Marie by Laura Elizabeth Howe Richards
Marie by Laura Elizabeth Howe Richards
Marie was tired. She had been walking nearly the whole day, and now the sun was low in the west, and long level rays of yellow light were spreading over the country, striking the windows of a farmhouse here and there into sudden flame, or resting more softly on tree-tops and hanging slopes. They were like fiddle-bows, Marie thought; and at the thought she held closer something that she carried in her arms, and murmured over it a little, as a mother coos over her baby.
It seemed a long time since she had run away from the troupe: she would forget all about them soon, she thought, and their ugly faces. She shivered slightly as she recalled the face of "Le Boss" as it was last bent upon her, frowning and dark, and as ugly as a hundred devils, she was quite sure. Ah, he would take away her violin-Le Boss! he would give it to his own girl, whom she, Marie, had taught till she could play a very little, enough to keep the birds from flying away when they saw her, as they otherwise might; she was to have the violin, the Lady, one's own heart and life, and Marie was to have a fiddle that he had picked up anywhere, found on an ash-heap, most likely! Ah, and now he had lost the Lady and Marie too, and who would play for him this evening, and draw the children out of the houses? he! let some one tell Marie that! It had not been hard, the running away, for no one would ever have thought of Marie's daring to do such a thing. She belonged to Le Boss, as much as the tent or the ponies, or his own ugly girl: so they all thought in the troupe, and so Marie herself had thought till that day; that is, she had not thought at all. While she could play all the time, and had often quite enough to eat, and always something, a piece of bread in the hand if no more,-and La Patronne, Le Boss's wife, never too unkind, and sometimes even giving her a bit of ribbon for the Lady's neck when there was to be a special performance,-why, who would have thought of running away? she had been with them so long, those others, and that time in France was so long ago,-hundreds of years ago!
So no one had thought of noticing when she dropped behind to tune her violin and practise by herself; it was a thing she did every day, they all knew, for she could not practise when the children pulled her gown all the time, and wanted to dance. She had chosen the place well, having been on the lookout for it all day, ever since Le Boss told her what he meant to do,-that infamy which the good God would never have allowed, if He had not been perhaps tired with the many infamies of Le Boss, and forgotten to notice this one. She had chosen the place well! A little wood dipped down to the right, with a brook running beyond, and across the brook a sudden sharp rise, crowned with a thick growth of birches. She had played steadily as she passed through the wood and over the stream, and only ceased when she gained the brow of the hill and sprang like a deer down the opposite slope. No one had seen her go, she was sure of that; and now they could never tell which way she had turned, and would be far more likely to run back along the road. How they would shout and scream, and how Le Boss would swear! Ah, no more would he swear at Marie because people did not always give money, being perhaps poor themselves, or unwilling to give to so ugly a face as his girl's, who carried round the dish. No more! And La Patronne would be sorry perhaps a little,-she had the good heart, La Patronne, under all the fat,-and Old Billy, he would be too sorry, she was sure. Poor Old Billy! it was cruel to leave him, when he had such joy of her playing, the good old man, and a hard life taking care of the beasts, and bearing all the blame if any of them died through hunger. But it would have been sadder for Old Billy to see her die, Marie, and she would have died, of course she would! To live without the Lady, a pretty life that would be! far sooner would one go at once to the good God, where the angels played all day, even if one were not allowed to play oneself just at first. Afterward, of course, when they found out how she had played down here, it would be otherwise.
Meanwhile, all these thoughts did not keep Marie from being tired, and hungry too; and she was glad enough to see some brown roofs clustered together at a little distance, as she turned a corner of the road. A village! good! Here would be children, without doubt; and where there were children, Marie was among friends. She stopped for a moment, to push back her hair, which had fallen down in the course of her night, and to tie the blue handkerchief neatly over it, and shake the dust from her bare feet. They were pretty feet, so brown and slender! She had shoes, but they were in the wagon; La Patronne took care of all the Sunday clothes, and there had been no chance to get at anything, even if she could have been hampered by such things as shoes, with the Lady to carry. It did not in the least matter about shoes, when it was summer: when the road was hot, one walked in the cool grass at the side; when there was no grass-eh, one waited till one came to some. They were only for state, these shoes. They were stiff and hard, and the heel-places hurt: it was different for La Patronne, who wore stockings under hers. But here were the houses, and it was time to play. They were pleasant-looking houses, Marie thought, they looked as if persons lived in them who stayed at home and spun, as the women did in Brittany. Ah, that it was far away, Brittany! she had almost forgotten it, and now it all seemed to come back to her, as she gazed about her at the houses, some white, some brown, all with an air of thrift and comfort, as becomes a New England village. That white house there, with the bright green blinds! That pleased her eye. And see! there was a child's toy lying on the step, a child's face peeping out of the window. Decidedly, she had arrived.
Marie took out her violin, and tuned it softly, with little rustling, whispering notes, speaking of perfect accord between owner and instrument; then she looked up at the child and smiled, and began to play "En revenant d'Auvergne." It was a tune that the little people always loved, and when one heard it, the feet began to dance before the head. Sure enough, the door opened in another moment, and the child came slipping out: not with flying steps, as a city child would come, to whom wandering musicians were a thing of every day; but shyly, with sidelong movements, clinging to the wall as it advanced, and only daring by stealth to lift its eyes to the strange woman with the fiddle, a sight never seen before in its little life. But Marie knew all about the things that children think. What was she but a child herself? she had little knowledge of grown persons, and regarded them all as ogres, more or less, except Old Billy, and La Patronne, who really meant to be kind.
"Come, lit' girl!" she said in her clear soft voice. "Come and dance! for you I play, for you I sing too, if you will. Ah, the pretty song, 'En revenant d'Auvergne!'" And she began to sing as she played:
"Eh, gai, Coco!
Eh, gai, Coco!
Eh, venez voir la danse
Du petit marmot!
Eh, venez voir la danse
Du petit marmot!"
The little girl pressed closer against the wall, her eyes wide open, her finger in her mouth, yet came nearer and nearer, drawn by the smile as well as the music. Presently another came running up, and another; then the boys, who had just brought their cows home and were playing marbles on the sly, behind the brown barn, heard the sound of the fiddle and came running, stuffing their gains into their pockets as they ran. Then Mrs. Piper, who was always foolish about music, her neighbors said, came to her door, and Mrs. Post opposite, who was as deaf as her namesake, came to see what Susan Piper was after, loitering round the door when the men-folks were coming in to their supper: and so with one thing and another, Marie had quite a little crowd around her, and was feeling happy and pleased, and sure that when she stopped playing and carried round her handkerchief knotted at the four corners so as to form a bag, the pennies would drop into it as fast, yes, and maybe a good deal faster, than if Le Boss's ugly daughter was carrying it, with her nose turned up and one eye looking round the corner to see where her hair was gone to. Ah, Le Boss, what was he doing this evening for his music, with no Marie and no Lady!
And it was just at this triumphant moment that Jacques De Arthenay came round the corner and into the village street.
Abigail Adams and Her Times by Laura Elizabeth Howe Richards
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The Silver Crown: Another Book of Fables by Laura Elizabeth Howe Richards
I spent four hours preparing a five-course meal for our fifth anniversary. When Jackson finally walked into the penthouse an hour late, he didn't even look at the table. He just dropped a thick Manila envelope in front of me and told me he was done. He said his stepsister, Davida, was getting worse and needed "stability." I wasn't his wife; I was a placeholder, a temporary fix he used until the woman he actually loved was ready to take my place. Jackson didn't just want a divorce; he wanted to erase me. He called me a "proprietary asset," claiming that every design I had created to save his empire belonged to him. He froze my bank accounts, cut off my phone, and told me I’d be nothing without his name. Davida even called me from her hospital bed to flaunt the family heirloom ring Jackson claimed was lost, mocking me for being "baggage" that was finally being cleared out. I stood in our empty home, realizing I had spent five years being a martyr for a man who saw me as a transaction. I couldn't understand how he could be so blind to the monster he was protecting, or how he could discard me so coldly after I had given him everything. I grabbed my hidden sketchbook, shredded our wedding portrait, and walked out into the rain. I dialed a number I hadn't touched in years—a dangerous man known as The Surgeon who dealt in debts and shadows. I told him I was ready to pay his price. Jackson and Davida wanted to steal my identity, but I was about to show the world the literal scars they had left behind.
I was finally brought back to the billionaire Vance estate after years in the grimy foster system, but the luxury Lincoln felt more like a funeral procession. My biological family didn't welcome me with open arms; they looked at me like a stain on a silk shirt. They thought I was a "defective" mute with cognitive delays, a spare part to be traded away. Within hours of my arrival, my father decided to sell me to Julian Thorne, a bitter, paralyzed heir, just to secure a corporate merger. My sister Tiffany treated me like trash, whispering for me to "go back to the gutter" before pouring red wine over my dress in front of Manhattan's elite. When a drunk cousin tried to lay hands on me at the engagement gala, my grandmother didn't protect me-she raised her silver-topped cane to strike my face for "embarrassing the family." They called me a sacrificial lamb, laughing as they signed the prenuptial agreement that stripped me of my freedom. They had no idea I was E-11, the underground hacker-artist the world was obsessed with, or that I had already breached their private servers. I found the hidden medical records-blood types A, A, and B-a biological impossibility that proved my "parents" were harboring a scandal that could ruin them. Why bring me back just to discard me again? And why was Julian Thorne, the man supposedly bound to a wheelchair, secretly running miles at dawn on his private estate? Standing in the middle of the ballroom, I didn't plead for mercy. I used a text-to-speech app to broadcast a cold, synthetic threat: "I have the records, Richard. Do you want me to explain genetics to the press, or should we leave quietly?" With the "paralyzed" billionaire as my unexpected accomplice, I walked out of the Vance house and into a much more dangerous game.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.
The heavy thud of the release stamp was the only goodbye I got from the warden after five years in federal prison. I stepped out into the blinding sun, expecting the same flash of paparazzi bulbs that had seen me dragged away in handcuffs, but there was only a single black limousine idling on the shoulder of the road. Inside sat my mother and sister, clutching champagne and looking at my frayed coat with pure disgust. They didn't offer a welcome home; instead, they tossed a thick legal document onto the table and told me I was dead to the city. "Gavin and I are getting engaged," my sister Mia sneered, flicking a credit card at me like I was a stray dog. "He doesn't need a convict ex-fiancée hanging around." Even after I saved their lives from an armed kidnapping attempt by ramming the attackers off the road, they rewarded me by leaving me stranded in the dirt. When I finally ran into Gavin, the man who had framed me, he pinned me against a wall and threatened to send me back to a cell if I ever dared to show my face at their wedding. They had stolen my biotech research, ruined my name, and let me rot for half a decade while they lived off my brilliance. They thought they had broken me, leaving me with nothing but an expired chapstick and a few old photos in a plastic bag. What they didn't know was that I had spent those five years becoming "Dr. X," a shadow consultant with five hundred million dollars in crypto and a secret that would bring the city to its knees. I wasn't just a victim anymore; I was a weapon, and I was pregnant with the heir they thought they had erased. I walked into the Melton estate and made an offer to the most powerful man in New York. "I'll save your grandfather's life," I told Horatio Melton, staring him down. "But the price is your last name. I'm taking back what's mine, and I'm starting with the man who thinks he's marrying my sister."
I gave him three years of silent devotion behind a mask I never wanted to wear. I made a wager for our bond-he paid me off like a mistress. "Chloe's back," Zane said coldly. "It's over." I laughed, poured wine on his face, and walked away from the only love I'd ever known. "What now?" my best friend asked. I smiled. "The real me returns." But fate wasn't finished yet. That same night, Caesar Conrad-the Alpha every wolf feared-opened his car door and whispered, "Get in." Our gazes collided. The bond awakened. No games. No pretending. Just raw, unstoppable power. "Don't regret this," he warned, lips brushing mine. But I didn't. Because the mate I'd been chasing never saw me. And the one who did? He's ready to burn the world for me.
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