall-mark of heavenly approval.
Hugh Vallincourt, therefore, was conscious at this critical moment of no questionings on that particular score. He was merely a prey to the normal tremors and agitations of a husband and prospective father.
For an ageless period, it seemed to him, his thoughts had clung about that upstairs room where his wife lay battling for her own life and another's. Suddenly they swung back to the time, a year ago, when he had first met her-an elusive feminine thing still reckoning her age in teens-beneath the glorious blue and gold canopy of the skies of Italy.
Their meeting and brief courtship had been pure romance-romance such as is bred in that land of mellow warmth and colour, where the flower of passion sometimes buds and blooms within the span of a single day.
In like manner had sprung to life the love between Hugh Vallincourt and Diane Wielitzska, and rarely has the web of love enmeshed two more dissimilar and ill-matched people-Hugh, a man of seven-and-thirty, the strict and somewhat self-conscious head of a conspicuously devout old English family, and Diane, a beautiful dancer of mixed origin, the illegitimate offspring of a Russian grand-duke and of a French artist's model of the Latin Quarter.
The three dread Sisters who determine the fate of men must have laughed amongst themselves at such an obvious mismating, knowing well how inevitably it would tangle the threads of many other lives than the two immediately concerned.
Vallincourt had been brought up on severely conventional lines, reared in the narrow tenets of a family whose salient characteristics were an overweening pride of race and a religious zeal amounting almost to fanaticism, while Diane had had no up-bringing worth speaking of. As for religious views, she hadn't any.
Yet neither the one nor the other had counted in the scale when the crucial moment came.
Perhaps it was by way of an ironical set-off against his environment that Fate had dowered Hugh with his crop of ruddy hair-and with the ardent temperament which usually accompanies the type. Be that as it may, he was swept completely off his feet by the dancer's magic beauty. The habits and training of a lifetime went by the board, and nothing was allowed to impede the swift (not to say violent) course of his love-making. Within a month from the day of their first meeting, he and Diane were man and wife.
The consequences were almost inevitable, and Hugh found that his married life speedily resolved itself into an endless struggle between the dictates of inclination and conscience. Everything that was man in him responded passionately to the appeal and charm of Diane's personality, whilst everything that was narrow and censorious disapproved her total inability to conform to the ingrained prejudices of the Vallincourts.
Not that Diane was in any sense of the word a bad woman. She was merely beautiful and irresponsible-a typical cigale of the stage-lovable and kind-hearted and pagan, and possessing but the haziest notions of self-control and self-discipline. Even so, left to themselves, husband and wife might ultimately have found the road to happiness across the bridge of their great love for one another.
But such freedom was denied them. Always at Hugh's elbow stood his sister, Catherine, a rigidly austere woman, in herself an epitome of all that Vallincourts had ever stood for.
Since the death of their parents, twenty years previously, Catherine had shared her brother's home, managing his house-and, on the strength of her four years' seniority in age, himself as well-with an iron hand. Nor had she seen fit to relinquish the reins of government when he married.
Privately, Hugh had hoped she might consider the propriety of withdrawing to the dower house attached to the Coverdale estates, but if the idea had occurred to her, she had never given it utterance, and Hugh himself had lacked the courage to propose such an innovation.
So it followed that Catherine was ever at hand to criticise and condemn. She disapproved of her brother's marriage wholly and consistently. In her eyes, he had committed an unpardonable sin in allying himself with Diane Wielitzska. It was his duty to have married a woman of the type conventionally termed "good," whose blood-and religious outlook-were alike unimpeachable; and since he had lamentably failed in this respect, she never ceased to reproach him. Diane she regarded with chronic disapprobation, exaggerating all her faults and opposing her joy-loving, butterfly nature with an aloofly puritanical disdain.
Amid the glacial atmosphere of disapproval into which marriage had thrust her, Diane found her only solace in Virginie, a devoted French servant who had formerly been her nurse, and who literally worshipped the ground she walked on. Conversely, Virginie's attitude towards Miss Vallincourt was one of frank hostility. And deep in the hearts of both Diane and Virginie lurked a confirmed belief that the birth of a child-a son-would serve to bring about a better understanding between husband and wife, and in the end assure Diane her rightful place as mistress of the house.
"Vois-tu, Virginie," the latter would say hopefully. "When I have a little baby, I shall have done my duty as the wife of a great English milord. Even Miss Catherine will no longer regard me as of no importance."
And Virginie would reply with infinite satisfaction:
"Of a certainty, when madame has a little son, Ma'moiselle Catherine will be returned to her place."
And now at last the great moment had arrived, and upstairs Catherine and Virginie were in attendance-both ousted from what each considered her own rightful place of authority by a slim, capable, and apparently quite unconcerned piece of femininity equipped against rebellion in all the starched panoply of a nurse's uniform, while downstairs Hugh stared dumbly out at the frosted lawns, with their background of bare, brown trees swaying to the wind from the north.
The door behind him opened suddenly. Hugh whirled round. He was a tall man with a certain rather formal air of stateliness about him, a suggestion of the grand seigneur, and the unwontedly impulsive movement was significant of the strain under which he was labouring.
Catherine was standing on the threshold of the room with something in her arms-something almost indistinguishable amid the downy, fleecy froth of whiteness amid which it lay.
Hugh was conscious of a new and strange sensation deep down inside himself. He felt rather as though all the blood in his body had rushed to one place-somewhere in the middle of it-and were pounding there against his ribs.
He tried to speak, failed, then instinctively stretched out his arms for the tiny, orris-scented bundle which Catherine carried.
The next thing of which he was conscious was Catherine's voice as she placed his child in his arms-very quiet, yet rasping across the tender silence of the room like a file.
"Here, Hugh, is the living seal which God Himself has set upon the sin of your marriage."
Hugh's eyes, bent upon the pink, crumpled features of the scrap of humanity nestled amid the bunchy whiteness in his arms, sought his sister's face. It was a thin, hard face, sharply cut like carved ivory; the eyes a light, cold blue, ablaze with hostility; the pale obstinate lips, usually folded so impassively one above the other, working spasmodically.
For a moment brother and sister stared at each other in silence. Then, all at once, Catherine's rigidly enforced composure snapped.
"A girl child, Hugh!" she jeered violently. "A girl-when you prayed for a boy!"
"A girl?"
Hugh stared stupidly at the babe in his arms.
"Ay, a girl!" taunted Catherine, her voice cracking with rising hysteria. "A girl! . . . For eight generations the first-born has been a son. And the ninth is a girl! The daughter of a foreign dancing-woman! . . . God has indeed taken your punishment into His own Hands!"
It was very quiet within the little room perched high up under the roof of Wallater's Buildings. Even the glowing logs in the grate burned tranquilly, without any of those brisk cracklings and sputterings which make such cheerful company of a fire, while the distant roar of London's traffic came murmuringly, dulled to a gentle monotone by the honeycomb of narrow side streets that intervened between the gaunt, red-brick Buildings and the bustling highways of the city.
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
"Stella once savored Marc's devotion, yet his covert cruelty cut deep. She torched their wedding portrait at his feet while he sent flirty messages to his mistress. With her chest tight and eyes blazing, Stella delivered a sharp slap. Then she deleted her identity, signed onto a classified research mission, vanished without a trace, and left him a hidden bombshell. On launch day she vanished; that same dawn Marc's empire crumbled. All he unearthed was her death certificate, and he shattered. When they met again, a gala spotlighted Stella beside a tycoon. Marc begged. With a smirk, she said, ""Out of your league, darling."
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins-a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. "It's time to reveal your true identity, darling."
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
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