Burned Bridges by Bertrand W. Sinclair
Burned Bridges by Bertrand W. Sinclair
Lone Moose snaked its way through levels of woodland and open stretches of meadow, looping sinuously as a sluggish python-a python that rested its mouth upon the shore of Lake Athabasca while its tail was lost in a great area of spruce forest and poplar groves, of reedy sloughs and hushed lakes far northward.
The waterways of the North are its highways. There are no others. No wheeled vehicles traverse that silent region which lies just over the fringe of the prairies and the great Canadian wheat belt. The canoe is lord of those watery roads; when a man would diverge therefrom he must carry his goods upon his back. There are paths, to be sure, very faint in places, padded down by the feet of generations of Athabascan tribesmen long before the Ancient and Honorable Company of Adventurers laid the foundation of the first post at Hudson's Bay, long before the Half Moon's prow first cleft those desolate waters. They have been trodden, these dim trails, by Scotch and French and English since that historic event, and by a numerous progeny in whose veins the blood of all three races mingles with that of the native tribes. But these paths lead only from stream to stream and from lake to lake. No man familiar with the North seeks along those faint trails for camp or fur posts or villages. Wherever in that region red men or white set up a permanent abode it must of necessity be on the bank of a stream or the shore of a lake, from whence by canoe and paddle access is gained to the network of water routes that radiate over the fur country.
Lone Moose Creek was, so to speak, a trunk line. The ninety miles of its main channel, its many diverging branches, tapped a region where mink and marten and beaver, fox and wolf and lesser furs were still fairly plentiful. Along Lone Moose a dozen Cree and half-breed families disappeared into the back country during the hazy softness of Indian summer and came gliding down in the spring with their winter's catch, a birch-bark flotilla laden indiscriminately with mongrel dogs and chattering women and children and baled furs and impassive-faced men, bound for Port Pachugan to the annual barter.
Up Lone Moose some twenty-odd miles from the lake the social instinct had drawn a few families, pure-blooded Cree, and Scotch and French half-breeds, to settle in a permanent location. There was a crescent-shaped area of grassy turf fronting upon the eastern bank of Lone Moose, totaling perhaps twenty acres. Its outer edge was ringed with a dense growth of spruce timber. In the fringe of these dusky woods, at various intervals of distance, could be seen the outline of each cabin. They were much of a sort-two or three rooms, log-walled, brush laid upon poles, and sod on top of that for a roof, with fireplaces built partly of mud, partly of rough stones. Folk in such circumstances waste no labor in ornamentation. Each family's abiding place was purely utilitarian. They cultivated no land, and the meadow during the brief season supplied them with a profusion of delicate flowers a southern garden could scarcely excel. Aside from a few trees felled about each home site, their common effort had cleared away the willows and birch which bordered the creek bank, so that an open landing was afforded the canoes.
There was but one exception to the monotonous similitude of these several habitations. A few paces back from the stream and standing boldly in the open rose a log house double the size of any other there. It contained at least four rooms. Its windows were of ample size, the doors neatly carpentered. A wide porch ran on three sides. It bore about itself an air of homely comfort, heightened by muslin at the windows, a fringe of poppies and forget-me-nots blooming in an orderly row before it, and a sturdy vine laden with morning-glories twining up each supporting column of the porch roof.
Between the house and the woods an acre square was enclosed by a tall picket fence. Within the fence, which was designed as a barricade against foraging deer, there grew a variety of vegetables. The produce of that garden had grown famous far beyond Lone Moose village. But the spirit and customs and traditions of the gardener's neighbors were all against any attempt to duplicate it. They were hunters and trappers and fishermen. The woods and waters supplied their every need.
Upon a blistering day in July, a little past noon, a man stepped out on the porch, and drawing into the shadiest part a great, rude homemade chair upholstered with moosehide, sat down. He had a green-bound book in his hand. While he stuffed a clay pipe full of tobacco he laid the volume across his knees. Every movement was as deliberate as the flow of the deep stream near by. When he had stoked up his pipe he leaned back and opened the book. The smoke from his pipe kept off what few mosquitoes were abroad in the scorching heat of midday.
A casual glance would at once have differentiated him from a native, held him guiltless of any trace of native blood. His age might have been anywhere between forty and fifty. His hair, now plentifully shot with gray, had been a light, wavy brown. His eyes were a clear gray, and his features were the antithesis of his high-cheekboned neighbors. Only the weather-beaten hue of his skin, and the scores of fine seams radiating from his eyes told of many seasons squinting against hot sunlight and harsh winds.
Whatever his vocation and manner of living may have been he was now deeply absorbed in the volume he held. A small child appeared on the porch, a youngster of three or thereabouts, with swarthy skin, very dark eyes, and inky-black hair. He went on all fours across Sam Carr's extended feet several times. Carr remained oblivious, or at least undisturbed, until the child stood up, laid hold of his knee and shook it with playful persistence. Then Carr looked over his book, spoke to the boy casually, shaking his head as he did so. The boy persisted after the juvenile habit. Carr raised his voice. An Indian woman, not yet of middle age but already inclining to the stoutness which overtakes women of her race early in life, appeared in the doorway. She spoke sharply to the boy in the deep, throaty language of her people. The boy, with a last impish grin, gave the man's leg a final shake and scuttled indoors. Carr impassively resumed his reading.
An hour or so later he lifted his eyes from the printed page at a distant boom of thunder. The advanced edge of a black cloudbank rolling swiftly up from the east was already dimming the brassy glare of the sun. He watched the swift oncoming of the storm. With astonishing rapidity the dark mass resolved itself into a gray, obscuring streak of rain riven by vivid flashes of lightning. Carr laid down his book and refilled his pipe while he gazed on this common phenomenon of the dog-days. It swept up and passed over the village of Lone Moose as a sprinkling wagon passes over a city street. The downpour was accompanied by crashing detonations that sent the village dogs howling to cover. With the same uncanny swiftness of gathering so it passed, leaving behind a pleasant coolness in the air, clean smells of the washed earth arising. The sun blazed out again. A million rain-pearls hung glistening on the blades of grass in the meadow before Sam Carr's house.
With the passing of the thunder shower, before Carr left off his contemplation of the freshened beauty of meadow and woods, a man and a woman emerged from the spruce forest on the farther side of the meadow.
They walked a little way in the open, stopped for a minute, facing each other. Their conversation ended with a sudden quick gesture by the man. Turning, they came on again toward Carr's house. Sam Carr's clear gray eyes lit up. The ghost of a smile hovered about his bearded lips. He watched them approach with that same quizzical expression, a mixture, if one gauged his look aright, of pleasure and pride and expectation.
They were young as years go, the pair that walked slowly up to the cabin. The man was certainly still in his twenties, of medium height, compactly muscular, a good-looking specimen of pure Anglo-Saxon manhood. The girl was a flower in perfect bloom, fresh-colored, slender and pliant as a willow, with all of the willow's grace in every movement. For all the twenty-odd years between them, and the gulf of sex differentiation, there was in her glance and bearing much of the middle-aged man who sat on the porch with a book across his knees and a clay pipe in his mouth. It did not lie in facial resemblance. It was more subtle than likeness of feature. Perhaps it was because of their eyes, alike deep gray, wide and expressive, lifted always to meet another's in level unembarrassed frankness.
They halted at the edge of the porch. The girl sat down. The young man nodded to Carr. Though they had but lately been fair in the path of the thunderstorm they had escaped a wetting. The girl's eyes followed her father's glance, seemed to read his thought.
"We happened to find a spruce thick enough to shed the rain," she smiled. "Or I suppose we'd have been soaked properly."
The young fellow tarried only till she was seated. He had no more than greeted Carr before he lifted his old felt hat to her.
"I'll be paddling back while the coolness lasts," said he. "Good-by."
"Good-by, Tommy," the girl answered.
"So long," Carr followed suit. "Don't give us the go-by too long."
"Oh, no danger."
He walked to the creek bank, stepped into a red canoe that lay nose on to the landing, and backed it free with his paddle. Ten strokes of the blade drove him out of sight around the first brushy bend upstream.
The girl looked thoughtfully after him. Her face was flushed, and her eyes glowed with some queer repressed feeling. Carr sat gazing silently at her while she continued to look after the vanished canoe whose passing left tiny swirls on the dark, sluggish current of Lone Moose. Presently Carr gave the faintest shrug of his lean shoulders and resumed the reading of his book.
When he looked up from the page again after a considerable interval the girl's eyes were fixed intently upon his face, with a queer questioning expression in them, a mute appeal. He closed his book with a forefinger inserted to mark the place, and leaned forward a trifle.
"What is it, Sophie?" he asked gently. "Eh?"
The girl, like her father, and for that matter the majority of those who dwelt in that region, wore moccasins. She sat now, rubbing the damp, bead-decorated toe of one on top of the other, her hands resting idle in the lap of her cotton dress. She seemed scarcely to hear, but Carr waited patiently. She continued to look at him with that peculiar, puzzled quality in her eyes.
"Tommy Ashe wants me to marry him," she said at last.
The faint flush on her smooth cheeks deepened. The glow in her eyes gave way altogether to that vaguely troubled expression.
Carr stroked his short beard reflectively.
"Well," he said at length, "seeing that human nature's what it is, I can't say I'm surprised any more than I would be surprised at the trees leafing out in spring. And, as it happens, Tommy observed the conventions of his class in this matter. He asked me about it a few days ago. I referred him to you. Are you going to?"
"I don't know, Dad," she murmured.
"Do you want to?" he pursued the inquiry in a detached, impersonal tone.
"I don't know," she repeated soberly. "I like Tommy a lot. When I'm with him I feel sure I'd be perfectly happy to be always with him. When I'm away from him, I'm not so sure."
"In other words," Carr observed slowly, "your reason and your emotions are not in harmony on that subject. Eh? So far as Tommy Ashe goes, your mind and your body pull you two different ways."
She looked at him a little more keenly.
"Perhaps," she said. "I know what you mean. But I don't clearly see why it should be so. Either I love Tommy Ashe, or I don't, and I should know which, shouldn't I? The first and most violent manifestation of love is mostly physical, isn't it? I've always understood that. You've pointed it out. I do like Tommy. Why should my mind act as a brake on my feelings?"
"Because you happen to be made the way you are," Carr returned thoughtfully. "As I've told you a good many times, you've grown up a good deal different from the common run of girls. We've been isolated. Lacking the time-occupying distractions and pleasures of youth in a more liberal environment, Sophie, you've been thrown back on yourself and me and books, and as a result you've cultivated a natural tendency to think. Most young women don't. They're seldom taught any rational process of arriving at conclusions. You have developed that faculty. It has been my pride and pleasure to cultivate in you what I believed to be a decided mentality. I've tried to show you how to get down to fundamentals, to work out a philosophy of life that's really workable. Knowledge is worth having for its own sake. Once you find yourself in contact with the world-and for you that time is bound to come-you'll apply all the knowledge you've absorbed to problems as they arise. If there's a rational solution to any situation that faces you, you'll make an effort to find that solution. You'll do it almost instinctively. You can't help it. Your brain is too alert ever to let you act blindly. At the present your lack of experience probably handicaps you a little. In human relations you have nothing much but theory, got from the books you've digested and the way we've always discussed every possible angle of life. Take Tommy Ashe. He's practically the first young, attractive white man you've ever met, the very first possibility as a lover. Tommy's a nice boy, a pleasant, sunny-natured young fellow. Personally he's just the sort of fellow that would sweep a simple country girl clean off her feet. With you, your mind, as you just put it, acts as a brake on your feelings. Can't you guess why?"
"No," she said quietly. "I can't. I don't understand myself and my shifts of feeling. It makes me miserable."
"Look here, Sophie girl," Carr reached over and taking her by the hand drew her up on the low arm of his chair, "you're asking yourself a more or less important question directly, and you're asking it of me indirectly. Maybe I can help you. At least I can tell how I see it. You have all your life before you. You want to be happy. That's a universal human attribute. Sometime or other you're going to mate with a man. That too is a universal experience. Ordinary mating is based on sex instinct. Love is mostly an emotional disturbance generated by natural causes for profoundly natural and important ends. But marriage and the intimate associations of married life require something more substantial than a mere flare-up of animal instinct. Lots of men and women aren't capable of anything else, and consequently they make the best of what's in them. But there are natures far more complex. You, Sophie, are one of those complex natures. With you, a union based on sex alone wouldn't survive six months. Now, in this particular case, leaving out the fact that you can't compare Tommy Ashe with any other man, because you don't know any other man, can you conceive yourself living in a tolerable state of contentment with Tommy if, say, you didn't feel any more passion for him than you feel for, say, old Standing Wolf over there?"
"But that's absurd," the girl declared. "Because I have got that feeling for Tommy Ashe, and therefore I can't imagine myself in any other state. I can't look at it the cold-blooded way you do, Daddy dear."
"I'm stating a hypothetical case," Carr went on patiently. "You do now. We'll take that for granted. Would you still have anything fundamental in common with Tommy with that part left out? Suppose you got so you didn't care whether he kissed you or not? Suppose it were no longer a physical pleasure just to be near him. Would you enjoy his daily and hourly presence then, in the most intimate relation a man and a woman can hold to each other?"
"Why, I wouldn't live with him at all," the girl said positively. "I simply couldn't. I know."
"You might have to," Carr answered gently. "You have never yet run foul of circumstances over which you have no more power than man has over the run of the tides. But we'll let that pass. I'm trying to help you, Sophie, not to discourage you. There are some situations in which, and some natures to whom, half a loaf is worse than no bread. Do you feel, have you ever for an hour felt that you simply couldn't face an existence in which Tommy Ashe had no part?"
Sophie put her arm around his neck, and her fingers played a tattoo on his shoulder.
"No," she said at last. "I can't honestly say that I've ever been overwhelmed with a feeling like that."
"Well, there you are," Carr observed dryly. "Between the propositions I think you've answered your own question."
The girl's breast heaved a little and her breath went out in a fluttering sigh.
"Yes," she said gravely. "I suppose that is so."
They sat silent for an interval. Then something wet and warm dropped on Carr's hand. He looked up quickly.
"Does it hurt?" he said softly. "I'm sorry."
"So am I," she whispered. "But chiefly, I think, I am sorry for Tommy. He'd be perfectly happy with me."
"Yes, I suppose so," Carr replied. "But you wouldn't be happy with him, only for a brief time, Sophie. Tommy's a good boy, but it will take a good deal of a man to fill your life. You'd outgrow Tommy. And you'd hurt him worse in the end."
She ran her soft hand over Carr's grizzled hair with a caressing touch. Then she got up and walked away into the house. Carr turned his gaze again to the meadow and the green woods beyond. For ten minutes he sat, his posture one of peculiar tensity, his eyes on the distance unseeingly-or as if he saw something vague and far-off that troubled him. Then he gave his shoulders a quick impatient twitch, and taking up his book began once more to read.
* * *
Emma had agreed to pretend to be her boss's girlfriend at an event where his ex-wife planned to show up with the guy she had cheated with. "We'll see how this turns out."
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Rain hammered against the asphalt as my sedan spun violently into the guardrail on the I-95. Blood trickled down my temple, stinging my eyes, while the rhythmic slap of the windshield wipers mocked my panic. Trembling, I dialed my husband, Clive. His executive assistant answered instead, his voice professional and utterly cold. "Mr. Wilson says to stop the theatrics. He said, and I quote, 'Hang up. Tell her I don’t have time for her emotional blackmail tonight.'" The line went dead while I was still trapped in the wreckage. At the hospital, I watched the news footage of Clive wrapping his jacket around his "fragile" ex-girlfriend, Angelena, shielding her from the storm I was currently bleeding in. When I returned to our penthouse, I found a prenatal ultrasound in his suit pocket, dated the day he claimed to be on a business trip. Instead of an apology, Clive met me with a sneer. He told me I was nothing but an "expensive decoration" his father bought to make him look stable. He froze my bank accounts and cut off my cards, waiting for the hunger to drive me back to his feet. I stared at the man I had loved for four years, realizing he didn't just want a wife; he wanted a prop he could switch off. He thought he could starve me into submission while he played father to another woman's child. But Clive forgot one thing. Before I was his trophy wife, I was Starfall—the legendary voice actress who vanished at the height of her fame. "I'm not jealous, Clive. I'm done." I grabbed my old microphone and walked out. I’m not just leaving him; I’m taking the lead role in the biggest saga in Hollywood—the one Angelena is desperate for. This time, the "decoration" is going to burn his world down.
I was dying at the banquet, coughing up black blood while the pack celebrated my step-sister Lydia’s promotion. Across the room, Caleb, the Alpha and my Fated Mate, didn't look concerned. He looked annoyed. "Stop it, Elena," his voice boomed in my head. "Don't ruin this night with your attention-seeking lies." I begged him, telling him it was poison, but he just ordered me to leave his Pack House so I wouldn't dirty the floor. Heartbroken, I publicly demanded the Severing Ceremony to break our bond and left to die alone in a cheap motel. Only after I took my last breath did the truth come out. I sent Caleb the medical records proving Lydia had been poisoning my tea with wolfsbane for ten years. He went mad with grief, realizing he had protected the murderer and rejected his true mate. He tortured Lydia, but his regret couldn't bring me back. Or so he thought. In the afterlife, the Moon Goddess showed me my reflection. I wasn't a wolfless weakling. I was a White Wolf, the rarest and most powerful of all, suppressed by poison. "You can stay here in peace," the Goddess said. "Or you can go back." I looked at the life they stole from me. I looked at the power I never got to use. "I want to go back," I said. "Not for his love. But for revenge." I opened my eyes, and for the first time in my life, my wolf roared.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
In their previous lives, Gracie married Theo. Outwardly, they were the perfect academic couple, but privately, she became nothing more than a stepping stone for his ambition, and met a tragic end. Her younger sister Ellie wed Brayden, only to be abandoned for his true love, left alone and disgraced. This time, both sisters were reborn. Ellie rushed to marry Theo, chasing the success Gracie once had-unaware she was repeating the same heartbreak. Gracie instead entered a contract marriage with Brayden. But when danger struck, he defended her fiercely. Could fate finally rewrite their tragic endings?
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