George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
There was strange disorder in Miss Rutherford's schoolroom, wont to be the abode of decorum. True, it was the gathering-time after the dinner-hour, and Miss Rutherford herself was as yet out of sight; but things seemed to be going forward of a somewhat more serious kind than a game of romps among the children.
There were screams and sobbings, hysterical cries for help; some of the little girls were crowding round an object in one corner of the room, others appeared to be getting as far away from it as possible, hiding their pale faces in their hands, or looking at one another with terrified eyes. At length one more thoughtful than the rest sped away out of the room, and stood at the bottom of the stairs, calling out her teacher's name as loud as she could. A moment, and Miss Rutherford came hastening down, with alarmed aspect, begging to be told what was the matter. But the summoner had turned and fled at the first sight of the lady's garments. Miss Rutherford darted into the schoolroom, and at once there was quietness, save for half-choked sobs here and there, and a more ominous kind of moaning from the crowded corner.
"Gracious goodness, children, what is it? Who's that lying on the floor? Harriet Smales! What ever has happened?"
The cluster of children had fallen aside, exposing a strange picture. On the ground lay a girl of twelve, her face deadly pale, save in the places where it was dabbled with fresh blood, which still streamed from a gash on the right side of her forehead. Her eyes were half opened; she was just recovering consciousness; a moan came from her at intervals. She had for support the lap and arms of a little girl, perhaps two years younger than herself. Heedless of the flowing blood, this child was pressing her pale cheek against that of the wounded one, whose name she kept murmuring in pitiful accents, mixed with endearing epithets. So unconscious was she of all around, that the falling back of the other children did not cause her to raise her eyes; neither was she aware of Miss Rutherford's first exclamations, nor yet of the question which was next addressed to her by the horrified schoolmistress.
"How did it happen? Some of you run at once for a doctor-Dr. Williams in Grove Road-Oh, quick!-Ida Starr, how did it happen?"
Ida did not move, but seemed to tighten her embrace. The other pupils all looked fearfully hither and thither, but none ventured to speak.
"Ida!" repeated Miss Rutherford, dropping on her knees by the two, and beginning to wipe away some of the blood with her handkerchief. "Speak, child! Has some one gone for the doctor? How was it done?"
The face at length turned upon the questioner was almost as ghastly and red-stained as that it had been pressed against. But it had become self-controlled; the dark eyes looked straight forward with an expression marvellously full of meaning in one so young; the lips did not tremble as they spoke.
"I did it, Miss Rutherford. I have killed Harriet. I, and nobody else."
"You? How, child?"
"I killed her with the slate, Miss Rutherford; this slate, look."
She pointed to a slate without a frame which lay on the floor. There were sums worked on the uppermost side, and the pencil-marks were half obliterated. For a moment the schoolmistress's amazement held her motionless, but fresh and louder moans recalled her to the immediate necessities of the case. She pushed Ida Starr aside, and, with the help of a servant-girl who had by this time appeared in the room, raised the sufferer into a chair, and began to apply what remedies suggested themselves. The surgeon, whom several of the children had hastened to seek, only lived a few yards away, and his assistant was speedily present. Harriet Smales had quite recovered consciousness, and was very soon able to give her own account of the incident. After listening to her, Miss Rutherford turned to the schoolchildren, who were now seated in the usual order on benches, and spoke to them with some degree of calm.
"I am going to take Harriet home. Lucy Wood, you will please to see that order is preserved in my absence; I shall only be away twenty minutes, at the most. Ida Starr, you will go up into my sitting-room, and remain there till I come to you. All take out your copy-books; I shall examine the lines written whilst I am away."
The servant, who had been despatched for a cab, appeared at the door. Harriet Smales was led out. Before leaving the house, Miss Rutherford whispered to the servant an order to occupy herself in the sitting-room, so as to keep Ida Starr in sight.
Miss Rutherford, strict disciplinarian when her nerves were not unstrung, was as good as her promise with regard to the copy-books. She had returned within the twenty minutes, and the first thing she did was to walk along all the benches, making a comment here, a correction there, in another place giving a word of praise. Then she took her place at the raised desk whence she was wont to survey the little room.
There were present thirteen pupils, the oldest of them turned fifteen, the youngest scarcely six. They appeared to be the daughters of respectable people, probably of tradesmen in the neighbourhood. This school was in Lisson Grove, in the north-west of London; a spot not to be pictured from its name by those ignorant of the locality; in point of fact a dingy street, with a mixture of shops and private houses. On the front door was a plate displaying Miss Rutherford's name,-nothing more. That lady herself was middle-aged, grave at all times, kindly, and, be it added, fairly competent as things go in the world of school. The room was rather bare, but the good fire necessitated by the winter season was not wanting, and the plain boarding of the floor showed itself no stranger to scrubbings. A clock hanging on the wall ticked very loudly in the perfect stillness as the schoolmistress took her seat.
She appeared to examine a book for a few moments, then raised her head, looked at the faces before her with a troubled expression, and began to speak.
"I wish to know who can give me any account of the way in which Harriet Smales received her hurt. Stop! Hands only, please. And only those raise their hands who actually saw the blow struck, and overheard all that led to it. You understand, now? One, two, three-seven altogether, that is quite enough. Those seven will wait in the room at four o'clock till the others have all gone. Now I will give the first class their sums."
The afternoon passed Very slowly to teacher and pupils alike. When the clock struck four, work was put away with more than the usual noise and hurry. Miss Rutherford seemed for a time to be on the point of making some new address to the school before the children departed, but eventually she decided to keep silence, and the dismissal was got over as quickly as possible. The seven witnesses remained, solemnly seated at their desks, all anxious-looking.
"Lucy Wood," Miss Rutherford began, when the door was closed and quiet, "you are the eldest. Please tell me all you can of this sad affair."
There was one of the seven faces far more discomposed than the rest, a sweet and spiritual little countenance; it was tear-stained, red-eyed; the eager look, the trembling lips spoke some intimate cause of sympathy. Before the girl addressed had time to begin her answer, this other, one would have said in spite of herself, intervened with an almost agonised question.
"Oh, Miss Rutherford, is Harriet really dead?"
"Hush, hush!" said the lady, with a shocked look. "No, my dear, she is only badly hurt."
"And she really won't die?" pleaded the child, with an instant brightening of look.
"Certainly not, certainly not. Now be quiet, Maud, and let Lucy begin."
Lucy, a sensible and matter-of-fact girl, made a straightforward narration, the facts of which were concurred in by her companions. Harriet Smales, it seemed, had been exercising upon Ida for some days her utmost powers of irritation, teasing her, as Lucy put it, "beyond all bearing." The cause of this was not unknown in the school, and Miss Rutherford remembered the incident from which the malice dated. Harriet had copied a sum in class from Ida's slate-she was always copying from somebody-and the teacher, who had somehow detected her, asked Ida plainly whether such was not the case. Ida made no reply, would not speak, which of course was taken as confirmatory evidence, and the culprit had accordingly received an imposition. Her spleen, thus aroused, Harriet vented upon the other girl, who, she maintained, ought to have stoutly denied the possibility of the alleged deceit, and so have saved her. She gave poor Ida no rest, and her persecution had culminated this afternoon; she began to "call Ida's mother names," the result of which was that the assailed one suddenly snatched up her slate, and, in an uncontrollable fit of passion, struck her tormentor a blow with it upon the forehead.
"What did she call Ida's mother?" inquired Miss Rutherford, all at once changing her look curiously.
"She called her a bad woman."
"Was that all?"
"No, please, Miss Rutherford," put in Maud eagerly. "She said she got her living in the streets. And it isn't true. Ida's mother's a lady, and doesn't sell things in the streets!"
The teacher looked down and was silent.
"I don't think I need ask any more questions," she said presently. "Run away home all of you. What is it, my dear?"
Maud, she was about eleven, and small for her age, had remained behind, and was looking anxiously up into Miss Rutherford's face.
"May I wait for Ida, please," she asked, "and-and walk home with her? We go the same way."
"Not to-night, dear; no, not to-night. Ida Starr is in disgrace. She will not go home just yet. Run away, now, there's a good girl."
Sadly, sadly was the command obeyed, and very slowly did Maud Enderby walk along the streets homeward, ever turning back to see whether perchance Ida might not be behind her.
Miss Rutherford ascended to her sitting-room. The culprit was standing in a corner with her face to the wall.
"Why do you stand so?" asked the teacher gravely, but not very severely.
"I thought you'd want me to, Miss Rutherford."
"Come here to me, child."
Ida had clearly been crying for a long time, and there was still blood on her face. She seemed to have made up her mind that the punishment awaiting her must be dreadful, and she resolved to bear it humbly. She came up, still holding her hands behind her, and stood with downcast eyes. The hair which hung down over her shoulders was dark brown, her eye-brows strongly marked, the eyes themselves rather deep-set. She wore a pretty plum-coloured dress, with a dainty little apron in front; her whole appearance bespeaking a certain taste and love of elegance in the person who had the care of her.
"You will be glad to hear," said Miss Rutherford, "that Harriet's hurt is not as serious as we feared at first. But she will have to stay at home for some days."
There was no motion, or reply.
"Do you know that I am quite afraid of you, Ida? I had no idea that you were so passionate. Had you no thought what harm you might do when you struck that terrible blow?"
But Ida could not converse; no word was to be got from her.
"You must go home now," went on the schoolmistress after a pause, "and not come back till I send for you. Tell your mother just what you have done, and say that I will write to her about you. You understand what I say, my child?"
The punishment had come upon her. Nothing worse than this had Ida imagined; nay, nothing so bad. She drew in her breath, her fingers wreathed themselves violently together behind her back. She half raised her face, but could not resolve to meet her teacher's eyes. On the permission to go being repeated, she left the room in silence, descended the stairs with the slow steps of an old person, dressed herself mechanically, and went out into the street. Miss Rutherford stood for some time in profound and troubled thought, then sighed as she returned to her usual engagements.
The following day was Saturday, and therefore a half-holiday. After dinner, Miss Rutherford prepared herself for walking, and left home. A quarter of an hour brought her to a little out-of-the-way thoroughfare called Boston Street, close to the west side of Regent's Park, and here she entered a chemist's shop, over which stood the name Smales. A middle-aged man of very haggard and feeble appearance stood behind the counter, and his manner to the lady as she addressed him was painfully subservient. He spoke very little above a whisper, and as though suffering from a severe sore throat, but it was his natural voice.
"She's better, I thank you, madam; much better, I hope and believe; yes, much better."
He repeated his words nervously, rubbing his hands together feverishly the while, and making his eye-brows go up and down in a curious way.
"Might I see her for a few moments?"
"She would be happy, madam, very happy: oh yes, I am sure, very happy if-if you would have the kindness to come round, yes, round here, madam, and-and to excuse our poor sitting-room. Thank you, thank you. Harriet, my dear, Miss Rutherford has had the great, the very great, goodness to visit you-to visit you personally-yes. I will leave you, if-if you please-h'm, yes."
He shuffled away in the same distressingly nervous manner, and closed the door behind him. The schoolmistress found herself in a dark little parlour, which smelt even more of drugs than the shop itself. The window looked out into a dirty back-yard, and was almost concealed with heavy red curtains. As the eyes got accustomed to the dimness, one observed that the floor was covered with very old oil-cloth, and that the articles of furniture were few, only the most indispensable, and all very shabby. Everything seemed to be dusty and musty. The only approach to an ornament was a framed diploma hanging over the mantelpiece, certifying that John Alfred Smales was a duly qualified pharmaceutical chemist. A low fire burned in the grate, and before it, in a chair which would probably have claimed the title of easy, sat the girl Harriet Smales, her head in bandages.
She received Miss Rutherford rather sulkily, and as she moved, groaned in a way which did not seem the genuine utterance of pain. After a few sympathetic remarks, the teacher began to touch upon the real object of her visit.
"I have no intention of blaming you, Harriet; I should not speak of this at all, if it were not necessary. But I must ask you plainly what reason you had for speaking of Ida Starr's mother as they say you did. Why did you say she was a bad woman?"
"It's only what she is," returned Harriet sullenly, and with much inward venom.
"What do you mean by that? Who has told you anything about her?"
Only after some little questioning the fact was elicited that Harriet owed her ideas on the subject to a servant girl in the house, whose name was Sarah.
"What does Sarah say, then?" asked Miss Rutherford.
"She says she isn't respectable, and that she goes about with men, and she's only a common street-woman," answered the girl, speaking evidently with a very clear understanding of what these accusations meant. The schoolmistress looked away with a rather shocked expression, and thought a little before speaking again.
"Well, that's all I wanted to ask you, Harriet," she said. "I won't blame you, but I trust you will do as I wish, and never say such things about any one again, whoever may tell you. It is our duty never to speak ill of others, you know; least of all when we know that to do so will be the cause of much pain and trouble. I hope you will very soon be able to come back again to us. And now I will say good-bye."
In the shop Miss Rutherford renewed to the chemist her sincere regret for what had taken place.
"Of course I cannot risk the recurrence of such a thing," she said. "The child who did it will not return to me, Mr. Smales."
Mr. Smales uttered incoherent excuses, apologies, and thanks, and shufflingly escorted the lady to his shop-door.
Miss Rutherford went home in trouble. She did not doubt the truth of what Harriet Smales had told her, for she herself had already entertained uneasy suspicions, dating indeed from the one interview she had had with Mrs. Starr, when Ida was first brought to the school, and deriving confirmation from a chance meeting in the street only a few days ago. It was only too plain what she must do, and the necessity grieved her. Ida had not shown any especial brilliancy at her books, but the child's character was a remarkable one, and displayed a strength which might eventually operate either for good or for evil. With careful training, it seemed at present very probable that the good would predominate. But the task was not such as the schoolmistress felt able to undertake, bearing in mind the necessity of an irreproachable character for her school if it were to be kept together at all. The disagreeable secret had begun to spread; all the children would relate the events of yesterday in their own homes; to pass the thing over was impossible. She sincerely regretted the step she must take, and to which she would not have felt herself driven by any ill-placed prudery of her own. On Monday morning it must be stated to the girls that Ida Starr had left.
In the meantime, it only remained to write to Mrs. Starr, and make known this determination. Miss Rutherford thought for a little while of going to see Ida's mother, but felt that this would be both painful and useless. It was difficult even to write, desirous as she was of somehow mitigating the harshness of this sentence of expulsion. After half-an-hour spent in efforts to pen a suitable note, she gave up the attempt to write as she would have wished, and announced the necessity she was under in the fewest possible words.
This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing
The summer day in 1874 which closed the annual session of Whitelaw College was marked by a special ceremony, preceding the wonted distribution of academic rewards.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
Novelist, born at Wakefield. In his novels he depicted the environment and struggles of the lower and lower middle classes with a somewhat pessimistic and depressing realism, although his last work, The Private Papers of Henry Ryecroft, seemed to usher in the dawn of a somewhat brighter outlook. His other novels include Demos [1886], Thyrza [1887], The Nether World [1889], New Grub Street [1891], Born in Exile [1892], In the Year of Jubilee [1894], and The Town Traveller [1898]. He died at St. Jean de Luz in the Pyrenees.
Isabelle's love for Kolton held flawless for fifteen years-until the day she delivered their children and slipped into a coma. He leaned to her ear and whispered, "Don't wake up. You're worthless to me now." The twins later clutched another woman's hand and chirped, "Mommy," splintering Isabelle's heart. She woke, filed for divorce, and disappeared. Only then did Kolton notice her fingerprints on every habit. They met again: she emerged as the lead medical specialist, radiant and unmoved. But at her engagement gala, she leapt into a tycoon's arms. Jealous, he crushed a glass, blood wetting his palm. He believed as soon as he made a move, Isabelle would return to him. After all, she had loved him deeply.
I'm a moaning mess as Antonio slams into me from behind. His hips hit me hard, and each deep thrust sends shockwaves through my body. My breasts bounce with every movement, my eyes roll back, and I moan his name without control. The pleasure he gives me is overwhelming-I can't hold it in. I feel my walls tighten around his thick length. The pressure builds fast, and then- I explode around him, my orgasm tearing through me. He groans loud and deep as he releases inside me, his hot seed spilling into me in thick pulses. Just when I think he's done, his grip shifts. He turns me over and lays me flat on the bed. His dark eyes stare into mine for a moment, filled with raw hunger. I glance down- He's still hard. Before I can react, he grabs my wrists, pins me down, and pushes himself inside me again. He fills me completely. My hips rise on instinct, meeting his rhythm. Our bodies move together, locked in a wild, uncontrollable dance. "You're fucking sweet," he groans, his voice rough and breathless. "I can't get enough of you... not after that night, Sol," he growls, slamming into me harder. The force of his words and his thrusts make my body shake. "Come for me," he commands, his voice low and full of heat. And just like that, my body trembles. Waves of pleasure crash over me. I cry out, shaking with the force of my orgasm. "Mine," he growls again, louder this time. His voice is feral, wild, like a beast claiming what belongs to him. The sound sends a shiver down my spine. *** Solene was betrayed, humiliated, and erased by Rowan Brook, the man she once called husband, Solene is left with nothing but her name and a burning hunger for revenge. She turns to the one man powerful enough to destroy the Brooks family from within: Rowan's estranged and dangerous uncle, Antonio Rodriguez. He's ruthless. A playboy who never sleeps with the same woman twice. But when Solene walks into his world, he doesn't just break the rules, he creates new ones just for her. What begins as a calculated game quickly spirals into obsession, power plays, and secrets too deadly to stay buried. Because Solene isn't just anyone's ex... she's the woman they should've never underestimated. Can she survive the price of revenge? Or will her heart become the next casualty? And when the truth comes out, will Antonio still choose her... or destroy her?
Narine never expected to survive. Not after what was done to her body, mind, and soul. But fate had other plans. Rescued by Supreme Alpha Sargis, the kingdom's most feared ruler, she finds herself under the protection of a man she doesn't know... and a bond she doesn't understand. Sargis is no stranger to sacrifice. Ruthless, ambitious, and loyal to the sacred matebond, he's spent years searching for the soul fate promised him, never imagining she would come to him broken, on the brink of death, and afraid of her own shadow. He never meant to fall for her... but he does. Hard and fast. And he'll burn the world before letting anyone hurt her again. What begins in silence between two fractured souls slowly grows into something intimate and real. But healing is never linear. With the court whispering, the past clawing at their heels, and the future hanging by a thread, their bond is tested again and again. Because falling in love is one thing. Surviving it? That's a war of its own. Narine must decide, can she survive being loved by a man who burns like fire, when all she's ever known is how not to feel? Will she shrink for the sake of peace, or rise as Queen for the sake of his soul? For readers who believe even the most fractured souls can be whole again, and that true love doesn't save you. It stands beside you while you save yourself.
"You'll be my wife on paper only. You'll have everything-except my heart. You'll never be Marina." For five years, Lily lived as David's secret wife-his poised secretary by day, his invisible stand-in by night. Every cold touch reminded her she was just a replacement. Every whispered "Marina" cut deeper than the last. Then his ex returned. And without hesitation, David cast Lily aside like she meant nothing. So she did what she should have done years ago. She signed the divorce papers. She walked away. But now, David couldn't escape her absence. Her silence burned him in ways Marina never could. And suddenly, the man who swore he'd never love her was determined to get her back. By any means necessary. Even if it meant breaking her all over again. She paid the price for loving him once. Now, he'd pay for losing her forever.
Blinded in a crash, Cary was rejected by every socialite—except Evelina, who married him without hesitation. Three years later, he regained his sight and ended their marriage. "We’ve already lost so many years. I won’t let her waste another one on me." Evelina signed the divorce papers without a word. Everyone mocked her fall—until they discovered that the miracle doctor, jewelry mogul, stock genius, top hacker, and the President's true daughter… were all her. When Cary came crawling back, a ruthless tycoon had him kicked out. "She's my wife now. Get lost."
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
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