Dawn by H. Rider Haggard
Dawn by H. Rider Haggard
"You lie; you always were a liar, and you always will be a liar. You told my father how I spent the money."
"Well, and what if I did? I had to look after myself, I suppose. You forget that I am only here on sufferance, whilst you are the son of the house. It does not matter to you, but he would have turned me out of doors," whined George.
"Oh! curse your fine words; it's you who forget, you swab. Ay, it's you who forget that you asked me to take the money to the gambling- tent, and made me promise that you should have half of what we won, but that I should play for both. What, are you beginning to remember now-is it coming back to you after a whole month? I am going to quicken your memory up presently, I can tell you; I have got a good deal to pay off, I'm thinking. I know what you are at; you want to play cuckoo, to turn 'Cousin Philip' out that 'Cousin George' may fill the nest. You know the old man's soft points, and you keep working him up against me. You think that you would like the old place when he's gone-ay, and I daresay that you will get it before you have done, but I mean to have my penn'orth out of you now, at any rate," and, brushing the tears of anger that stood in his brown eyes away with the back of his hand, the speaker proceeded to square up to George in a most determined way.
Now Philip, with his broad shoulders and his firm-knit frame, would, even at eighteen, have been no mean antagonist for a full-grown man; much more then did he look formidable to the lankly, overgrown stripling crouching against the corner of the wall that prevented his further retreat.
"Philip, you're not going to strike me, are you, when you know you are so much stronger?"
"Yes, I am, though; if I can't match you with my tongue, at any rate I will use my fists. Look out."
"Oh, Philip, don't! I'll tell your father."
"Tell him! why, of course you will, I know that; but you shall have something to lie about this time," and he advanced to the attack with a grim determination not pleasant for his cousin to behold.
Finding that there was no escape, George turned upon him with so shrill a curse that it even frightened from his leafy perch in the oak above the tame turtle-dove, intensely preoccupied as he was in cooing to a new-found mate. He did more than curse; he fought like a cornered rat, and with as much chance as the rat with a trained fox-terrier. In a few seconds his head was as snugly tucked away in the chancery of his cousin's arm as ever any property was in the court of that name, and, to speak truth, it seemed quite possible that, when it emerged from its retreat, it would, like the property, be much dilapidated and extensively bled.
Let us not dwell upon the scene; for George it was a very painful one, so painful that he never quite forgot it. His nose, too, was never so straight again. It was soon over, though to one of the parties time went with unnatural slowness.
"Well, I think you've had about enough for once," soliloquized Philip, as he critically surveyed the writhing mass on the ground before him; and he looked a very handsome lad as he said it.
His curly black hair hung in waving confusion over his forehead, and flung changing lights and shadows into the depths of his brown eyes, whilst his massive and somewhat heavy features were touched into a more active life by the light of that pleasing excitement which animates nine men out of every ten of the Anglo-Saxon race when they are engaged on killing or hurting some other living creature. The face, too, had a certain dignity about it, a little of the dignity of justice; it was the face of one who feels that if his action has been precipitate and severe, it has at any rate been virtuous. The full but clear-cut lips also had their own expression on them, half serious, half comical; humour, contempt, and even pity were blended in it. Altogether Philip Caresfoot's appearance in the moment of boyish vengeance was pleasing and not uninteresting.
Presently, however, something of the same change passed over his face that we see in the sky when a cloud passes over the sun; the light faded out of it. It was astonishing to note how dull and heavy-ay, more, how bad it made him look all in a breath.
"There will be a pretty business about this," he murmured, and then, administering a sharp kick to the prostrate and groaning form on the ground before him, he said, "Now, then, get up; I'm not going to touch you again. Perhaps, though, you won't be in quite such a hurry to tell lies about me another time, though I suppose that one must always expect a certain amount of lying from a half-bred beggar like you. Like mother, like son, you know."
This last sentence was accompanied by a bitter laugh, and produced a decided effect on the grovelling George, who slowly raised himself upon his hands, and, lifting his head, looked his cousin full in the face.
It was not the ghastly appearance of his mangled and blood-soaked countenance that made Philip recoil so sharply from the sight of his own handiwork-he had fought too often at school to be chicken-hearted about a little bloodshed; and, besides, he knew that his cousin was only knocked about, not really injured-but rather the intense and almost devilish malignity of the expression that hovered on the blurred features and in the half-closed eyes. But no attempt was made by George to translate the look into words, and indeed Philip felt that it was untranslatable. He also felt dimly that the hate and malice with which he was regarded by the individual at his feet was of a more concentrated and enduring character than most men have the power to originate. In the lurid light of that one glance he was able, though he was not very clever, to pierce the darkest recesses of his cousin's heart, and to see his inmost thought, no longer through a veil, but face to face. And what he saw was sufficient to make the blood leave his ruddy cheek, and to fix his eyes into an expression of fear.
Next second George dropped his head on to the ground again, and began to moan in an ostentatious manner, possibly in order to attract some one whose footsteps could be plainly heard proceeding slowly down a shrubbery-path on the other side of the yard wall. At any rate, that was the effect produced; for next moment, before Philip could think of escape, had he wished to escape, a door in the wall was opened, and a gentleman, pausing on the threshold, surveyed the whole scene, with the assistance of a gold-mounted eye-glass, with some evident surprise and little apparent satisfaction.
The old gentleman, for he was old, made so pretty a picture, framed as he was in the arched doorway, and set off by a natural background of varying shades of green, that his general appearance is worth sketching as he stood. To begin with, he was dressed in the fashion of the commencement of this century, and, as has been said, old, though it was difficult to say how old. Indeed, so vigorous and comparatively youthful was his bearing that he was generally taken to be considerably under seventy, but, as a matter of fact, he was but a few years short of eighty. He was extremely tall, over six feet, and stood upright as a lifeguardsman; indeed, his height and stately carriage would alone have made him a remarkable-looking man, had there been nothing else unusual about him; but, as it happened, his features were as uncommon as his person. They were clear-cut and cast in a noble mould. The nose was large and aquiline, the chin, like his son Philip's, square and determined; but it was his eyes that gave a painful fascination to his countenance. They were steely blue, and glittered under the pent-house of his thick eyebrows, that, in striking contrast to the snow-white of his hair, were black in hue, as tempered steel glitters in a curtained room. It was those eyes, in conjunction with sundry little peculiarities of temper, that had earned for the old man the title of "Devil Caresfoot," a sobriquet in which he took peculiar pride. So pleased was he with it, indeed, that he caused it to be engraved in solid oak letters an inch long upon the form of a life-sized and life-like portrait of himself that hung over the staircase in the house.
"I am determined," he would say to his son, "to be known to my posterity as I was known to my contemporaries. The picture represents my person not inaccurately; from the nickname my descendants will be able to gather what the knaves and fools with whom I lived thought of my character. Ah! boy, I am wearing out; people will soon be staring at that portrait and wondering if it was like me. In a very few years I shall no longer be 'devil,' but 'devilled,'" and he would chuckle at his grim and ill-omened joke.
Philip felt his father's eyes playing upon him, and shrunk from them. His face had, at the mere thought of the consequences of his chastisement of his cousin, lost the beauty and animation that had clothed it a minute before; now it grew leaden and hard, the good died away from it altogether, and, instead of a young god bright with vengeance, there was nothing but a sullen youth with dull and frightened eyes. To his son, as to most people who came under his influence, "Devil" Caresfoot was a grave reality.
Presently the picture in the doorway opened its mouth and spoke in a singularly measured, gentle voice.
"You will forgive me, Philip, for interrupting your tete-a-tete, but may I ask what is the meaning of this?"
Philip returned no answer.
"Since your cousin is not in a communicative mood, George, perhaps you will inform me why you are lying on your face and groaning in that unpleasant and aggressive manner?"
George lifted his blood-stained face from the stones, and, looking at his uncle, groaned louder than ever.
"May I ask you, Philip, if George has fallen down and hurt himself, or if there has been an-an-altercation between you?"
Here George himself got up and, before Philip could make any reply, addressed himself to his uncle.
"Sir," he said, "I will answer for Philip; there has been an altercation, and he in the scuffle knocked me down, and I confess," here he put his hand up to his battered face, "that I am suffering a good deal, but what I want to say is, that I beg you will not blame Philip. He thought that I had wronged him, and, though I am quite innocent, and could easily have cleared myself had he given me a chance, I must admit that appearances are to a certain extent against me--"
"He lies!" broke in Philip, sullenly.
"You will wonder, sir," went on the blood-stained George, "how I allowed myself to be drawn into such a brutal affair, and one so discreditable to your house. I can only say that I am very sorry,"- which indeed he was-"and that I should never have taken any notice of his words-knowing that he would regret them on reflection-had he not in an unguarded moment allowed himself to taunt me with my birth. Uncle, you know the misfortune of my father's marriage, and that she was not his equal in birth, but you know too that she was my mother and I love her memory though I never saw her, and I could not bear to hear her spoken of like that, and I struck him. I hope that both you and he will forgive me; I cannot say any more."
"He lies again, he cannot speak the truth."
"Philip, will you allow me to point out," remarked his father in his blandest voice, "that the continued repetition of the very ugly word 'lie' is neither narrative nor argument. Perhaps you will be so kind as to tell me your side of the story; you know I always wish to be perfectly impartial."
"He lied to you this morning about the money. It's true enough that I gambled away the ten pounds at Roxham fair, instead of paying it into the bank as you told me, but he persuaded me to it, and he was to have shared the profits if we won. I was a blackguard, but he was a bigger blackguard; why should I have all the blame and have that fellow continually shoved down my throat as a saint? And so I thrashed him, and that is all about it."
"Sir, I am sorry to contradict Philip, but indeed he is in error; the recollection of what took place has escaped him. I could, if necessary, bring forward evidence-Mr. Bellamy--"
"There is no need, George, for you to continue," and then, fixing his glittering eye on Philip: "it is very melancholy for me, having only one son, to know him to be such a brute, such a bearer of false witness, such an impostor as you are. Do you know that I have just seen Mr. Bellamy, the head clerk at the bank, and inquired if he knew anything of what happened about that ten pounds, and do you know what he told me?"
"No, I don't, and I don't want to."
"But I really must beg your attention: he told me that the day following the fair your cousin George came to the bank with ten pounds, and told him how you had spent the ten pounds I gave you to pay in, and that he brought the money, his own savings, to replace what you had gambled away; and Bellamy added that, under all the circumstances, he did not feel justified in placing it to my credit. What have you to say to that?"
"What have I to say? I have to say that I don't believe a word of it. If George had meant to do me a good turn he would have paid the money in and said nothing to Bellamy about it. Why won't you trust me a little more, father? I tell you that you are turning me into a scoundrel. I am being twisted up into a net of lies till I am obliged to lie myself to keep clear of ruin. I know what this sneak is at; he wants to work you into cutting me out of the property which should be mine by right. He knows your weaknesses--"
"My weaknesses, sir-my weaknesses!" thundered his father, striking his gold-headed cane on to the stones; "what do you mean by that?"
"Hush, uncle, he meant nothing," broke in George.
"Meant nothing! Then for an idle speech it is one that may cost him dear. Look you here, Philip Caresfoot, I know very well that our family has been quite as remarkable for its vices as its virtues, but for the last two hundred and fifty years we have been gentlemen, and you are not a gentleman; we have not been thieves, and you have proved yourself a thief; we have spoken the truth, and you are, what you are so fond of calling your cousin, who is worth two of you, a liar. Now listen. However imperious I may have grown in my old age, I can still respect the man who thwarts me even though I hate him; but I despise the man who deceives me, as I despise you, my dear son Philip-and I tell you this, and I beg you to lay it to heart, that if ever again I find that you have deceived me, by Heaven I will disinherit you in favour of-oh, oh!" and the old man fell back against the grey wall, pressing his hands to his breast and with the cold perspiration starting on to his pallid countenance.
Both the lads sprang forward, but before they reached him he had recovered himself.
"It is nothing," he said, in his ordinary gentle voice, "a trifling indisposition. I wish you both good morning, and beg you to bear my words in mind."
When he was fairly gone, George came up to his cousin and laid his hand upon his arm.
"Why do you insist upon quarrelling with me, Philip? it always ends like this, you always get the worst of it."
But Philip's only reply was to shake him roughly off, and to vanish through the door towards the lake. George regarded his departing form with a peculiar smile, which was rendered even more peculiar by the distortion of his swollen features.
Another of Henry Rider Haggard's renowned action-adventure tales, Nada the Lily tells the story of revered warrior Umslopogaas, an illegitimate son of the Zulu monarch Chaka, who is forced into exile and must fight to defend his honor -- as well as to win the love of the sought-after and seemingly unattainable beauty Nada. With plenty of battlefield action and stirring romance, this rollicking tale has something to offer every reader.
A series of misadventures lead Englishman Thomas Wingfield to join a Spanish expedition to New Spain. There he witnesses the first meeting between the conquerers and the natives, and the many abuses of the latter at the hands of the former. He marries the daughter of a native king, only to see his native family killed. He wreaks his revenge before returning to England.
"A peculiarly thrilling and vigorous tale of adventure."—Andrew Lang "It goes and it grips and it moves with all the freshness of youth."—Rudyard Kipling When Robert Louis Stevenson's Treasure Island was first published, H. Rider Haggard made a five-shilling bet that he could write a better adventure tale. In 1885, he created King Solomon's Mines, a story in which Allan Quatermain, a gentleman adventurer, is hired to locate a man who had disappeared into the heart of Africa while hunting for the legendary lost diamond mines of King Solomon. The book became an instant sensation and has remained popular ever since. Tales of adventure in exotic settings were the hallmark of Haggard's art; and King Solomon's Mines was no exception. Here were all the elements for which his novels were famous: a gripping tale in a foreign setting, supernatural adventures, terror, passion, and discovery. Praised as "the most amazing story ever written," the book went on to become one of the best-selling novels of the nineteenth century.
Allan Quartermain is a sequel to the famous novel King Solomon's Mines. Quatermain has lost his only son and longs to get back into the wilderness. Having persuaded Sir Henry Curtis, Captain John Good, and the Zulu chief Umbopa to accompany him, they set out from the coast of east Africa, this time in search of a white race reputed to live north of Mount Kenya. They survive fierce encounters with Masai warriors, undergo a terrifying subterranean journey, and discover a lost civilization before being caught up in a passionate love-triangle that engulfs the country in a ferocious civil war. This novel is based on author's own experience in the African continent. Excerpt: 'I have just buried my boy, my poor handsome boy of whom I was so proud, and my heart is broken. It is very hard having only one son to lose him thus, but God's will be done. Who am I that I should complain? The great wheel of Fate rolls on like a Juggernaut, and crushes us all in turn, some soon, some late it does not matter when, in the end, it crushes us all. We do not prostrate ourselves before it like the poor Indians; we fly hither and thither we cry for mercy; but it is of no use, the black Fate thunders on and in its season reduces us to powder. 'Poor Harry to go so soon! just when his life was opening to him. He was doing so well at the hospital, he had passed his last examination with honours, and I was proud of them, much prouder than he was, I think. And then he must needs go to that smallpox hospital. He wrote to me that he was not afraid of smallpox and wanted to gain the experience; and now the disease has killed him, and I, old and grey and withered, am left to mourn over him, without a chick or child to comfort me. I might have saved him, too-I have money enough for both of us, and much more than enough-King Solomon's Mines provided me with that; but I said, "No, let the boy earn his living, let him labour that he may enjoy rest." But the rest has come to him before the labour. Oh, my boy, my boy!
In her past life, Summer was tragically killed by a scumbag and her scheming stepsister, and they also caused the death of the husband who loved her most. After being reborn, Summer takes the initiative to marry in the place of another, becoming the bride of a disabled husband. In this new life, she plans to tear apart those who wronged her and fiercely punish the scum. They say she's plain and unlucky for her husband? Until one day, when all her divine-level disguises are revealed, everyone who underestimated her is blinded by her brilliance. But what about the supposedly impotent, disabled big shot? By day, he is so gentle, pampering her to the bone; by night, he turns into a ravenous wolf and devours her completely! [Foolish Bride Substitute + Hidden Talents + Rebirth + Strong Couple + Sweet Romance]
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
Gianna Benton, a woman who came from a great family, a family with ancient history, had always lived a life that's overshadowed by her younger sister, Quinn. After her unfair death with her unborn baby at the hands of the man she loved, Gianna got reborn. Now with the opportunity to live again, Gianna rejects her mate and gives herself to alpha Axel, falling into an unexpected contract marriage. Both plans to use each other, and falling in love isn't part of the deal for them. Gianna plans to get her revenge on her former lover, alpha Nathan, who killed her in the past because of her younger sister, but surprisingly to her, alpha Nathan wants his mate back, and Gianna is determined not to let the past repeat itself. ------------------------------------------------- "Is this hell?" "Gianna, what's wrong with you? I know that you are excited, but you need to stop acting weird." Mom said. I reach out my hands to touch her face, but she slaps my hands away. This is real, I thought. Somehow, I have gone back in time to the day I got married to Alpha Nathan. "I need to take a picture of you, but I can't do it without your sister. Wait here for me while I go get your sister." Mom left the room, leaving me alone with my thoughts. My hands formed a fist in anger as I thought of Quinn and Alpha Nathan. I don't know how I have traveled back to the past, but I'm not going to let myself make the same mistake I did in my past life; I'm not getting married to alpha Nathan. No matter what, I need to put a stop to this wedding.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
Since she was ten, Noreen had been by Caiden's side, watching him rise from a young boy into a respected CEO. After two years of marriage, though, his visits home grew rare. Gossip among the wealthy said he despised her. Even his beloved mocked her hopes, and his circle treated her with scorn. People forgot about her decade of loyalty. She clung to memories and became a figure of ridicule, worn out from trying. They thought he'd won his freedom, but he dropped to his knees and begged, "Noreen, you're the only one I love." Leaving behind the divorce papers, she walked away.
Clara had to die once to see who truly surrounded her-traitors and opportunists everywhere. After her rebirth, she swore to make her enemies pay. Her fiancé mocked, "You think you deserve me?" She punched him and ended the engagement. Her stepsister played innocent, but Clara shut her down with a cold retort. "Stop pretending! I'm tired of your little act!" They called her a loser, but Clara didn't bother defending herself. Instead, she revealed her real power: superstar, racing champion, and secret mogul. When her masks fell, chaos erupted. Her ex begged, and the crime lord claimed her, but Clara had already conquered them all.
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