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A GREAT MURDER MYSTERY!There may be folk in the world to whom the finding of a dead man, lying grim and stark by the roadside, with the blood freshly run from it and making ugly patches of crimson on the grass and the gravel, would be an ordinary thing; but to me that had never seen blood let in violence, except in such matters as a bout of fisticuffs at school, it was the biggest thing that had ever happened, and I stood staring down at the white face as if I should never look at anything else as long as I lived. I remember all about that scene and that moment as freshly now as if the affair had happened last night. The dead man lying in the crushed grass—his arms thrown out helplessly on either side of him—
The very beginning of this affair, which involved me, before I was aware of it, in as much villainy and wickedness as ever man heard of, was, of course, that spring evening, now ten years ago, whereon I looked out of my mother's front parlour window in the main street of Berwick-upon-Tweed and saw, standing right before the house, a man who had a black patch over his left eye, an old plaid thrown loosely round his shoulders, and in his right hand a stout stick and an old-fashioned carpet-bag. He caught sight of me as I caught sight of him, and he stirred, and made at once for our door.
If I had possessed the power of seeing more than the obvious, I should have seen robbery, and murder, and the very devil himself coming in close attendance upon him as he crossed the pavement. But as it was, I saw nothing but a stranger, and I threw open the window and asked the man what he might be wanting.
"Lodgings!" he answered, jerking a thickly made thumb at a paper which my mother had that day set in the transom above the door. "Lodgings! You've lodgings to let for a single gentleman. I'm a single gentleman, and I want lodgings. For a month-maybe more. Money no object. Thorough respectability-on my part. Few needs and modest requirements. Not likely to give trouble. Open the door!"
I went into the passage and opened the door to him. He strode in without as much as a word, and, not waiting for my invitation, lurched heavily-he was a big, heavy-moving fellow-into the parlour, where he set down his bag, his plaid, and his stick, and dropping into an easy chair, gave a sort of groan as he looked at me.
"And what's your name?" he demanded, as if he had all the right in the world to walk into folks' houses and ask his questions. "Whatever it is, you're a likely-looking youngster!"
"My name's Hugh Moneylaws," I answered, thinking it no harm to humour him. "If you want to know about lodgings you must wait till my mother comes in. Just now she's away up the street-she'll be back presently."
"No hurry, my lad," he replied. "None whatever. This is a comfortable anchorage. Quiet. Your mother'll be a widow woman, now?"
"Yes," said I shortly.
"Any more of you-brothers and sisters?" he asked. "Any-aye, of course!-any young children in the house? Because young children is what I cannot abide-except at a distance."
"There's nobody but me and my mother, and a servant lass," I said. "This is a quiet enough house, if that's what you mean."
"Quiet is the word," said he. "Nice, quiet, respectable lodgings. In this town of Berwick. For a month. If not more. As I say, a comfortable anchorage. And time, too!-when you've seen as many queer places as I have in my day, young fellow, you'll know that peace and quiet is meat and drink to an ageing man."
It struck me as I looked at him that he was just the sort of man that you would expect to hear of as having been in queer places-a sort of gnarled and stubbly man, with a wealth of seams and wrinkles about his face and what could be seen of his neck, and much grizzled hair, and an eye-only one being visible-that looked as if it had been on the watch ever since he was born. He was a fellow of evident great strength and stout muscle, and his hands, which he had clasped in front of him as he sat talking to me, were big enough to go round another man's throat, or to fell a bullock. And as for the rest of his appearance, he had gold rings in his ears, and he wore a great, heavy gold chain across his waistcoat, and was dressed in a new suit of blue serge, somewhat large for him, that he had evidently purchased at a ready-made-clothing shop, not so long before.
My mother came quietly in upon us before I could reply to the stranger's last remark, and I saw at once that he was a man of some politeness and manners, for he got himself up out of his chair and made her a sort of bow, in an old-fashioned way. And without waiting for me, he let his tongue loose on her.
"Servant, ma'am," said he. "You'll be the lady of the house-Mrs. Moneylaws. I'm seeking lodgings, Mrs. Moneylaws, and seeing your paper at the door-light, and your son's face at the window, I came in. Nice, quiet lodgings for a few weeks is what I'm wanting-a bit of plain cooking-no fal-lals. And as for money-no object! Charge me what you like, and I'll pay beforehand, any hand, whatever's convenient."
My mother, a shrewd little woman, who had had a good deal to do since my father died, smiled at the corners of her mouth as she looked the would-be lodger up and down.
"Why, sir," said she. "I like to know who I'm taking in. You're a stranger in the place, I'm thinking."
"Fifty years since I last clapped eyes on it, ma'am," he answered. "And I was then a youngster of no more than twelve years or so. But as to who and what I am-name of James Gilverthwaite. Late master of as good a ship as ever a man sailed. A quiet, respectable man. No swearer. No drinker-saving in reason and sobriety. And as I say-money no object, and cash down whenever it's wanted. Look here!"
He plunged one of the big hands into a trousers' pocket, and pulled it out again running over with gold. And opening his fingers he extended the gold-laden palm towards us. We were poor folk at that time, and it was a strange sight to us, all that money lying in the man's hand, and he apparently thinking no more of it than if it had been a heap of six-penny pieces.
"Help yourself to whatever'll pay you for a month," he exclaimed. "And don't be afraid-there's a lot more where that came from."
But my mother laughed, and motioned him to put up his money.
"Nay, nay, sir!" said she. "There's no need. And all I'm asking at you is just to know who it is I'm taking in. You'll be having business in the town for a while?"
"Not business in the ordinary sense, ma'am," he answered. "But there's kin of mine lying in more than one graveyard just by, and it's a fancy of my own to take a look at their resting-places, d'ye see, and to wander round the old quarters where they lived. And while I'm doing that, it's a quiet, and respectable, and a comfortable lodging I'm wanting."
I could see that the sentiment in his speech touched my mother, who was fond of visiting graveyards herself, and she turned to Mr. James Gilverthwaite with a nod of acquiescence.
"Well, now, what might you be wanting in the way of accommodation?" she asked, and she began to tell him that he could have that parlour in which they were talking, and the bedchamber immediately above it. I left them arranging their affairs, and went into another room to attend to some of my own, and after a while my mother came there to me. "I've let him the rooms, Hugh," she said, with a note of satisfaction in her voice which told me that the big man was going to pay well for them. "He's a great bear of a man to look at," she went on, "but he seems quiet and civil-spoken. And here's a ticket for a chest of his that he's left up at the railway station, and as he's tired, maybe you'll get somebody yourself to fetch it down for him?"
I went out to a man who lived close by and had a light cart, and sent him up to the station with the ticket for the chest; he was back with it before long, and I had to help him carry it up to Mr. Gilverthwaite's room. And never had I felt or seen a chest like that before, nor had the man who had fetched it, either. It was made of some very hard and dark wood, and clamped at all the corners with brass, and underneath it there were a couple of bars of iron, and though it was no more than two and a half feet square, it took us all our time to lift it. And when, under Mr. Gilverthwaite's orders, we set it down on a stout stand at the side of his bed, there it remained until-but to say until when would be anticipating.
Now that he was established in our house, the new lodger proved himself all that he had said. He was a quiet, respectable, sober sort of man, giving no trouble and paying down his money without question or murmur every Saturday morning at his breakfast-time. All his days were passed in pretty much the same fashion. After breakfast he would go out-you might see him on the pier, or on the old town walls, or taking a walk across the Border Bridge; now and then we heard of his longer excursions into the country, one side or other of the Tweed. He took his dinner in the evenings, having made a special arrangement with my mother to that effect, and a very hearty eater he was, and fond of good things, which he provided generously for himself; and when that episode of the day's events was over, he would spend an hour or two over the newspapers, of which he was a great reader, in company with his cigar and his glass. And I'll say for him that from first to last he never put anything out, and was always civil and polite, and there was never a Saturday that he did not give the servant-maid a half-crown to buy herself a present.
All the same-we said it to ourselves afterwards, though not at the time-there was an atmosphere of mystery about Mr. Gilverthwaite. He made no acquaintance in the town. He was never seen in even brief conversation with any of the men that hung about the pier, on the walls, or by the shipping. He never visited the inns, nor brought anybody in to drink and smoke with him. And until the last days of his lodging with us he never received a letter.
A letter and the end of things came all at once. His stay had lengthened beyond the month he had first spoken of. It was in the seventh week of his coming that he came home to his dinner one June evening, complaining to my mother of having got a great wetting in a sudden storm that had come on that afternoon while he was away out in the country, and next morning he was in bed with a bad pain in his chest, and not over well able to talk. My mother kept him in his bed and began to doctor him; that day, about noon, came for him the first and only letter he ever had while he was with us-a letter that came in a registered envelope. The servant-maid took it up to him when it was delivered, and she said later that he started a bit when he saw it. But he said nothing about it to my mother during that afternoon, nor indeed to me, specifically, when, later on, he sent for me to go up to his room. All the same, having heard of what he had got, I felt sure that it was because of it that, when I went in to him, he beckoned me first to close the door on us and then to come close to his side as he lay propped on his pillow.
"Private, my lad!" he whispered hoarsely. "There's a word I have for you in private!"
A wealthy businessman is found dead in his study, but conflicting forensic evidence regarding the time and manner of his death raises more questions than it settles. With a sizable estate hanging in the balance and clues indicating foul play, a persistent detective endeavors to unravel the mystery.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
British poet, journalist, and avid amateur historian Joseph Smith Fletcher went on to become one of the foremost figures in the genre of detective fiction in the early to mid-twentieth century. Set in a quiet community in the north of England, The Borough Treasurer is an enjoyable mystery that will keep even the most astute readers guessing.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
The railway station stood in the midst of an apparent solitude, and from its one long platform there was no sign of any human habitation. A stranger, looking around him in passing that way, might well have wondered why a station should be found there at all; nevertheless, the board which figured prominently above the white palings suggested the near presence of three places—Wellsby, Meadhope, and Simonstower—and a glance at a map of the county would have sufficed to show him that three villages of the names there indicated lay hidden amongst the surrounding woods, one to the east and two to the west of the railway.
Two years ago, Ricky found himself coerced into marrying Emma to protect the woman he cherished. From Ricky's perspective, Emma was despicable, resorting to underhanded schemes to ensure their marriage. He maintained a distant and cold attitude toward her, reserving his warmth for another. Yet, Emma remained wholeheartedly dedicated to Ricky for more than ten years. As she grew weary and considered relinquishing her efforts, Ricky was seized by a sudden fear. Only when Emma's life teetered on the edge, pregnant with Ricky's child, did he recognize-the love of his life had always been Emma.
"Is it considered betrayal to develop feelings for your best friend's boyfriend? What about when fate intervenes, and he turns out to be your destined mate? You might think it's luck and thank the moon goddess for such a twist of fate. That's what I believed until the love of my life uttered those dreaded words: 'I want a divorce!' As I stared at the pregnancy test in my hands, I realized it was better to keep my secret to myself. My name is Violet, and this is my story."
She thought she was the love of his life, and he became the love of her life that fateful day she had seen him at the pack's party. Selene Grace was only a replica of Alpha Leo's real mate, and when he spotted her, Leo immediately claimed her as his Luna in order to suppress the rumors of him being mateless. Being unable to conceive turns Selene's marriage into a nightmare, and as if that wasn't enough, Alpha Leo finally reunites with his long time lover and mate, rejecting a pregnant Selene as a result. 5 years later, Selene, a now successful doctor, receives an invitation to the moon shadow pack in order to rid the pack of a deadly disease which has struck it. Will Selene return back to the pack which had caused her so much pain, and what would she do when she realizes that she is mated to the Alpha who had betrayed her in the past?
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
After my family's sinister plots collapsed, they lashed out at me, taking their rage to a violent level. Cornered and desperate, I married Jaxton—the town's most sought-after bachelor—due to an unplanned pregnancy. Love had no part in this marriage; I assumed he married me purely out of responsibility, his heart belonging elsewhere. The moment I chose to let him go and turned to leave, he grabbed me and pinned me down hard. "Jaxton, you promised you'd never touch me!" I snapped, glaring fiercely. His eyes flashed arrogantly as he leaned closer. "You're the one who started this!"
"Who is she?" I asked, feeling tears well up in my eyes. "He met her at the Alpha training camp," he said. "She is a perfect suitor for him. It snowed last night, indicating that his wolf is happy with his choice." My heart sank, and tears made their way down my cheeks. Alexander took my innocence last night, and now he is taking that thing in his office as his Luna. **** Emily never shifted on her 18th birthday and became the laughingstock of the pack. When her old crush, Alexander Black, returns from Alpha Training, she never expected him to be her mate. After a night of passionate love, Emily finds out that young Alpha Alexander has taken a chosen mate. Heartbroken and humiliated, Emily runs off and disappears from the pack. Now, five years later, Emily is a high-ranking warrior in King Alpha's army, specializing in sensitive matters. When her best friend invites her to a night of music and laughter, she never expects to run into her mate, Alexander. Will Alexander figure out it is Emily? Will he chase after her, and most of all, will Emily be able to keep her secrets safe?